This pin from Los Castillo dates 1940-1945. It's an early piece, likely designed by Margot van Voorhies Carr while she was married to Antonio Castillo. It's a beautiful repoussé sterling silver pin with an oval amethyst cabochon surrounded by tiny silver beading. A floral design with exquisite detailing, this pin measures 3 1/16" wide, 1 1/2" tall. Weight is 24.8 grams. Signed and hallmarked "Los Castillo Taxco Sterling Made in Mexico", with the early design number 100...

One of the Mexican designs inspired by Far Eastern cultures, the koi fish are a signature creation of Margot de Taxco and the Los Castillo yet its popularity prompted many of their "less celebrated" or anonymous contemporary maestros to come up with their own versions of it. And thankfully so because one can now find a beautiful example by a talented maker without having to break the bank - or at least not in a truly dramatic way! The all-silver necklace at hand is just such a welcome find...

I know and admire maestro C. Molina's work for its superb craftsmanship and its monumentality but I was still not prepared for this set of stupedying dangle earrings! There is big, there is massive and then, there is the pair of shadowbox stunners I am presenting here tonight...

A masterfully crafted, meticulously finished frame of sterling lily pads accented with tiny beading and elegant little wire swirls surrounds a flat-top amethyst gem in the vintage studio ring I am presenting here. This type of silver-work and the specific foliate motif is easily identified as created by Mary Gage, one of the most talented - and indeed most eccentric - silversmiths of the late American Arts and Crafts movement...

This pre-1948 bracelet from Fred Davis is collector quality and a larger than life showpiece.

Composed of five huge oval amethyst cabochons framed within silver, the panels have a geometric design inspired by pre-Columbian clay stamps which Davis collected.

This bracelet is a book-piece design, shown in "Dreaming In Silver" by Penny C. Morrill, p. 69.

The amethysts measure 1 1/2" x 3/4"...

Hallmarks date these Hector Aguilar earrings 1940-1948. Perfect flowers, each with a domed center, leaves, and tiny beading, make these earrings both elegant and classy for everyday use or a special occasion. Screwbacks work perfectly. Measures 7/8" wide. Weight is 12 grams. Signed and hallmarked "HA 940 Taxco. Excellent vintage condition.

A wonderful brooch by William Spratling depicting a large moth. Measures 2 5/8" across and 1 7/8" high. Marked with the conjoined WS surrounded by Spratling Made in Mexico. Also marked Spratling Silver. Has a rollover safety clasp that holds securely. Heavy silver. Has some minor tarnish and surface scratches. Wonderful item.

Picasso-style sterling face ring by BILL TENDLER, c.1950's. Features are applied shiny silver on oval oxydized face with shiny silver outline. Features and outline stand out over lower face. Measures 7/8" long by 11/16" wide and is size 6. Band measures 1/4" wide. Excellent condition.......$12 for insured USA shipping. NYS residents pay sales tax.

A nice vintage tie bar in a bamboo pattern by Tiffany & Co. The bar is worked in 14K yellow gold, and each end features a blue sapphire cabochon collet set in platinum. The small amount of platinum contrasts nicely with the deep blue of the sapphires. The bamboo design was reworked in the 1960's and became one of Tiffany's most successful sterling silver flatware designs. Its use in jewelry, however, is uncommon...

This is a signed ANTONIO MEXICAN STERLING & PEARL RING. From a Virginia Estate this Ring is a size 6 1/2 and can be sized up or down per usual requirements. Hard to Find RING from one of the TOP Mexican Designers ca. 1950- 1975, perhaps earlier ... Pearl is slightly yellowed

Based on one of William Spratling's most classic, early designs this Mexican Deco silver and amethyst ring is an anonymous beauty from the same period the renowned designer was active. Lean and mean in its constitutive motifs, it nevertheless packs a powerful visual punch what with the mysterious depths of its cloudy cabochon and the curves of the beading on either side of the stone...

