An elegant pair of earrings featuring Type A (untreated) green jadeite beads and 14K yellow gold beads taken from an ornate antique Chinese necklace (ca. 1900) that was far too worn to salvage. The jadeite beads are semi-translucent, with even coloring and moderately-fine texture. The gold beads have applied vermicelli decoration. The earrings are finished with 14K yellow gold posts and clutches...

Good Luck Victorian 14K Gold Green Scarab stick pin,marked on back and tests 14K, Circa 1900. The top measures 3/8" in diameter and the length is 3". Condition is excellent.

This pretty lavaliere is made of 10 k gold with an especially rich color. The oval gem is actually an amethyst look-alike--a garnet/glass doublet*and the dropper is a fresh water pearl. The pendant is 1 1/4" x 5/8" in size and is on a 16" gold filled chain. Circa 1900. *Check out the blog accompanying item #1416939 for more about garnet/glass doublets.

A molded pink glass cameo gilt brass pin circa 1910. This Edwardian Austro-Hungarian or Czechoslovakian brooch features a high relief maiden cameo in purplish/pink molded glass in a gilded brass setting. This 1-3/4 x 1-3/8" unsigned pin has the original c-clasp and it is in very good condition with no chips, cracks, dents, bends, corrosion, damage or repairs other than the loss of most of the gold plating to the brass surround...

A handsome pair of double-sided cufflinks featuring oval agate cabochons collet-set in 10K yellow gold. The stones are an interesting honey color streaked with rust and gray. The connectors are marked “10K”.

Origin: America, ca. 1900. Condition: excellent, all original. Size: 3/4" x 3/8”.

A fine pair of Victorian bean-back cufflinks, each oval face set with a round color-change sapphire flanked by a pair of old European cut diamonds. The sapphires change from blue in sunlight to violet in incandescent light. One stone exhibits a more pronounced color change than the other. This is normal because of the difficulty in matching a pair of stones for size, clarity and color under varying lighting conditions. The diamonds are fine quality with bright color...

A Victorian 10k yellow gold garnets and pearls ring circa 1900. This size 5-3/4 late Victorian ring features two antique cut garnets flanking a diagonal setting with three seed pearls. It measures 1/2 x 3/16" across the setting, it weighs 2.3 grams and it is samped 10K with a JS maker's mark. It is in excellent condition with no chips, cracks, dents, bends, corrosion, damage or repairs...

A pretty necklace to liven any outfit! The bright turquoise in this lovely lavalier would be a bright accent for any outfit. The turquoise is an oval cabochon, and it is surrounded by gold 'ribbons' set with seed pearls. The use of 9 ct gold suggests an English origin but it is not hallmarked. It is is signed with the maker's mark SB & SLD in rounded rectangular lozenges. The lavalier comes with a 16" gold filled chain and is 1 1/4" X 1". Circa 1900.

A beautifully-carved hardstone cameo depicting Libertas, the Roman goddess of liberty. She can be identified from the shape of the diadem she wears in her hair. The image is quite similar to American "Morgan" silver dollars from the late 19th century. The color contrast of the stone is quite remarkable. The carnelian cameo is set into an intricate gold setting in the Etruscan Revival taste. The back has both a brooch fitting and a hidden bail for wear as a pendant...

A handsome pair of Victorian 14K yellow gold cufflinks, the oval faces enhanced with translucent guilloche enamel in French blue surrounded by a raised laurel wreath border. The faces are attached by arched conectors to beanbacks. Each cufflink is stamped with Carter, Gough & Co.'s hallmark.

Origin: America, ca. 1900. Condition: excellent, no dings to gold; normal light wear to enameled surfaces visible under magnification but not apparent to the unaided eye. Dimensions: 3/4" x 1/2"...

This charming watch pin is a lovely example of Art Nouveau design. A central amethyst is flanked by seed pearls, all set in 14 k gold. The pin is 3/4 X 3/4" and carries the maker's mark L B A. Circa 1900.

Very finely crafted repoussé and pierced silver gold washed medallion, depicting a laughing Immortal riding a Qilin, he carries a lingzhi stem in one hand a lotus pod in the other. Late Qing Dynasty circa 1890-1910. This was probably sewn onto a garment or hat likely a part of a wedding outfit- (6.5cm x 5.5 cm, 6 grams). There is a small tear at the bottom- easy to fix or hide- noted in enlargement. Free shipping.

