This beautiful turquoise necklace is comprised of disk shaped turquoise beads, spaced with black glass beads. It has been recently re-strung and is ready for wear. It has a new sterling silver toggle clasp. The strand measures approximately 23" long. The beads are graduated and measure approximately 3/4" in diameter at the largest; and 1/4" at the smallest. It is in excellent condition and the overall weight is 227.5 grams.

Hallmarks date this magnificent early Matilde Poulat necklace to 1934-1948. The centerpiece is huge, measuring 5" wide and 3 1/8" tall, with beautiful birds and and three large faceted purple flowers in a vase. Hand-wrought with exquisite repoussé silver work. Embellished with coral and turquoise cabochons, amethysts on the clasp. Closed, wearable length is about 18 1/2"...

Extraordinary and bold, this Spratling design was created & hallmarked c. 1951. In exquisite condition with 70 years of unpolished patina, the pin measures 3 3/4" X 2 3/4" & weighs 40 grams. The carved, heart shaped obsidian stone hangs freely and catches light beautifully. Hallmarked WS and SPRATLING OF MEXICO. A Spratling sketch of this pin is included in the Portfolio of Spratling Drawings.

Circa pre-1960, this necklace produced by Matilde Poulat has a generous length of 23", with a 3 1/4" wide center. There are amethyst stations on each side, with double chains continuing up the neck. The palomas sit next to a vase with turquoise flowers. Length on the center is 2 1/2".

Weight is a substantial 91.1 grams.

Signed and hallmarked "Matl Mexico 925 Patente 10966", along with the eagle assay 129.

A very large, heavy 18K gold Venetian Etruscan fob charm pendant set with oval red coral cabochons and pearls. The gold surface is heavily decorated with applied wirework and rosettes. The coral has intense, even color, and the pearls display good luster with a slightly creamy color that nicely accents the coral. The jump ring is marked “Italy 18K.” This is among the largest and heaviest Venetian Etruscan fob/charm/pendant we’ve had.

• Origin: Italy, ca...

A fascinating 18K yellow gold cocktail ring featuring a "forma livre" (free-form) amethyst by the famed mid-century Brazilian designer Haroldo Burle Marx. Burle Marx invented the technique of carving and tumbling forma livre stones in 1948, and the style became his signature. The amethyst chosen for this ring has distinct color zoning that creates an interesting interplay of deep and light purple coloring. The setting is finished in the florentine style typical of Burle Marx's work...

Wonderful Navajo cuff bracelet with great chiseling and stamping circa 1920-30. While this bracelet is from that time period, the design is very unusual and modern looking. It measures 5 1/2" around in the inside plus a 1 1/8" opening and is 1" wide. Weighing 57 grams, it is in fine original condition. Unsigned which is typical of the period. An outstanding piece.

Circa mid-century, this bracelet from Antonio Pineda is a published book-piece design, shown with obsidian cones in Silver Seduction : The Art of Mexican Modernist Antonio Pineda.

It's a heavy solid piece, weighing a staggering 153.1 grams. Executed in 97% silver purity, this is a very seldom seen bracelet which is nothing short of amazing. Looks fabulous on the wrist...

Circa late 1950 to early 1952, this necklace is shown on the Spratling Silver website. Noted to be a larger, more square version of the North Star necklace, it's a very rare piece from William Spratling produced by Conquistador. From his second design period, inspired by his Alaskan period. It's a book-piece design shown in "William Spratling and the Mexican Silver Renaissance", p...

This tour-de-force bracelet from Antonio Pineda pulls out all the stops. It's a book-piece design, shown on p. 209 of "William Spratling and the Mexican Silver Renaissance".

Composed of thirteen amethyst cylindrical bars and silver cones, it's an amazing bracelet with a very luxurious feel. The amethysts are gorgeous stones with natural inclusions and quartz marbling, well matched in color...

The "Silver By Toño" hallmark was used from 1948-1953. For the discerning collector of Mexican silver - this bracelet is nothing short of spectacular.

This bracelet alternates five huge amethyst cabochons between repoussé silver shields tipped with silver balls. Closure is a pin on a chain. This design, in a necklace, is shown on p. 96 of Silver Seduction. The amethysts measure 15/16" in diameter.

Closed wearable length is just over 6 1/2"...

This mid-century necklace from Antonio Pineda is an absolutely spectacular showpiece. It's composed of obsidian and silver, both in 5 point diamond shapes, which form a "V" in the front center. There is a pearl offset on the left front. This is a very rare piece, and it looks amazing on the wearer. The obsidian centerpiece is slightly curved so that it contours perfectly on the neck...

A 14K white gold ring set with a .77-carat round brilliant-cut diamond (I color, SI2 clarity, VG cut) surrounded by a horseshoe motif set with .25 carats of rose cut diamonds over a pierced gallery. Tested and guaranteed 14K.