Fabulous vintage very long necklace of carved round creamy white or celadon jade beads graduating from 8 mm to 13 mm at the center. With original silver screw clasp. Circa 1940. Possibly Chinese. The beads have a slightly matte finish. Very weighty at 198 grams. It has been professionally restrung on very fine silvertone fabric covered soft flexible wire. 48 inches long and 1/2 inch wide at center bead. Excellent condition. Display form is life size. Photos enlarged to show detail...

This Fred Davis ring was produced in the 1930's to early 1940's. It features a large hand-cut and polished amethyst cabochon, and is a generous size 7. The face of the ring is 13/16", with a depth of 3/8". The stone itself is gorgeous, with natural inclusions and quartz marbling. Weight is 9.8grams. Signed and hallmarked with the conjoined FD and Made in Mexico Silver. In excellent vintage condition.

One of the most talented, innovative maestros of Mexico’s 20th c. Silver Renaissance, Jose Luis Flores created some amazing designs that were sold not only under his own name but bore the hallmarks of Miguel Martinez, Emma Melendez and Rubi Ramirez as well...

Hallmarks date this magnificent early Matilde Poulat necklace to 1934-1948. The centerpiece is huge, measuring 5" wide and 3 1/8" tall, with beautiful birds and and three large faceted purple flowers in a vase. Hand-wrought with exquisite repoussé silver work...

Circa 1930's - 1940's, here is a huge early hand-wrought Mexican modernist bracelet. Hallmarked simply "Silver Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one. Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box. Weight is 60.9 grams. Closed, we...

Los Castillo is known for their superb silver repousse work and this stunning bracelet is an outstanding example of that skill. Two large vary ornate fish sitting on two blue Art Glass cabochons curve around the wrist ending with silver shells at the clasp in the back. It measures 6 1/2" long by 2" wide at the front tapering to 1" at the back and is quite heavy at 97.9 grams. In good vintage unpolished condition with minor signs of wear and tarnish with a lovely patina that beautifully accents t...

A handsome pair of 18K yellow gold cufflinks worked in the Etruscan Revival style with applied bead rosettes. The spherical faces are attached by chains to baton backs, also decorated with applied bead rosettes. The gold surfaces have a slight matte finish. The cufflinks are hallmarked with the French “hibou” import mark.

Ca. 1940. Condition: excellent, each sphere has an intentional vent hole and one sphere has a second small hole original to the casting; neither the vents nor the ext...

Circa 1940-1945, this masterpiece from Los Castillo pulls out all the stops. The craftsmanship is magnificent, the design sublime. The prong set faceted stones are almost black in color, with brown striations which can be seen from the back of the stones. The design is full of swirls and tiny beading. Centerpiece has six dangles and measures 5 1/2" wide and 2 1/4" tall. Closed, wearable length is 17". Weight is 112.7 grams. Signed and hallmarked with linear marks "Los Castillo Sterling Mex...

Dating 1930's-40's, this Fred Davis amethyst fish pin is, I believe, quite rare.

Measuring 2 3/4" x 2 1/8, with a weight of 47.6 grams, it's a very substantial piece. The amethyst stone has gorgeous grape hues, with natural inclusions and quartz marbling, measuring 1 3/8" x 1 1/8". The eye is a turquoise cabochon.

Exquisitely hand crafted and intricately detailed.

In fine vintage condition. Pin closes with a roller.

Signed and hallmarked FD Silver...

Beautiful baroque style sterling necklace with a very large brilliant synthetic color changing alexandrite stone as a centerpiece. Marked NESTOR 925 and STERLING MEXICO. 1940s, without an eagle mark. The stone changes color from intense warm purple under daylight and yellow light, to violet blue under white light.

15 inches wearable length by 1/2 inch wide along the sides. The centerpiece is 3 1/2 inches wide by 2 inches long. Excellent condition. On the back of the centerpiece, visible in ...

Beautiful vintage genuine Baltic translucent honey amber necklace with graduated faceted beads. Guaranteed tested, genuine, untreated, natural Baltic amber. 1940s. It has been professionally restrung with new goldtone spring ring clasp. It weighs 46 grams. The largest center bead is 16mm and the smallest beads are 6mm. Wearable length is 31 inches. 5/8 inch wide at center. Excellent condition with some slight age related crazing that is typically found in these beads. Display form is life size....

