This is the reverse photo of the 1626 Flemish Old Master Painting. Please refer to listing. The original untouched linen canvas measures 66" x 44". It is mounted in its original stretcher and the canvas is glued to the stretcher. A replacement support has been added to the middle part of the canvas. This is a very rare untouched canvas and it has been repaired in 2 or 3 small areas with old canvas. It is very rare to find an untouched canvas...

A very fine painting of Flemish or Dutch origin from the Seventeenth Century depicting the Crucifixion of Christ and The Blessed Mother and Mary Magdalena measuring 18” x 14”, unsigned and framed in a beautiful baroque gold leaf frame

Six original 32 etchings by Jacques Callot comprising the full series LES PENITENTS ET PENITENTES, Lieure catalog numbers 1315-1319, second state of two except for the frontispiece, which is the first state. Wonderful designs, excellent clean prints. Framed and glazed, not examined outside of frame. Average print size 65 x 43 mm (2 1/2 x 1 3/4 inches), frame size 12 x 14 inches.

A large engraving of a mythological scene of Venus after her bath getting ready for a date with Adonis. The print was made by Etienne Baudet the French engraver who also worked in Rome. It is dated 1672. The print is after one of a series of 4 paintings by Francesco Albani that were commissioned by the Duke of Mantua in 1621. The painting that is the source of this print is now in the Louvre. Sight size 23 ¼ by 27 inches (59 by 68 cm), overall 28 ¼ by 32 ¼ inches (72 by 82 cm)...

Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm...

Print, engraving, Jacob Jordaens (1593–1678) (after Sir Anthony Van Dyck) by Pieter De Jode II (Antwerp 1606 - England c.1674) printed c 1630-1645 Half-length portrait of man with left hand across chest. He is wearing a ruff, with short beard and moustache and leaning against a building/pillar.Size 10" by 7.25" water marked and old collection notations on back. Inscribed 'IACOBUS IORDAENS./ PICTOR ANTVERPIAE, HUMANARUM FIGURARUM, IN MAIORIBUS./ Ant van Dyck pinxit. Pet de Iode Sculp...

A beautiful English Seventeenth Century Etching “Townscape” Framed 12” x 17”

Antoni Waterloo 1609-1690 Dutch This is an original period printing of The Antoni Waterloo etching, Mercury and Argus. This etching is the 2nd state of three showing the artist initials upper left corner, a proof before letters, The image is in the Barsch catalog as image number 127ii. The image measures 11 1/2X9 1/2 inches. The sheet measures 14X11 1/8 inches. Collectors annotations and stamps on the back of the sheet, From the A. Coppenrath and Frierich Kalla, Moscow collection...

Abraham Bloemaert, Dutch, 1564-1651. This exquisite drawing in ink, wash and chaulk is a fine example of Bloemaert's talent. It is 13.2 cm h by 9.5 cm w.Provenance: Private Collection, Leslie Hindman Auction, Private Collection, Fine English Collection ( paper verso ). Condition is good and it has an old label from Folio fine Art LTD in London. The son of an architect, Abraham Bloemaert, known for painting, engraving and teaching, was born in Gorinchem, Holland in 1564...

A classically beautiful unframed red chalk on old paper drawing of a woman dressed as a nun, possibly a saint, surrounded by winged and putti-like figures, Christ on the cross at left background, circa 1700 Roman School. The Old Master drawing is beautifully worked. Formerly attributed to Guercino, now "Roman School". The old paper is laid on a thin card...

Nicolas Mignard, French, 1606-1668, "Odysseus Escaping Polyphemus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Nicolas Mignard, French, 1606-1668, "Odysseus and the Sirens". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"

An Italian Old Master red chalk drawing of a putto, 8 3/4" by 6", 12 3/4" by 11 1/4" nicely framed with inner gold fillet and quality frame from Munn in Los Angeles. The work is unsigned and unattributed. Likely early 18th century. There is some soiling at top left, right center and near the lower portion, two vertical folds and more light folds at upper left, and a small abrasion of paper, seen as white area, near nose area, all as seen in photos.

