A pretty Georgian heart pendant worked in 18K yellow gold and featuring a double-cut citrine heart. The gold surfaces are decorated in a repousse floral motif. The citrine is cut with lapidary facets on both sides it looks the same from the back or front. The stone has very pleasant pale yellow coloring. The jump ring is original to the pendant...

A very good Georgian watch fob seal worked in 15K yellow gold with ornate floral repousse floral decoration. The section connecting the fob frame to the bail is chased in a foliate pattern that matches the floral theme. One side of the flip part is set with a banded agate while the other side features an exquisitely chased and engraved gold plaque depicting a flower basket beneath a clear rock crystal cover...

Renaissance 22 Carat signet ring with a deeply carved intaglio puzzle in the form of a pictogram which uses pictures and letters to spell out words that convey its meaning. The rebus reads "Love You" with the heart symbolizing love and the V (based off the old Latin alphabet) for the letter U, representing the vowel U which represents "You". The ring is unmarked and a size 6 and in excellent condition.

A renaissance era poesy ring (spelled posy, posie, or posey), the outer ring of our posy has a chequerboard pattern with the darkly romantic inscription "Yours till death". The u in the letter Yours is written as a V because it is based off the Latin alphabet which used the letter V to represent both letters. Posey rings were popular in France and England between the 1400's and 1700's and were often given as gifts between lovers...

Late Georgian multi stone harlequin eternity band with individually carved stones bordered in gold which form a complete band, a series of circles within a circle. Rarely have we found an eternity band in a large size 13. The word "harlequin" comes from the kaleidoscopic costumes of the 16th Century European comedy actors known as ‘harlequins’, conversely, the harlequin ring is also vibrant and colorful...

Our poesy ring (spelled posy, posie, or posey) has the deep color of a 22carat ring along with a textured pattern and an interesting inscription "Seale up Secrets" that is both biblical and romantic in substance. The term "seale up secrets" with its Gothic spelling of seale, refers to the biblical phrase "seal up". In the Bible, the phrase "seal up" is often used to refer to something being kept secure until a specific time...

Here is a lovely antique ring in unmarked but tested 18kt rose gold. The center stone is a ruby cut in an old style, but in really excellent condition. (It’s possible that it’s a replacement stone.) It is surrounded by 8 rose cut and more randomly-cut diamonds which are definitely original, and which might be foiled, but in any case are in a closed-back setting. Typically for the period, a couple of them are chipped or have feathers (inclusions). The ring is a size 8-1/4, and could be sized...

A fine example of a French-Flemish croix papillon (butterfly cross) from the northern region of France around Calais. Jewelry scholars believe these were actually made in Belgium (a French region at the time) where they were known as “croix à la Jeannette” (Jeanette crosses). They were popular across the French regions of Picardie and Pas-de-Calais and into Normandie. This example retains all three of its original parts, each worked in gold and silver and set with table cut diamonds...

Here is a fascinating Georgian-era ring, possibly a mourning ring, which could have been worn by one of Jane Austen’s more affluent characters. It features a rose-cut diamond (pointed top instead of flat), set in 14kt gold with decorations in black enamel on the shank, which are still in excellent condition. The ring is approximately size 5. It isn’t possible to estimate the weight of rose cut diamonds in a setting. It is in the I range for clarity – normal for its time. Unmarked...

Impressive Georgian diamond cluster ring with nineteen diamonds in set in a silver setting with an 18K delicately incised and unusually shaped gold band dating to c. 1780. The pictures speak for themselves. The ring is oriented radially around a large central Georgian diamond and surrounded by 12 smaller Georgian diamonds with three diamonds are fitted into the remaining space around each side in a perfectly symmetrical form. The ring is a size 7.25 and sizeable.

This spectacular mourning band is of black enamel with accents of white enamel and bordered in gold accents. With its breathtaking miniature painting of a young girl, this ring is a fine example of the neoclassical influences of the Georgian period on mourning jewelry. The heavy graphic representations of death so prevalent before this time no longer suited the lightness of the Georgian era...