This pre-1948 bracelet is a Fred Davis design, here hallmarked simply "Mexico Silver". Composed of six large silver panels, each set with a large amethyst cabochon, this bracelet measures a closed, wearable length of 7 1/2" with a width of 1 3/8". Weight is 67.7 grams. Fold over clasp gives this piece a seamless appearance. In excellent vintage condition. Stones are gorgeous, perfectly matched in color

This lovely Antonio Pineda 970 Silver Bracelet features thick heavy links with a stylized leaf motif. Featured in the book Silver Masters of Mexico on page 181, it measures 6 7/8" long by 1" wide and has a substantial weight of 82.7 grams. Hallmarked with the Antonio Taxco Crown, 970, Sterling, Silver, ZZ609 and the eagle stamp 17. Secure box clasp and attached safety chain. A beautiful, elegant bracelet with timeless style.

This beautiful pin / pendant has a nice textured 14K gold swirl design with a pearl set in the middle. It measures 5/8" x 5/8". The back is marked 14K and (what looks like) SB. This piece has good heft and is in excellent condition.

Gorgeous & extremely rare this vintage abalone & sterling silver bracelet was designed & signed c. 1950 by Taxco, Mexico modernist artist Antonio Pineda (1919-2009). The bracelet measures 2 inches high at the front center & 3/4 inch at the back spring. Wearable interior length is 6 1/2 inches. Screw back earrings are 1 inch high. Bracelet spring is tight and secure. The hand carved abalone leaves have an exquisite iridescent sheen. All in excellent condition with a beautiful warm patina.

This elegant Sterling Silver bracelet by Margot de Taxco has an Art Deco feel with slightly curved links that wrap around your wrist. Measures 8" long, 7/8" wide and weighs 46.6 grams. Hallmarked Margot de Taxco, Sterling Made in Mexico, 5646A with the eagle 16. Very well made with a secure clasp and safety chain. An elegant, lovely bracelet with timeless appeal.

Striding the divide between classic Mexican and Native American / Southwestern design this sterling silver bracelet is one of the most beautiful examples of the “marriage” I have seen. This hybridization is not, in fact, accidental as it is known from the relevant literature that Mexican maestros were a significant factor in the development of Native American silversmithing. The hinged bangle at hand has its front “wing” stippled and chased with a ribbon design and upon it the anonymous ...

Possibly one of Hector Aguilar's most recognizable designs, his timeless "lyre" necklace and bracelet are both sensual & strong. The necklace is 16" long X 3/4" wide & weighs 144 grams. The bracelet is 47 grams, 6 3/4" long X 5/8" wide. Both are in excellent condition with a beautifully aged patina. This design is pictured on p. 30 of SILVER MASTERS OF MEXICO by Penny Morrill.

A retail shop in Taxco, Margarita was a place were one could buy jewelry by many local maestros, according to Bille Hougart. The long, beautifully made dangle earrings presented here bear only the shop’s name without a specific maker’s signature yet this does not affect their quality at all. Obviously hand-wrought with deeply chased details that have been oxidized to add depth to the design, the set combines scroll and feather motifs with beading and glows with the silky patina of a life wel...

A lovely sterling necklace with an asymmetrical centerpiece with an amazing and huge blue glass openback and unfoiled stone. Marked OTIS STERLING. Circa 1940. With brilliant paste rhinestones. The color of the blue stone is more intense than the photos depict. A classic collectible Art Deco piece, and currently perfectly of the moment as well. The fashion world is in the midst of a major Art Deco revival, with top houses such as Marc Jacobs, Lanvin, and Gucci showing jewelry and access...

Offered on consignment.......

This masterpiece from Fred Davis is heavy and spectacular, with five huge oval amethyst cabochons framed within silver with a geometric design inspired by pre-Columbian clay stamps which he collected. This bracelet is a book-piece design, shown in "Dreaming In Silver" by Penny C. Morrill, p. 69.

