Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall...

Old oil on gray art board landscape painting, 6" by 9" (10 3/4" by 14" in modern day framing), signed at lower right in red in a tight old hand "O. Farsky" with the "Antwerpen" nearby. At first glance this looks like an American Hudson River style oil, with fine detail, a split rail fence, and the structures in the center left area, which look more American than European. Farsky was from Bohemia, receiving art schooling in Prague during the late 1870's...

Oil on canvas laid against wood panel painting of a young woman in traditional type clothing of Southeast Asia, likely the Philippines or Indonesia. The sizable work measures 37" by 24" (43 1/2" by 30 1/2" in wood frame). At lower right, in red, there does appear to be a signature but I am not certain as to how it reads; possibly "HA.....". The canvas is a little buckled especially at left, as it is laid against the panel and not firmly glued to it...

Autumn landscape painting, oil on masonite panel, 9" by 12" (16 1/2" by 19" framed), signed at lower right, and on reverse bearing title "Fall on Geer Mtn." and the artist's then-address in South Kent, a small town in northwestern Connecticut. This is an early, 1966 palette knife work of contemporary Connecticut impressionist RICHARD STALTER (1934-). Stalter was born in Dayton, Ohio, exhibiting early talent...

Accomplished drawing of a young mother holding her baby, painted and with pencil underneath, unsigned, but on the reverse is a printed label of the Kherwadi Social Welfare Association of Mumbai, India, giving the name of the artist as Savita Shershing Ashiwal, age 9 years. The work being so advanced, it is difficult to believe that it could have been created by a young child...

A fine watercolor painting of tulips in a vase, painted in a modernist style, 15 1/2" by 12" (28" by 24" framed), signed in pencil at lower right by artist JULIAN E. LEVI (1900-1982). The work is fresh and clean, and nicely matted and framed. Levi was born in New York and spent much of his life there. He did venture to Philadelphia for training at the Pennsylvania Academy under Arthur Carles, Daniel Garber, and Henry McCarter...

Watercolor painting of a harbor scene in New England, 12 3/4" by 18 3/4" inside the mat, 20 1/4" by 26 1/4" in silvery metal framing, signed at lower left in red "J. Stephenson" and dated there '77. This is likely a scene of Maine or Massachusetts, judging from the lobster traps at left on the dock. The artist does not seem to be listed but I have seen other similar works by this hand while traveling in New England...

Small contemporary painting on canvas, 10" by 10", unframed. The work seems to be in mixed media, the yellows particular appearing to be gouache, the green strokes shiny, the remainder of the painting flat. A decorative piece.

Attractive nicely framed American watercolor that dates likely to about the 1940's, signed at lower left with what appears as "A W Edwards". The landscape measures 13" by 18" (21" by 25 1/4" framed). Obviously the artist was skilled at and trained in the use of watercolor. More research might turn up information on the identity of this painter. Condition is excellent. Hand drawn mat lines add to the appeal.

Ink and watercolor drawing of cows in a field, 13 1/2" by 21 1/2" (20 1/2" by 29" framed), signed at lower center "Sam Smith" The modeling of the animals shows that the artist was a keen observer of their forms and a talented draftsman. Apparently this is not by the listed New Mexico artist Sam Smith (1918-1999) as the signature is not similar and the work itself does not resemble that artist's work. This watercolor is in excellent, fresh, clean condition, the paper very white.

This is a well executed impressionistic watercolor of haystacks on a marsh, a popular theme in American art, addressed most notably during the third quarter of the nineteenth century by the great Martin Johnson Heade, in the marshes of coastal northeastern Massachusetts. This painting on heavy paper was laid down to an old board a long time ago. Unfortunately it does not appear to be signed, at least not on the front...

Interesting painting of the Southwest, showing Native Americans at a nocturnal religious ceremony or festival such as Penitente, probably in New Mexico, many candles flickering in the scene also populated with processional crosses. The blues of the nocturne dominate the composition, and the yellow crosses and many candles receding into the distance complete this most agreeable painting. The work is signed at bottom right with what appears as "Judith Rossio" or "Romo" or similar...

A posthumously published (1993) etching "Men at Rigging", the plate apparently originally cut by famous and important California artist ARMIN HANSEN (1886-1957) circa 1924, even though the work is dated 1930 after the faint plate signature. According to the printed narrative on the backing, the plate was never printed in Hansen's lifetime...

Watercolor painting of a dramatic western American mountain, unframed, executed on a 12" by 17 1/2" sheet of watercolor paper, unsigned. The mountain resembles the pyramidal Going to the Sun Mountain in Montana's Glacier National Park, but I suppose this could be elsewhere in the great American west. Condition is excellent; the work needs only framing.

Oil on gray art board painting of a pretty lake surrounded by trees, houses on the distant shore, signed at lower left in ink "F. C. Hawkes" or similar, probably circa 1935. There does not seem to be a listed artist name that would correspond, but the painting stands on its own. It is quite dirty so a cleaning and a fresh frame would be transformative...

Highly impressionistic watercolor painting of a small boat in a foggy harbor, 14" by 20", unframed, signed at lower left by the listed American artist JOSEPH MARGULIES (1896-1984). Margulies was born in Vienna and by the 1920's was studying art in New York at the Art Students League, one of his instructors being Joseph Pennell. He also received training at the National Academy, Cooper Union, and in Europe. Margulies came to be known for his portraits and landscapes, many of the Cape Ann area ...

Very detailed, complex, good-sized (21" by 15 3/4", 29" by 23 1/4" as framed) ink and watercolor whimsical drawing of a cartoonish scene including Victorian type house, car, old lady pushing shopping cart, cat, bird, dog, -----well, let's say it's hard to describe....just see the images yourself! At first glance this looks like a print or reproduction, but it is absolutely ORIGINAL ART. Carl Muecke is a veteran of political satire expressed in art, going back to his days at UC Berkeley. More ...

Pencil with white highlight drawing on brown paper, 9 1/2" by 15 3/4" (17" by 23" framed), the subject a number of different types of boats along a dramatic coast, possibly Whitby, England, circa 1860, signed at extreme lower left corner in pencil "Fowler". The drawing, which is laid on a thin board, features various types of sailing craft, and, in the foreground, a rowboat. A castle like structure crowns the prominent hill. Eastern England's coastal Whitby, often depicted in artworks, has a ...