A most interesting mourning ring style of the period; the two sided mourning ring with a swivel bezel. One side has a lock of hair under crystal and is bordered with pearls, representing tears, in a pinched gold setting. The other side is a black enamel rectangle inscribed with Mark Hodgson ESQ died 12 July 1810 aged 52 in gold letters...

15K Rare Georgian diamond cluster ring consisting of 6 large stones cut en cabochon (no facets and polished smooth) and set in a radial pattern around a large center diamond. 6 smaller stones are set along the border. The border is crimped, a feature of hand wrought gold-work of this period. The diamonds are set in silver. There is nary a claw in sight as the Georgians believed claws detracted from the beauty of the diamonds. The diamonds are cut, unusually, en cabochon; this means they are no...

Substantial 18K C1840 diamond cluster ring with 8 round diamonds in a crimped collet setting surrounding a central natural gem, sherry brown topaz and hand set with a decorative band with carved flourishes along the shoulders. The gem topaz was extremely popular and much loved in jewelry during the Georgian period Georgian goldsmiths believed the back of the ring should be as decorative as the front; the underside is carved to resemble the back of a budding flower petal and reveals incredibl...

Our C1790 ring is an 18th century glass intaglio of an ancient signed gem depicting the head of a laughing satyr, or faun (a young satyr). Such carvings were called Tassies (explained further down). "Gems" in this case refers not to precious stones, but to ancient classical Greek carvings, highly valued miniature works of art. Our glass intaglio is signed in Greek for Ammonioy, meaning "by Ammonios". It is not clear that the signature stood for any particular gem engraver; however there are...

This fantastic jewel tests as a very strong 14kt, so it’s likely a 15kt English piece. It is set with what we are pretty sure is an iolite (hard to test because of the setting), and 4 pear-shaped purple garnets, all foiled, all set within an Etruscan Revival motif of coiling snake-like decorated gold ropes and leaves, with two dangling gold chains. The brooch measures 1-1/2 x 1-1/2 x 3/4" deep and weighs 8.7g. With the chains, the whole piece measures 2-1/2” long. The pin stem assembly is al...

An elegant Georgian 18K gold fob seal worked in a floral pattern and set at the base with an amethyst tablet engraved with an armorial crest. The floral design continues up the shoulders to the loop by which the fob would have been hung from a watch chain. Tested and guaranteed 18K gold.

• Origin: England, ca. 1815
• Condition: excellent
• Dimensions: 3/4" x 11/16" x 1-3/16"
• Weight: 13.2 grams

This pretty ring consists of a flower made of six pearl “petals” (one of which is a replacement), centered by a tiny rose cut diamond. There is a compartment underneath, perhaps for storing a lock of hair, but no glass. The ring tests as a very strong 14kt, so it is probably 15kt (and therefore English). Cobalt blue enamel decorates the shoulders, which we’ve had touched up – this ring was obviously very well loved, and it’s still beautiful! Size 6. Early Victorian or late Georgian. We...

We love the patina of this antique delicate carved amethyst intaglio depicting a charming bird perched on solid ground, beak pointed upward mounted in a later, retro hammered 24K gold band. The ring is substantial at .38 inch high but not overwhelmingly large. At almost 14 grams and 24K (stamped), this ring is solid gold yet feels surprisingly light. This modern looking signet ring is easy to wear and marries beautifully with other rings. Not to be missed. The ring fits a size 9-9.5 finger.

Queen Anne period (1740) large beautifully faceted octagon cut amethyst solitaire ring in a later 18K gold band. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. Among other details, we love this ring for its eighteenth century octagonal shape, the quality of the amethyst and the crimped collet gold setting. Beautiful in its simplicity, this ring is sure to attract attention. ...

This Georgian diamond solitaire ring is set in 15K gold and has lovely engraved shoulders (also referred to as chased). The old mine cut diamond, chased shoulders and smooth polished gold back (beautiful in its own right) make this ring classically Georgian. There is not a prong visible on this diamond as a Georgian era goldsmith only wanted the diamond to be visible. Diamonds then were set in silver to better set off the cool tones, as is this one. The proportions of this band make it idea...