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1622 in Nancy. Lieure catalog number 427, second state of two, good size margins, excellent impression of this important print. Small crown watermark on the paper, slight darkening in the corners where the print was mounted, overall in excellent condition. Plate size 134x110mm, paper size 157x127mm.

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.

Wenceslaus Hollar Hanns Holbein Portrait c 1647 Self-portrait of Hans Holbein as 45-years old in 1543. This copy was engraved by Hollar in 1647. Fair condition mounted corners on left side may have restoration . good image a bit over 5.5" and a bit under 4.5"

Six original etchings from LES MYSTERES DE LA PASSION by Jacques Callot printed in 1631. Scenes represented are (upper row left to right, lower row right to left): Adoration of the Sheperds, Visitation, Adoration of the Kings, Entombment, Descent of the Holy Spirit and Descent to the Limbo. Lieure catalog numbers 685-690 (images and descriptions in Lieure catalog are mismatched, I used numbers from descriptions), second state of two...

A very antique unsigned red chalk drawing on laid paper, late 17th or early 18th century, measuring 9 7/8" by 7 1/2" (25 cm. by 19 cm.), 15 1/2" by 12 1/2" as framed, proclaimed at bottom in neat professional hand lettering, on the mat, to be by the Italian master Guercino (1592-1666). The old master drawings expert of a major auction house did not believe this to be by Guercino, and suggested Lanfranco or Albani as possible directions to pursue...

Fine old drawing of two women and a man, a horse, cow, dog and five goats in a landscape, 17th or 18th century, after the Dutch Old Master artist NICOLAES BERCHEM (1620-1683). The drawing, measuring 11 1/8" by 16 1/4", (19" by 24 1/2" as framed) was laid down long ago on a thin card. It is unsigned. An old label including cut-out printed catalog entry and a hand-written note thereon, accompanies the drawing. It indicates that this is lot 64 of the sale of March 25, 1914 at the American Art G...

Nicolas Mignard, French, 1606-1668, "Odysseus and Hermes Before Circe". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Wenceslaus Hollar (23 July 1607 – 25 March 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is known to German speakers as Wenzel Hollar; and to Czech speakers as Václav Hollar Czech: [ˈvaːtslav ˈɦolar]. He is particularly noted for his engravings and etchings. He was born in Prague, died in London, and was buried at St Margaret's Church, Westminster. After his family was ruined by the Sack of Prague in the...

( Consignment). Renaissance Deposition after Annibale Carracci (1560-1609), Oil Painting 74 x 51. Carracci is an Italian painter who was influential in recovering the classicizing tradition of the High Renaissance from the affectations of Mannerism.The sons of a tailor, Annibale and his older brother Agostino were at first guided by their older cousin Lodovico, a painter who persuaded them to follow him in his profession. Annibale’s precocious talents developed in a tour of northern Italy ...

Original 1618 etching by Jacques Callot LE GRAND ROCHER (The Great Rock) from his series “Paysages Graves pour Jean de Medicis”, Lieure catalog number 276, second state of two. Powerful design, excellent clean print. Framed and glazed, not examined outside of frame. Print size 109 x 243 mm (9 9/16 x 4 1/4 inches), frame size 10.5 x 18 inches.

Nicolas Mignard, French, 1606-1668, "Perseus Slaying Medusa". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 9 7/8 x 17 5/8, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Etching, tightly trimmed to round shape ("tondo"), 8 5/8" by 8 5/8" (12" diameter in quality round, gold modern framing by Los Angeles framers Jerry Solomon Enterprises Inc.), the title "The Satyr Family", dating to 1657. This is a fine 17th century etching by a talented Old Master. Other than the tight trimming, as viewed casually, the print appears to be in generally clean condition; the very close up images indicate the presence of some light brownish discoloration in several areas, but aga...

Attributed to English artist J.Leslie, 19th Century English Painter, Mother and Child Oil Painting painted in the Italian style Frame Size 36 x 28"

Attributed to Pieter van Bloemen (Flemish, 1657-1720)

Military Encampment

Oil-on-canvas.