Origin: America, ca. 1940. Finger Size: 5-3/4. Dimensions: crown, 1/2" x 5/8". Weight: 4.2 grams. Approximate Total Diamond Weight: featured stone, .77 ct; mine cuts, .25 ct.

A fine pair of modernist 18K yellow gold cufflinks designed by Georges Lenfant for Mauboussin. The faces are designed as four interlocking squares decorated with three types of surface treatment--high polish, florentine engraving, and wood-textured engraving. The hinged backs are finished with florentine engraving...

This spectacular necklace is the work of Matilde Poulat, produced before 1960.

A true statement piece which drapes perfectly upon the neck, measuring about 17" closed wearable length, with a width just over 1 1/2"...

Hallmarks date this very rare Antonio Pineda necklace 1948-1953.

The hand carved obsidian face mask has a gold sheen which is glowing and gorgeous, and exquisitely detailed, with dangling coral earrings. Stone measures 1 1/2" x 1 1/2", with a depth of 3/4". Carved tubular beads alternate with round silver beads, strung on a sterling silver chain, and the closure is a hook and eye.

Closed, wearable length is 18 1/2".

Weight is 72.3 grams.

Signed and...

This pre-1960 Matl Matilde Poulat necklace is absolutely magnificent. Collector quality, with beautiful birds, a large turquoise egg, branch coral, and turquoise and coral cabochons, this piece has a huge presence. Measures a closed, wearable length of just over 20". Weight is 80 grams. Signed and hallmarked "Matl Patente 10963 Mexico 925", with the eagle assay 129. In excellent vintage condition with a rich patina.

This stunning necklace is a rarely seen Antonio Pineda book-piece design, shown in Silver Seduction p.110. Collector quality. It's a show-stopper, with a serpentine dangle measuring 3 3/4" long composed of alternating turquoise and carnelian cabochons. The stones are gorgeous and perfectly matched in color. The necklace measures a closed, wearable length of 17". This is an extremely flattering necklace, wearing comfortably and laying perfectly. Weight is 40.8 grams. Signed and hallma...

An exquisite Art Nouveau enameled 14K yellow gold brooch depicting a peacock. The bird is worked in stunningly applied translucent enamels in shades of rose, blue, green, yellow, black and violet. The curling tail feathers are set with seed pearls and body is surrounded by an assymetrical frame set with seed pearls and suspending a small old European cut diamond and an oval brilliant-cut peridot. This is one of the very finest enameled bird brooches we’ve seen. The original clasp is stamped wi...

An elegant Art Nouveau bracelet worked in 18K gold, each link is the form of a pansy enclosed in a scrolling border. The Victorian floriography (the “language of flowers”), the pansy represented the sentiment “think of me.” Jewels with pansies were often given as a romantic gesture or by the parents of a young woman upon her marriage. The bracelet is stamped with 18K fineness marks and an unidentified goldsmith’s mark.

• Origin: France, ca. 1900
• Condition: excellent

A very good French Art Nouveau 18K gold watch pin in the form of a mythological creature that appears to be a dragon with outspread feathered wings. The details are beautifully worked. The reverse is engraved to match the front. The creature grasps an antique cushion cut diamond in its jaws. The pin retains its original watch hook on the back. This piece could easily and inexpensively be transformed into a pendant with the additional of two pendant hooks at the wingtips. The back is marked with ...

An impressive and beautifully-crafted large Victorian locket, each face carved from a single piece of onyx. The front cover is adorned with a gold floral spray studded with small natural seed pearls of the best quality. Seed pearls often have a chalky appearance but these have lovely luster and iridescence. The interior of the locket retains its original frame glass, as well as woven hair. The hair, of course, could easily be replaced with a portrait. The locket is suspended from an elegant...

We have a properly signed Antonio Pineda crescent necklace styled with black onyx and having a height of one inch. The weight is 111 grams of quality construction. A natural dark patina is on this treasure and it gives a smoky rich look but many wish Pineda's to be shiny so I will leave that up to the buyer. It sits up on an angle and lays perfectly on the neck with a 17 inch wearable length. I listed a matching bracelet on my site as well if you dream of a set. This is a really rare necklace an...

A beautiful pair of double-sided 18K yellow gold cufflinks enhanced with Prussian blue guilloche enamel enclosed in a circle of opaque white champlevé enamel surrounded by a border of ornately engine-turned gold. The faces a joined by removable s-shaped connectors. The cufflinks are presented in their original fitted box, the interior gilt-stamped with the logo for Fontenay Smets Successeur. Each of the cufflink faces and the connectors are stamped with the master goldsmith’s mark for Ren�...

A striking Art Nouveau 18K gold and pearl necklace in the form of a pendant of chestnut leaves suspended from a cluster of chestnuts. The gold surfaces are entirely hand engraved with very fine detail. The pendant is set with a natural button pearl and suspends a second pearl at the bottom. The chain is enhanced with a series of tiny pearls, as well. Chestnut trees have traditionally represented fertility, but in Victorian flower language, came more to represent “luxury and abundance.” This ...

