Fred Davis was often daring with his designs using size for the jewels presence. This one is 2 1/8th inches tall and a depth of .25 inches. The length is 9 inches but has a wearable of 6.5 inches. The stones are without damage and set into their rows like peas in a pod. There are no dents to the saucer shaped beads. There is a natural patina and you will see some patina scattered about and on the ends of the handmade beads. Exceedingly rare and built for attention at 212 grams of thick silver...

Circa 1930's-1940's, this necklace from Fred Davis is nothing short of spectacular. A very rare piece, with repoussé sterling silver curved domed dangles. This lays perfectly on the neck, and it has a huge presence. A piece which will not fail to be noticed. Measures a closed, wearable length of 15". Length of each dangle is 1 7/8". Weight is 105.6 grams. Signed and hallmarked "FD 925". Collector quality. In excellent vintage condition...

From his first design period, with hallmarks dating 1940- 46, this is a silver conch pin designed by William Spratling and featured in books on Mexican silver. Measuring 2 3/4" by 2", weighs 21 grams and is signed as shown. The pin clasp may have been replaced . One of Spratling's favorite designs.

This is a distinguished pair of oval shaped gold filled cufflinks with toggles backs, each designed with a central fleur de lys on a mesh-like background surrounded with a scalloped border, the back designed with a guilloche-like design, unmarked but tests 12K gold filled. Measurements: 7/8 in long x 1/2 in wide; Condition is excellent.

This majestic piece was designed & signed c. 1940's by American & Taxco, Mexico artist William Spratling (1900-67). The necklace measures 16 1/2" long X 1 3/4" wide & weighs 226 grams. Originally strung on twine, the necklace has been professionally restrung on sterling silver fox tail chain. Each link is set with a turquoise cab. Excellent condition & patina. The necklace is secured with a slide in pin closure. This rare necklace was purchased from a NYC Park Av. estate...

Based on Hector Aguilar's often referred to as the "fertility" parure, this anonymous Mexican Deco sterling silver band ring is a rare find. I love the combination of the two cross motif variations, the deep hand-chased details and the sense of depth enhanced with oxidation...

This early Mexican necklace is based on the Los Castillo dragon design, and is every bit as spectacular. Featuring superb craftsmanship, it's a true statement piece with attention to detail second to none. Closed, wearable length is 17", with each dragon having a height of 3 1/4". Weight is 73.5 grams. Hallmarked "Mexico Silver", this piece dates pre-1948. In excellent vintage condition.

Known for their high quality of holloware primarily, Ingrid's remains even today one of those elusive actors in the story of Mexico's 20th c. Silver Renaissance. Active in the 1930s and 1940s, as Bille Hougart reports, this retailer seems to have been the venue through which well-known maestros like Chato Castillo sold some of their creations...

This festive necklace is composed of large, faceted Bakelite beads interspersed with round one. The necklace has been restrung with a new yellow metal spring-ring clasp and jump ring, so is quite secure. The beads come in butterscotch, black, cherry, root beer, dark brown, orange and marbled green, to name a few shades. There is one round bead that appears to be Prystal. All beads definitively pass the Simichrome test except for the black. They are probably from the 1940s...

One rarely sees work produced by La Joya. La Joya designs are unique and original, the craftsmanship superb. This necklace dates to pre-1948. It's a definite statement piece, adorned with 7 amethyst cabochons. The largest of them measures 7/8" x 7/16", and sits on the center "ribbon". Centerpiece measures just under 5 1/2" across. The amethysts are beautiful stones, well matched in color, with natural inclusions...

A fascinating pair of 14K yellow gold cufflinks set with emeralds. This is only the second pair we've seen with this particular type of mechanism. The "wheat-style" chain is inserted through the cuff and then wrapped around the emerald-set head. It works much like the more traditional stirrup-style, but with more flexibility. Each head is set with a pair of rectangular emeralds. As is typical of the Retro period when trade was restricted by World War II, the emeralds are synthetic. The sto...

A classic early Matilde Poulat Mexican silver bracelet, its textured sterling wire-work adorned with beading and coral and turquoise cabochons, this piece was made in the 1934-48 period of Matl's creative life as is indicated by its hallmarks. Part of her "flat" as opposed to "repousse" jewelry, the bracelet is perfectly articulated and responds to the wrist's every move in a effortless, gracious way. Its "solid" construction bestows a welcome weight to it that feels warmly familiar when you hav...

Not much is known - if anything at all - about Ars Plata whose signature is found on the Mexican silver and amethyst dangle earrings at hand. Bille Hougart lists an "Art Plat." in his book on Mexican silver hallmarks but I am not sure the two workshops / retailers (?) are the same. This lack of information is part of the field's reality yet it is always exciting to find a name not often encountered. Especially if it is stamped on beautifully made, slick jewelry like this set ever so reminiscent ...

