A pretty Georgian heart pendant worked in 18K yellow gold and featuring a double-cut citrine heart. The gold surfaces are decorated in a repousse floral motif. The citrine is cut with lapidary facets on both sides it looks the same from the back or front. The stone has very pleasant pale yellow coloring. The jump ring is original to the pendant...

A very good Georgian watch fob seal worked in 15K yellow gold with ornate floral repousse floral decoration. The section connecting the fob frame to the bail is chased in a foliate pattern that matches the floral theme. One side of the flip part is set with a banded agate while the other side features an exquisitely chased and engraved gold plaque depicting a flower basket beneath a clear rock crystal cover...

Renaissance 22 Carat signet ring with a deeply carved intaglio puzzle in the form of a pictogram which uses pictures and letters to spell out words that convey its meaning. The rebus reads "Love You" with the heart symbolizing love and the V (based off the old Latin alphabet) for the letter U, representing the vowel U which represents "You". The ring is unmarked and a size 6 and in excellent condition.

A renaissance era poesy ring (spelled posy, posie, or posey), the outer ring of our posy has a chequerboard pattern with the darkly romantic inscription "Yours till death". The u in the letter Yours is written as a V because it is based off the Latin alphabet which used the letter V to represent both letters. Posey rings were popular in France and England between the 1400's and 1700's and were often given as gifts between lovers...

Late Georgian multi stone harlequin eternity band with individually carved stones bordered in gold which form a complete band, a series of circles within a circle. Rarely have we found an eternity band in a large size 13. The word "harlequin" comes from the kaleidoscopic costumes of the 16th Century European comedy actors known as ‘harlequins’, conversely, the harlequin ring is also vibrant and colorful...

Our poesy ring (spelled posy, posie, or posey) has the deep color of a 22carat ring along with a textured pattern and an interesting inscription "Seale up Secrets" that is both biblical and romantic in substance. The term "seale up secrets" with its Gothic spelling of seale, refers to the biblical phrase "seal up". In the Bible, the phrase "seal up" is often used to refer to something being kept secure until a specific time...

Here is a lovely antique ring in unmarked but tested 18kt rose gold. The center stone is a ruby cut in an old style, but in really excellent condition. (It’s possible that it’s a replacement stone.) It is surrounded by 8 rose cut and more randomly-cut diamonds which are definitely original, and which might be foiled, but in any case are in a closed-back setting. Typically for the period, a couple of them are chipped or have feathers (inclusions). The ring is a size 8-1/4, and could be sized...

A fine example of a French-Flemish croix papillon (butterfly cross) from the northern region of France around Calais. Jewelry scholars believe these were actually made in Belgium (a French region at the time) where they were known as “croix à la Jeannette” (Jeanette crosses). They were popular across the French regions of Picardie and Pas-de-Calais and into Normandie. This example retains all three of its original parts, each worked in gold and silver and set with table cut diamonds...

Here is a fascinating Georgian-era ring, possibly a mourning ring, which could have been worn by one of Jane Austen’s more affluent characters. It features a rose-cut diamond (pointed top instead of flat), set in 14kt gold with decorations in black enamel on the shank, which are still in excellent condition. The ring is approximately size 5. It isn’t possible to estimate the weight of rose cut diamonds in a setting. It is in the I range for clarity – normal for its time. Unmarked...

Impressive Georgian diamond cluster ring with nineteen diamonds in set in a silver setting with an 18K delicately incised and unusually shaped gold band dating to c. 1780. The pictures speak for themselves. The ring is oriented radially around a large central Georgian diamond and surrounded by 12 smaller Georgian diamonds with three diamonds are fitted into the remaining space around each side in a perfectly symmetrical form. The ring is a size 7.25 and sizeable.

This spectacular mourning band is of black enamel with accents of white enamel and bordered in gold accents. With its breathtaking miniature painting of a young girl, this ring is a fine example of the neoclassical influences of the Georgian period on mourning jewelry. The heavy graphic representations of death so prevalent before this time no longer suited the lightness of the Georgian era...

A most interesting mourning ring style of the period; the two sided mourning ring with a swivel bezel. One side has a lock of hair under crystal and is bordered with pearls, representing tears, in a pinched gold setting. The other side is a black enamel rectangle inscribed with Mark Hodgson ESQ died 12 July 1810 aged 52 in gold letters...

15K Rare Georgian diamond cluster ring consisting of 6 large stones cut en cabochon (no facets and polished smooth) and set in a radial pattern around a large center diamond. 6 smaller stones are set along the border. The border is crimped, a feature of hand wrought gold-work of this period. The diamonds are set in silver. There is nary a claw in sight as the Georgians believed claws detracted from the beauty of the diamonds. The diamonds are cut, unusually, en cabochon; this means they are no...

