Florenza goldtone metal flower-form brooch with turquoise glass stones and clear rhinestones. 2" x 3". Ca 1950.

Over the top gorgeous vintage sterling and turquoise cuff bracelet by Frank Patania Sr. The stones are most likely bisbee and the color is spectacular, deep and vivid. Measuring 6" around in the inside with an additional 1 1/4" opening, it is 2" wide and weighs a hefty 129 grams. It is in fine original condition with no chips or cracks to the stones. Signed as shown, this is an incredible and rare Patania design from the mid-century. Please see the matching pin to this bracelet listed separately...

Exceptional fabulous French asymmetrical necklace with two strands of metal links and three stations with very big green foiled baroque shaped glass beads mounted in filigree caps with brilliant rhinestone rondelle spacers, and repousse rings at each end. Oversized spring ring clasp with larger repousse ring. Circa 1950 or possibly earlier. Weighty and substantial and all elements are very ornate and beautifully made and detailed...

Beautiful 1940s or 1950s French Renaissance revival bracelet in dark goldtone metal with ornate repousse elements with fine dark enameling, and red and black opaque poured glass stones. Marked MADE IN FRANCE. In the style of Chanel jewelry of the period. With large ornate box slide clasp. I am also listing the matching necklace. Excellent condition. Display form is life size. Photos enlarged to show detail.

Fabulous vintage necklace with thirteen glowing "dragon's breath" glass cabochons simulating fire opals, in baroque, deeply worked settings. Marked STERLING, TAXCO, EMMA, and numbered 279. This is the mark of Emma Melendez of Taxco, active 1953-1971. Slide clasp. 16 inches wearable length and 7/8 inch wide. Excellent condition. Photos enlarged to show detail. Display form is life size.

A delightful vintage 14K yellow gold disc charm or pendant by Tiffany & Co. The center features an intricately cast "Tree of Life" bedecked with gemstone flowers. Starting with the diamond and spiraling outward in a counterclockwise direction, the first letter of each gemstone’s name—Diamond, Emerald, Amethyst, Ruby, Emerald, Sapphire and Topaz—spells “DEAREST”. The tree is enclosed in an open twist border, in turn enclosed in a broad “pleated” border...

Classic William Spratling famous "Petate" sterling pin, Mexico, c.1945. The mysterious "petate" is one of the most compelling designs ever conceived. It is signed "SPRATLING SILVER & WS (around which says)SPRATLING MADE IN MEXICO". Made of very heavy gauge silver, it measures just shy of 3" by 2 1/2". Excellent condition with a bit of silver solder on the back. A must for the Spratling collector and anyone who appreciates great design...

Felipe Martinez was a sculptor, then a stone cutter for Hubert Harmon, before he opened his own taller "Piedra Y Plata" in 1950.

This necklace is a spectacular piece with carved and polished onyx in an edgy modernist design. A very rare necklace in collector quality. Stones are flawless.

Closed, wearable length is just over 16"...

A colorful, handsome pair of 14K yellow gold cufflinks, the faces bezel-set with carnelian and green chalcedony oval cabochons. The color contrast is very striking. Interestingly, they could be worn so either the red or green sides face out on the cuff, or with one cuff showing red and the other green. Tested and guaranteed 14K.

Origin: America, ca. 1950. Condition: excellent. Dimensions: faces, 9/16” x 7/16”. Weight: 6.1 gr...

This lovely stanhope (in silver tone) measures 1 1/2" x just under 1". The viewer shows a woman in prayer and has The Lord's Prayer in full. The view is excellent: extremely clear and legible. The cross is decorated with pave-set, colorless rhinestones (some minor yellowing to rhinestones). Also in the viewer it reads MADE IN FRANCE.

With hallmarks dating 1940-1944, this William Spratling bracelet is from his first design period.

Composed of three rows of elongated silver beads with a foldover clasp, this is a weighty bracelet which tests out at 980, or 98% silver purity...

"Mask" jewelry is not a rarity in the world of vintage Mexican silver yet the portrayals are almost always of ancient, Mesoamerican faces. And even though I am a very big fan of them as long as both the carving and the setting is interesting, I am thrilled to be presenting here a big brooch by A. Tobias housing the portrait of a more "contemporary" man...

Circa pre-1948, this is a gorgeous bracelet from Fred Davis. It's a modernist design, with exquisite repoussé silver work.

Six turquoise cabochons are nestled within opposing silver "V"s which form diamond shaped panels, tiny silver beads between them. Alternating with these panels are large silver domes. Closure is a tight and secure tongue in box...