Late Victorian signet ring, hallmarked for the year 1907-1908 and monogrammed with initials WW or MM, carved to a polished gold face and set into a band with carved scrolled shoulders. The ring featured on this listing is modeled on the ring finger. We think it looks great with other signet rings or by itself. The ring is fairly large in scale at over a half inch wide and a half inches tall (1.4 cm North-South and 1.2+ cm East-West), US size 8 and size-able.

The devil is in the details. Every detail of our 18K woven gold gloved hand bracelet with guilloche enamel cuffs are is a beauty to behold. Our bracelet was handcrafted by skillful Georgian goldsmiths who took care to make sure that every part of this bracelet met their exacting standards. And it shows. We call this a "woven" gold bracelet because during the Georgian period goldsmiths were adept at weaving gold so that it resembled and felt more like fabric than metal chain. This weaving styl...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each. The leaves are all carved to suggest veining, adding to the ring's appeal. Our ring is an early precursor to what would la...

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration. The edges of the swivel are engraved “S Kip” on one edge and “S Kip Poe” on the othe...

C1770 Silver gilt ring with Glass Tassie cameo portrait of an 18th century gentleman, thought to be young Prince William Henry Duke of Gloucester, younger brother of King George III. Rings set with portrait miniatures of sovereign figures were quite popular and widely distributed. A "Tassie" is a paste or glass copy of a cameo or intaglio. They were named for James Tassie, 1735-1799 who invented a technique for producing perfect copies of antique cameos and intaglios, which have the same deta...

This is a spectacular one of a kind cameo portrait signet ring collector's item made of an sardonyx, a variety of banded onyx and a form of chalcedony quartz of reddish brown. Portrait cameos were often commissioned by those who had amassed enough wealth to leave their mark on society. The wearer of such a ring would demonstrate admiration for a particular philosopher, writer or popular figure in society. The possession of a ring set with a cameo established the owner of the ring as a person o...

18K Georgian ring with a cushion cut oval approx. 4 carat topaz center stone flanked by 2 old mine cut diamonds on each side. The diamonds total approximately 1/2 carat. This is a hand forged Georgian ring and the star of the show, the topaz, is encased in a gold surround. A charming detail of 3 "pie crust" indentations in the gold can be seen at the top, bottom and repeated along the sides. The topaz sits about 5 mm above the finger. The combination of the clear yellow-gold topaz flanked by the...

A stunning Georgian floral pendant worked in silver-topped 18K gold. The radiating petals are studded with diamonds in the newly fashionable “a jour” or open settings that came into vogue around 1800. The selection of diamonds is a virtual history of early diamond cutting and includes rose cuts, Mazarin cuts, table cuts, and Peruzzi cuts. The flower is centered with an unheated cornflower blue sapphire, likely of Ceylon origin. The back of the setting is ornately engraved in a sort of starbu...

A small fob seal featuring an amethyst tablet set in a fluted closed-back setting surmounted with ornate scrollwork. The amethyst tablet bears the monogram “RB” and a heart-shaped lock and a key. The lock and key are rebus images carrying the message “Key to my heart.” This fob is perfectly sized to wear alone as a pendant or on a heavy chain or bracelet as one of multiple charms. Tested and guaranteed 15K.

• Origin: England, ca 1830
• Condition: very good
• Dimensions: ...

A pretty late Georgian example of a Halley’s Comet pin worked in 14K (perhaps 15K) yellow gold and featuring a light blue paste stone to represent the comet’s nucleus. The paste is set in an elegant buttercup-type setting accented with an engraved gallery. Blue paste is less common than other colors, and makes a very nice presentation. The comet’s tail depicted in the engraved and voluted gold setting.

In 1705, Edmond Halley correctly predicted the comet’s return in 1758. When it ...

Black enamel on gold with central hair plait. Lettered on the front with "Memori" and initials. The reverse is engraved "Sarah Jackson Obt 20th Dec 1828 Aged 32 Also of Margaret Jackson Obt 8th Feb 1841 Aged 32".

Excellent condition, with a length of 1 11/16" and a width of 1 1/2".