An Edwardian 15k amethyst & pearls lavaliere from the 1905 era. A great example of fine Edwardian gold jewellery. It measures 20-3/4" and it is in 15k yellow gold. The stones include nice bezel set faceted natural amethysts and seed pearls, all mounted in an ornate 2-7/8 x 2" central drop. The drop is stamped 15Ct, and the replaced chain tests as 10k...

A lovely Arts and Crafts period 830 silver high relief rose Skønvirke brooch circa 1900. This antique 2-1/8" x 1-5/8" pin has a long c-clasp and it is marked simply 830. It is quite likely this piece is Scandinavian, it is entirely consistent with early Skønvirke ("beautiful work") made popular by fine Scandinavian silver makers. It greatly resembles early Bernard Hertz work, but is not signed, other than the 830 silver mark...

A very fine 18K yellow gold fancy link chain necklace featuring round and teardrop links interspersed with smaller navette-shaped links. Each of the handmade fancy links is further enhanced with elegant beaded decoration. Necklaces in this style were a quintessentially French design near the end of the 19th century and they look especially elegant when layered with other chains...

A striking late Victorian 14K yellow gold crucifix set with sapphires, an old European cut diamond and seed pearls. The diamond is graded at I/SI2 and the sapphires are finely colored and show no indication of heat treatment. The gold surface is "bloomed" for a soft matte texture that enhances the gold color but is subdued enough for the religious purpose of the pendant. The bail is original and is stamped for Bippart, Griscom & Osborn, one of the finest Newark jewelers of the era.

• Origin...

This petite French lavalier measures 1-1/8” (not including the jump ring) by 11/16”. It features 3 rose cut diamonds and 3 pearls. Marked only “DEPOSE,” which translates roughly as “patented”, it tests as 18k. The stones are set in white metal, almost certainly platinum. 2.1g. We believe this used to be part of a larger piece, however, the transformation was done very skillfully, and it is in overall very good condition. There is a very small dent on the upper right edge, but it’s ...

Circa 1910, old mine cut diamond ring. Set in 14k rose gold and platinum, this 1.68 ct diamond has an EGL certificate stating it is N color and SI1 clarity. For such an old stone, it is beautifully set and nicely sparkly. It is almost an oval shape, but looks larger than its weight. The ring has 10 additional old mine cuts that total an additional .25 ct. The ring is a size 6 and the overall weight is 3.6 grams. It is in excellent condition.

A 9k blue topaz Edwardian rose gold bar pin from the 1910 era. This lovely 1-13/16" brooch features a cornflower blue topaz (tested) and it has a safety pin style clasp and a loop for a safety chain (not present). It is stamped 9Ct and the style is early Deco in feel. It weighs 1.6 grams and it is in excellent condition with no dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or a...

This classic jewel consists of a circle of gold, enameled in cobalt blue, with gold highlights. A 3-looped bow is interlaced through it, decorated with tiny seed pearls, as are the bail and dropper. There are a couple very minor flaws in the enamel - invisible without magnification. It is stamped for 15kt gold, and the gold has that lovely rich color we rarely see these days. There is a place on the back where it looks as though someone made a repair, but of course it’s not visible when worn. ...

An elegant Art Nouveau bracelet, the fancy links comprising ornately twisted knots and set alternately with old mine cut diamonds and round cut sapphires. The diamonds are set in platinum collets while the sapphires are in yellow gold. The diamonds are H color, I1 and I2 clarity; the sapphires are vivid blue. The clasp is stamped with a maker’s serial number indicating a quality house, and the clasp tongue is stamped with French 18K gold marks.

• Origin: France, ca. 1900
• Conditio...

This beautiful pair of scarab design cufflinks is marked for Unger Bros, a well-known turn-of-the-century American jewelry maker. Each beetle or scarab is 1/2" by 13/16". They are made of sterling silver. Circa 1900-1905.

Also an embarrassment, since two gemologists can't determine what the stone or the metal might be. However, this is a very beautiful Egyptian Revival piece which ought to be vintage (or even antique) The enigmatic yellow stone does not appear to be glass and the metal tests as 10 k gold, but by this time uncertainty rules! The pin is 2 5/8" overall, and the decorative head is 7/8", so it's large enough to make a statement on your lapel. We think it's circa 1900, but are not sure. There a...

This 14 k Art Nouveau watch pin features a lady in profile. Her curving, golden tresses frame her face. The pin is 1 1/2" X 1" in size. It has a old style lever safety clasp and is marked 14k. Circa 1900.

