Watercolor on heavy paper, 6 1/4" by 9", (9" by 11" as framed), unsigned, the subject a marble Parthenon-like classical ruined temple at right, several picturesquely dressed figures in the right foreground, and a cypress tree at left framing the scene. I would guess the age as circa mid 19th century. Unfortunately there is no signature nor other hint as to authorship...

Oil on canvas still life of a small statuette of a horse and a copper vessel on a small table, 13" by 15" (14" by 16 1/2" as framed), signed at lower right "Virginia Weaver". I do not see a listing for the artist but evidently she was quite talented, as the perspective and flattening of the picture plane shows familiarity with modernist trends of the early 20th century...

Watercolor on paper laid down long ago on a thin old board, the subject being fruit, including green and purple grapes as well as a melon, measuring 10 3/4" by 18 1/4" inside the mat (19" by 26 1/2" as framed), apparently unsigned, dating likely to the late nineteenth century. This is a fine example of American still life art of the period. I would imagine the unknown artist would be listed, due to the quality of the work...

Oil on canvasboard, 16" by 20" and 1 1/4" dark stained oak frame, signed at lower left with initial "D", and executed en grisaille (grays, whites, black). This is a work by an accomplished artist, showing what appears to be a solemn funeral gathering, with a minister reading from the bible as a black gravedigger looks on at right. The style of dress of the mourners suggests the 19th century as the period depicted...

Oil on canvas landscape oil, unmounted/unstretched, contained loosely in a decorative and complementary modern white metal frame, measuring 5" by 7" (7 1/2" by 10" as framed), signed at lower left "A. Schilling". I would date this to the late 19th century or early years of the 20th. Schilling (1859-1937) exhibited in Chicago at the Art Institute, St. Louis at the world's fair, at the Pennsylvania Academy, and elsewhere...

Oil on masonite, 18" by 24", (23" by 29" as framed), the subject a copper kettle on a small wooden stand on a table, with a cup and saucer, small blue milk pitcher and poinsettia in a decorative blue vase filling out the scene. The painting is signed at lower right "L. Johnson". I do not seem to be able to connect this to any listed artist so am offering it as a decorative work. It was found in San Diego, and the poinsettia suggests a California origin...

Watercolor on paper, 16 1/2" by 11 1/4" inside the mat, 23 3/4" by 17 1/2" as framed, signed boldly at lower right by the California listed artist ALFRED OWLES (1894-1978). Owles was born in England and is today perhaps best known for his accurate watercolors of aircraft and early aviation, including depictions of World War I dogfights, with which he was personally familiar, having flown in the early craft as a photographer...

In the style of noted and popular late 19th century/early 20th century pastel artist WILLIAM CHANDLER, this is a nicely executed work featuring purple grapes, a sectioned orange, a peach in the back, and some seeds and grape leaves. Measuring 10 3/4" by 14" (15 1/2" by 18 1/2" as framed), signed "MAYER" at lower right, I have been unable to match this up with a listed artist, but the work, dating to as late as 1930 or so, is very decorative and folky and in excellent condition, as is the frame.

Gouache and watercolor on paper ink signed landscape showing the famous old California Mojave Desert ghost down of Calico, 15 1/4" by 19 1/4" (24" by 28" in simple blond wood frame without glass), by California artist ANNA WILSON. This is an impressionistic work showing the small and insignificant hand of man in a grand wild desert landscape. There is a listing for an Anna Wilson in California but I do not believe that this is by the same artist...

Oil on canvas, 50" by 31", unframed, signed on the spine of the book at lower center in true trompe l'oeil style and dated there 1901. This is a beautifully painted work by an historical painter of late 19th century California, ALBERT JENKS (1830-1901). It is already quite impressive as it is, but, with a gold frame around it, I can envision this gracing the wall of a law office or museum...

This is a puzzling piece; a print in colors, appears to be a lithograph, not an offset, measuring 13 1/4" by 9 1/8" inside the present mat (21 1/4" by 25 1/4" as framed). It is signed "Picasso" in the plate at lower right in the image and dated below that 21-6-20. I don't believe this is from the period, nor do I believe it is listed in a catalogue raisonne; rather, it appears to be some kind of later reproduction perhaps after a drawing or painting...

Here is a decorative Americana item, if you enjoy the work of one of America's most beloved and famous painters, EDWARD HOPPER, but you can't afford to buy the real thing (priced well into the millions), and yet you want something more than an offset print in a plastic frame. A Hopper painting similar to this is in the collection of the Metropolitan Museum of Art in New York, and it measures 29 1/2" by 43 1/2"...

This is a powerful little painting of The Netherlands, 6 1/8" by 8 3/4", painted on a wood panel, and a narrow simple frame, signed at lower left in the paint by well listed German artist ADOLF STADEMANN (1824-1895). Its diminutive size notwithstanding, the wonderful quality of this oil---in particular the masterful handling of the winter light---is immediately apparent...

Oil on canvas, 20" by 16" and simple wood frame 1 3/4" wide, signed at lower left in capital letters by the artist, ARTHUR CARL WEIGLE, and dated there "30"...

Drawing on paper executed in soft pencil, 7" by 8 1/4", essentially unframed (in a protective frame only), the subject an arid desert landscape butte under a crescent moon, the drawing signed at lower left "ARCH SINCLAIR". There is a listing for an Archie Sinclair (1895-), a student of Henry Keller. Sinclair is listed in many reference works. He is said to be associated with Oregon, so, this might be a scene from the dry eastern part of that state. Evidently he worked in the east as well. T...

This is a scarce, even rare work in watercolor, pencil and, I believe, gouache, 17 5/8" by 11 1/4" (24 1/2" by 18 3/4" as framed) signed at lower right and dated there 1937 by painter and sculptor Angelina Beloff (1884-1969). The scene is inscribed "Jalapa"---corresponding to the colonial highlands city in southeastern Mexico on the main road between Mexico City and the coastal city of Vera Cruz. Beloff was a talented Russian-born artist, her oils selling today at Sotheby's Latin American Art ...

This is a rather typical work of the noted Bermudian artist ALFRED BIRDSEY (1912-1996), the full sheet affixed to a board measuring 18" by 23 1/2". Birdsey was a familiar figure in Bermuda for decades, a prolific artist, the works of whom traveled home with tourists to the island. This would account for the wide distribution of his distinctive work. Today his daughter continues the family tradition, with similar looking paintings being sold to visitors. Birdsey worked in gouache or, occasionally...

This is a nineteenth century European painting facsimile, consisting of hand coloring over a photo-mechanical print, the finished product quite convincing and possessing considerable decorative value. The work measures 10" by 7 3/4" (16" by 13" framed). The name of the artist who created the original painting from which this was derived appears in red at lower right, the name "Marqueta" or similar. These facsimiles of oil paintings can fool even some gallery and auction house personnel if the...