Painting size: 23” x 32”

Frame size: 31” x 40”

Born in Antwerp, van Bloemen was the brother of Jan-Frans and Norbert van Bloemen. His master was the battle painter, Simon van Douw. In 1673 van Bloemen was a master in Antwerp, but he did not stay there long. He is believed to have spent 20 years in Rome and it is known that he was working there in 1688. In 1694 he...

Notice the details of the honeysuckle flower design on the armour. Please refer to the flemish painting in our listing. The honeysuckle design on the middle right side of the photo matches the same design in 17 flemish paintings.

A very early and rare miniature, enamel on copper, done circa 1690-1700 by Peter Boy the Elder (1651-1727). The sitter is Johann Wilheim II. He was Elector Palatine (1658–1716) of the Wittelsbach dynasty and was Duke of Neuburg (1690–1716), Duke of Jülich and Berg (1679–1716), and Duke of Upper Palatinate and Cham (1707–1714). From 1697 onwards Johann Wilhelm was also Count of Megen. Clearly a busy and well titled fellow.

The miniature is in its original gold mount on a 19th c...

(Consignment). 16th century study of Dante, Florence School of Italian Artists,Tempera on poplar panel 22x18" This tempera painting is a study for an Allegorical Portrait of Dante , known as the noblest ideal portrait of Dante which has survived the Renaissance. In the portrait Dante looks over the Stygian river at the Monte Sancto di Dio, against the light of Paradise. The portrait was painted two centuries after his death.

Etienne Picart, French, 1632-1721, engraving, "The virgin, St. John and the Christ Child", image sizE: 15 x 18 3/4 inches, LeBl 5 and 4, Provenance: J.W. Randall collection #2490, Picart was a student of Francois de Poilly and is also know as "Le Romain"

Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists. The print has gone evidently a long time without glass protection, so has acquired a few nicks and ...

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside. Signed in the plate on the lower left outside the image, “D ...

Important woodcut of God the Father creating Eve from Adam’s rib.
According to Genesis, God the Father created Adam and placed him in the Garden of Eden. There he was given dominion over the animals, which he named. But he himself had no mate. God made Adam fall into a deep sleep and created his mate Eve from one of his ribs.
The recto with two blocks of Latin text.
Page from Hartmann Schedel's Liber Chronicarum, more commonly known as the Nuremberg Chronicle. The Latin ve...

Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and h...

The 3 photos are of Jacob Jordanes portrait of he and his wife in 1621-22. The painting on panel shows the same design on her vest and I believe it was copied from Rubens. Please refer to Flemish painting in our listing. A new lab report confirms the gold color is real "GOLD" on canvas!!

Cornelius Visscher, Dutch, 1629-1658, "Het Gesprek (The Conversation)". This 17th century engraving by the Dutch artist, Cornelius Visscher, measures 9 7/8 x 8 1/2 inches, c.1655, on laid paper with partial collectors seal on back. "A.V. Oftade pinxit et excud., C. Visscher fecit aqua forti. and Ger. Valk Excudit" printed on bottom margin. Born into the city of Haarlem during the early decades of the 17th century where a diverse artistic community prospered, Visscher became one of the most accom...

An antique Japanese two panel screen painting (byobu) of the battle between the two historical figures Minamoto no Yoshitsune and Benkei.
Minamoto no Yoshitsune (born Ushiwakamaru c.1159) was raised in a monastery near in Kyoto. His incredible skill as a warrior emerged when he was very young. In the scene depicted here, he famously defeats the great warrior-monk, Benkei (Saito Musashibo Benkei). The young Ushiwakamaru easily leaps over the larger warrior. According to legend, Benk...

This monogram appears on the lower right corner of the Flemish painting in our listing. We read this monogram to be two connecting masonic letter "R&D". We belive this represents the painters of this painting. A new outside lab confirms the color gold on this canvas altar painting is real "GOLD"!! After reviewing the Bob Jones Gallery 400+ collection of religious art, we found no real gold on canvas paintings in their collection. GOLD ON CANVAS IS SUPER RARE!!

