Capt Cook " Morai Burial Place Owhyhee with A view of a Priests House"the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 9.5 x 15.5 inches. Sheet:

Capt Cook "Landing Of Capt Cook at Tanna New Hebrides" 1790, the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

PAIR of gouache paintings of Italy, one apparently showing the island of Ischia in moonlight, at the entrance to the Gulf of Naples, the other a coastal scene of the mainland, neither signed, circa 1900. The Ischia work measures 6 1/2" by 9 3/4", the other 7" by 10 3/4" (12" by 14 3/4" and 12 1/2" by 16" framed----the frames slightly different). Such paintings were popular souvenirs that went home with Grand Tour visitors at the turn of the century...

Eugenia Grant's floral works in pastel are amazing achievements, often leading people to think they are prints. This is a glorious original work, 21" by 26 3/4", framed behind glass (33" by 39" framed), and signed at lower right. The realistic depiction of the pink roses, flowers, porcelain vessel, curtain backdrop, and reflection in table top, is very impressive indeed. I have seen a number of works by this highly underrated artist, and they always feature this impressive attention to detail...

TWO antique, original (not reproduction) lithograph prints with hand coloring, one titled "Interior of Greek Church of the Holy Sepulchre Jerusalem April 11, 1839", the other "Citadel of Jerusalem without the walls", by noted English artist and Middle Eastern traveler DAVID ROBERTS (1796-1864). The first measures 14 1/4" by 19 1/2" (24" by 28 1/2" as framed); the second measures 9 1/2" by 12 3/4" (18" by 20 1/4" as framed)...

A complex mixed media drawing, in the style of Russian artist Wassily Kandinsky (1866-1944), featuring geometric shapes and forms, measuring 7 1/2" by 11 3/4" inside the mat opening (17" in 21" in frame). The drawing is created with graphite, watercolor, gouache and perhaps pastel crayon. The detail is tight and finished. A very decorative work with color and form, sure to be a conversation piece.

The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 5 Japanese lacquer red Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr...

Oil on canvasboard painting of an autumnal scene, 8" by 10" (14" by 17 1/4" in gold style framing), titled on the reverse "Eaton Canyon/Altadena, CA" and dated there 1999, signed on the front at lower left corner by the listed California contemporary plein air artist RAY CUEVAS 1932-2020. Cuevas since the mid 1980's has been known for his works featuring local scenes in the San Gabriels and vicinity, as well as other parts of Southern California...

19th cen. Italian hand painted miniature by Darulia depicting a European lady adorned with jewelry, the image measuring 3.75" x 2.5", the mosaic bone ornately engraved frame measuring 7" x 5.5" (a few age cracks to the frame panels) c.1840-1880

Nicolas Mignard, French, 1606-1668, "Odysseus Escaping Polyphemus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Carl M. Schultheiss, German/American, 1885-1961, engraving, "Goatherd", image size: 8 1/4 x 7 1/4 inches, pencil signed. Presentation Print for the Society of Print Connoisseurs, Society blindstamp lower left. Provenance: Baldwin-Wallace College.

Engraving, by the noted AEGIDIUS SADELER (1570-1629), possibly titled "Cottage Partly Built on Piles", from set of six landscapes, after a painting by the noted Flanders Golden Age artist, ROELANT SAVERY (1576-1639). Savery was an important Old Master of the Netherlands, and his original paintings sell for large sums at auction. Sadeler was a talented engraver, in demand by various artists who wished to have their original works translated into graphics...

A Fine Watercolor by the Listed Artist, Ignatz Sahula-Dycke (1900-82). Measures about 17 1/2" by 14 1/2" matte opening, overall about 25" by 22". Signed lower right. Sahula-Dycke has written something above his signature that I can not read, below his signature is lightly written "Phoenix 1940 Arizona".

An old watercolor painting of the Piazza San Marco in Venice, Italy, signed at lower left by the noted artist VITTORE ZANETTI-ZILLA (1869-1946). Measurements are 9 1/2" by 13 1/4" (14 3/4" by 18 1/2" as framed). The artist studied in Venice and in his mid twenties traveled through Europe, which had an effect on his style. He exhibited at Munich in 1893 and in Buenos Aires in 1910. After World War I, the artist remained in Milano. Solo exhibitions of his work took place in 1918 and 1920...

For the natural history aficionado or decorator, a PAIR of original finely detailed drawings in watercolor and ink, one titled faintly in pencil "Scorpions", the other featuring other unidentified but quite exotic-looking creatures with many legs. Each drawing is 8 1/4" by 6 1/2" inside the mat, and the works are identically framed (13" by 11")...

