2nd Ed. wood cut page #108 printed by Schoensperger. size page 9" by 13.5" mat 14" by 19.5" good condition see images...

An antique 18th-century European oil painting, "Still Life," is an exquisite work of art crafted on heavy, hand-woven canvas. The canvas depicts a beautiful arrangement of flowers in a stone vase and a variety of fruits laid on a table with a marble top.

The painting showcases the flowers and fruits with great precision, and the intricate detailing is a testament to the artist's skill...

Johannes Wierix, Flemish, 1549-1618, "The Betrayal of Christ, Agony in the Garden". This is a rare early engraving by Johannes Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. One side of the sheet shows the 'Betrayal of Christ', the other 'Agony in the Garden'.

Etienne Picart, French, 1632-1721, engraving, "The virgin, St. John and the Christ Child", image sizE: 15 x 18 3/4 inches, LeBl 5 and 4, Provenance: J.W. Randall collection #2490, Picart was a student of Francois de Poilly and is also know as "Le Romain"

Original 1618 etching by Jacques Callot LE GRAND ROCHER (The Great Rock) from his series “Paysages Graves pour Jean de Medicis”, Lieure catalog number 276, second state of two. Powerful design, excellent clean print. Framed and glazed, not examined outside of frame. Print size 109 x 243 mm (9 9/16 x 4 1/4 inches), frame size 10.5 x 18 inches.

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself)...

Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner...

Departing from 874 AD, the German text develops the context of the 5th Council of Constantinople, held 879/880 AD – an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen threat in Italy.
The hand-colored woodcut of the council shows the pope and a large group of clergy under the blessing of the Holy Spirit, who is depicted as a dove.
On the right, woodcuts of contemporary popes Johannes VIII, Martinus II, Hadrianus III and Stephanu...

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin...

Gerard Audran, European, 1640-1703, "The Triumph of David". This early triptych by Gerard Audran of "The Triumph of David" is taken from the ceiling of the Sacchetti Palace in Rome. The image sizes are 21 1/4 x 13 3/4 inches with a sheet size of 21 3/4 x 16 1/4 inches, 23 3/4 x 12 3/8 inches with a sheet size of 24 3/4 x 16 1/4 inches and 21 3/8 x 13 5/8 inches with a sheet size of 22 x 16 1/4 inches, all on early laid paper. Created in 1668, after Charles LeBrun...

17th Century Map of Asia In Full Color 20x22 inches , in Latin script most likely Dutch.

Very RARE Engraving of Charles V, Holy Roman Emperor. Bust length portrait facing left, wearing armor and the badge of the Order of the Golden Fleece. The portrait sits within an oval frame bearing the Latin inscription 'IMP. CAES. CAROLVS V. AVG.' The frame has been set into an alcove featuring fluted Doric columns, an eagle, swags of fruit and allegorical female figures, such as those of Germany and Africa at the bottom of the plate. In the background are battle and pastoral scenes...

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life...

Nicolas Mignard, French, 1606-1668, "Odysseus and Hermes Before Circe". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right...

Old master painting, the subject soldiers in an extensive landscape battle scene, some mounted, 16" by 24 3/4", unframed, on old canvas, relined long ago, not signed, but on the stretcher is written in old hand "Borgognone". JACQUES COURTOIS, 1621-1676, was well known for his skill painting battle scenes. As a result of his fame, centuries later, it is tempting apparently to attribute all unsigned battle paintings to his hand, or his studio, or circle...

A very fine engraving by the 17th Century artist Hollar measuring 5”. 7” and framed size is 11” x 15”……. Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures...