By French School of Paris (L'Ecole de Paris) artist ROGER CHASTEL (1897-1981), a color lithograph print on heavy paper, possible title "Nature Morte", numbered in pencil at left margin 115/220, and with blind stamp "GG" in a circle. Chastel was active as an artist for decades, beginning at a very young age. By the 1920's he was already exhibiting. Later in life, his works were exhibited internationally...

A lithograph of the year 1953, pencil signed at lower right margin, by the noted 20th century American artist WILLIAM GROPPER (1897-1977). The work is presently unframed, housed inside a mat that lifts up (taped at top corners). Gropper, as the accompanying original Associated American Artists label describes, was born in New York and remained there. He studied under Robert Henri, George Bellows, and Giles...

Watercolor on paper of a small white painted house in a sparse landscape, the sheet measuring 15" by 22", signed at lower right with "N.W.S." (National Watercolor Society) by the listed California watercolor artist ROBERT UECKER (1929-2005). Uecker was born in Los Angeles and won a five year scholarship to the Chouinard Art Institute, where he was instructed by the likes of Rex Brandt, Ed Reep, and Pruett Carter...

Watercolor painting of a blue-eyed dark haired younger man with long sideburns, seated in a chair, circa 1860's, possibly a bit earlier, apparently unsigned, 9" by 6 1/2" (12 1/4" by 10 1/4" framed). The drawing shows some evidence of 150 years of age, with some light surface scratches in a few spots, a circular discoloration on the paper at left wall, and a little other foxing/discoloration. Found in Florida. I would lean towards the work being of American, rather than English, origin.

This is an artist who is exibited by the U. S. Embassy in Cameroon. A great addition to someone's collection of black artists. This was painted in 1974.

iebmann, Alexander (Berlin 1871) Dutch landscape, signed Alexander Liebmann in pencil bottom right, combined graphic technique/paper, glass, frame

A Karl (Carl) Schultheiss numbered etching circa 1930. This 8-3/4" x 6-5/8" numbered, limited closed edition engraving probably of Angers Cathedral is by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Starting out in Germany, he moved to the U.S. in the 1930s, where he had a 1938 exhibition of his etchings at the Art Institute of Chicago...

A Karl (Carl) Schultheiss numbered etching pre 1931. This is a 8-3/4" x 7-1/4" numbered, limited closed edition engraving titled "ANGERS, CATHEDRALE" by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Born in Germany, he moved to the U.S. in the 1930s, where he had a 1938 exhibition of his etchings at the Art Institute of Chicago...

Watercolor coastal scene with rocks and sea birds, tiny sails on the horizon, signed at lower left by artist Wang Zhi Bin (including artist seal) and dated there 10. 1991. A nicely executed work by an artist about which information seems to be lacking. Measures 16 1/4" by 23 1/4" inside the mat, and 23 1/2" by 30 1/2" in light-colored frame. The work is in excellent condition.

An ink drawing of scrubby dunes, titled at lower left margin "Seascape, after Wm. M. Chase", signed at lower right margin "Hugo Anderson" and initialed and dated nearby 1980. The roughly 6 1/4" by 9 1/2" drawing (11 1/2" by 14 1/2" in metal frame) could be by listed Santa Monica artist Hugo Anderson (1946-)----it was found in the area----but I cannot say with any certainty that that is the case. There being no glass, the drawing has acquired a water splotch at upper right in the sky...

Oil on canvas laid on board, 7" by 11" and 1 1/2" wide beautiful original pie crust frame in good condition, unsigned, but without a doubt the distinctive work of noted and prolific Northern California painter RICHARD DETREVILLE (one of several works by the artist in my shop). Detreville was born in South Carolina in 1864, and by the early years of the new century, he was in Stockton publishing a magazine. Shortly thereafter he was in San Francisco, represented by a gallery...

A beautifully painted pair of framed watercolour photo renderings c1880-1900. They consist of a young man and woman in mid-Victorian dress; each image is done on Victorian photographic print paper and they measure 6-3/4" x 4-3/4"...

Oil on board still life painting of colorful flowers, 23 1/2" by 23 1/2" (26" by 26" as framed), signed at lower left with stylized initials. The artist is Max Hansen, born 1898. This was acquired from a local family who related that it was painted in Germany by their relative. The work is nicely painted by an obviously talented hand. Condition is very good. Frame is wood.

Lithograph on paper of a World War I soldier, 12" by 9 1/4" inside the mat (20" by 17" framed), signed and dated in the plate 1915, by the important Swiss-born artist THEOPHILE-ALEXANDRE STEINLEN (1859-1923). Steinlen was born in Lausanne on Lake Geneva in 1859. After training at a textile mill in eastern France, he moved to Paris and the Montmartre literary and art scene. He found the scene creatively nourishing, and went on to spend most of the rest of his life there...

"William Hogarth" "Receipt for March to Finchley" "The Farmer's Return" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Gouache on black paper, 11" by 17" (17 1/2" by 23 1/2" as framed), the subject a child-like angel in a nighttime winter landscape of fantasy, carrying a star staff, a doe like Bambi walking beside her. This was not easy to describe; best to just view the images! It is signed at lower right by artist HILDA GENTRY. I do not currently see a listing for this name, but do recall having seen something on the net about her at some time in the past...

Watercolor painting of some age, 13" by 10 1/2" (22" by 18" framed), the subject simply a tree, but, that subject is handled very beautifully, and the work is signed at lower right by artist Paula Day (on whom I find no information). The interpretation of light and color belies the hand of a talented artist. Judging from the framing materials this dates no later than the mid 1960's and likely earlier. I recommend a new mat only; the frame can be retained.

Oil on canvas still life of flowers in a glass vase, painted in an impressionist hand, 24" by 20" (unframed), signed at lower right corner by artist "L. C. King" and dated there 1939. These flowers could be dahlias. The artist does not appear to be listed but he/she was talented. Frame in perhaps a dark silvery frame for best effect, to pick up on the silvery gray light. Extreme bottom edge has some abrasion from framing, leading to paint loss. There is a small puncture at far right in the ...

Large 1980's screenprint poster, titled "Dakota", the subject a young woman, after a painting by famous twentieth century artist Patrick Nagel (1945-1984). A very decorative piece for your mid-century or modern interior. Nagel's original authenticated works have exceeded $50,000 at auctions. His paintings and prints featuring glamorous, attractive young women with heavy makeup have virtually become pop culture symbols of the 1980's. The piece as framed measures 42 1/2" by 31", shipped without g...

A small painting on canvas, 12" by 9" (15" by 12" framed) titled on reverse "Hermit Home", by listed artist GEORGE EUGENE SCHROEDER (1865-1935). The scene is a modest rustic cabin in a forest clearing. The artist signed at lower right and again on reverse, wrote his name and "Heyburn, IDA". Heyburn is in the southern part of the state, between Twin Falls and Pocatello, on the Snake River. Written more faintly on the reverse under the name is "Near Hailey" (which is more northerly, on the ro...

English circa 1850 landscape oil painting of a castle (the shape suggesting often-painted Windsor Castle) topping a low mountain, two tiny figures in the foreground. The work, 16 1/2" by 22" (19 1/2" by 25" in frame that appears "married" to it, and not that successfully, at that) is very, very grimy. This is a restoration project----to remove the dirt of 150 years, repair several small tears, and varnish the dry surface. There is no signature visible. This is certainly a painting the cleani...

A circa late twentieth century oil on board painting of steep desert mountains behind a lush golf course with palms, likely in the Coachella Valley of Southern California (Palm Springs and environs), 16" by 20", unframed and unsigned. The work is by a talented hand, though likely still an amateur hand. There are a few light surface abrasions and a small loss area in the sky as seen in the photos. The handwritten name "Karen Crouch" and a rubber stamp of "City of Carmel Valley" are seen on rev...

Two fine detailed drawings on tan paper, probably mid to late 20th century, one featuring a man with drum, two children and a goat, the other a man seated next to his wife, smoking a hookah in front of a house. The pair is nicely framed and ready to hang on the wall. The piece measures 12 1/2" by 17" framed. **Allow for reflections in some images**

Oil on canvas painting by Haitian artist J.B. Gaston, 12 1/2" by 16", unframed, the subject a colorful tropical village among palms, numerous figures going about their regular activities. This work is squarely within the classic style of art we have come to expect from Haiti. It is not an old work but continues a tradition of Haitian art going back to the 1940's. Excellent condition. Will brighten any interior.

Pastel drawing of trees in early autumn by a large body of water, signed at lower right M. Moore, measuring 13 1/2" by 19" (21" by 26" framed). The viewer is reminded of Canadian art--landscapes of Ontario in the fall, for example--though this might just be a generic scene from the imagination of the artist. A colorful original work with considerable decorative quality. The drawing is slipping around a bit under the mat so will have to be re-affixed to backing.