A charming miniature portrait, done in watercolor on natural wafer, and mounted in a later 14K gold ring with an impressed maker's mark of "MP". The sitter is a young red-haired child, facing left, and wearing a black dress with a dotted lace ruffled collar.

The ring size is 6 1/2, and the portrait measures 1 1/16" by 7/8". The condition of the portrait, as well as the ring, is excellent. The line near the left edge and along the top edge is due to refraction and does not appear when viewed in...

This is a very unique probably American made late Victorian 10Kt pink gold and rose diamond bangle bracelet with a flower design. The two clusters and the surrounding design is set with 24 various size and quality rose cut diamonds. The approximate total weight of all rose diamonds is 1.20Ct. The bracelet is quite heavy since it is NOT made of hollow gold, and fits an average or slightly larger than average wrist.

An outstanding Victorian 18K yellow gold oval slide locket, the cover with set with an amazing sardonyx cameo depicting an early steamship also rigged with sails. The single smoke funnel, the sails’ rigging and the absence of a sidewheel suggest the locket dates to the mid-19th century. The carving is expertly worked using the alternating cream and rust colors of the sardonyx to represent every small detail. The marshy foreground is littered with barrels, crates and a large anchor. The hardsto...

Circa 1830, this hand-carved carnelian seal features a coat of arms. It is set in solid 15k rose gold. It is in excellent condition with no damage to the seal or case. The oval seal measures approximately 1" long and .75" wide. The fob is approximately 1.75" tall. It is the perfect companion to a long rose-gold guard chain like item #J1780.

Beautiful rose cut diamonds set in this Georgian brooch. They are set in silver and gold. The largest diamond weighs approximately .40 cts. The entire piece has over two carats total weight. Each diamond is beautifully cut and there are some that are fancy peach and champagne colored. The brooch measures approximately 3" long and 2" wide. The catch is a 1920s replacement but is very secure and in working condition. The piece is unmarked but has been fully tested. The overall weight is 21 gram...

A hand engraved Georgian 9k yellow gold and RGP engraved watch key. This 1-7/8 x 3/4" winding key features a rolled gold plate rotating swivel loop and a rotating knob on the RGP winding shaft. Both have underlying metal for rigidity and resistance to wear (gold is very soft), but the body of the key tests as 9 carat gold (the key is unmarked). It weighs 9.0 grams, and it is in excellent condition with no monograms, dents, bends, corrosion, losses, damage or repairs. All items are thoroughly...

An early Empire 15k superbly carved cameo pin circa 1820. This hand carved shell portrait cameo measures 2 x 1-3/4" and it features lovely tooling with a pierced gallery, and a twist border with applied textured flowers and leaves. The cameo itself is one of the most attractively carved we have seen- simply stunning in detail and she is wearing an Empire headdress. This brooch has the original c-clasp and a loop for wear as a pendant. It weighs 10.9 grams, and it is in excellent condition wi...

A 1" diameter watch fob or pendant consisting of a dated 1791 English "Spade" Guinea in .917 gold (22 karat). This King George III coin has been soldered to a gold wire suspension, and it weighs 8.74 grams. It was worn for years as a gold charm and it has the expected wear with some loss of detail and edge reeding. This item is in as described condition with no dents, bends, corrosion, losses, damage or repairs other than the mounting for hanging and the wear. All items are thoroughly and co...

A genuine Georgian 15k onyx and enamel mourning ring. This size 6-3/4 mourning ring has an onyx stone and black enamel, it measures 9/16 x 1/2" across the top, it is in 15k (umnarked but tested) yellow gold, and it has the inscription "F.D. OB 25 JULY 1790 OLT 41 B.D. OB 12 NOV 1818 OLT 77" on the interior. It weighs 3.5 grams, and it is in fair condition with no chips, cracks, dents, bends, corrosion, damage or repairs other than the loss of 1/3 of the tooled gold inserted around the edge of ...