The amethyst gemstone measure 1 1/2" x 3/4". Absolutely gorgeous stones, perfectly matched in a rich grape color with quartz marbling and natural inclu...

Circa 1940's, this bracelet was produced by Hector Aguilar for Coro at the Taller Borda.

In 1943, Hector Aguilar formed a financial partnership with Gerald Rosenberger, the owner of Coro, to design and produce jewelry at the Taller Borda. This partnership was dissolved by 1950.

The bullet bracelet is one of the most elusive and iconic designs produced by Hector Aguilar. This bracelet is identical to the Aguilar, with the exception of the tongue in box closure instead of a p...

Circa 1930's-40's, this hand-wrought necklace is hallmarked with a simple early mark "Silver Mexico". I have previously had the identical design which was produced by Rafael Dominguez, as well I've seen it with the Antonio Pineda early mark. Twenty-seven lyre shaped panels are linked together with rectangular connectors topped with a copper bead set in the center of two silver beads. The looped hook closure is topped with four beads, copper alternating with silver. The lyre panels are deep...

Fred Davis was often daring with his designs using size for the jewels presence. This one is 2 1/8th inches tall and a depth of .25 inches. The length is 9 inches but has a wearable of 6.5 inches. The stones are without damage and set into their rows like peas in a pod. There are no dents to the saucer shaped beads. There is a natural patina and you will see some patina scattered about and on the ends of the handmade beads. Exceedingly rare and built for attention at 212 grams of thick silver. O...

Circa 1930's-1940's, this necklace from Fred Davis is nothing short of spectacular. A very rare piece, with repoussé sterling silver curved domed dangles. This lays perfectly on the neck, and it has a huge presence. A piece which will not fail to be noticed. Measures a closed, wearable length of 15". Length of each dangle is 1 7/8". Weight is 105.6 grams. Signed and hallmarked "FD 925". Collector quality. In excellent vintage condition. There are some tiny indents, but absolutely nothing which ...

From his first design period, with hallmarks dating 1940- 46, this is a silver conch pin designed by William Spratling and featured in books on Mexican silver. Measuring 2 3/4" by 2", weighs 21 grams and is signed as shown. The pin clasp may have been replaced . One of Spratling's favorite designs.

Based on Hector Aguilar's often referred to as the "fertility" parure, this anonymous Mexican Deco sterling silver band ring is a rare find. I love the combination of the two cross motif variations, the deep hand-chased details and the sense of depth enhanced with oxidation. Interestingly enough, though, and if I remember correctly, when asked about the specific design's meaning in an interview many years ago, Aguilar said that this was the sign the Aztec used to mark locations with gold deposit...

This early Mexican necklace is based on the Los Castillo dragon design, and is every bit as spectacular. Featuring superb craftsmanship, it's a true statement piece with attention to detail second to none. Closed, wearable length is 17", with each dragon having a height of 3 1/4". Weight is 73.5 grams. Hallmarked "Mexico Silver", this piece dates pre-1948. In excellent vintage condition.

Known for their high quality of holloware primarily, Ingrid's remains even today one of those elusive actors in the story of Mexico's 20th c. Silver Renaissance. Active in the 1930s and 1940s, as Bille Hougart reports, this retailer seems to have been the venue through which well-known maestros like Chato Castillo sold some of their creations. Based on my experience I can say that jewelry bearing their signature is not very often encountered but when it pops up, it is always on big, bold and bea...

One rarely sees work produced by La Joya. La Joya designs are unique and original, the craftsmanship superb. This necklace dates to pre-1948. It's a definite statement piece, adorned with 7 amethyst cabochons. The largest of them measures 7/8" x 7/16", and sits on the center "ribbon". Centerpiece measures just under 5 1/2" across. The amethysts are beautiful stones, well matched in color, with natural inclusions. Necklace measures a closed, wearable length of 18". Weight is 78 grams....