Antique Manuscript cover gifted to Baber, Founder of Indian Mughal Empire, The great grandson of Tamerlane, Babar, who on his mother's side was descended from the famous Genghiz Khan, came to India in 1526 at the request of an Indian governor who sought Babar's help in his fight against Ibrahim Lodi, the last head of the Delhi Sultanate. Babar defeated Lodi at Panipat, not far from Delhi, and so came to establish the Mughal Empire in India. Babar ruled until 1530, and was succeeded by his so...

Giovanni Battista Gaulli, Italian, 1639-1709, called Baccico or Baccicia. Italian Angels or Putti on Clouds plus a small portrait of a man is a charming example of Gaulli's work. It is 5" by 7 3/4" of pen and sepia brown ink on paper. Provenance is Leslie Hindman Auction, Collection of P Waite, English Collection until 1994, German Collection Basenge. Condition good upper life corner restored. Giovanni Battista Gaulliwas a painter of the Italian High Baroque verging onto that of the Rococo. He...

Rare woodcut of Imperator Julius Caesar seated in front of the city of Rome.
Caesar is represented by a contemporary ruler wearing a crown and heavy armour. Judging from the banner with the double-headed eagle suspended from his chair this is a member of the Habsburg lineage.
The (mirror-inverted) coat of arms with lions and lozenges in front of the ruler’s feet is attested (since the end of the 14th century) to the Dukes of Bavaria.
The view of Rome is based on the woodcu...

2nd Ed. wood cut page #108 printed by Schoensperger. size page 9" by 13.5" mat 14" by 19.5" good condition see images. The work celebrates the exploits and heroic feats of the Emperor Maximilian I in overcoming the difficulties he faced on his journey to seek the hand in marriage of Queen Ernreich (Mary of Burgundy) in 1478.The fraktur type used in the Theuerdank was based on letter forms from a manuscript writing book compiled between about 1507 and 1517 by Leonhard Wagner, possibly for prese...

Leaf of the Margarita philosophica, a general encyclopedia written by Gregor Reisch between 1489 and 1496 in Latin and first published in 1503.
Our sample was edited in March 1504 and printed by Johann Schott, a student of Gregor Reisch.
The sheet is from Chapter VI, which deals with geometric solids and their properties.
To illustrate the three dimensions of space, the author chooses the image of a naked man pierced by three spears, standing for length (longitudo), width (l...

The main woodcut shows the enchantress Circe in front of Odysseus and one of his crew members changed into a swine. Circe holds a beaker, which stands for her vast knowledge of potions and herbs.
The woodcut below depicts Samson with remains of the Philistine temple. Further vignettes show the descendants of Eli, and depictions of four Jewish judges. The verso with five priests of the House of Eli.
Beautiful late Gothic style.
Woodcut leaf extracted from the small Latin edit...

A fine old wood engraving dating to the sixteenth century, the title apparently "Saint Paul Giving a Letter to a Messenger" according to handwritten notes on the backing, which also relate that this is from the Biblia series. The artist HANS BROSAMER (circa 1506-1554) was born at Fulda in central Germany. He became known for his fine oil portraits, but also for his wood engravings and copper engravings, many produced for various editions of Luther's German Bible. This example appears to have ...

Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182. Thread stitching marks.
Nuremberg, Latin edition, 1493 AD
Woodcut on la...

An unframed circa late 1600's or early 1700's oil on wood panel painting of old ruins in a poetic Italianate landscape that includes a distant bridge over a river, more ruins, and several tiny foreground figures with their animals. The 9 3/4" by 12 5/8" oak panel shows great age; it is ever so slightly bowed. I do not see a signature although there may have been one at one time at lower left, where others have rubbed perhaps with saliva, to try to bring up a signature. The work carries with i...

Woodcut with the martyrdom of Apollinaris outside the city walls of Ravenna.
Taken from a book with legends of the saints in Latin. Apollinaris was considered the founder and bishop of the Christian community of Ravenna. According to the legend, Apollinaris was apprehended at the gates of the city and brutally beaten to death.
Believers venerate Apollinaris a helper against epilepsy.
The text shows different font sizes as well as red text sections and initials. The top of t...

