Fabulous 1970s signed Gucci goldtone metal and light and dark amber geometric modernist design guilloche enameled link long necklace which can also be worn as a belt. Marked GUCCI and MADE IN ITALY. Each link is also marked S in a lozenge shape. 1970s. An iconic vintage Gucci piece, these were also made in shorter (18 to 20 inch) but otherwise identical versions to be worn as necklaces only. The enameled links are slightly convex and curved. They alternate with heavy twisted connecting rings...

A very attractive pair of vintage 18K yellow gold star earrings by Tiffany & Co. The stars are slightly pulled out of shape, so the design has a sense of movement, and the legs are slightly faceted for a little extra shine. The earrings have Omega backs and the original posts, which could be removed for wear as clips. Each earring is signed "Tiffany & Co.", is marked "750" for 18K gold, and is dated 1983.

Origin: America, 1983. Condition: excellent, all original. Size: 13/16" x 7/8"...

A vintage modernist heavy sterling silver cuff bracelet by Antonio Pineda, Taxco embellished with four pearls. Thick sterling curved bars attached with spheres and four small saucers with a pearl in each one. Measures 5 1/2" around with an opening of 1 1/4" and 15/16" wide. Marked with the Antonio crown, Silver, 970, Sterling Mexico and an Early Eagle 17 mark. The saucers on the edges have some minor flattening. Sterling has some minor scratches and a little tarnish. Wonderful and rare.

This great necklace is circa 1970. It is composed of sterling silver and vibrant, turquoise mosaic inlay-style. It measures 17 3/4" long and consists of 17 links that measure 7/8" x 1/2". Each link is slightly convex. It is marked TAXCO MEXICO 925 in a circle, with LVR in the middle and marked TU-08 below. It has a V-Spring and Box Clasp. It has good heft, weighing 70 grams / 2.5 ounces and it is in very good condition.

A classic combination for Enrique Ledesma, the marrying of sterling and stone, makes this vintage Mexican bracelet an easily recognizable creation by the renowned Taxco modernist. The stone is here azur-malachite, I believe, with greens and browns predominant and the warmth of the silver casings adds a certain "inner glow" to it...

Fabulous huge statement classic collectible 1970s Givenchy oversized chain link necklace and matching clip earrings in shiny goldtone metal and navy blue Lucite. Marked GIVENCHY on all pieces. Foldover clasp. Necklace is 17 1/2 inches wearable length and 1 1/2 inches wide. Earrings are 1 1/8 inches long. Excellent condition. Display form is life size. Photos enlarged to show detail.

Fabulous statement drop clip earrings with red silk rosettes and black silk bows surmounting huge brilliant colorless cut lead crystal stones, all mounted in silvertone metal. Circa 1980, unsigned, probably by Yves Saint Laurent or Valentino. From the same estate as several of the other French signed pieces I am listing. 2 3/4 inches long and 1 1/2 inches wide. Excellent condition. Photos enlarged to show detail.

Stunning in its towering smokey brilliance, this minimalist solitaire by Carmen Beckmann is a modernist Mexican beauty! Based in San Miguel de Allende Beckmann is reported to have started her activity a little later than the big Mexico City and Taxco workshops with most of her pieces dating in the 1950s and 1960s. In the ring at hand, the generously sized faceted gem is raised above a substantial geometric shank, held in place with sterling prongs in a crown-style setting...

An elegant 18K yellow gold bracelet in a modified curb link design, with alternating links set with round diamonds. Despite its substantial weight, the openness of the oval links creates a delicate appearance appropriate for daily casual wear. The added sparkle of the diamonds allows the bracelet to be worn for dressier occasions, too. The bracelet is signed “Cartier” and has the serial number “Paris 68219”.

Origin: France, ca. 1980. Condition: excellent...

A stunning Tiffany & Co. ring by Jean Schlumberger, one of the great jewelry designers of the 20th century. He was Tiffany’s lead designer in the 1960s and was charged with creating nearly all of the company’s most exclusive pieces. His designs typically relied on naturalistic motifs. Here, two leaves are worked in platinum and studded with round brilliant-cut diamonds. The stems of the leaves are worked in 18K yellow gold and meld into the double shank that continues the organic motif...