Beautiful vintage 1940s wired necklace, probably Chinese export, with carved stone beads alternating with clear faceted beads that are either glass or rock crystal. The carved stone beads include amethyst, what looks like one celadon jade bead, serpentine, carnelian, rose quartz, what looks like lapis or sodalite, and a large pale green bead that looks like flourite or some other quartz. There are also smooth beads in various hardstones and in turquoise. Continuous strand (no clasp) wired in dar...

A classic early Matilde Poulat Mexican silver bracelet, its textured sterling wire-work adorned with beading and coral and turquoise cabochons, this piece was made in the 1934-48 period of Matl's creative life as is indicated by its hallmarks. Part of her "flat" as opposed to "repousse" jewelry, the bracelet is perfectly articulated and responds to the wrist's every move in a effortless, gracious way. Its "solid" construction bestows a welcome weight to it that feels warmly familiar when you hav...

Not much is known - if anything at all - about Ars Plata whose signature is found on the Mexican silver and amethyst dangle earrings at hand. Bille Hougart lists an "Art Plat." in his book on Mexican silver hallmarks but I am not sure the two workshops / retailers (?) are the same. This lack of information is part of the field's reality yet it is always exciting to find a name not often encountered. Especially if it is stamped on beautifully made, slick jewelry like this set ever so reminiscent ...

Fabulous vintage glass beaded necklace with color changing alexandrite lead crystal glass beads and tiny clear glass spacer beads. Circa 1940. With a beautiful geometric Art Deco pave diamante slide clasp in silvertone metal. From a Baltimore estate and I also have listed several 1940s signed pins and clips from this same estate. The color is a pinkish lavender in natural light, and a pale aqua in white artificial light. Both colors are more intense than the photos depict.

Wearab...

This necklace was produced by P. Ochoa in Mexico City during the 1930's - 1940's. One seldom comes across the work of this silversmith, whose work closely mirrors that of Matilde Poulat. This necklace is hand-wrought with a carved onyx face/mask sitting within a highly detailed repoussé headdress. The centerpiece measures 1 13/16" x 1 15/16". End to end, which is also closed, wearable length, measures 21". Weight is 63.4 grams. Signed and hallmarked "P Ochoa 925 M". Collector...

This rare rosary has lovely, colorless, faceted, glass "beads." The cross / crucifix is made of butterscotch bakelite and measures 2" x 1 1/8" x 1/4". It has 7 spots for The Seven Sorrows. There are 4 stanhopes remaining: the 2nd, 4th, 5th and 6th.

This lovely stanhope (in silver tone) measures 1 1/2" x just under 1". The viewer shows a woman in prayer and has The Lord's Prayer in full. The view is excellent: extremely clear and legible. The cross is decorated with pave-set, colorless rhinestones (some minor yellowing to rhinestones). Also in the viewer it reads MADE IN FRANCE.

$2,600 Circa 1940-1944, this bracelet is known as "Petate", and is one of Spratling's heaviest and most elusive designs. It's a book-piece design shown in "Dreaming in Silver", and spectacular in every sense. Measures 2 1/8" tall in front. Closed, wearable length is 6 3/4". Closes with a pin. Weight is 126.5 grams. Signed and hallmarked "Spratling Silver, Made in Mexico". Tested to be 98% purity. In excellent vintage condition.

Exuding a primordial strength and keeping its secrets well hidden under layers of hand-etched scales, beading and overlay this stunning creature - I see it as a sea serpent but on second thought and if those appliques running along its spine are stylized feathers, it could be Quetzalcoatl as easily - is another treasure bearing the signature of Doris and her Corpus Artisans group of maestros. Appreciation for Doris jewelry has been growing steadily since I first started dealing in vintage Mexica...

Circa 1940's, here is a seldom seen pin from noted Taxco designer Hubert Harmon. Harmon was active for a short time, and this Neptune pin is signed and hallmarked with his winged feet and Hubert Harmon marks dating likely 1942-1948.

It's a stunning whimsical pin with Neptune holding his pitchfork, seating upon a large fish with an amethyst cabochon eye. The repoussé silver work is superb. A very unique, very rare piece, perfect for the discerning collector.

Measures 3" lon...