Possibly one of Hector Aguilar's most recognizable designs, his timeless "lyre" necklace and bracelet are both sensual & strong. The necklace is 16" long X 3/4" wide & weighs 144 grams. The bracelet is 47 grams, 6 3/4" long X 5/8" wide. Both are in excellent condition with a beautifully aged patina. This design is pictured on p. 30 of SILVER MASTERS OF MEXICO by Penny Morrill.

Classic William Spratling famous "Petate" sterling pin, Mexico, c.1945. The mysterious "petate" is one of the most compelling designs ever conceived. It is signed "SPRATLING SILVER & WS (around which says)SPRATLING MADE IN MEXICO". Made of very heavy gauge silver, it measures just shy of 3" by 2 1/2". Excellent condition with a bit of silver solder on the back. A must for the Spratling collector and anyone who appreciates great design. photographed in "SPRATLING SILVER" by Sandraline Cederwall ...

This early-mid 1940's William Spratling necklace is a magnificent showpiece. The tassel centerpiece features flawlessly inlaid azur-malachite with mesmerizing shades of blue and green. From Spratling's first design period. Measures a closed, wearable length of 20.5", with a hefty weight of 90.8 grams. The center pendant measures 3.5" wide, 2.5" tall. Signed and hallmarked with the WS Print Circle and Sterling. Fold over clasp. In excellent original vintage condition with a beautiful patin...

Beautifully detailed in 940 sterling silver this delightful, hand crafted brooch was designed & signed c. 1940-45 by Taxco, Mexico Maestro Hector Aguilar. The "puffy heart" body supports the obsidian head, face and large ears all defined in silver. Pin measures 2 3/4" x 2 1/4" and weighs 50 grams. Beautiful condition and patina. 1/16" scratch on stone. Fully hallmarked Taxco HA 940. Pinback & safety are in fine working order. This design was used on the cover dustjacket of WILLIAM SPRATLING AND ...

An amazing silver repousse necklace with a central moth pendant and turquoise oval cabochon by Matilde Eugenia Poulat. Signed MATL in block letters and 0.900 for the silver content. Measures 17 1/2" long and 2 1/2" at the widest. Spring clasp holds securely. Beautifully intricate work. This is the earliest mark for her Taller, (1934-40). Wonderful condition!

Vintage watch chain circa 1940, 68 inches long, in 14K yellow gold, set with 10 chrysoprase beads, each flanked on both sides with crystal beads. Chrysoprase beads approximately 6-7mm in diameter. Watch swivel/spring ring closure. Excellent condition.

A beautiful 18K gold fancy-link long chain necklace. The links are fashioned in an ornate Renaissance revival style. The chain can be worn at full length, or the clasp can be attached to an open link partway down the necklace and a pendant suspended from the final link. The necklace is marked twice with French 18K marks and an illegible maker’s mark.

Origin: France, ca. 1900. Condition: excellent. Dimensions: 30-1/2” long. Weight: 18.3 grams.

A gorgeous Art Deco platinum mounting sprinkled with diamonds and featuring a pair of round brilliant cut aquamarines. The crown of the ring rises well up off the finger, creating a sort of umbrella effect that nestles the aquamarines. The diamonds larger diamonds in the setting are old European cuts and the smaller ones are single cuts. All are in the H/I color range with VS clarity. The mounting is finished with expert milgraining and ornate piercing.

• Origin: America, ca. 1920.

A rare and outstanding six-piece dress set in 14K yellow gold set with cat’s eye chrysoberyls by Larter for A. Sulka & Co. The gemstones are very dramatic and exhibit superior chatoyancy—the cat’s eye effect displayed when the stones are moved in light. Cat’s eye comes in a variety of colors, but the choice of this dark greenish-grayish black with the white eye is perfect for dress wear. The set comprises a pair of double-faced cufflinks and four shirt studs. Each piece is marked wit...

This moth design necklace from Matilde Poulat bears her earliest block "MATL" hallmark used 1934-1940. It's a true masterpiece, hand-wrought with exquisite silver work. Measures a closed, wearable length of 18 1/2". The centerpiece is 2 5/16" wide and 2 5/8" tall. The turquoise stone measures 3/4" wide. Weight is 55.8 grams. Signed and hallmarked "MATL" and "0.900.

A wonderful pair of Art Nouveau 18K yellow gold cufflinks by Tiffany & Co. The faces feature finely detailed images of a bearded, horned devil with pointed ears and wild hair shown against a fiery background. The workmanship of the chasing and engraving is superb. Mythological subjects were especially popular during the Art Nouveau period, and certainly this devil's head could be seen as an extension of that popularity. The faces are attached to plain oval backs, which have never been engrav...