A fine sterling silver sculpture of a Yatch in full sail featuring gold inlay bands on the sail. Titled "Yacth" by Japanese master artist Seki Takehiko, it is in excellent condition the sculpture measures 5.5" high. The complete presentation including the glass case measures 9" long x 6" deep x 9.5" high.

A wild crayon and pencil on paper drawing of bizarre abstracted forms that might be described as "organic", the drawing tacked at four corners to a larger board that is itself painted decoratively. The work, 22" by 18" framed, is signed with initials at lower right that could be "BK" and the date is "02". This was found in Southern California. The artist worked a lot of hours to produce this. Both drawing and gold frame are in very good condition.

Watercolor of a drylands or desert landscape, wind blowing a large sparse tree or bush, measurements inside the mat 14" by 20 1/2", 21" by 28" framed, signed faintly at lower left by the listed California watercolor artist ROBERT UECKER (1929-2005). Uecker was born in Los Angeles and won a five year scholarship to the Chouinard Art Institute, where he was instructed by the likes of Rex Brandt, Ed Reep, and Pruett Carter...

Jake Lee's works are increasingly sought after by collectors in the wake of his relatively recent passing, some works approaching $20,000 at auctions. This is a clean, unusually large (24" by 36" plus 4" on a side framing) example, painted directly on board in heavy gouache or tempera (thinned oil?) and in excellent condition. See the net for more images of his paintings, which include California landscapes, as well as overseas exotic images executed in the course of his travels...

Oil on board, likely Canadian painting of a curling scene on a large ice rink with a large number of spectators and players, painted very competently in a very charming folk-art style, signed at lower right "S. S. Heath" and dated there 1973. The work reminds a bit of the whimsical folky Canadian paintings of Allen Sapp or William Kurelek. Suprisingly, I see absolutely no information or auction record for any artist of this name. The work measures 16" by 20" and 20" by 24" as framed...

A vintage oil on board painting of an impossibly endowed southwestern desert scene, (possibly Arizona, since the saguaro grows natively only there) signed at lower right with initials "AHS". The painting, 14" by 18" (19" by 23" including linen covered surface around the painting) likely dates to the 1960's or early 1970's...

A beautiful silvery-themed oil on Masonite painting of birch trees in a snowy winter landscape, by the noted California artist VERNON KERR (1938-1982). The work measures 20" by 16" (27 1/2" by 23 1/2" in silvery-goldish frame), is signed at lower left and signed again and titled "Winter Sleeping" on reverse, along with the artist's reference numbers and copyright statement. This is an excellent example of Kerr's work, likely dating to the 1960's or 1970's...

New England Fall Scene with Lobster Boat by Leon Phinney. Water Color. 14 x 22". Frame Size 21 x 30".

Mario Russo (1925-2000) was an Italian painter known for his unique style and innovative approach to art. Born in Naples, Italy, Russo received his formal art education at the Academy of Fine Arts in Naples, where he studied painting and sculpture...

Silkscreen print by Hopi artist Kyrat Tuvahoema (1914-1942). Entitled "Tsep Kachina Deer Dancer", the print is accompanied by a card reading "Kyrat Tuvahoema was born on the mesa of Old Oraibe in the heart of the Hopi country in 1914. He attended day school until he transferred to Albuquerque Indian School in 1927. He then attended the Santa Fe Indian School Art Department during 1933 to 1935...

Original etching and aquatint with sugar lift by Michael Mazur (USA, 1935-2009). Artist Proof. Titled "Bench and Chair" in pencil l.m. Signed and dated 72 in pencil by the artist l.r. From an edition of about 12 impressions. Paper: Fabriano Murillo. Printed by Robert Townsend and the artist; plate preparation by the artist. cf: The Prints of Michael Mazur with a Catalogue Raisonne 1956-1999 (this work is illustrated on p.192 of the catalogue raisonne.)

A really well executed oil on canvas painting of a hammock of dry land in the Everglades of southern Florida, a summer cumulus cloud at right about to become a thunderhead, 18" by 24" (22" by 28" framed), circa late 1960's or early 1970's, signed at lower right by listed artist EDWARD ARTHUR EVANS (1895-). Evans, it appears (after a focused internet search), was born in 1895 in Muskogee, Oklahoma...

Springtime Farm, by gable dated July 19 71 24 x 30“ oil on canvas

An unusual playful piece depicting an owl by one of the most important sōsaku-hang printmakers in the 20th century, Akiyama Iwao 秋山巌 (1921-2014). Best known for his prints, Akiyama Iwao produced paintings even later in his career, as well as occasionally painted on ceramics. Sake cup is sealed by the potter, but seal is obscured by glaze, and Akiyama’s signature and remains unread...

"Bananas with a Jar" Still Life by Kathleen Hyland-Nessig. Framed Pastel. 10 x 13". Frame Size 21 x 23.5".

Lawrence Kupferman, American, 1909-1982, etching, "Victorian House", image size: 13 7/8 x 9 5/8 inches, pencil signed

This appears to be an original painting on silk, circa 1960's or 1970's, 15" by 17 1/4" framed, Chinese calligraphy and red seal at left. I say "appears" because there is a Windsor Art Products label on the reverse, suggesting this would be a print or multiple of some type. Having examined it very closely, however, it does still look to me like original work, and not a silkscreen. I believe that original work was sold by Windsor, it having paid artists to create art in bulk...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure...