A fine portrait miniature by William Charles Ross, executed in watercolor on natural organic material. The subject, a gentleman with receding brown hair and blue eyes, is fashionably attired in a brown jacket, white collar, black vest, shirt, and ascot, which sports a turquoise and gold stickpin...

Charming Portrait of a Horse, his Trainer and Jockey

English School, 1834

Oil laid down to panel

"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834

Painting: 10" x 14.25"
Frame:16" x 20"

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind...

Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute...

Hand colored stipple engraving botanical print, titled "LONICERA Alpigena", and "CHEVREFEUILLE Alpigene" in French (a type of honeysuckle), after the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810 and the prints were created not long thereafter...

A good c1770 British miniature portrait of a older gentleman, with the artist having cleverly displayed the wrinkles of age. He is dressed simply in the style of the time, wearing a wig, a white stock, and a gray coat.

The condition of the painting is excellent, and the papier mache frame is also in good condition but with a nick at the top right edge...

English school ( 18/19th century ), watercolor, miniature portrait of a gent in blue coat. Measurements: 2" x 1 3/4", framed and glazed in a 5" x 4" frame and in great condition.

An exceedingly rare portrait miniature, done in watercolor on organic wafer, by John Miers (1756–1821) who was the most famous profilist or painter of silhouettes in Britain. (Actually, the term “silhouette” was not used until the 1830’s...

A nicely done late 18th century miniature of a woman wearing a blue dress and white fichu, her powdered hair with an interwoven white ribbon. Presented in a gilt bracelet clasp mount. Excellent condition with an overall size of 1 3/8" by 1 1/8".

A fine miniature by Charles Dixon, signed "CD" and dated 1750. The subject is a gentleman with his hair tied back, wearing a blue coat, red waistcoat, and black stock. Presented in a gilt metal mount with bracelet clasp, measuring 1 3/8" by 1 1/8".

BIOGRAPHICAL NOTE: Information about Charles Dixon (fl 1748 - 1798) appears to be quite sparse, and there is not even certainty that his first name was Charles since those pieces he signed were done so with "CD"...

A fine pair of miniature portraits, done in watercolor on wafer, by Ozias Humphry. They are mounted back to back in a gold case which has black and gold eglomise work on the cover glasses. The sitters are, purportedly by descent within the family, a Mr. and Mrs. Poole. The woman is attired in a white classic white gown and wears a bone comb in her hair...

A beautifully painted miniature, on organ material, of an older woman dressed in a dark dress with elaborate ruffled collar, a lace fichu and hat, the latter two with incredibly detailed brush strokes. Excellent condition with no issues. 2 1/2" diameter.

Ex Frederick Cochran collection.

A well painted watercolor on natural wafer, signed on the backing paper by Louisa Freeman. The sitter, a gentleman of aristocratic bearing, is arrayed in the height of fashion for the period, sporting a black jacket, yellow vest, and white stock. Housed in an ebonized wood frame.

The condition of the frame and painting is excellent, with no issues to speak of. The sight size of the portrait is 2 5/8" by 2 1/8", with a framed size of 5" by 4 3/8".

A fine c1790 portrait miniature of a woman with a somewhat serious demeanor, wearing a white fichu with lace trim, her powdered hair beneath a white bonnet with blue bows. The painting is in a period gold bracelet clasp frame. Excellent condition with an overall size of 1 5/8" by 1 1/4".

A nice English c1795 miniature of a gent wearing a white shirt and ascot, with a red waistcoat and black jacket. The reverse of the gilded metal case has a a central fabric section set into an opalescent surround over guilloche work. Excellent condition with an overall size of 2 5/8" by 2 1/8".

This antique miniature portrait from the 18th century features the Duchess Maria Amalia of Parma, née Archduchess of Austria. The portrait is delicately hand-painted on the mother of pearl and placed behind convex glass. It is mounted in an oval gold gilt frame with a scalloped rim. The frame comes with a suspension loop and bar pin for easy hanging.

The portrait showcases the Duchess wearing a stunning pink dress decorated with lace trimming and bows...

Signed J.J. and dated 1772 on the lower right, this watercolor on wafer shows an obviously well-off woman attired in the latest finery, and with an elaborate hairdo with a lace cap.

Excellent condition, with no flaws to speak of, and measuring 1 1/2" by 1 1/4"...

An Italian miniature painting on natural wafer, Signed lower left "Mario Salvi". The sitter is identified, in the family history on the reverse, as Olivia Pia Salvi.

Olivia, a pretty young woman in a pale blue gown, is painted in a soft manner, with luminescent skin tones, as was the Italianate style of the time. The artist composed the painting very carefully, with the almost cloud-like hair framing the face and curling down to follow the neckline of her dress...