This mid-century bracelet from Los Ballesteros is a book-piece design, shown in "Warman's Jewelry" by Christie Romero. Certainly one of the most sought after designs from Los Ballesteros, this is a stand-out showpiece. It's large and heavy and supremely gorgeous, with colorful faceted stones in vivid hues alternating between incised stars. Closed, wearable length is 6 3/4", with a width of 1 11/16". Weight is a very substantial 140.9 grams, or over 4.5 troy ounces. Collector quality.

Elegant silver tone Yves Saint Laurent necklace with large royal blue and white marquis or navette shape rhinestones. The YSL necklace is 16 5/8" (42.1 cm) long (including the extender, but not the YSL logo at the end.) The rhinestone piece is 3" (7.5 cm) long x 2 1/8" (5.2 cm) deep. It is signed on both the back of the necklace and on the tag at the end of the extender chain...

This ring depicts a climbing snake. It is adjustable in size. The head of the snake is set in abalone. It is marked TAXCO 925, then (hard to read) MEXICO and maker's initials. It also has the Government assay spread eagle mark with a 3 inside.

Magnificent KJL! It is gold plated metal, it is chunky, and it is very dramatic. This elegant necklace has the look of ancient times and was, perhaps, designed by Kenneth Lane in honor of the Metropolitan Museum of Art's Egyptian show in the 1970's. It fits like a choker and has the effect of a large bib. 14 1/2" inside length, front link is 3 3/4" top to bottom. It is thick and chunky.

Amazing matched pair of statement size bracelets in silvertone metal with very large brilliant stones in fuschia and a green which has an edge of teal. Circa 1975. The stones are openbacked. Not marked but very substantial and weighty and with the look of French construction and style. The colors are a classic French combination. The colors are warmer and brighter and the stones are more brilliant than the photos depict. Slide clasps...

Tane Orfebres is an important silver house in Mexico City, known as the Tiffany of Mexico. This bracelet is wide, heavy, and gorgeous. It has a sleek modernist design, with the one half shiny and mirror like, and the opposite half bearing a slightly matte finish...

This bracelet is sterling silver. It measures 7" x 1 1/2". The patina is lovely. The clasp is marked SILVER MADE IN MEXICO.

This lovely, sterling silver, Mexican, well-crafted bracelet displays a very colorful, large, faux fire opal on each ornate link. It is 6 3/4" long. Each link measures approximately 1 1/8" x 1". It is sterling silver and marked on the clasp: STERLING MEXICO 925, and, in a circle on the back of one of the links: TAXCO HECHO EN MEXICO with the "spread eagle" assay mark in the middle. Each link is slightly convex, adorned with a vivid, faux opal cabochon. It is in excellent condition.

Fabulous early statement size YSL bracelet in heavy cast goldtone metal with "molten gold" stones in sculpted settings. Marked YSL and MADE IN FRANCE. Late 1970s or early 1980s, designed by Robert Goossens, who has designed jewelry for decades for Yves Saint Laurent, Chanel, and other couturiers. Early foldover clasp. 8 inches long, 1 1/2 inches wide and 1/2 inch deep. Excellent condition. Photos enlarged to show detail. Display form is life size.

This mid-century kinetic design necklace is the work of Erika Hult de Corral.

It's a stunning signature piece which features an extra-long length of 28 1/2". Erika Hult de Corral studied at the Parsons School of Design in Paris, later on working with both Sigi Pineda and Enrique Ledesma before opening her own shop.

Moon crater balls and long tubes combine on the sides, with a centerpiece which has free swinging pendulums of varying lengths. Closes with a tight and secure to...

Crafted in the late 1950s or in the 1960s, this sterling silver Mexican necklace is signed by Victoria or Ana Maria Nunez de Brilanti. Victoria is one of the few female designers and silversmiths of Taxco’s 20th c. Silver Renaissance that we know of and she is credited, among others, for perfecting the “metales casados” or “married metals” technique. In this necklace, however, she adds a modernist twist to an otherwise “archeological” design. I cannot exactly pinpoint what it is th...