Lithograph on paper, the image 8 1/2" by 7 3/4", the sheet 12 1/2" by 9 3/4", and 15 1/2" by 12 1/2" as framed, titled at lower left "Old Curiosity Shops, New York", and signed at lower right by the listed artist, generally associated with California impressionist works, EUGENE FRANDZEN (1893-1972). Frandzen was born in San Diego but drifted east in steps, studying first at the Art Institute of Chicago, and then later doing commercial work in New York and studing at Art Students League and Gran...

Watercolor on heavy pebbled watercolor, 10 1/4" by 13 3/4" (17 1/2" by 20 1/2" in simple, worn frame), unsigned, the subject an impressive sailing craft in a small boat harbor. The painting has a nice impressionist touch, and, apparently, some age (at least 1960's or before). On the reverse someone did some math calculations, writing the numbers in a distinctive old hand that is of a previous generation. The clean mat with gold inner edging can be retained; a new frame would work wonders.

A late 20th century oil on canvas painting of a landscape, 30" by 30", unframed, signed at lower right "M T O'Brien". The colors used are light and airy----pinks, light blues, whites predominating. The creek or pond is very impressionistically presented. Great for a beach house or other sunny abode.

An original watercolor painting, featuring a ceramic geisha, ceramic bird, and poppies in a bowl/vase, apparently unsigned, twentieth century. The work has been faded by sunlight over the years yet remains interesting. Measurements are 9" by 8 1/2" (15 1/2" by 15" in simple wood frame, which has a piece missing at upper extreme left corner). There are reflections at top of several images. Drawing is glued to a black backing sheet at top only (not fully "laid down"). E

Fine 18th c Engraving the text is faint so we haven't been able to get information on it. matted 14" by 18" NOTE the last 3 images were heavily altered to attempt to make the text legible.

Watercolor painting of a lake and scenic mountains, 6" by 8 1/2" (10" by 12" in simple framing with no mat), apparently unsigned, circa mid 19th century, likely English. The gentleman from whom I purchased this makes regular trips to England and brings back drawings and paintings which he sells, so, that is why I am fairly confident that this is indeed English. The work needs a mat at least although frame could be retained. The drawing appears to be laid down on another piece of paper or very...

This is an etching of the year 1884 by the well known American artist JOHN GEORGE BROWN (1831-1913), the subject a young boy playing a flute. This particular print is NOT pencil signed (there was a small edition of pencil signed pieces). Measurements 15" by 11 1/4" (as framed, 18 3/8" by 14 5/8"). Brown was born in England but was in America as a youth. He was a National Academician by the late 1860's, known through the last portion of the 19th century for his sensitive portrayals of societ...

A small etching of a bearded, religious Jewish man, a title at bottom of the image in Hebrew characters translating approximately as "to good year you shall be written"---for Rosh Hashanah, the Jewish new year. The print is pencil signed at lower right by the noted, well-listed American artist LEONARD BASKIN (1922-2000). Baskin was born in New Jersey and educated at Yale, where he founded a small fine books press. This early experience with fine printing no doubt contributed to his later exper...

"William Hogarth" "Some Principal Inhabitants of the Moon: Royalty, Episcopacy and Law" and "Masquerade Ticket" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original coppe...

A chromo-lithograph by G. Dianz (?) and copyrighted by F. DeMauro 23 Duane St. New York.The picture is slightly curled on the lower edge but covered by the frame. Framed under glass, the frame measures 18" x 21-1/2".

Oil on canvas painting of pinkish flowers in a clay pot against a blue drape, unsigned, circa 1950's/early 1960's, 20" by 16" (22" by 18" in simple wood frame). The work was found in Virginia. Obviously by a trained artist. Note the shadows cast at left---well handled. Condition is excellent. There is a very small disturbed area on frame at top.

Oil on board painting of a peaceful lake surrounded by forest and peaks in the distance, 11" by 18" (16 1/4" by 23 1/2" in wood frame), unsigned, circa late 1940's to 1950 or so, but executed in an earlier style that goes back to the early years of the century. These freely executed impressionistic works met the demand for affordable original art in the first half of the 20th century, and many are still around, though they have suffered the ravages of time. This example is very clean and in ge...

A nicely painted contemporary work on canvas, unsigned, 12" by 16", unframed, featuring a landscape of trees with early autumnal colors showing. The piece is in excellent condition. Needs a frame which should be easy/economical as the size is a "standard" size. The anonymous artist has created a very pleasing work; an excellent understanding of both impressionist theory as well as light and color is evident.

