Dirck Verhaert, Dutch, 17th C. Oil on Panel of landscape with castle and people in foreground and river and town in background. Height 10.4 in.; Width 20.1 in. / Height 26.4 cm.; Width 51.1 cm.

An extremely fine enamel on copper miniature portrait painting done by William Prewett (Prewitt). The sitter is an older gentleman, of quite aristocratic bearing, wearing a powdered wig, white shirt and stock, and a reddish-brown jacket. The painting is in its original gold bezel case.

Condition is excellent, with no issues. The discoloration at the top is due to scanner reflection. The sight size is 1 7/8" by 1 1/2", while the overall size is 2 1/4" by 1 5/8".

IMPORTANT NOTES:1...

A very fine bust-length depiction done in watercolor on organic wafer. The sitter, a nice looking young gentleman, is attired in a blue waistcoat, a tan and red pin-striped vest, and a white cravat. The painting is signed "Peat" at the left edge, and an old inscribed label attached verso identifies sitter as "Lord Halifax II"...

Painted by Samuel Shelley, this is a beautifully limned portrait miniature of a British officer. The epaulette being on the left shoulder, instead of on the more usual right, indicates that the sitter was in a cavalry regiment of the British army. That, taken with other characteristics of the uniform show him to be with the heavy dragoons...

A watercolor on organic wafer, painted by John Smart, and initialed lower left, along with the date of 1797. The sitter is a young woman with brown curls and eyes. She is attired in a green and blue feathered cap, a white gown with lace on the collar, and a green sash.

The brushwork is impeccable, the texture and blush of the skin, the details of the eyes, the clarity of each hair, and the overall luminescence of this painting are stunning...

A wonderful English watercolor miniature on natural wafer, painted by Ozias Humphry. The gentleman depicted is clearly of the upper class, dressed in a dusty rose colored jacket with a lace collar, a style worn in England specifically in the 1765 to 1770 period...

A beautifully painted watercolor on natural wafer, with a very strong attribution to John Barry as the artist. The sitter is an attractive woman with brown eyes and gray-brown hair cascading down her shoulder. She is wearing a dark blue velvet bow in her hair, a gauzy white fichu, and a blue dress with fine white lines and small white dots.

The painting is in superb condition, with no chips, cracks, bowing, or restoration...

An interesting color printed engraving of George Washington published in London in 1798 by Robert Cribb, Holborn, engraved by William Nutter after a painting by Gilbert Stuart purported to belong to J.S. DeFranca of Devonshire Place. Devonshire Place is a part of London, but a quick search did not turn up a J.S. DeFranca and it is possible that this print is a copy of another print of Washington, based on the Lansdowne portrait by Gilbert Stuart...

A beautifully rendered miniature painting, on natural organic material, by John Barry. The sitter is an attractive and stately woman with the mass-like appearance of her hair that is one of the characteristics of Barry's work. The casework is as fine as the painting, with the miniature set in a gold bezel, and the reverse with foil backed blue glass surrounding a display of tightly woven hair.

Both the painting and the case are in excellent condition, with no losses or restoration...

A strong enamel on copper painting by William Prewett, depicting James Thomson. Thompson (1700 - 1748) was a Scottish poet and playwright, best known now for writing the lyrics to "Rule Britannia". The case is original, but engraved as follows several years after the death of the sitter: James Thomson/Poet/1700 - 1748.

The condition of the painting and the case is excellent. Overall size is 1 7/8" by 1 5/8".

BIOGRAPHICAL NOTE: According to Foskett: "William Prewett (or Prewitt) (fl...

A striking c1790 miniature by Richard Cosway...

A nice example of a miniature portrait, painted by Nathaniel Hancock on organic material. The sitter is a woman in a blue gown with a lace edged bodice. The gold case has chamfered glass on the front, and the reverse identifies the sitter as "Ridgely 1791."

The condition of this little gem is very fine, with no flaws to speak of. There was some minimal clean-up of a few painting drips in the background...

A wonderful miniature portrait, on natural material, painted and signed lower left, by Peter Lens...

A fine miniature portrait painted on natural wafer by Alexander Gallaway. The sitter is a distinguished gentleman with a white wig, and attired in a tan jacket, cream vest, and white shirt. Framed in a 15 karat gold case with half moon and dot work on the border of the reverse side.

The condition of the case and painting is excellent, with no flaws. (The white area at the right of the painting is due to light reflection in the photo.) The case size is 1 1/2" by 1 1/4".

BIOGRAPHICAL NOTE: ...

A striking miniature portrait painting on organic material, finely painted by John Ramage. The sitter, a gentleman elegantly attired in the height of late 18th century fashion, is wearing a white shirt with a ruffled white cravat and a brick-red coat over a brown-striped vest.

The condition of the painting is superb, with no flaws whatsoever, as is that of the later case. Sight size is 1 5/8" by 1 1/4", and the case size is 1 3/4" by 1 1/2". The case has the original pin on the back for use a...

A watercolor miniature of an older gentleman, expertly painted, and signed at the lower right "AG 1800", by Alexander Gallaway. The blue-eyed subject, posed against a blue sky with wispy clouds, is wearing a blue jacket with brass buttons, a white shirt and vest, and a stock tied in a bow. The glazed reverse of the gilt brass case has fine hairwork consisting of interwoven plaits.

The condition of the case and painting is excellent, with no flaws. Sight size is 3" by 2 1/4", and the case size ...

Mercury tying his talaria by Jean Baptiste Pigalle Pigalle was born in Paris, the seventh child of a carpenter. Although he failed to obtain the Prix de Rome, after a severe struggle he entered the Académie Royale and became one of the most popular sculptors of his day. His earlier work, such as Child with Cage (model at Sèvres) and Mercury Fastening his Sandals (Berlin, and lead cast in Louvre), is less commonplace than that of his more mature years, but his nude statue of Voltaire, dated 177...

A nicely executed watercolor, on natural material, of a gent in a black coat with white stock and ruffled shirt. Presented in the original gilt metal case with hair work under glazing on the reverse.

The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".