Oil on canvas still life painting, 16" by 20" and 22 1/2" by 26" framed, the subject several ceramic objects, including an oriental figure, an elephant, and a lustrous plate. The painting is signed at lower right "Elsie Crosam" or "Crosom", "Creson", or similar. The piece would be an excellent practice work for a budding restorer as there is a major rip in the center, as shown; or you might buff up the frame a bit and use it with another painting. There is light wear on it.

Watercolor on heavy watercolor paper, unsigned, the subject the sea coast, painted in an impressionist style by an American artist. The work was found in Laguna Beach, California but I cannot say that this is a Southern California work---although I wonder if this might well be Laguna's "Bird Rock", as I think I've seen other works depicting that feature, and the two birds above this might be symbolic. Unframed, the sheet measures 16" by 22"...

Pencil signed limited edition print, unframed, titled at bottom left margin "Minnesota Farm" and signed and dated at lower right by the by noted American WPA Regionalist artist ADOLF DEHN (1895-1968). This lithograph sheet measures 12 3/4" by 16 1/4". The artist printed 100 copies ("100 prints" at lower left margin in his hand in pencil). This one has been abused in its lifetime, but, who knows how many of the one hundred remain, and in what condition they might be found...

Signed at lower left "Albert L. Fischer", this is an unframed, sizable oil on canvas (46" by 27"), the scene almost mural-like: an apparently Italian lake (see the gondolier at right), framed by blooming wisteria dripping off a trellis at top and climbing a lattice at bottom, several boats plying the calm lake waters. I don't see a listing for the artist...

Offered together as a PAIR, hand colored lithographs of the species Heliodoxa Leadbeteri and Lafresnaya Flavicaudata, drawn by the famous 19th century English naturalist, ornithologist and natural history illustrator JOHN GOULD, the lithographic plate produced by his assistant Henry Constantine Richter (1821-1902)...

**ONE OF TWO EXAMPLES OF THIS SAME PRINT IN MY SHOP, COMPARE THE OTHER, PRINTED IN DIFFERENT COLORS** From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the different bluish colors and the white highlights...

Pastel drawing, unframed, 13 1/4" by 10" inside the mat, signed at lower right "Moran", the subject a small boat in a harbor, a headland in the distance crowned by a classic lighthouse. Primary colors are the colors of sunset...reds, oranges, yellow, brown..........the painting was purchased in the San Francisco Bay area but I have no idea as to the origin or identity of the artist. It is a work that shows the artist was skilled with pastel.

Engraving on paper, the sheet 16" by 13 /4" (23 3/4" by 20" as framed), the subject man's cruelty to animals. This work, part of a series of images dealing with the subject, has become over time a landmark commentary on man's cruelty to his fellow creatures. This print is by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764)...

This is an eighteenth century English drawing, 10 1/2" by 15" including the mat details drawn by the artist, plus 1 1/2" wide old gold frame, the subject two men fishing on a pond, a house in the distance and trees framing this idyllic scene of Olde England, signed near the figures "I Burford" (or, Barford possibly) and dated there 1742 or possibly 1792. I do not see an artist listing that would correspond with this...

Watercolor and sepia brown ink on thin paper drawing of swans in a pond surrounded by vegetation, the sheet itself 5 3/8" by 11 5/8", apparently unsigned/undated, and with no watermarks I can see. If I had to guess as to age and origin I would say circa 1800 English, possibly later 18th century. The drawing is in very good condition for its age, with quite fresh colors...

This is an original hand-colored, 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON, from the nineteenth century series in the small octavo size. Inside the present mat, dimensions are 6" by 10" (13 1/4" by 17 1/4" as framed). The title is "Clapper Rail or Salt Water Marsh Hen" and this is Plate number 310 in a long series of bird prints in the small octavo size...

By well listed HENDRIK GERRIT TEN CATE (1803-1856) is this 9 1/2" by 13" watercolor on paper painting (15" by 19" as framed), laid long ago to a card, the subject a few chickens pecking the soil in front of a ramshackle thatch roofed structure I would think might be a barn or out building, except for the telltale domestic woodsmoke venting from the roof. The painting is actually signed "H.J. ten Kaet" at lower left...

This is a most unusual and appealing pop art painting (unframed, 27" by 35") by a mid-coast California artist, Tom Shultz (1943-2017). Works by the artist, who passed away in his mid seventies, have been exhibited at a number of galleries, particularly in the Paso Robles area of central California. The piece is entirely hand painted (not silkscreened, which I at first thought a possibility) on a spongy, soft pulpboard, which the artist has also painted on the reverse (an abstract)...

**ONE OF TWO EXAMPLES IN MY SHOP; THE OTHER IN BETTER CONDITION AND FRAMED** Lithograph on paper laid on thin board, 31 1/2" by 20 5/8", printed for the summer 1977 Galerie Claude Bernard exhibition of recent paintings by the important Ecole de Paris (School of Paris) abstractionist and colorist MAURICE ESTEVE (1904-2001). The poster, produced by the famous French house of lithography Mourlot (seen at bottom) was likely produced in an edition of under 2000 examples...

Oil on canvas painting of a forest, 18" by 18", in its original oak frame 22" by 22", signed at lower right in red "MOORE" and dated there 1927 or 1924. The painting is a beautiful example of American impressionism of the early 20th century, with some really lovely colors hiding under the grime of nearly 90 years...

Vintage oil of white, yellow and pink roses on a table top, circa Victorian late 19th century to the early years of the new century, apparently unsigned, in pleasing old wood and gilt frame, the entire work as framed measuring 11" by 13 1/4". The canvas is laid against the backing but is not glued down to it so there is some rippling. Other than a few minor surface abrasions the overall impression is quite beautiful. A fine acquisition for the still life collector or shabby chic decorator.

Pastel on paper colorful abstract pastel drawing, 15 1/2" by 19 1/2" inside the mat, 25 1/2" by 29 1/2" as framed, signed illegibly at lower right. The work is very modern and there's a lot of energy in the dramatic forms. No doubt this was created in the 1980's to maybe just a few years ago. The artist's signature is difficult to make out. Photographs were taken through non-glare glass, so I have digitally enhanced them to show the color that exists below the cloudy type glass, which shoul...

Serigraph (silkscreen) print after a painting by the giant of modern art, GEORGES BRAQUE (1882-1963), 9 3/4" by 32" (an impressive 18 1/4" by 41" framed), signed in the print at lower left and dated there 1920. The title, "The Blue Plums", appears in the wide margin below the mat. Braque needs little introduction, as one of the famous names of modern art who in the early years of the century developed, along with his friend Picasso, the Cubism movement, which changed the art world forever. Th...