This spectacular Retro style brooch/pendant with tassels is guaranteed to bring compliments to the wearer. It is a wonderfully unusual 14K yellow gold circle pin featuring 36 round crystal cabachon opals set with stylized opal loops finished with two garnet flowers, each centered with a single cut diamond and holding 4 stylized gold chain tassels with cabachon opal drops. This brooch measures 3 in L x 1 3/4 in diameter; Opals are 3 ct and 5-7 pts., 2 diamonds-3 pts, 10 garnets-4pts ea.. Total ...

This necklace was produced by P. Ochoa in Mexico City during the 1930's - 1940's. One seldom comes across the work of this silversmith, whose work closely mirrors that of Matilde Poulat. This necklace is hand-wrought with a carved onyx face/mask sitting within a highly detailed repoussé headdress. The centerpiece measures 1 13/16" x 1 15/16". End to end, which is also closed, wearable length, measures 21". Weight is 63.4 grams. Signed and hallmarked "P Ochoa 925 M". Collector...

Sumptuous vintage necklace with two strands of graduated oxblood red undyed Mediterranean coral spezzati, or branches, with a gold washed silver clasp. The color is a true red and darker than the photos depict. Best representation of color are the photos on light background. Circa 1940. The clasp is not marked but tests positive for at least 900 silver. 18 1/2 inches wearable length on the inside strand. It drops 3 1/2 inches in the center. Excellent condition. Some wear to gold wash on ...

Fabulous vintage bib necklace which is most likely a Frank Hess design for Miriam Haskell, from the 1930s or 1940s. With graduated sizes of beautiful solid glass dark blue beads in lily form, mounted on chains in a characteristic Hess for Haskell style, and with long dimensional brass leaves. The color is warmer than the photos depict. Slide clasp. 16 inches wearable length. The center drops 3 1/2 inches. Excellent condition. Photos enlarged to show detail.

A Fine Translucent Apple Green Jade with Diamond Pendant: China, early 1900s, marked 14 K. The very brilliant and translucent apple-green pea-pod shape (?) jadeite with a diamind set in a 14 karat clasp, well carved pendant. It measures 3.6cm long and 1,2cm diameter

$2,600 Circa 1940-1944, this bracelet is known as "Petate", and is one of Spratling's heaviest and most elusive designs. It's a book-piece design shown in "Dreaming in Silver", and spectacular in every sense. Measures 2 1/8" tall in front. Closed, wearable length is 6 3/4". Closes with a pin. Weight is 126.5 grams. Signed and hallmarked "Spratling Silver, Made in Mexico". Tested to be 98% purity. In excellent vintage condition.

Rare early vintage Joseff of Hollywood heavy double chain Byzantine or Etruscan revival ornate necklace in dark antiqued goldtone metal with hook clasp. 1940s. Marked JOSEFF HOLLYWOOD. Joseff jewelry was designed and made for costuming in top Hollywood movies in the 30s through the 60s, and also sold to consumers in exclusive stores such as Nieman Marcus. A key signature of Joseff jewelry was the matte metal finish which was intended to reduce glare under studio lights during filming, and was us...

A vintage 18K yellow gold heart-shaped pendant/charm, the border set with alternating cushion cut Burmese rubies and old mine cut diamonds. Like most Retro pieces, the large size has great presence. The rubies have fine, bright red color and VS clarity, and display all the characteristics of Burmese rubies. There are no indications of heat or other treatment. The diamonds are of similarly fine quality, graded as I color, SI clarity. The bail is marked “750” for 18K gold. The pendant is ideal...

Exuding a primordial strength and keeping its secrets well hidden under layers of hand-etched scales, beading and overlay this stunning creature - I see it as a sea serpent but on second thought and if those appliques running along its spine are stylized feathers, it could be Quetzalcoatl as easily - is another treasure bearing the signature of Doris and her Corpus Artisans group of maestros. Appreciation for Doris jewelry has been growing steadily since I first started dealing in vintage Mexica...

Circa 1940's, here is a seldom seen pin from noted Taxco designer Hubert Harmon. Harmon was active for a short time, and this Neptune pin is signed and hallmarked with his winged feet and Hubert Harmon marks dating likely 1942-1948.

It's a stunning whimsical pin with Neptune holding his pitchfork, seating upon a large fish with an amethyst cabochon eye. The repoussé silver work is superb. A very unique, very rare piece, perfect for the discerning collector.

Measures 3" lon...

With hallmarks dating 1940-1945, this spectacular bracelet is a very rare and early creation from Los Castillo. It's a huge showpiece, with six rectangular faceted amethyst gemstone surrounded by tiny silver beading. The amethysts are great old Mexican stones, well matched in color, with quartz marbling and natural inclusions. Measures a closed, wearable length of 6 1/2", with a width of 1 9/16". Weight is 130.9 grams. Signed and hallmarked with early linear marks "Los Castill...

An early Taxco treasure, this Mexican Deco cuff bracelet is both generous in weight and wrought in fine, .980 silver. The design is classic for the period and I have seen all-silver versions of it over the years by anonymous and recognizable names, that of Emma and La Cucaracha being among the most famous. The marriage of silver and copper that we are treated to here, however, I have never encountered before. Not only is the mixing of the metals unusual - the incorporation of the specific silver...