With hallmarks dating 1940-1945, this spectacular bracelet is a very rare and early creation from Los Castillo. It's a huge showpiece, with six rectangular faceted amethyst gemstone surrounded by tiny silver beading. The amethysts are great old Mexican stones, well matched in color, with quartz marbling and natural inclusions. Measures a closed, wearable length of 6 1/2", with a width of 1 9/16". Weight is 130.9 grams. Signed and hallmarked with early linear marks "Los Castill...

An early Taxco treasure, this Mexican Deco cuff bracelet is both generous in weight and wrought in fine, .980 silver. The design is classic for the period and I have seen all-silver versions of it over the years by anonymous and recognizable names, that of Emma and La Cucaracha being among the most famous. The marriage of silver and copper that we are treated to here, however, I have never encountered before. Not only is the mixing of the metals unusual - the incorporation of the specific silver...

Intricately constructed of sterling silver & stone this piece was designed c. 1940's by American & Taxco, Mexico artist William Spratling. Measuring 2 1/2" X 2 1/2" the pin weighs 40 grams. This design was included in the museum exhibit William Spratling and the Mexican Silver Renaissance & is pictured on p.97 of the museum catalog by curator Penny Morrill. Also pictured on p.48 of Mexican Silver by Penny Morrill & Carole Berk. Rarely seen on the market this museum piece is included in the perma...

A rare example of Jose Luis Flores's work to come upon, this distinctly modernist necklace made my day when I discovered it. I have in the past sold the matching bracelet to it but this specific form eluded me for the longest of times and I am thrilled to be offering it here. Made up of links constructed using overlay, hand-cutting and chasing as well as oxidation, it brings to mind Teran's biomorphism and the design's execution is flawless. No wonder many of Flores's jewelry are also signed for...

A very attractive 18K yellow gold ring in the Retro Moderne style set with an emerald cut synthetic pink sapphire enclosed at either end with a pair of square cut synthetic rubies and a natural round brilliant cut diamond. The stones are set in an ornate scrolling mount. The colorful design, with its strong contrasts, makes for a very attractive, fun ring. Synthetic rubies and sapphires were frequently used during the Retro period, even by the most exclusive jewelers, because many stones were...

Beautiful dimensional bracelet with repousse work in pre-Columbian style motifs. Circa 1940. Marked STERLING 925 TAXCO MEX and signed CP or OP. It weighs 51 grams. This piece and most of the other Mexican silver I have listed came from one long time collector's estate. 3 3/4 inches wide in front and with a wearable length (when the edges meet) of 6 1/2 inches. Overall excellent condition. The tips of the longest "fronds" have some very slight unevenness which is most likely from the ...

A Retro 14K yellow gold bracelet comprising hinged links set with amethysts alternating with diamond-set links. The oval mixed-cut amethysts have medium-dark, vivid reddish-purple color and are well-matched. The small old European and brilliant cut round diamonds add a restrained bit of sparkle. The amethysts are set in a way that makes them appear the float in the larger gold links, creating a sense of lightness in the bracelet. The clasp is marked “14K”.

Origin: America, ca. 1940. C...

This sterling silver necklace was designed and signed (c.1940) by Taxco, Mexico artist William Spratling (1900-67). The pendant measures 3 1/4" X 3 1/4" and can be worn as a brooch by easily detaching the 20" long sterling silver chain. The pendant with chain weighs 110 grams. Both silver and the beautiful amethyst stones are in excellent condition. Shown and described on spratlingsilver.com. Also pictured in SPRATLING SILVER: A FIELD GUIDE by Phyllis Goddard and in MEXICAN SILVER by Penny Mor...

This is a very rare bracelet from Los Castillo, executed in 980 silver. One of their earliest pieces before they added design numbers with their hallmark. At the center is a huge gorgeous amethyst cabochon, bezel set and surrounded by tiny beading. Three strands of silver beads attach to each side, wrapping around the wrist to close with a tongue in box clasp topped with an amethyst cabochon. This is an extremely flattering bracelet. It looks absolutely stunning on the wrist. The amethyst ...