An iconic bracelet from Georg Jensen, this is his design #14. Hand-wrought with exquisite repoussé silver work, this piece is composed of four panels. Measures a closed, wearable length of 6 7/8", with a 7/8" width. Weight is 44.3 grams. Signed and hallmarked with a post 1945 Georg Jensen with a dotted circle, Denmark, Sterling, with the design #14. In excellent vintage condition with a warm patina.

This great, puffer fish / blow fish pendant can also be worn as a charm. It measures 1 1/8" from mouth to tail and is 3/4" "tall." It has blue rhinestone eyes and a wonderful, Mexican design. The tail is marked MEXICO 925, below initials that looks like CRL - ( all marks are slightly unstamped--see pictures). It is in excellent condition.

A fine pair of Boucheron cufflinks worked in 18K yellow gold, the oval faces centered with richly-colored citrines. The gold surfaces are worked in a wavy ridged pattern, and the citrines are ingenuously fantasy-cut in the same style. The quality of workmanship is evidenced in the manner in which the carving of the citrines matches exactly to the ridges of the gold settings where the two meet. THe backs are hinged. The connectors are fully marked with Boucheron's retailer and marker's mark, ...

A stylish sterling silver pendant and chain by Elsa Peretti for Tiffany & Co. The bottle can be worn either empty as a sculptural piece of jewelry or as a vase with a single, delicate flower. Both the pendant and chain are signed Peretti and are fully hallmarked by Tiffany. This piece is the middle of the three available sizes and currently retails for $550.

Size: pendant, 1-3/4” x 1-1/2”; chain, 25” long. Weight: 18.6 grams.

Outstanding vintage necklace in heavy gunmetal gray chain links with quatrefoil shaped elements which are made of translucent tortoise Bakelite. This piece can also be worn as a belt. Marked YSL on an attached metal tag. 1970s. The quatrefoil form is of course a classic medieval and Moorish motif and is here translated into a stunning modern look. Very wearable and versatile -- there is a hook at each end, allowing it to be arranged in many lengths and configurations. Also perf...

One of the most successful duo in Taxco’s 20th c. Silver Renaissance, Cecilia and Tono excelled in some of the most difficult techniques in jewelry making like piedra negra, metales casados and mozaico Azteca. Their jewelry is usually modernist yet their designs unfailingly reference Mexico’s rich archeological heritage. I particularly love their “mask” pieces, especially their rings that do not come up very often and I am thrilled to have come upon the tiger’s eye example presented h...

Stunning vintage necklace in YSL's signature bohemian chic style, with seamless black Lucite beads, goldtone metal beads and drops, and black silk tassels, all strung on a fine metal chain in typical French construction. Circa 1970 or 1980. Marked YSL on the attached hang tag. Wearable length is 16 1/2 inches and it drops 3 1/2 inches in the center. Excellent condition. Photos enlarged to show detail. Necklace form is life size.

Slender, elongated, hand-wrought fine silver feathers that end in a playful curl make up this set of "swan wing" modernist earrings by Antonio Pineda. I have to admit that this is one of the most unexpected Antonio creations I have ever encountered. When I first saw it, I thought that the clip-ons would have to surely be a later replacement yet I have since seen a similar pair and that one too had the same findings. Now these are earrings for those not afraid to ... spread their wings and reach ...

Fabulous signed Gucci goldtone metal and blue guilloche enameled link long necklace which can also be worn as a belt. Marked GUCCI and MADE IN ITALY. Each link is also marked S in a lozenge shape. 1970s. An iconic vintage Gucci piece, these were also made in shorter (18 to 20 inch) but otherwise identical versions to be worn as necklaces only. The enameled links are slightly convex and curved. They alternate with heavy twisted connecting rings. With a toggle close. Total length is 39 inches. Wea...

Spectacular long sautoir necklace in dark silvertone metal with navette marquise shaped cabochon glass rhinestones in dark jewel tones, alternating with brilliant small multi color stones, with a hook and eye clasp. All stones are prong set. 1960s or 1970s. Probably an unsigned Schreiner piece, based on the hook and eye close, the metal color, the variety and quality of the stones, and the over the top design. Amazing length -- 64 inches wearable length and just under 5/8 inch wide. ...