Substantial 18K C1840 diamond cluster ring with 8 round diamonds in a crimped collet setting surrounding a central natural gem, sherry brown topaz and hand set with a decorative band with carved flourishes along the shoulders. The gem topaz was extremely popular and much loved in jewelry during the Georgian period Georgian goldsmiths believed the back of the ring should be as decorative as the front; the underside is carved to resemble the back of a budding flower petal and reveals incredibl...

Our C1790 ring is an 18th century glass intaglio of an ancient signed gem depicting the head of a laughing satyr, or faun (a young satyr). Such carvings were called Tassies (explained further down). "Gems" in this case refers not to precious stones, but to ancient classical Greek carvings, highly valued miniature works of art. Our glass intaglio is signed in Greek for Ammonioy, meaning "by Ammonios". It is not clear that the signature stood for any particular gem engraver; however there are...

This fantastic jewel tests as a very strong 14kt, so it’s likely a 15kt English piece. It is set with what we are pretty sure is an iolite (hard to test because of the setting), and 4 pear-shaped purple garnets, all foiled, all set within an Etruscan Revival motif of coiling snake-like decorated gold ropes and leaves, with two dangling gold chains. The brooch measures 1-1/2 x 1-1/2 x 3/4" deep and weighs 8.7g. With the chains, the whole piece measures 2-1/2” long. The pin stem assembly is al...

An elegant Georgian 18K gold fob seal worked in a floral pattern and set at the base with an amethyst tablet engraved with an armorial crest. The floral design continues up the shoulders to the loop by which the fob would have been hung from a watch chain. Tested and guaranteed 18K gold.

• Origin: England, ca. 1815
• Condition: excellent
• Dimensions: 3/4" x 11/16" x 1-3/16"
• Weight: 13.2 grams

This pretty ring consists of a flower made of six pearl “petals” (one of which is a replacement), centered by a tiny rose cut diamond. There is a compartment underneath, perhaps for storing a lock of hair, but no glass. The ring tests as a very strong 14kt, so it is probably 15kt (and therefore English). Cobalt blue enamel decorates the shoulders, which we’ve had touched up – this ring was obviously very well loved, and it’s still beautiful! Size 6. Early Victorian or late Georgian. We...

We love the patina of this antique delicate carved amethyst intaglio depicting a charming bird perched on solid ground, beak pointed upward mounted in a later, retro hammered 24K gold band. The ring is substantial at .38 inch high but not overwhelmingly large. At almost 14 grams and 24K (stamped), this ring is solid gold yet feels surprisingly light. This modern looking signet ring is easy to wear and marries beautifully with other rings. Not to be missed. The ring fits a size 9-9.5 finger.

Queen Anne period (1740) large beautifully faceted octagon cut amethyst solitaire ring in a later 18K gold band. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. Among other details, we love this ring for its eighteenth century octagonal shape, the quality of the amethyst and the crimped collet gold setting. Beautiful in its simplicity, this ring is sure to attract attention. ...

This Georgian diamond solitaire ring is set in 15K gold and has lovely engraved shoulders (also referred to as chased). The old mine cut diamond, chased shoulders and smooth polished gold back (beautiful in its own right) make this ring classically Georgian. There is not a prong visible on this diamond as a Georgian era goldsmith only wanted the diamond to be visible. Diamonds then were set in silver to better set off the cool tones, as is this one. The proportions of this band make it idea...

Late Victorian signet ring, hallmarked for the year 1907-1908 and monogrammed with initials WW or MM, carved to a polished gold face and set into a band with carved scrolled shoulders. The ring featured on this listing is modeled on the ring finger. We think it looks great with other signet rings or by itself. The ring is fairly large in scale at over a half inch wide and a half inches tall (1.4 cm North-South and 1.2+ cm East-West), US size 8 and size-able.

The devil is in the details. Every detail of our 18K woven gold gloved hand bracelet with guilloche enamel cuffs are is a beauty to behold. Our bracelet was handcrafted by skillful Georgian goldsmiths who took care to make sure that every part of this bracelet met their exacting standards. And it shows. We call this a "woven" gold bracelet because during the Georgian period goldsmiths were adept at weaving gold so that it resembled and felt more like fabric than metal chain. This weaving styl...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each. The leaves are all carved to suggest veining, adding to the ring's appeal. Our ring is an early precursor to what would la...

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration. The edges of the swivel are engraved “S Kip” on one edge and “S Kip Poe” on the othe...

