Watercolor signed in the lower right corner H.L.B. and pencilled in on the back Harriet L. Barnecott. Nicely framed and matted under glass. The frame measures 11-1/5" x 16"

Fine etching, of desirable subject matter, titled at lower left margin "Marble Game", signed at lower right margin and numbered there 15/40 by the noted American artist WILLIAM WOLFSON (1894-1966). This is a wonderful image of boys playing their very basic game in the middle of a gritty urban street, by an artist who is generally grouped with the Ashcan School of social realism of the early part of the 20th century...

Sunday Picnic in Abruzzo (Italy), was featured at the Chicago worlds fair in 1933 in an exhibit titled “Paintings of the New Italy”. The paintings were handpicked by Mussolini to show the deep-rooted family values of Italians. Carlos Verdecchia born in Italy in 1905 exhibited throughout Europe and Italy extensively in his lifetime. Period is greatly acclaimed pieces have been shown to many museums...

An unframed oil on canvas painting depicting a fence and trees on a hillock with a mountain background by Eva Brook Donly (Canada 1867-1941). Born in Simcoe, Ontario, she studied under Frederick M. Bell-Smith at Alma College and the School for Artisans New York under John Ward Stimson. She also studied at the San Carlos Academy in Mexico City under Jose M. Pino...

Abbo Ostrowsky, Rus./Am.,1889-1975 " Groundnut Hill " 1926 etching plate 4.7/8" by 6" exact same image in the Smithsonian American Art Museum # 1978.98.186

William Lee Hankey, 1869-1952 British, "The Lesson", etching and drypoint, 6 1/2X8 1/4 inches, pencil signed and artists blindstamp

An old ink drawing of Carmel Mission in Central California, signed at lower left C Walker, or C F Walker, and dated there 1925. Measurements 4 1/2" by 3 3/4" (10 3/4" by 9 1/4" in pleasing, old, likely-original frame)...

Etching, circa 1930, "Saleswomen", 5" by 6 1/8" inside the mat (12" by 14 3/4" as framed), pencil signed at lower right "Hayes Miller" and bearing "40 - prints" at lower right, by the important American artist and teacher, KENNETH HAYES MILLER (1876-1952). Hayes Miller was a familiar figure on the New York art circuit for decades. Although he was an accomplished painter and printmaker, he is perhaps best remembered today for the influence he wielded as a teacher...

Watercolor on paper painting of an intensely blue-eyed young peasant girl in scarf and country clothing, 16 3/8" by 12 5/8", 23" by 19" as framed, signed lower right in Russian by the noted Russian artist Mikhail Guzhavin (1888-1931). Guzhavin was most associated with the St. Petersburg area, where he was schooled in art. Landscapes and portraits in both oil and watercolor are known. Oils have achieved to the $40,000 level at past Sotheby's sales of Russian art...

A framed and matted etching possibly of the River Seine. There are water stains along the bottom edge of the mat as well as very light foxing; the print also appears to have light foxing around the corners. Stamped A. Delauney del 8c sc in the lower left corner. The picture measures 5-1/4" x 3-1/2"; the frame, 8" x 9-7/8". Not examined out of the frame.

A circa 1920's etching of the Woolworth Building in New York City, the print signed in the plate and then pencil signed at lower right margin by American artist F.W.W. HOPPE. The artist did leave behind a number of etchings of New York scenes, but there seems to be a lack of biographical information on him or her. The print is in brown ink on a thin paper. Measurements inside the present mat (no glass) are 9 1/2" by 5 1/4" (14 1/4" by 9 1/2" in thin strip frame)...

George Elbert Burr 1859-1939 American This is a rare etching by American artist of the Southwest, George Elbert Burr. The title is: Whirlwinds, Mojave Desert, California no. 2. It was created and printed circa 1930. This pencil signed and titled etching measures 8X10 inches. This appears in the Burr catalog as image number 281.

Oil on canvas landscape with mountains and river in a steep sided canyon in winter, 8" by 12" (9 1/2" by 13 1/2" framed), signed at lower left "F. Sima" and dated there 1921. Although the name suggests an artist likely of Czech origin, this painting's stretcher and materials suggests the scene was painted in America, perhaps in the Rocky Mountains of the west. A search of the standard internet databases does not show an artist by this name, which is surprising...

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Convalescence", image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

" The Prisoner " by Johan Vincenz Cissarz 1922 German Expressionism . Fine early German print from the Kamberg collection sold 1979. Plate 10" 8"

Henry Mortikar Rosenberg 1858-1947 Canadian/American This is an original oil on board painting by American artist Henry Mortikar Rosenberg. This study of a museum visitor was originally in the collection of the Mobile Museum of Art, Alabama. The painting is signed lower right in pencil and inscribed on the back. The image measures 16X12 inches. A few minor spots of touch up, nothing major. A fine modernist impression. Rosenberg studied under Frank Duveneck.

St Pauls and Ludgate Hill from Fleet Street Etching, printed in colours, on wove, signed and numbered in pencil, 540mm x 435mm (21 1/4in x 17 1/5in) Luigi Kasimir (1881–1962) was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist. Kasimir was among the first to develop the technique of the coloured etching.[1] Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner...

William Walcot 1874-1943 British This is a fine drypoint etching by British artist William Walcot. This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio. This etching is hand signed in pencil in the lower border. The image measures 8 1/4X9 3/4 inches. Nicely Framed with archival materials.