One of my favorite female designers of Mexico's 20th c. Silver Renaissance (and admittedly, they aren't so many to begin with), Carmen Beckmann was a rather flexible maestra, able to create in many different styles. using a variety of materials. Her jewelry can be massive and jaw-dropping but quite as easily delicate and more sophisticated. The bracelet I am presenting here I call rare not so much for its design (which I have not seen before) but primarily for the scarcely seen snowflake obsidia...

An amazing sterling and fire opals bracelet by Mexican designer Carmen Beckmann. The stones are varied and vibrant in color and are all in beautiful condition. Beckmann is one of the few well known women Mexican silversmiths of her time, active primarily in the 60's and 70's and having a shop in San Miguel de Allende. Measuring 8" end to end, this bracelet is 7/8" wide and weighs 103 grams. No condition issues, secure push in clasp. Signed as shown. A rare and spectacular Beckmann piece.

Vintage 1970s drop clip earrings in iridescent transparent purple glass mounted in dark brass tone metal. Marked MADE IN FRANCE. The drops have embedded brass wire and hang from fine brass chains. I am also listing a coordinating French glass necklace from the same estate. 2 1/4 inches long and 1 1/8 inches wide. Excellent condition. Display form is life size. Photos enlarged to show detail.

A stunning 19K yellow gold enhancer pendant intended for a thick chain or a strang of beads by Elizabeth Locke. The oval pendant encloses a gorgeous labradorite cabochon glowing with the billowy blue color of the best labradorite. The central stone is accented at compass points by round brilliant-cut blue sapphires. The sapphires have a slightly violet tint and exceptional brilliance. The bail is hinged so the pendant can be slipped over a thick chain or onto a strand of beads or pearls. The...

A classic pair of Hermes 18K yellow gold cufflinks in the "Etrier" design. Each hinged end is in the form of a stirrup. The connectors are signed "Hermes", have serial numbers and are fully marked with appropriate French 18K gold marks. Etrier cufflinks in gold are no longer available at Hermes. The same design in sterling silver currently retails for $970. A similar design in gold, but with no moveable parts currently retails for $4750.

Origin: France, ca. 2000. Condition: excellent. D...

Gerald Stinn modernist sterling silver ring

1970

Size 6

Solid and well crafted this ring weighs 21+ grams

Face measures 1 1/8" tall x 1" wide

Marked Stinn, sterling

Excellent vintage condition

Fortuno Mota, a talented Taxco maestro who in the 1950s and 1960s produced many of Antonio Pineda’s pieces, signs this stunning set of modernist dangle earrings. Crafted in Antonio’s signature fine .970 alloy, the pair reminds me of slender flutes as they elegantly hang off geometric stations with stone inlay. The inlay and the beads in which the dangles end seem to be made of azur-malachite with the second component responsible for the predominantly green and brown hues. When the set came t...

Circa mid-century, this is a fabulous necklace and a real attention grabber. Measuring 4 3/4" wide at the top of the centerpiece, 2 5/8" wide at the bottom, it's a huge piece which lays beautifully upon the neck and frames it perfectly. The repoussé panels have silver domes graduating in size. Recesses are oxidized. Signed and hallmarked "SrC Taxco Mexico Sterling", with the eagle assay 3. Measures a closed, wearable length of 18". Weight is 95.6 grams. In excellent vintage c...

These lovely, 18K gold, Tiffany & Company earrings are designed by Paloma Picasso. They are the classic "Scribble" design and measure just under 1 1/2" x 5/8" (at their widest point). They are each marked, "1983 Tiffany & Co 18K" and signed "Paloma Picasso." The earring backs are also marked with a maker's mark and "18K." They are in brand new condition and come complete in the original Tiffany & Co., velvet box, which is inside the classic, blue Tiffany & Co. cardboard box.

Undoubtedly the result of artistic cross-pollination this vintage Mexican silver neck ring pendant necklace emits an intense Scandinavian vibe . Evocative of Danish modernist jewelry, it is not just the shapes that refer to it but also the choice of sodalite cabochons to accompany the warmly glowing silver. Slick, elegant, versatile - a combination which still speaks to our modern eye even though created almost a century ago. The neck ring has an inner circumference of 16” (including the 1 1/...

