Elegant peaked link necklace in 940 silver by Mexican silversmith Hector Aguilar. This necklace is a choker style that sits perfectly on the neck and terminates with a hook closure. It is 14 1/2" end to end and the links are 1" wide and 7/8" long. Surprising hefty, it weighs 123 grams and is in fine original condition. Signed with the 1940-48 Aguilar hallmark as shown. A very wearable and beautiful piece.

Rare vintage Thierry Mugler Couture runway festoon necklace. Large cascading rhinestones with even larger pear shaped, unfoiled drops. 15 1/2" (39.5 cm) long from the toggle to the square holder. The center drop is 6 '' (15.6 cm) long. All the stones are brilliant and the necklace is in pristine vintage condition. A truly amazing piece!

A handsome, classic pair of Edwardian cufflinks by Larter. Worked in 14K yellow gold, the double-sided cufflinks feature faces of carved mother of pearl centered with cabochon sapphires. The mother of pearl shows nice play of color with rose and green overtones that nicely accent the blue sapphires...

The busy, ever-changing worlds of the bottom of the sea and the shores of tranquil lakes unfold themselves in the carefully worked repousse silver frames surrounding the chunky turquoise "rocks" that adorn this early 20th c. Chinese necklace and earrings set. I never cease to be amazed at the amount of minute detail Chinese silversmiths were able to condense into such small spaces without ever losing the crispness of each motif...

A beautiful American ring, marked 14K gold, set with a large central pearl surrounded by 12 deep blue sapphires. Excellent condition with a ring size of 7 3/4.

Hallmarks date this piece 1940-1944. This is a stunning hand-wrought cuff bracelet produced by William Spratling during his first design period. This is a design which is seldom seen. This design is shown on the spratlingsilver website. Open-backed repoussé triple lines are set at diagonal angles to each other, with tiny silver beads on both top and bottom. The ends have three large silver balls...

Circa mid-century, this bracelet from Margot van Voorhies Carr pulls out all the stops.

A very rarely seen piece, the front features a huge repoussé ribbon swirl, with graduated silver beading running through the middle and through the center of the bracelet. Hinged at the back, with the opening disappearing behind the front portion of the clamper. The spring hinge is perfect, and closes securely...

An 18K tri-color gold ring in the inconic "Double C" motif by Cartier, with a stack of yellow, white and rose gold bands terminating in yellow gold C's at the opening. The interior is marked with Cartier's signature, the serial number "F95043", and the design date "1997".

Origin: France, ca. 1997

Condition: excellent

Finger Size: 56 European/8 US (can be opened slightly)

Dimensions: band, 1/4" wide; C's, 5/16" wide

Weight: 5.2 grams

A classic pave pearl puffed heart pendant and brooch worked in 10K yellow gold. The back retains the original findings including a watch hook. Marked with Larter’s hallmark and “14K.”

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 13/16” x 7/8” (excluding bail)
• Weight: 6.3 grams

A Victorian 18K gold locket in the shape of an elongated heart centering an enameled plaque depicting a lovebird delivering a love letter amidst a bower of roses. The plaque is outlined with an ornate border of black champleve enamel. The gold is highlighted with lightly engraved decoration which is repeated on the back. The back cover is more ornately engraved. Tested and guaranteed 18K.

• Probably English, ca...

A vintage sterling silver geometric bracelet designed by Gine Sommerfelt for J. Tostrup, Norway. Made up of eleven curved links. Sommerfelt worked at Tostrup until 1964 when she started her own workshop.

Measures 7 3/4" long and just under an 2 inches wide. Signed with the Tostrup logo, 925S, and the stylized GS for Gine Sommerfelt on the back. Hook clasp holds securely.

In very nice condition, has some minor surface scratches.

Fine, bold design...

A classic pair of 14K yellow gold barbell cufflinks by Tiffany & Co. The spherical faces are worked in a brushed finish that gives the cufflinks a soft glow. Marked "14K Tiffany & Co."

Origin: America, ca. 1955. Condition: excellent. Dimensions: faces, 1/2" diameter. Weight 10.0 gr.

Vintage, rarely seen on the market 940 sterling silver graduated disc bracelet designed and signed circa 1948-62 by famous Taxco, Mexico artist & silver Maestro Hector Aguilar. The center front disc measures 1 1/2" high. The bracelet's inner circumference when closed is 7". Bracelet weighs 85 grams or 3 oz. Slide-in clasp works perfectly. No dents are dings to silver. Beautiful soft original patina. Fully hallmarked on the clasp. This design is pictured on p...