An Old Master woodcut, likely one of 118 images illustrating one of the greatest books of the German Renaissance, going by that same name, Theuerdank. The book is considered something of a chivalric romance, relating the fictionalized, romanticized adventures of Maximilian I in the course of his journey to the Netherlands in 1477 to fetch his bride, Mary of Burgundy. Apparently Maximilian, also known as the Holy Roman Emperor (1459-1519), wanted to achieve a measure of immortality. Wanting to gl...

The page deals with the creation of nature and of Adam on the sixth day of Genesis.
Important woodcut with God the Father creating Adam from a lump of clay. The nature on the right is depicted as a harmonious Eden with gentle animals.
The verso, entitled ‘de sanctificatione septime diei’, is about the blessing of the seventh day following the fulfilment of creation.
The spectacular woodcut shows God the Father flanked by a hierarchy of angels, listed on the left as Serap...

Old master painting, the subject soldiers in an extensive landscape battle scene, some mounted, 16" by 24 3/4", unframed, on old canvas, relined long ago, not signed, but on the stretcher is written in old hand "Borgognone". JACQUES COURTOIS, 1621-1676, was well known for his skill painting battle scenes. As a result of his fame, centuries later, it is tempting apparently to attribute all unsigned battle paintings to his hand, or his studio, or circle. A large number of auction houses in Euro...

SALVADOR DALI

"INFERNO 24"

from the series "The Divine Comedy"

ORIGINAL INDIVIDUAL MAT-SLEEVE COLOR WOOD ENGRAVING ON BFK RIVES PAPER with 'Les heures claires" Watermark

Hand-Signed in Red Pencil by Salvador Dali

Numbered 150/150, in Red Pencil, by the author

In accordance with The Official Catalog of Graphic Works of SALVADOR DALI, by Albert Field, page 189

Valued at $6,500, in accordance with the "Print Price Guide to the Graphic Wor...

is is a detailed and enlarged photo of Isabella Brant, Peter Paul Rubens wife. The image is of a close up of Isabella which shows the detailed embroidery design symbol of a honeysuckle. This painting was done in 1609 as a wedding portrait of Rubens and his wife. The background is a honeysuckle bower. This symbol means family love, and it appears in over 17 Flemish Paintings by Rubens, Van Dyck and Jordanens. The black and white image on the right shows the design in black and white. Refer to...

PAIR of copper engravings by the early Flemish artist JOHANNES STRADANUS (also known as Johannes van der Straet), born 1523, died 1605. Each measures 8" by 10 1/2" (16" by 18" in identical silvery contemporary frames). One image is titled "Staphae, Sive Stapedes", the other "Ser Sive Sericus Vermis". These works date to about the year 1590 or 1591. They are numbered 8 and 9, part of Nova Reperta, a series of 20 images that illustrated important discoveries of the Renaissance. Philip Galle t...

A very fine possibly Dutch seventeenth century oil painting of the Madonna and child, measuring 27” x 20”, frame size 32” x 25”

Authentic antique Fine Baroque 17th Century Italian School Oil on Canvas of "Mary Magdalene". The painting depicts the penitent Mary Magdalene in her grotto with her face rendered with spiritual ecstasy and long red gold hair, in a sumptuous dress falling from Mary’s arms as she holds within her hands a skull, and a domed ointment jar which she used to anoint the feet of Jesus.

CONDITION: Minor paint loss, some crazing throughout, overall in very good condition. The painting was howe...

An antique 18th-century European oil painting, "Still Life," is an exquisite work of art crafted on heavy, hand-woven canvas. The canvas depicts a beautiful arrangement of flowers in a stone vase and a variety of fruits laid on a table with a marble top.

The painting showcases the flowers and fruits with great precision, and the intricate detailing is a testament to the artist's skill. The flowers and fruits are vividly depicted against a dark backdrop, which helps to accentuate their nat...

A very fine Dutch Old Master work in oil after Rembrandt, one of the greatest painters of all time. This work titled Ahasuerus & Hamas, The Feast of Esther., and is a 17th century work framed measuring 37” x 34” oil on canvas