Fabulous and wide YSL sculpted bangle in Lucite simulating carved ivory. Marked YSL on a tiny goldtone plaque. Late 1970s or early 1980s. Great size -- 1 7/8 inches wide, 2 5/8 inches inside diameter, and 3/8 inch thick. Excellent condition. There are two tiny spots on the plastic only visible in enlarged photo. Photos enlarged to show detail. Display form is life size.

A handsome and heavy pair of 18K yellow gold double-sided cufflinks, the faces set with lapis plaques. The exposed gold borders give the cufflinks a modernist feel. The stones have nice, deep coloring with small flecks of pyrite. The faces are joined with removable connectors. Both the connectors and the backs of the faces are marked with Continental 18K gold hallmarks.

Origin: Europe, ca. 1970. Condition: very good. Dimensions: 5/8 x 1/2 in. Weight: 14.7 grams.

Monumental sterling cuff bracelet with a beautiful design of twisted silver loops and arched terminals by Mexican designer Carmen Beckmann. She is one of the few well known women Mexican silversmiths of her time, active primarily in the 60's and 70's and having a shop in San Miguel de Allende. Measuring 6" around in the inside plus an additional 1 1/8" opening, this bracelet is 2 1/2' wide at all points and weighs a very solid 218 grams. Signed as shown and in fine original condition. It was per...

An elegant pair of 18K yellow gold earrings in Tiffany & Co.’s classic “Signature” pattern. The simple x-shaped design can be worn with everything from jeans to a cocktail dress. These earrings were produced in several sizes, these being the largest. The design is no longer in production and the large earrings are very difficult to find. The earrings retain their original posts and omega clips. If desired, the posts could be removed without disturbing the Tiffany signature, allowing t...

This Erika Hult de Corral bracelet was produced 1960's - 70's. It's a gorgeous modernist design, with eighteen amethyst cabochons and three large oval gold sheen obsidian stones. Measures a closed, wearable length of 7", with a width of 1 1/4". Weight is 94.6 grams. Signed and hallmarked "Ric Taxco", with the design # 125 and the eagle assay 3. In excellent vintage condition.

Impressively long and beguilingly slick with its glowing tapering dangles half-hiding a bullet-shaped piece of black onyx, this is one of Antonio Pineda’s most eye-catching set of earrings. Simple yet visually strong lines that re-affirm the philosophy of less-is-more in the world of adornment; smooth as silk, dancer-like motion; fleshy geometry (if you allow me the word combination), all come together and become a piece of wearable art in the hands of Mexico’s modernist magician. Measuring ...

This ring displays "Adam and Eve" in incised oxidation. It is from Mexico. It is a size 9.75. The "top," "face" measures 3/4" x 7/8". It is marked with the eagle / assay mark with 1 in the middle. It is also marked (some marks deeper than the others), 925, then ??, then, MEXICO. It is in excellent condition. FREE US STANDARD S/H

Handmade vintage pendant necklace in sterling with a very large smoky cabochon stone. The stone is possibly a smoky quartz; I have not had it checked by a gemologist. Circa 1960. Not marked but tests positive for sterling silver. This piece has a great brutalist look, with oblong links, each with a turned up tip, and cut and soldered elements in the center pendant. With a hook clasp. From a Baltimore estate. 18 inches wearable length and the pendant is 2 1/2 inches long. Excellent ...

Chic early vintage Kenneth Jay Lane Chinoiserie style necklace in antiqued cast goldtone metal with a very detailed dimensional Chinese dragon with matching metal drops and green Peking glass drops simulating jade. The pendant slides along a matching chain with spring ring clasp. Late 1960s or early 1970s. Marked KENNETH LANE. Wearable length is 24 inches and the pendant drops 4 3/8 inches. Excellent condition. Display form is life size. Photos enlarged to show detail.

Statement size early 1970s signed Givenchy necklace in goldtone metal with a thick openwork chain with textured finish and with a sliding pendant with large black glass cabochon stone and tiny diamante rhinestones and chain tassel. Foldover clasp with Givenchy logos. Marked GIVENCHY PARIS NEW YORK, with Givenchy logo on the back of the pendant. Great size -- 26 inches wearable length and the pendant drops 6 inches. Weighty at 148 grams. Excellent condition. Display form is life size....