ONE OF TWO DRAWINGS BY THE ARTIST IN MY SHOP---A pencil drawing of the Hell Gate railroad bridge in New York City, (so identified after research conducted on the internet), 8 7/8" by 6 3/4" (14 1/2" by 11 1/2" framed, no glass, loose in black metal frame), signed with initials "JRM" at lower left and dated there 1943. On the reverse a previous owner wrote "JOHN RICHARD MOORE 1925-2009 University High Sch arts class Co Founder Panavision Co.". This early work would date to the artist's teens. Moo...

Oil on canvas, 22" by 18" and 2 1/2" wide frame, unsigned, showing the famous Mountain of the Holy Cross in central Colorado, 100 miles west of Denver and 15 miles from Vail. This is a late 19th century painting, evidently one of many copies, by many artists, of the iconic 7' by 5' work by famous American artist Thomas Moran, which was completed in the year 1875. The painting is in compromised condition, with soiling, paint loss, punctures, and scrapes, but, I believe it worth restoring. See ...

Oil on canvas painting of a dark-skinned woman, 26 3/4" by 7 3/4", unframed, signed at lower right by artist Destaalem Tadesse and dated there 2007. The long, narrow work will fit beautifully on a narrow wall in need of some color. The lady is holding a bowl of fruit, and a decorative background complements the figure nicely. Her angelic face seems almost as if taken from classic High Renaissance art. Condition is excellent save for a few minor pressure cracking of the paint, really only vis...

Contemporary watercolor on paper painting of iris or similar flowers, 18" by 12" (23 1/4" by 17 1/4" in metal frame), signed J. London under artist's red stamp. The work shows the skill of the artist. I see no information on an artist by this name. Condition is excellent.

Oil on small wood panel that appears to be an old cigar box lid, 8 1/2" by 4 1/2", (10 3/4" by 6 3/4" as framed), signed at lower right "Lily Vosburgh", the subject a church steeple in France, impressionistically rendered trees largely obscuring it. Affixed to the reverse is a typed 20th century label which reads "A small church in the south of France as painted by Lily Vosburgh in the 1930's", and below that "JB" AND "$22.50". The printed label side of the cigar box lid forms the reverse side...

An old watercolor painting of the famous Brandenburg Gate in Berlin, Germany, unsigned, circa 1940. The piece measures 9 1/4" by 7 1/2" inside the double mat and 14 1/4" by 11 1/2" as framed. The frame is modern and functional. Note the detail, including tiny figures and old cars and even double-decker buses. The gate, which dates to the 1730's, was severely damaged in World War II. I believe the artist may have created this during the war or just before it. It was not until 1961 that repa...

An original black ink drawing of a Native American Indian stalking a herd of bison. He hides behind a bush, his bow resting behind him, his fringed arrow quiver at the ready. The drawing is nearly square, at 9 1/2" by 9 1/4" (14 1/4" by 14 1/4" in black simple framing). There is a Reno, Nevada framer's label remaining on the backing, but no other information. I have been unable to match the name to a listed artist. Allow for reflections in a few images.

Thinned oil or possibly water-based casein/tempera on small board painting, 7 1/4" by 5 1/4" framed, signed at lower right by noted American artist Carol Jablonsky (1939-1992). The image is of a young female child, I believe of Native American or Mexican heritage. Jablonsky died at a young age but left behind a large body of work, including prints and original paintings. A collector on askart provided biographical information she had gleaned: "Jablonsky was born in Port Washington, New York in ...

Esther Anna Hunt (1875-1951) is known today in California art circles as a keen observer of the traditional culture as displayed in San Francisco's Chinatown. Her paintings and plaster bust models of young girls in traditional costume make regular appearances in auctions of California art. This work appears to have been created by one of Hunt's many early 20th century imitators. The watercolor is signed at lower right corner "A. Fowler" and is dated there April 1912. The work (9 1/2" by 5 1/2" ...

Original ink on paper drawing of four ducks in flight over a swamp or marsh, circa 1930's, signed at lower right with initials "P.Z.", which appears to correspond with inscription on backing "Painted or sketched by Paul Zeeze". At top on backing, is written "James Zeeze". Online research suggests the name may be found in Minnesota, which would make sense with duck habitat. Measures 10" by 6 1/4" inside the mat and 14 3/4" by 10 3/4" in black strip frame.