Spratling designed this stunning sterling silver piece during a period of time when he worked to develop a plan modeled on what he had done in Taxco, to help create an economic base for native Alaskans writes Penny Morrill in her book WILLIAM SPRATLING AND THE MEXICAN SILVER RENASSIANCE p.239. Inlaid with azur-malachite the pendant measures 4" X 3". The necklace is 18" long. Signed SPRATLING DE MEXICO & Eagle 13, hallmarks used by Spratling from 1949-51. All in beautiful condition. Pictured in M...

This classic A. Michelsen daisy pin has a diameter of 1 3/4”. The white enamel petals, like layered rays, are shiny and beautiful surrounding the detailed, sterling vermeil, textured disk. The back is marked with the “AM” beneath a crown (the Anton Michelsen maker’s mark) hallmark and “STERLING DENMARK 925 S” below that. This brooch is in excellent condition!

One of the most interesting - and few - female figures of Mexico's 20th c. Silver Renaissance, Doris Smith Chamberlin was a Texas-born American who decided to move to Mexico in the 1940s to open her own workshop after having completed post-graduate studies in art and having taught woodworking, textile-making and silver-smithing for a few years in California (I am grateful to Decotini for the information). In Mexico City, where she settled, she created and sold her own designs but also commission...

This fine piece is beautiful with its pave-set, clear rhinestones, accented by oval (diamond) shaped, faceted stones. It is both a brooch and a pair of shoe clips. It measures 2 5/8" x 1 5/8". The frame is marked Coro Duette in script and PAT No 1798867. The actual clips are marked PAT 1852188. It is in excellent condition.

Circa 1941-1950, this extremely rare Antonio Pineda pin is a book-piece shown on p. 89 of Silver Seduction: The Art of Mexican Modernist Antonio Pineda.

Measuring 3 1/8" tall, this pin has stunning detail and is exquisitely crafted. The center fuchsia flower dangles freely. As such, the pin can be worn at various angles to create different looks.

Weight is 37.6 grams.

Signed and hallmarked with the early "AP" mark along with "Silver Mexico" and the design # PR309...

Dating early 1940's, this is a rarely seen Los Castillo necklace. Likely a Margot design, as she was married to Antonio Castillo at that time. It's a gorgeous piece, with the centerpiece measuring 4 5/8" across, 3" tall. Lays perfectly on the neck, and looks spectactular on. Closed, wearable length is 16". Weight is 92.6 grams. Collector quality, with no issues whatsoever. Excellent in every way.

Hallmarks date this piece 1940-1944. This is a stunning hand-wrought cuff bracelet produced by William Spratling during his first design period. This is a design which is seldom seen. This design is shown on the spratlingsilver website. Open-backed repoussé triple lines are set at diagonal angles to each other, with tiny silver beads on both top and bottom. The ends have three large silver balls. Recesses are oxidized giving a beautiful depth.

Signed and hallmarked with the WS Pri...

Circa pre-1948, this coiled snake necklace is the early work of "CEL". I seldom come across pieces by this artisan, but the few I have had are all in the same folk art style of Matilde Poulat, as is this design. Like produced in Mexico City, this necklace is in superb vintage condition.

Composed of alternating spiral and coiled links, the closure is a turquoise jeweled snake head and tail which joins together. You can wear it with the snake at center front, or on the side. Both ways l...

An elaborate sterling silver knot hanging off a classic repousse semi-sphere takes center-stage in this set of vintage Mexican dangle earrings by renowned Taxco maestro Pedro Castillo. I love Pedro Castillo's work for its complexity and layering and the modernist twist it adds to motifs derived from Mexico's rich cultural past. And even though these beauties are of medium length, they do pack a strong visual punch with their strategically applied oxidation and the warm patina they have developed...

Circa 1940-1945, this is a heavy solid 940 silver bracelet from Hector Aguilar. It's an iconic early design, known as "Fertility". A book piece design, it's shown in the Morrill/Berk book "Silver Masters of Mexico", as well as "Mexican Silver". Executed in 94% pure silver, it's entirely hand-wrought, with deeply incised links and oxidized recesses. Measures a closed, wearable length of 6 3/4", with a width of 15/16". Closure is a pin on a chain. Weight is 99.5 grams. Signed and h...

Art Deco 18K gold and sapphire stirrup cufflinks in the style first popularized by Cartier. The heavy mesh sides are accented with two blue sapphire sugarloaf cabochons on each cufflink. Each is stamped with French 18K gold hallmarks.

• France, ca. 1950
• Excellent condition
• Dimensions:13/16" x 1-3/32"
• Weight: 16.9 grams
• Approximate Total Gemstone Weight: .72 carat

Circa 1930's, this Fred Davis pin is very striking, with a design which I've not seen previously. The craftsmanship is superb with exquisite repoussé silver work. Measures 2 11/16" tall, 2" wide. Weight is 25.3 grams. Signed and hallmarked with a conjoined FD Made in Mexico Silver. In excellent vintage condition. Pin closes with a simple early spiral C clasp, and is very secure.