An elegant teardrop-shaped 19K yellow gold locket, the front cover set with diamonds, rubies, sapphires and pearls in a pretty floral pattern. The gemstones have bright color that contrasts nicely with the high karat gold. The front cover has the slightly matte Russian finish sometimes seen in the late 19th century, while the back cover is polished. The bail is stamped with Hungarian marks for 18K and with other continental marks for 19.2K.

Origin: Europe, ca. 1900...

A fine pair of late Victorian or early Edwardian cufflinks worked in 18K yellow gold...

A very nice pair of 18K yellow gold baton cufflinks, the batons worked with engraved reeding and each bound in a diagonal slash of gold with a hand-stippled surface. The baton faces are hinged so they can lie tightly against the cuff. The connectors are marked “18K Cherny”.

Origin: America, ca. 1960. Condition: excellent. Size: faces, 7/8” long. Weight: 10.6 gr.

Exquisite Kenneth Lane necklace and dangle earrings. Reportedly it is one of several Kenneth Lane versions of the "Jackie" necklace, the jem stone set that was given to her by Aristotle Onasis. This set is costume jewelry and of very fine quality. The rhinestone are brilliant and deeply set, the faux emeralds are clear back crystals and the set is heavily gold plated. There are two oval plaques stamped Kenneth Lane on the links of the necklace (visible in one of the pictures) and there is the s...

Circa mid-century, here is a very seldom seen book-piece design from Antonio Pineda.

Shown on page 148 of Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", this is a magnificent bracelet with a stunning modernist design. Composed of eight thick sleek rectangular links which have bezel-set carnelian gemstones, each with a silver disc rising from the center. It's a very unusual piece, and a real attention grabber. It also has a completely seamless appear...

A handsome and heavy pair of 18K yellow gold cufflinks in the classic baton style. The surfaces are decorated with a fine stippled pattern lending a dark patina similar to higher-karat gold. The backs are plain beveled rectangles. The connectors are marked "18K S.&F.".

Origin: America, ca. 1980. Condition: excellent. Size: batons, 1-1/16" long. Weight: 10.0 grams.

A modernist sterling silver ring by noted mid century jeweler, Sam Kramer, with an erotic theme. Depicts two hands holding breasts.

Measures about a 5 1/2. Face of ring measures 7/8" long and 1/2" across. Marked with Sam Kramer's mushroom mark and sterling. Has some minor surface scratches, some wear to the surface and tarnish. Heavy sterling.

Great MCM design. Haven't seen this design before. Sam Kramer's designs are highly collectible and rare.

A lovely pair of classic Victorian earrings in the Etruscal Revival style featuring free-hanging drops of rich violetish-blue drops of lapis lazuli. The 15K yellow gold mountings are enhanced with twisted wire and bead decoration. The lapis is of the finest Afghan quality, with even color and only one tiny fleck of pyrite. The wires are marked "15 Ct".

Origin: England, ca. 1860. Condition: excellent, all original. Dimensions: length from top of wire, 1-3/4".

For anniversary jewelry, there’s nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow,”) a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with a single diamond and the word “moins” is symbo...

Richly colored azur-malachite stone is paired with warmly glowing sterling in this chunky modernist Mexican silver bracelet signed by none other than the maestro of Piedra y Plata, Felipe Martinez. Martinez is one of my absolute favorite Taxco silversmith and a superb lapidary as well. He has an uncanny ability to pair silver with stone that works every single time, as if the two materials were just made to be together. Quite substantial, this specific design I have had in the past with amethyst...

Circa 1930's - early 1940's, this Mexico City moth necklace was produced by M. Velazquez.

It's a magnificent piece with absolutely superb repoussé silver work. This silversmith's work is seldom seen and quite sought after, and this necklace is quite the showpiece.

Measures 19" interior end to end, which is also the closed, wearable length. The center link is 1 1/2" tall. I believe the clasp is original to the piece. It's identical to another M. Velazquez necklace I had ...