A later Georgian period 15k yellow gold remembrance or mourning ring with genuine pearls circa 1820 - 1830. This beautiful antique size 6 ring is typically unmarked and it tests as 15k, and it most likely of United Kingdom origin. It has a bevelled glass window for hair (no hair present) and the shoulders are thickly sculpted with a multi-floral pattern sometimes seen on jewellery or decor of this period. This ring weighs 3.7 grams, it measures 1/2" x 7/16" across the pearl setting, and it is in...

Exquisitely designed pair of 14k yellow and white gold, blue enamel and diamond flower-form drop earrings, French, circa late 18th century. Each earring composed of twenty rose cut and single cut diamonds. The flowerhead drop and stem are articulated together with jump rings. Attached to the back of each earring is a pierced post and locking clip back. Measurement: 1 1/2" long. Weight: 9 grams. Combined approximate diamond weight of the earrings is 0.50 cts. Condition is excellent. Truly one...

A Georgian 14k glass emerald and diamonds ring circa 1780-1800. This antique yellow gold (unmarked but tested and guaranteed) ring features a 3/8" across top which has claw set early silver coloured genuine rose cut diamonds surrounding an emerald coloured glass stone. Emeralds then were a scarce and difficult stone to acquire, so the use of a cut glass "gem" with diamonds was not unusual. This ring weighs 2.5 grams and it is in excellent original condition with no cracks, dents, bends, corros...

Georgian pendant of rose diamonds set in silver and backed in gold, c.1810. The diamonds are foil backed and reflect the light. There are three hanging natural pearls each with a rose diamond above. There are a total of 21 rose diamonds and the pendant measures 1 3/8" wide by 1 3/4" long. Pendant is original and in EXCELLENT condition. It hangs from a silver chain with 5 tiny knots in the chain.......$25 for insured US shipping.

A particularly attractive Georgian example of a Halley’s Comet pin worked in 18K yellow gold, accented with black enamel, and featuring a comet head set with a bright green paste stone to represent the comet’s nucleus surrounded by old cut clear paste stones representing the bright coma. The pastes are set in an elegant buttercup setting with a fluted back. The gold setting also has engraved decorative elements representing the comet’s tail.
In 1705, Edmond Halley correctly predicted th...

A wonderful Georgian 18K gold ring featuring a bold royal blue enamel plaque enhanced with a gold and seed pearl applique of a pansy. The blossom is set with a rose cut diamond at the center. The entire plaque is enclosed within a rococo floral border. The shank is decorated with complimentary floral elements. In Georgian jewelry, the pansy was used in jewelry given to loved ones with the sentiment "thinking of you". Tested and guaranteed 18K.

• Origin: England, ca 1770
• Condition: v...

A Georgian 15K gold gentleman's ring set with a hematite intaglio with a rare image from Greek/Roman mythology. We see the buff god Apollo in his horse-drawn chariot being led by Eros ("Cupid"), the god of love. This scene depicts the beginning of the tale of the water nymph Daphne.

Best know as god of the sun, Apollo was also the patron god of archers. One day, he mocked Cupid for the small size of the latter's bow and arrows. In revenge, Cupid shot Apollo with a golden-tipped arrow that...

A delightful Georgian harlequin ring featuring a marquise cut citrine surrounded by a border of alternating green and red stones—emeralds, rubies and paste. The mixing of natural and paste stones was not uncommon for the period. The citrine is foiled to impart a reddish-orange body color from certain angles. The stones are set in a closed-back setting. The shank is simply enhanced with a fleur-de-lis on each side where it joins the crown. Tested and guaranteed 18K gold, and bearing a later Fre...

An extraordinary late Georgian 18K gold ring set with a carnelian carved into the leering face of a satyr classically portrayed with a goatee, a snub nose and pointed ears. The carved gemstone was likely already several centuries old when it was set into this ring. The expert carving is only eclipsed by the extraordinary artistry of the goldsmith. The bold shank is entirely covered in flower and foliage appliques expertly worked in rose, green and yellow gold. The carved stone is set in a bezel ...