Gouache and pencil on paper, 16 3/4" by 12 1/2" (slightly larger as simply framed), signed at lower left by listed American artist JOHN EDWIN JACKSON (1876-1950). The scene is a genteel one, with a proper southern gentleman and belle, in a grand architectural setting. The artist was very prolific, illustrating many books and magazines in the first half of the twentieth century, yet, little seems to be known about him. A few pieces have been sold at illustration art auctions...

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

Oil on board impressionist oil painting of architecture on dramatic coastal mountains, signed at lower right in red "A. Dickert" and titled there "Camogli". The coastal town renowned for its views is popular with tourists visiting the Liguria coast around Genoa. The work measures 13 1/4" by 10 1/4" (21" by 18" in its original black wood frame). The artist was born in 1878 but there appears to be little biographical information...

Small English oil on board landscape painting in period frame by E Locht and dated 18?8. Colors are vibrant. In excellent antique condition, it measure including frame 14.5ʺ wide × 11ʺ high

Oil on canvas, 30" by 25" and 1 1/4" wide frame, unsigned, the subject two ladies and a cradled baby, in a traditional European interior of the nineteenth century. Due to the stretcher and canvas weave, I believe this is actually a work by an American artist, who skillfully copied a master work from Europe (probably Italian, or, Tyrol area/South German?)...

Koitsu Tsuchiya, oban tate-e, ¡°Sunset at Mt. Futara¡±, slightly toned and creased, fine impression and color.

**PAIR** color offset prints after two Southwest landscape paintings by the noted artist ED MELL (1942-), each laid on artboard and measuring 24" by 36". They were found in brown metal frames with no mat; frames available with the prints at no extra charge should the buyer want them. The prints show slight evidence of the edges perhaps being slightly trimmed, and there are some light scratches and small losses at extreme edges on one print as shown...

Joseph Hirsch, American, 1910-1981, Lithograph, "Conference at the Bench", 1946, image size: 13 3/4X9",Edition of 250, published by Associated American Artists, Printed by George Miller, pencil signed

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Original lithograph print, 13 1/2" by 10" inside the innermost of three mats, 21 1/4" by 17 1/2" as framed, the title "Le Ballet: Daphnis et Chloe", printed by Atelier Mourlot, 1969, in an edition of 10,000, as included in Drawings and Watercolors for The Ballet by Jacques Lassaigne, published in 1969 by Tudor Publishing. This is classic Chagall imagery, poetic and dream-like. Note the pipe-playing goat at lower left. All photos were taken through the non-glare glass, which should be discard...

George O. Pop Hart, American, 1868-1933, "the Mule Car," Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

Colorful poster "Nichols Canyon", after the famous 1980 Hollywood Hills painting by world-renowned British-born artist now associated with Southern California, David Hockney (born 1937). The offset lithograph measures 35 1/2" by 23" inside the white laminate frame. That framing suggests that this is a vintage print and not a later reproduction. I have not opened this to inspect; the lettering at bottom "David Hockney A Retrospective", with none of the information "The Metropolitan Museum of A...

TWO antique original (not reproduction) lithograph prints with delicate, subtle hand coloring,by noted English artist and nineteenth century Middle Eastern traveler DAVID ROBERTS (1796-1864). The prints both measures 8 3/4" by 12 1/2" (14 1/2" by 18 1/2" as framed). Roberts is best known for his lithographed images of sites in the classical Middle East, of which these are typical examples. I've not examined these out of the frames but they do appear to be in excellent, clean condition. See the...

This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.

Joseph Hirsch, American, 1910-1981, Lithograph, "The Confidence", 1944,image size: 9 3/4X11 1/8", published by Associated American Artists, edition of 250, printed by George Miller, Awarded a purchase prize,Library of Congress 1945, Pencil signed

Tavik F. Simon, Czech, "From the Latin Quarter". This 1907 etching and aquatint by Tavik F. Simon measures 12 3/4 x 16 1/2 inches, pencil signed, numbered "81", edition of 150, cat: Novak-69, G. Petit publisher's blindstamp on l.l. T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of F...

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.

This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.

Louis Orr 1879-1961 American This is a rare early Louis Orr etching done while he was living in France. The title is: Hillside, Avignon France. It was created and printed in 1911 in an edition of 40 impressions. The image measures 8 7/8X 11 3/4 inches. Pencil signed lower right border. A fine study in shadows and highlights. This etching appears to be in the original frame, but in fine condition. The castle like building on the hill is: Palais des Papes, the worlds largest gothic build...