Intricately constructed of sterling silver & stone this piece was designed c. 1940's by American & Taxco, Mexico artist William Spratling. Measuring 2 1/2" X 2 1/2" the pin weighs 40 grams. This design was included in the museum exhibit William Spratling and the Mexican Silver Renaissance & is pictured on p.97 of the museum catalog by curator Penny Morrill. Also pictured on p.48 of Mexican Silver by Penny Morrill & Carole Berk. Rarely seen on the market this museum piece is included in the perma...

A rare example of Jose Luis Flores's work to come upon, this distinctly modernist necklace made my day when I discovered it. I have in the past sold the matching bracelet to it but this specific form eluded me for the longest of times and I am thrilled to be offering it here. Made up of links constructed using overlay, hand-cutting and chasing as well as oxidation, it brings to mind Teran's biomorphism and the design's execution is flawless. No wonder many of Flores's jewelry are also signed for...

Beautiful dimensional bracelet with repousse work in pre-Columbian style motifs. Circa 1940. Marked STERLING 925 TAXCO MEX and signed CP or OP. It weighs 51 grams. This piece and most of the other Mexican silver I have listed came from one long time collector's estate. 3 3/4 inches wide in front and with a wearable length (when the edges meet) of 6 1/2 inches. Overall excellent condition. The tips of the longest "fronds" have some very slight unevenness which is most likely from the ...

Hand made modernist sterling and robin's egg blue(front) and white(back) enamel screw back earrings by Willett, c.1950's. They measure 3/4" square and are each signed "WILLETT STERLING" and are in fair condition, with some enamel missing et the edges.....$6 for insured USA shipping & appicable NY tax.

This sterling silver necklace was designed and signed (c.1940) by Taxco, Mexico artist William Spratling (1900-67). The pendant measures 3 1/4" X 3 1/4" and can be worn as a brooch by easily detaching the 20" long sterling silver chain. The pendant with chain weighs 110 grams. Both silver and the beautiful amethyst stones are in excellent condition. Shown and described on spratlingsilver.com. Also pictured in SPRATLING SILVER: A FIELD GUIDE by Phyllis Goddard and in MEXICAN SILVER by Penny Mor...

This is a very rare bracelet from Los Castillo, executed in 980 silver. One of their earliest pieces before they added design numbers with their hallmark. At the center is a huge gorgeous amethyst cabochon, bezel set and surrounded by tiny beading. Three strands of silver beads attach to each side, wrapping around the wrist to close with a tongue in box clasp topped with an amethyst cabochon. This is an extremely flattering bracelet. It looks absolutely stunning on the wrist. The amethyst ...

Offered on consignment.....

This pre-1948 bracelet is a huge, wide, weighty piece and a Fred Davis design. It's unsigned, marked simply "Silver Mexico".

The panels have a geometric design inspired by pre-Columbian clay stamps which Davis collected. You can see a similar Fred Davis bracelet with amethysts in my shop.

Bracelet measures a closed, wearable length of 7", with a width of 2 1/8".

Weight is 104.9 grams.

In excellent vintage condi...

This very early bracelet displays wonderful artistry with each large and ornate link. It is extremely well crafted. The curves and the design of this heavy gauge silver bracelet are wonderful. Each link is slightly convex, adorned with a vivid, turquoise cabochon (each with different greens, blues and browns forming beautiful matrixes). The bracelet measures 7 5/8" x 1 5/8". The hook clasp is marked "SILVER MADE IN MEXICO." This fabulous bracelet weighs 90 grams and is in excellent conditi...

Circa 1930's to early 1940's, this is a dramatic necklace from Mexico City silversmith JGD, one of several artisans in this early era who produced this type of folk art jewelry. Composed of eighteen panels, each with a faceted amethyst and fourteen turquoise cabochons. Length is 17", width is 1 1/2". Weight is 183.9 grams. Signed and hallmarked "JGD Hecho en Mexico D.F. 925". In fine vintage condition.

A handsome pair of 18K yellow gold cufflinks worked in the Etruscan Revival style with applied bead rosettes. The spherical faces are attached by chains to baton backs, also decorated with applied bead rosettes. The gold surfaces have a slight matte finish. The cufflinks are hallmarked with the French “hibou” import mark.

Ca. 1940. Condition: excellent, each sphere has an intentional vent hole and one sphere has a second small hole original to the casting; neither the vents nor the ext...

Heavily hand carved, this vintage sterling silver necklace was designed & signed c. 1940's by Taxco, Mexico artist William Spratling. Weighing 140 grams the necklace has a wearable length of 18 inches. The center panel is 1 3/8" high. Professionally restrung on sterling silver fox wire chain the necklace is in beautiful condition. Pictured on p. 167 of the museum catalog WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penny Morrill. Also pictured on Phyllis Goddard's spratlingsilver.com....