A nice Georgian locket in the form of a Maltese cross with a central rock crystal locket compartment. The arms of the cross are made from faceted carnelian plaques mounted in gold around the central compartment. The compartment was intended to hold the woven hair or perhaps a miniature portrait of a loved one. The Cross of the Knights Hospitallers of St. John was created in 1126 based on designs from the Crusades. The eight points of the arms represented truth, faith, repentance, humility, just...

An extraordinarily fine pair of Georgian hardstone cameo earrings set in 15K yellow gold. The cameos, certainly of Italian origin, and possibly several hundred years older than the earrings themselves, are carved from a grayish-green stone with white and rust banding. The images depict a satyr with exaggerated pointy ears and a leering grin, and a female companion with a floral wreath in her hair. In both, the grayish-green stone forms the background, while the facial features are picked out in ...

A very nice late Georgian carnelian spinner fob mounted in an 18K gold frame in the form of two intertwined snakes. The snakes are hand-chased with detailed scales and interesting, their heads are finished with duck-bill mouths (complete with teeth) grasping apples. This form is often seen in French silver wine tasters and was intended as a reminder of temptation and the snake in the Garden of Eden. The spiral mechanism in the center of the snakes’ entwined bodies is a spring mechanism that...

A lovely Georgian mourning pin worked in 9K yellow gold, the center crystal-covered compartment bordered in faceted jet. Lighter-colored hair is somewhat less common that dark hair, and it contrasts particularly nicely with the black border. The reverse is engraved "Wm Dumelow/ob. 16 Mar/1811 At 42." Tested and guaranteed 9K.

Origin: England, 1811. Condition: excellent, all original. Dimensions: 1" x 9/16". Weight: 3.3 grams.

A beautiful 18K gold ring containing a miniature portrait of a pretty young girl wearing a bicorn hat. The painting is surrounded with authentic seed pearls.

The condition of the painting itself, and the ring, is excellent. The blue section showing in the photo of the underside is a bit of tape that was used to allow a snugger fit for the finger of a previous owner. The front of the ring measures 1 1/8" by 7/8". The ring is a size 7 1/2.

A stunning Georgian 18K gold textured chain necklace suspending a graduated series of nineteen carved hardstone hearts. The colorful stones include lapis lazuli, moonstone, opal, carnelian, moss agate, porphyry, chrysoprase, banded agate, jasper and more. Stones such as these would have been mined in many different parts of the globe, and wearing a necklace of such "specimens" would have indicated wealth as well as a certain curiosity and intelligence about the world. The heart theme expresse...

A magnificent late Georgian multi-colored 18-22K gold bracelet comprising ten heavily detailed plaques. Each primary plaque, in the form of scallop shells in a cruciform arrangement with a large multi-tiered rosette at the center set with an old mine cut diamond. Each primary plaque is set at the corners with antique cushion cut Colombian emeralds. The secondary plaques have floral and acorn decoration and smaller rosettes centering old mine cut diamonds. The gold is very subtly colored, wit...

This exceptional verre eglomise rock crystal panel depicts a maiden in classical dress playing with a hound. She sits on a plinth in a clearing with cypress trees in the background. The scene is backed with grayish mother-of-pearl that seems to create a sky of swirling clouds. The reverse of the pendant is simply finished with pale grayish-blue silk. The plaque is simply mounted in an 18K yellow gold frame with a bail at the top. Verre eglomise was most often used in mourning jewelry, but n...

A truly superb and rare example of a Georgian mourning ring, the navette-shaped crown set with a mourning scene on ivory covered with a rock crystal dome. The scene depicts are pair of doves perched on the edge of a fountain. The doves are worked in a thick application of enamel so they stand out from the ivory background like a bas-relief. Doves were commonly a reference to the Holy Spirit The fountain itself is made with gold borders (presumably 15K) infilled wth enamels and highlighted w...

An extremely fine and rare Georgian 12K gold bracelet featuring a large rectangular plaque of landscape agate flanked by seven smaller rectangular plaques. With only a little imagination, the central panel appears to represent a grouping of trees in front of distant mountains, while the smaller plaques seem more like tree-covered islands in a calm lake. Landscape agate was popular for small brooches in the Georgian era, but large examples made of several matched pieces such as this are extreme...