Sir Francis Seymour Haden, British, 1818-1910, etching and drypoint on copper, "Dusty Millers", image size: 5 1/2 x 8 5/16 inches, dated 1877, state V/V, cat. Schneiderman-172, pencil signed lower right. One of Haden's intrestes apart from being a surgeon and printmaker was firshing. He created a number of oustanding scenes bads on river fishing, his most famous being "The Complete Angler" and "Grayling Fishing." This is a wonderful example of building a composition centered on this well-known f...

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

John Austin Sands Monks, American, 1850-1917, "Herd Returning Home". This is an atmospheric original etching of a herd of sheep by American artist John Austin Sands Monks. Image size 11 x 16 1/2 inches, c. 1880s, shepherd's crook remarque in the lower right corner, pencil signed. A rich impression with beautiful plate tone and ample margins on Japan paper.

Pierre Bonnard, French, 1867-1947, etching from the series "The Life of Saint Monique", "La Vie de Sainte Monique", image size: 6 7/8 x 4 5/8 inches, 1930, monogram in plate

Louis Auguste Mathieu Legrand, French, 1863-1951, "Sous les Figuires (Beneath the Fig Trees)". A romantic original etching by Louis Legrand, image size 12 1/4 x 18 1/4 inches, 1895, edition of 50, state V/V, cat: Arwas-102, pencil signed and numbered. Louis Legrand was an important artist of 'La Belle Epoch' in France of the late 19th and early 20th centuries. He specialized in etchings of the women of Paris, from the wealthy elite to dancers and prostitutes. He studied with Felician Rops, and h...

Utagawa Yoshitsuya, Japanese, 1822-1866, "Senjubo Aiming at Harunaga-Ko". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts. In the centuries since his death, Hideyoshi has become an almost my...

Nicolas Mignard, French, 1606-1668, "Odysseus and the Sirens". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Martin Peterson, American, 1866-1956, Etching, "Shortening the Sail", image size: 8 x 9 3/4", pencil signed

Very finely cast sculpture of a horse head and neck in cast iron, mounted on heavy black marble plinth, early to mid 20th Century, unsigned. Measures 14" high, 8 3/4" wide on the black marble base that is 6" square. Well sculpted head and neck of a horse, arched neck with the head sightly turned to the left, mane loose and flowing, mounted to black pedestal base with two iron rods. The two rods attach to the base of the figure, and there is an opening showing that the figure is hollow in the ...

William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.

By the hand of one of the masters of 20th century Japanese printmaking is this woodblock on paper, 14 1/4" by 19" (21 1/2 by 25 3/4" framed), signed in pencil at lower right by the artist within the image area, and bearing inscriptions in Japanese in the margin at lower left and lower right. The image is a traditional temple garden in winter, a light snow covering the lanterns and roof, and apparently wilted flowers killed by the cold unable to lift their heads. The print appears to be in exce...

Joseph Pennell, American, 1857-1926, etching, "The Foreign Office", image size: 10 7/8 x 8 3/8 inches, 1904, edition of probably 25, cat. Wuerth-297, pencil signed lower center, framed

Ingatz Marcel Gaugengigl, American, 1855-1932, Etching on Japan Paper, "The Violinist", 1900, image size 6 7/8X4 1/2", pencil signed

Otto Bacher, American, 1856-1909, Etching, "Sailing Toy Yachts in Central Park", image size: 7 3/16 x 9 3/4 inches, 1888, plate signed lower right

Joseph Pennell, 1857-1926, American, "The Thames at Richmond," etching, image size 8 5/8 x 11 inches, pencil signed.

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

William Lee Hankey, British, 1869-1952, The Bridge at Corfe Castle," etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

Utagawa Yoshitsuya, Japanese, 1822-1866, "Wakazaka Shinnai at Shizugadake". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts. In the centuries since his death, Hideyoshi has become an almost ...

Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Kruseman Van Elten, American, 1829-1904, Etching, "Summer Morning", Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY, plate signed 1886

Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

Hermine David, French, 1886-1971, "La Corrida". A great image of a Spanish bull fight, this etching with drypoint measures 10 1/8 x 11 1/2 inches, published in 1929 in an edition of 100, pencil signed and numbered. Hermine David was born and raised in Paris and at the age of 16 was accepted into the Ecole Des Beaux Arts, later going on the study at the Academy Julien. She was a well known painter and printmaker and was very active in the thriving artist community in Paris in the early 20th centu...

Warren Davis, American, 1865-1928, "Seated Nymph," Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.

William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond No. II". This is a very fine early state etching, image size 7 x 13 1/8 inches, 1860, state VI/IX, cat: Schneiderman-37, plate signed and dated. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first pr...