A detailed 19th century American botanical watercolor of white roses and leaves, unsigned, circa 1880, measuring 9 3/4" by 6 1/4" inside the mat, 16 3/4" by 12 1/2" as framed. The piece is in good antique condition with light foxing and uneven toning in the background, commonly seen in works of this age, and perhaps a small tear that has browned at left edge. The work could be on a silky material rather than paper. The detail is impressive. French mat parallel lines at to the appeal. The simp...

A circa 1960's or early 1970's mixed media collage painting of a "Big Eyed" girl and her doll, painted in his usual whimsical fashion, by the French mid century impressionist artist ROGER ETIENNE (1922-2011). The painting (23 1/4" by 17 1/2", and 29 1/4" by 23 1/4" as framed) is signed at lower right "Rousseau", but this fools no one; it is clearly by the artist Roger Etienne. Why he chose to use a pen name on this particular example will remain an unknown. Etienne is known for mid century dra...

Oil on canvas painting of pink roses in a glass vase with metal kettle on a table top, 20" by 24" (25 1/2" by 29 1/2" framed), signed at lower right by artist Nell Smith. I do not see a listing for this name. The age of the painting judging by style, frame and stretcher would be circa 1940. Condition is good save for overall soiling and a roughly 1 3/4" narrow paint loss area at top right. Overall a very "Shabby Chic" work.

Oil on board peaceful landscape of a house backed by trees in a clearing, a dirt track leading into the scene, 12 1/2" by 15 1/2" as framed, signed at lower left "Westerlund" with some illegible letters before that, circa 1970's or 1980's I would guess. The lettering style and period after the name leads me to think this could be a European or European trained artist, but the scene might be American. The painting is in excellent condition and ready for display. I do not at present seem to be ...

"William Hogarth" Portrait of Hogarth with the Comic Muse The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: ap...

Small painting on a medium that might be jute fibers, 12 1/4" by 12 1/4" framed, possibly signed at lower right with initials or monogram, but essentially unreadable. The piece is very "Atomic Age" 1950's style and is doubtless of that period. Unfortunately over time there has been some abuse, and scattered losses cover a large portion of the painting, as shown. Nevertheless it is collectible and has considerably integrity as an ambassador of its time, and should find a home in a Mid Century ...

A fine old etching of a windmill in a low country landscape, signed in pencil and in the plate with a signature that appears to be "J Harvey" or similar. The work is numbered 23/25 at lower right margin. The name being common, there are a number of listed artists that might correspond to this. The numbering suggests a 20th century origin, numbered prints being far less common in the 19th century. The work takes from Rembrandt or a host of other Dutch artists such as van Ostade, who depicted ...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints. ...

Oil on canvasboard painting of gulls flying above the waves, the stern of a boat at left, 12" by 16", (17" by 21 1/2" framed), signed in ink on reverse ("Painted by Edith Fite"/XXX Magee 1951"). The scene reminds of how hungry gulls loyally follow the back end of a fishing boat. I have not located information on the artist. The painting could well benefit from a cleaning after about 70 years.

Ink on paper laid on board, 6 1/4" by 4 1/4" (the drawing itself), signed at lower right J.C.F.M. and signed again on reverse of the card "J.C.F. Murray '08" and titled "Volendam". I don't see a listing for this name, if I'm reading it correctly, but the drawing is obviously by a trained hand. Note the details of the wooden shoes on both figures, the traditional bonnet on the lady. Volendam is a small town north of Amsterdam and is known for its traditional dress and traditions. Condition is...

This is a relatively earlier (1976 or before) work of the noted Bermudian artist ALFRED BIRDSEY (1912-1996). Birdsey was a familiar figure in Bermuda for decades, a prolific artist, the works of whom traveled with tourists when they returned from holidays. This would account for the wide distribution of his distinctive work. Today his daughter continues the family tradition, with similar looking paintings being sold to visitors. Birdsey worked in gouache or possibly oil or acrylic on paper. Som...

A decorative print after a seventeenth century ink drawing by Dutch Golden Age painter GERBRAND VAN DEN EECKHOUT (1621-1674), titled on reverse label "Zeichner vor einem Bauernhause Sitzend" ("Artist Seated in Front of a Farmhouse"). The print measures 5 3/4" by 7 3/4" (15 3/4" by 17" framed). The brownish ink and pebbled paper creates a very convincing piece that could almost be mistaken for an actual old drawing. Add some Old Master charm to your interior without spending what Old Master dr...