Maternidad 1949 Rubens Fernandez Tudurí,1920 - 1993 sculpture in bronze “Mother and Child” measuring 21 inches high 7 inches wide 4 1/2 inches deep

Watercolor and ink on paper, and possibly a little gum arabic in spots, for highlight shine, no glass, 7 1/4" by 9 1/4", (15 1/4" by 17 1/2 " in its simple wood frame), the subject a boat harbor no doubt on the central coast of California, signed at lower right center by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining, despite having traveled without protective glass...

FULL MOON BOARDS

Traces of layered moon. 20th century, Japan. approx. 73 x 20 x 1.4cm (28.74 x 7.87 x 0.55in), approx. 60 x 17 x 1cm (23.62 x 6.69 x 0.39in)


selected by Jinta




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Lolo Sarnoff (1916-2014) - The Voyage Of A Surching Heart, sculpture in acrylic. Dated Dec. 1997. Red acrylic hearts applied to a silvered and black acrylic background. Ready for wall mounting. Size: 22.5 inches x 14 inches. Titled "The Voyage Of A Surching Heart." Lolo Sarnoff was a noted sculptor, collector and patron of the arts. At the end of her life she had a home in Barnard, Vermont, and she created this piece for the current owner.

Carved Japanese wood sculpture deity approximately 15” in height

In the style of the well known Gianni family of artists, is this watercolor painting of the famous trellised terrace on the world famous dramatic Italian coast, signed at lower right "A. Hunt" and titled there "Amalfi". The piece measures 7 1/4" by 13 1/2" (14" by 20" as framed). The work has some oxidation of the paper and a small dig hidden in the coastal promontory at right center but overall it has survived quite well, considering its travels without glass...

The paper size: 23" W x 35" H with border margin.
Image size: 15 1/2" W x 29" H.
Unframed Original Lithograph by Artist,
Charles Cobelle, (1902-1994)
The title, "Monaco"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed.
Edition number: 182/500...

"On the Terrace at Gloucester" Oil on canvas 30" x 18" unframed Robert Philipp, painter and etcher was born February 2nd, 1895 in New York City. He studied at the Art Students' League with Frank Vincent DuMond and George Bridgman from 1910 to 1914. He also studied at the National Academy of Design with Volk and Maynard from 1914 to 1917. Philipp painted a wide range of subjects from genre and portraits to Paris, bars, nudes, clowns, flowers and coasts...

A turn of the century watercolor painting of a forest at the edge of a lake at sunset, 10" by 14" (14" by 18" in recent quality framing) signed at lower left by Massachusetts artist C. MYRON CLARK (1858-1925). The impressionist scene is peaceful and sensitively painted. Clark was born in New York but is most closely associated with Massachusetts. He painted landscapes and also marines with clipper ships, in oil and watercolor. Works are held by the Peabody Museum in Salem, Massachusetts...

Richard Faralla american artist 1916-1996 1992 colored ink Petaluma CA 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" matt 12.25" by 14.75"

A contemporary watercolor painting of banana tree or giant bird of paradise, in harmonious green, yellow, violet and brown-red colors, 22" by 19" (29 3/4" by 25 3/4" in blond wood frame), signed at lower right corner by artist Elizabeth Schleich, or Schleichner or similar, followed by "PTL" (meaning unknown). The work is in excellent condition, the colors rich. The artist displays a keen sense of color and some passages in the composition appear almost cubistic...

Original unframed drawing on old Brownie art board, in ink and marker with hint of pencil underneath in a few spots, each box measuring 2 15/16" by 3 1/2", dated "3-20" and signed at far right "Schulz". Also appearing is "(COPY) NOT FOR REPRODUCTION" and the name "j. f. bufton" on the bench next to the bat. Believing that the work could possibly be an authentic work by Schulz, I have researched the drawing through the Charles Schulz Museum in Santa Rosa, California...

John Taylor Arms 1887-1953 American This is an artists proof etching by American artist John Taylor Arms. The title is Limoges, part of his French Church Series created and printed in 1932. This etching is hand signed in pencil with an image size of 10 1/16X13 5/8. This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A." Inscribed also as artist proof number III. Printed on a J. Whatman watermarked laid type paper. A beautiful impression.

Acrylic on canvas painting in black, red and blue on white background, 28" by 39 1/2" as framed, signed in the lower left corner "J. Brooks". I am offering this as a bold, modern decorative painting, and NOT as a genuine work of the important American artist James D. Brooks (1906-1992). Condition is excellent and save for some wear on the cream-colored frame, this is ready for display.

Large watercolor painting, 21 1/2" by 29", 34 1/2" by 42" as presently framed, the subject traditional old bells hanging in a California mission tower, the blue sky visible through the opening, two white doves conveniently flying through the image, signed at lower right somewhat indecipherably and dated there 1989. The luminous work might have been painted as a prop for a movie or tv show, as markings/label on the reverse indicate. Condition is excellent...

An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000. Measurements are 6 1/2" by 8 3/4" inside the present mat and 12 1/2" by 14 3/4" as framed...

A view of Long Island circa 1915 by an Ashcan School artist depicting a view of a industrial factory. Unsigned oil on Masonite

Sir Francis Seymour Haden, British, 1818-1910, Etching, "House of the Smith", image size: 4 1/2 x 6 inches, 1864, cat. Schneiderman 58, pencil signed