Made up of heavily “pitted” and oxidized beads, tubular links and a central medallion with asymmetrical dangles this Erika Hult de Corral Mexican silver necklace is an ode to modernism peppered with a touch of brutalism. Ric (as de Corral signs her pieces) has created a few versions of this particular design that I like to refer to as “moonscapes” and they are all a pleasure to wear and to behold. One of the few talented female contributors to Mexico’s 20th c. Silver Renaissance that ...

Less-is-more is definitely the way Carmen Beckmann chose to go with this vintage Mexican sterling silver and amethyst ring. Set in a disk adorned with overlay and oxidation, it brings to mind a perfectly round stone as it touches the water causing it to ripple. Easy to wear whatever the occasion and a beautiful example of Mexican modernist jewelry. Currently a sz 6 US (easily resizable by your jeweler) the ring has a face that is 7/8” in diameter and it weighs 8.3 grams. It is marked with make...

An incredible pair of vintage 18K yellow gold cufflinks by Tiffany & Co. The front faces of the double-sided cufflinks are pave-set in platinum with round brilliant diamonds (G color, VS1 clarity) surrounded by a border of superb small round mixed cut sapphires in a medium vivid blue color (B5/6). The sapphires have the intensity of fine Burmese material and do not appear to have any enhancements. The yellow gold borders are painstakingly handworked in a stippled pattern which is repeated on ...

Offered on consignment......... Circa mid-century, this bracelet is the work of Reveriano Castillo, who shop was called "Reveri". Reveriano began as an apprentice with William Spratling at Taller de Las Delicias in 1934, later working for Hector Aguilar at Taller Borda. He opened his own shop in 1952. This bracelet is composed of eight panels, each with a deeply incised modernist design, oxidized recessed, and silver ball in the center. Closure is a tight and secure tongue in box. Origi...

Beautiful huge statement signed YSL necklace in antiqued goldtone with three tiers of chains with large Byzantine style coin form drops of varying sizes and designs. 1970s. Some of the coins are two sided. Marked YSL on the attached metal tag, and also marked YSL on the S shaped hook close. Wearable length is 18 1/4 inches (inside strand) and center drops 8 inches. Excellent condition. Display form is life size. Photos enlarged to show detail.

Gorgeous vintage statement necklace by Mimi di Niscemi, with faux pearls strung in a collar with monofilament, with a very big centerpiece in goldtone cast metal in the form of a flower, and hook clasp and extender chain. Marked MIMI DI N and dated 1972. The pearls are acrylic. Excellent condition. Display form is life size. About 1 5 to 15 1/2 inches wearable length and the center is 2 1/2 inches long.

This handsome cross pin (that also has a bail to double as a pendant) is by circa 1970. It has a geometric design of copper and onyx inlaid with sterling silver and turquoise. It has 3 layers: the top is the copper, that is skillfully cut for the inlay; the next layer is the onyx and the bottom is sterling. The back is signed “Tono” (in script, with a tilde over the “n”), “HECHO EN MEXICO” – “STERLING TAXCO 925” (in a circle around a conjoined) “AC” - “PIEDRA NEGRA” ...

Offered on consignment...... This very rare bracelet was produced by Celia Harms. Likely 1960's - 1970's. Celia Harms work is very rarely seen and highly coveted. Her jeweled bracelets have a very unique design, with the stones hand picked and the bracelet made around the them. The hand-hammered sterling silver hinged bracelet has a 22 K gold vermeil finish. This is the first one I've come across which is entirely amethyst, and the stones are gorgeous. A mix of cabochons and faceted ame...

Maestro Mateo of Taxco is known among vintage jewelry collectors for his modernist, mostly brutalist, ring designs. His work is sought after for its quality, the beauty of the stones he incorporates in his pieces and the strong sense of tension that his rings exude. His career strides the divide between the so-called Eagle mark period and that of the T-marks and, in my experience, he is one of the very few silversmiths who used .950 alloys before they became the norm in the 1980s. When I came up...