A lovely 14K gold Edwardian long chain set at regular intervals with round brilliant cut amethysts in collet settings. The necklace is completed with a dog clip clasp. The chain can be worn at is full 52-1/2” length, our doubled and worn at 26-1/4”. The amethysts have excellent color and brilliance. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 52-1/2” long
• Weight: 16.4 grams
• Approximate Total Amethyst Weight: 5...

An elegant heavy gold bracelet comprised of linked chains decorated with three-leaf clovers. In Victorian flower symbology, clover leaves, regardless of their number signified good luck, but they also held the meaning “think of me.” Kauffer was the primary jeweler of the Ecole de Nancy, France’s most important group of Art Nouveau artisans. He exhibited at the Louvre during his lifetime. Unlike the more florid Art Nouveau designs by Parisian jewelers, Kauffer’s designs tended to be more ...

Circa 1900 sash ornament that can be worn as brooch pin with wide "C" catch. The green 14mm oval art glass mottled stone, made to resemble apple green jade and referred to as Chinese peking glass, is bezel set amidst a lattice dome and highly ornate designs. You should see the globules within which is what makes this a very collectible simulated stone.
Substantial @ 3" x 2" & weighs 21 grams.
$11 USPS Priority/Ins/Track or Free with USA Ck or USPS MO.
Please collect with confiden...

An elegant Art Nouveau 14K gold enameled flower pin with a full-blown blossom centering a seed pearl and a half-opened blossom. The petals are decorated in soft shades of ivory, green and rose iridescent translucent enamels. Delicate floral pins of this kind were popular gifts for new brides in the Victorian and Edwardian eras due to the sentimental meanings of various flowers in the Victorian flower language. The back is hallmarked by Whiteside & Blank.

• Origin: America, ca. 1900
• ...

An English, Victorian slide locket. To both sides a design of water lilies with the floating contours of Art Nouveau. Lion passant, anchor mark for Birmingham, date mark for 1901, and maker’s mark ESB (?). A ridge inside the locket indicates that it might have been equipped with a mirror. Diameter "1 ½ / 4 cm. Condition: fine.

This plique a jour pendant is centered with an oval white opal and accented with eight colorless brilliants. The dropper is a fresh water pearl. The translucent enamel is an unusual and lovely blue in color. Plique a jour, that unusual, difficult, and beautiful technique, dates from the 15th century. It was used by Cellini, then revived in the late 1800s in France. The metal frame in this lovely piece is 900 silver, suggesting that the piece is most likely German or Austrian in origin. Circa ...

An elegant pair of 18K yellow gold Art Nouveau cufflinks set with rose and single cut diamonds. The cufflinks have a classic design of whiplash curves typical of Art Nouveau jewelry. They are worked in both slightly matte bloomed and polished textures for added interest. The torpedo backs are connected by wired bridges. The cufflinks are stamped with French import marks, apparently those used for temporary admission into the country so they could be displayed at one of the international design s...

This is a very unique probably American made late Victorian 10Kt pink gold and rose diamond bangle bracelet with a flower design. The two clusters and the surrounding design is set with 24 various size and quality rose cut diamonds. The approximate total weight of all rose diamonds is 1.20Ct. The bracelet is quite heavy since it is NOT made of hollow gold, and fits an average or slightly larger than average wrist.

This is a VERMEIL STERLING DAVID ANDERSEN BLUE ENAMEL BROOCH. The size is 2" in Diameter. Marked no the back: DA 925S/ katerer?/ STERLING. Ca. 1960's in EXCELLENT Condition

19th century Qing Dynasty Noble lady's gilt silver hairpin with antique real 2 jade stone and flora(plum blossom) pattern symbolizing all season goodness and welcome prosperity...some restoration on the back thin silver plate.

A rare pair of late Victorian or early Edwardian silver double-sided cufflinks, each face decorated with a finely detailed painted enamel English greyhound. Each face is also set with a row of three single-cut diamonds inside a milgrain border. The faces are joined by chain connectors.

• Origin: Continental Europe, ca 1900
• Condition: excellent, normal age-appropriate wear visible at 10X magnification, no enamel loss
• Dimensions: 7/8 x 9/16” (15 x 21 mm)
• Weight: 8.0 ...

Movado 14kt. gold pocket watch with the inside is Movado Grand Prix Ave Felicitations Du Jury Pairs 1900 Bruxelles Liege 1905 and an autograph. Age: 1905 Size: 2 ½” x 2” dia (6.35 x 5.08 cm) Condition: Minor signs of wear.