C1770 Silver gilt ring with Glass Tassie cameo portrait of an 18th century gentleman, thought to be young Prince William Henry Duke of Gloucester, younger brother of King George III. Rings set with portrait miniatures of sovereign figures were quite popular and widely distributed. A "Tassie" is a paste or glass copy of a cameo or intaglio. They were named for James Tassie, 1735-1799 who invented a technique for producing perfect copies of antique cameos and intaglios, which have the same deta...

This is a spectacular one of a kind cameo portrait signet ring collector's item made of an sardonyx, a variety of banded onyx and a form of chalcedony quartz of reddish brown. Portrait cameos were often commissioned by those who had amassed enough wealth to leave their mark on society. The wearer of such a ring would demonstrate admiration for a particular philosopher, writer or popular figure in society. The possession of a ring set with a cameo established the owner of the ring as a person o...

18K Georgian ring with a cushion cut oval approx. 4 carat topaz center stone flanked by 2 old mine cut diamonds on each side. The diamonds total approximately 1/2 carat. This is a hand forged Georgian ring and the star of the show, the topaz, is encased in a gold surround. A charming detail of 3 "pie crust" indentations in the gold can be seen at the top, bottom and repeated along the sides. The topaz sits about 5 mm above the finger. The combination of the clear yellow-gold topaz flanked by the...

A stunning Georgian floral pendant worked in silver-topped 18K gold. The radiating petals are studded with diamonds in the newly fashionable “a jour” or open settings that came into vogue around 1800. The selection of diamonds is a virtual history of early diamond cutting and includes rose cuts, Mazarin cuts, table cuts, and Peruzzi cuts. The flower is centered with an unheated cornflower blue sapphire, likely of Ceylon origin. The back of the setting is ornately engraved in a sort of starbu...

A small fob seal featuring an amethyst tablet set in a fluted closed-back setting surmounted with ornate scrollwork. The amethyst tablet bears the monogram “RB” and a heart-shaped lock and a key. The lock and key are rebus images carrying the message “Key to my heart.” This fob is perfectly sized to wear alone as a pendant or on a heavy chain or bracelet as one of multiple charms. Tested and guaranteed 15K.

• Origin: England, ca 1830
• Condition: very good
• Dimensions: ...

A pretty late Georgian example of a Halley’s Comet pin worked in 14K (perhaps 15K) yellow gold and featuring a light blue paste stone to represent the comet’s nucleus. The paste is set in an elegant buttercup-type setting accented with an engraved gallery. Blue paste is less common than other colors, and makes a very nice presentation. The comet’s tail depicted in the engraved and voluted gold setting.

In 1705, Edmond Halley correctly predicted the comet’s return in 1758. When it ...

Black enamel on gold with central hair plait. Lettered on the front with "Memori" and initials. The reverse is engraved "Sarah Jackson Obt 20th Dec 1828 Aged 32 Also of Margaret Jackson Obt 8th Feb 1841 Aged 32".

Excellent condition, with a length of 1 11/16" and a width of 1 1/2".

A charming miniature portrait, done in watercolor on natural wafer, and mounted in a later 14K gold ring with an impressed maker's mark of "MP". The sitter is a young red-haired child, facing left, and wearing a black dress with a dotted lace ruffled collar.

The ring size is 6 1/2, and the portrait measures 1 1/16" by 7/8". The condition of the portrait, as well as the ring, is excellent. The line near the left edge and along the top edge is due to refraction and does not appear when viewed in...

This is a very unique probably American made late Victorian 10Kt pink gold and rose diamond bangle bracelet with a flower design. The two clusters and the surrounding design is set with 24 various size and quality rose cut diamonds. The approximate total weight of all rose diamonds is 1.20Ct. The bracelet is quite heavy since it is NOT made of hollow gold, and fits an average or slightly larger than average wrist.

An outstanding Victorian 18K yellow gold oval slide locket, the cover with set with an amazing sardonyx cameo depicting an early steamship also rigged with sails. The single smoke funnel, the sails’ rigging and the absence of a sidewheel suggest the locket dates to the mid-19th century. The carving is expertly worked using the alternating cream and rust colors of the sardonyx to represent every small detail. The marshy foreground is littered with barrels, crates and a large anchor. The hardsto...

Circa 1830, this hand-carved carnelian seal features a coat of arms. It is set in solid 15k rose gold. It is in excellent condition with no damage to the seal or case. The oval seal measures approximately 1" long and .75" wide. The fob is approximately 1.75" tall. It is the perfect companion to a long rose-gold guard chain like item #J1780.