Circa 1940-1945, here is a superb hand-wrought necklace produced by Ana María Nünez de Brilanti, whose work is known as "Victoria". Brilanti opened her shop in Taxco in 1940, and named her shop Plateria Victoria, after her daughter. Brilanti is well known for her original designs and excellent craftsmanship, and this necklace is one of her earliest works. It's a book-piece design, shown on page 103 in "William Spratling and the Mexican Silver Renaissance", and referred to as "Curling Feathers"...

Hallmarks date 1940-1944 on the superb William Spratling bracelet from his first design period. Tested to be 980, or 98% pure silver.

This is a heavy, gorgeous, luxurious bracelet which looks and feels amazing on the wrist. It's an extra large size, measuring a closed, wearable length of 7 1/2" and a width of 7/8".

Weight is 116.6 grams.

Signed and hallmarked with the WS Print Circle "WS Spratling Made in Mexico", and "Spratling Silver".

In ex...

Bold, colorful and generously long this vintage Mexican chain necklace is signed by Cecilia and Tono, one of Taxco's most successful duos. The combination of chunky amethyst, slender sterling tubes and lozenge stations embellished with azur-malachite inlay is undoubtedly eye-catching and I love the irregular shape of the stone beads which underscores their hand-cut quality. Wear it alone or combine it with similar pieces, the result will be stunning either way. The necklace measures 31 1/4" lon...

Reminiscent of Frank Lloyd Wright Art Deco designs this silver & stone necklace was created & signed c. 1949-52 by American & Taxco, Mexico artist William Spratling. Weighing 100 grams, the necklace has a wearable length of 18 1/2 inches. The central element is 2 1/2" X 1 1/2". Signed on the clasp SPRATLING DE MEXICO STERLING. Both stones & silver are in beautiful condition. Clasp is tight & secure. This design is pictured on p. 242 of WILLIAM SPRATLING & THE MEXICAN SILVER RENAISSANCE by Penny ...

Generously long and imposing in its presence, this early Mexican Deco silver, copper and stone necklace with cascabeles is a great example of the way ancient Mesoamerican artifacts found their way into jewelry created during the country's 20th c. Silver Renaissance. Statuettes, clay "masks", beads of stone and silver, carved pieces of bone were unearthed on a daily basis in Mexico's countryside either by accident as people worked the land or as a result of deliberate "digging" to find them. Many...

Beautifully designed and crafted, this early vintage bracelet features gorgeous Turquoise stones in both oval and round shapes set in thick heavy silver links. Hallmarked with the Antonio Taxco Crown mark, Silver Made in Mexico, ZZ555 and the eagle 17. Measures 6 1/2" long by 1" wide and is a hefty 71.4 grams. Secure clasp and safety chain. A stunning and seldom seen bracelet.

A Mexican version of the classic "giardinetto" jewelry, this set of Matilde Poulat earrings is rather unusual with its all-silver vase that holds the flowers. All tell-tale characteristics of Matl's creativity are here though: the silver has a hand-hammered texture, the wire-work with its tiny beading surrounds the vase like an undulating silk ribbon, there are small round dangles hanging off each earring's bottom and, last but not least, we have intense splashes of color from the coral and turq...

A handsome pair of double-sided button-style cufflinks, the round faces formed from discs of mother-of-pearl surrounded by borders of opaque royal blue enamel. Each face is centered with yellow gold “stitches”. The mother-of-pearl has nice iridescence. The faces are joined by removable connectors. Marked “585” for 14K.

Origin: Europe, ca. 1940. Condition: excellent, no enamel damage. Size: 9/16” diameter. Weight: 7.0 grams.

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940. Condition: ex...

Sterling silver square pressed powder compact with mirror. Engraved lines on front outside of compact with engraved hearts in each corner, back is plain, no initials. Stamped "Elgin American Made in USA Sterling" on powder lid inside. Mirror has some age marks on the edges. Size: 3.5 x 3.5 inch square Weight: 180.8 grams (116.3 dwt)

Vintage long necklace of graduated Gripoix poured glass beads in green and purple, wired with dark goldtone metal, with ornate filigree caps, and cylindrical stamped dark goldtone metal beads, with a screw barrel clasp, circa 1940. Marked MADE IN FRANCE. 37 1/4 inches wearable length. The largest center bead is just under 3/4 inch wide or 17mm. Excellent condition. Display form is life size. Photos enlarged to show detail.