This is an early design from Margot de Taxco, and it is spectacular. Composed of gorgeous repoussé swirls with tiny beading, this necklace lays perfectly. Closes with a tight and secure tongue in box. Collector quality. Center measures 4 1/2" wide, 3 1/2" tall. Closed, wearable length is 17". Weight is 89.1 grams. Signed and hallmarked "Margot de Taxco 5204", and "Sterling Made in Mexico", with the eagle assay 16. In excellent original vintage condition.

A handsome and heavy pair of 18K yellow gold double-sided cufflinks, the faces set with lapis plaques. The exposed gold borders give the cufflinks a modernist feel. The stones have nice, deep coloring with small flecks of pyrite. The faces are joined with removable connectors. Both the connectors and the backs of the faces are marked with Continental 18K gold hallmarks.

Origin: Europe, ca. 1970. Condition: very good. Dimensions: 5/8 x 1/2 in. Weight: 14.7 grams.

Lovely vintage sterling and moonstone ring by Georg Jensen Denmark. This has an early Jensen hallmark, dating it 1915-30. The ring is a size 8 3/4 but can be sized. Weighing 5 grams, it is in fine original condition with hallmarks as shown. Charming.

This ring is the match to the pair of Patania cuffs listed. The same gorgeous design and execution, it is a size 5 and weighs 20 grams. The face of the ring is 1 1/4" long and 1" wide. Fine condition. Signed as shown. This ring looks stunning all on its own but is a show stopper when worn together with the cuffs.

A 14K yellow gold gypsy ring with a hand-engraved scrolling motif to the shank on either side of a high-domed cabochon emerald. The emerald is graded as dark vivid green (G7/6) with moderate clarity and color enhancement typical of emeralds. The resulting color contrast with the gold setting is especially attractive, as is the classic tapering shape of the shank. Tested and guaranteed 14K.

Origin: America, ca. 1890. Condition: excellent, all original. Finger Size: 7-3/4. Dimensions: 7/16...

A bold beautiful Mexican Silver & Amethyst bracelet by the famous Fred Davis. Each of the six heavy sterling silver links is set at the center with a deep purple amethyst cabochon stone. The bracelet measures 8" long by 1 1/4" wide and it weighs 60.7 grams. Hallmarked with the FD mono, Silver Mexico. Some light age related wear and tarnish. The amethyst have the typical inclusions and are smooth to the touch. Fold over clasp. A fantastic bracelet by an important jeweler.

Expertly crafted vintage sterling cuff bracelet from the Navajo Arts and Crafts Guild which was formed in 1941 under the auspices of the U.S. Government’s Indian Arts and Crafts Board and the Navajo Tribal authority to help young Navajo silversmiths learn from the masters in order to preserve the quality of classic Navajo silver work. This fine cuff has precise stamping around the entire middle. Measuring 5 1/2" around in the inside plus an additional 1" opening, it is 1/2" wide and weighs 40...

An 18K yellow gold medallion pendant or charm depicting Emperor Napoleon I. The design pictures Bonaparte as a young man, but the source appears to be Nicolas-Toussaint Charlet's portrait created in 1821, the year of the former Emperor's death. This image is largely credited with creating the myth of Napoleon that lasted throughout the 19th century. The medallion has superb, sharp detail shown in high relief. Tested and guaranteed 18K.

• France, late 19th century
• 1 1/16" diameter...

A fine Art Nouveau medallist brooch depicting Demeter (Ceres), goddess of the harvest, in 18K gold by Louis Rault. She is shown in profile with several of her attributes a tiara of wheat and poppies and a scythe. The wears a rose-cut diamond earring, a diamond toga clasp, and a third in her tiara. Louis Armand Rault was a lead designer for Boucheron 1868-75 and this is one of his signature designs. The brooch is stamped with French 18K gold marks and also with an illegible maker's mark. The fron...

An iconic early bracelet by the important Fred Davis with a shield and round Amethyst cabochon design. Measures 7" long by 1 1/8" wide and weighs 66.7 grams. Hallmarked Silver, FD, Made in Mexico. Hook closure. Stones have the typical inclusions but no damage noted. A gorgeous bracelet.

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940. Condition: ex...

Art Nouveau 14K gold crescent pendant necklace set with round brilliant cut diamonds and rubies. The quality of the gemstones is superb, with VVS2/G diamonds and vivid very slightly purplish-red rubies that show no indications of heat treatment. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoons. This cresent was originally a brooch and has been ...