Fine engraving by Cousen, titled at bottom center "The Woodland Gate", after the original painting by English Royal Academician WILLIAM COLLINS (1788-1847), measuring 8 1/4" by 10 5/8" inside the mat with hand-drawn lines, 16" by 17 1/2" in silvery framing. This is a fine decorative print that is in extremely clean, wall-ready condition. According to information on the internet, Collins' work was prized more highly in the late 19th century than that of Constable and Turner...

A black and white photograph of one of the most famous of the French chateaux, the Chateau de Chenonceau on the River Cher in France's Loire Valley, the work signed at lower right margin in ink with what appears as "D. Esicaud/Tours". Tours is a city in the region. The piece measures 18" by 14" and 23 1/2" by 19 3/4" as framed. Condition is excellent. The castle dates to the early 1500's and is a major site on the tourist circuit of France.

This is an image of a young African-American boy grinning while leaning against a building, the image mounted on a board signed by the photographer, Arthur S. Little. After googling the name I find that around the late 'teens and early twenties, there was a photographer in Los Angeles and Ventura by that name, though he does not seem to have had a high profile. I do not believe that this is an original photograph. The item is in good condition...

Painting on canvas of urban skyline with foreground boats, painted in modern and stylish grays, black, white and red, signed at lower right "LF Mark" or similar. The piece, in strip typical late sixties or early seventies frame, measures 18 1/2" by 26". Condition is very good save for a small puncture at lower left that actually blends in with the design and is not all that easy to find. Frame at left and lower right is also ever so slightly askew...

An original poster issued by the Museum of Modern Art in New York in 1967, to advertise the Jackson Pollock exhibition which took place from April 5 to June 4 of that year. The poster seems to be scarce today; I was not able to find another available copy in a quick online search. Pollock is perhaps the pre-eminent figure of the Abstract Expressionist movement, his paintings now among the most coveted in the world of art...

Black ink on paper still life including wine bottle, Asian pot in foreground, potted plant and objects on a distant table, 17 1/4" by 11 1/4" (25" by 19" as framed), signed at lower right by well listed artist WAYNE LA COM (1922-). The economy of draftsmanship in this ink drawing reminds of the skilled pen technique of Henri Matisse and his famous nudes. La Com is known for his skilled watercolors in the 20th century California Scene style...

Oil on canvas painting of fruits, bottles and other objects, painted in a highly impressionist style, 12" by 16", unframed. The painting bears a signature "G d E" at lower right, added later (very obviously "floats"---dark under UV light) for French artist Georges d'Espagnat (1870-1950). So we have here a likely American painting, I think circa 1950's or so, that is very nicely done and quite decorative. There's very small paint loss at lower edge from past frame abrasion...

Wood engraving on paper, 11" by 15 3/4", 15 1/2" by 20 1/2" framed,titled at bottom "HOME FROM THE WAR", by the famed American artist WINSLOW HOMER (1836-1910). The image was published on June 13, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Weekly newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when electronic media did not exist...

A whimsical drawing of a young child-like chimpanzee seated in a parlor, evidently enjoying a cocktail, a tea kettle in the foreground suggesting that he is about to partake in other civilized human behavior. The drawing is unsigned. I researched a bit on the net to see if it might be by the artists who created Curious George, (Hans-Augusto Rey(Reyersbach) and Margret Rey), but the obvious lack of resemblance to that most famous cartoon ape indicates that this drawing is not of him...

Acquired as one of a number of works by late Bozeman, Montana artist MARION "MAL" LEWIS (1925-2010), this is a fine collage work, undated, titled "Moonlit Night" on original sticker, not framed (just matted), likely from late in the artist's life. While traveling through Montana I came upon a group of mostly collage, abstract works by this artist, though there is at least one non-abstract work, a New Mexico drawing, that I will be listing. This measures 10" by 18 3/4" inside the present mat...

Unframed oil on paper on board painting of a desert Southwest landscape, 8 1/2" by 12", signed at lower right M. Edwards. The painting probably dates to the 1920's or 1930's I would guess. It has accumulated a lot of soiling and varnish has yellowed, so it desperately needs a cleaning. Note the left extreme edge, which must have been behind a frame, to get some idea of the potential after cleaning. There is also a small dig at right edge, and upper right corner of the paper is missing...

Richard Faralla american artist 1916-1996 1992 colored ink Petaluma CA 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" matt 12.25" by 14.75"

Oil on canvas, 24" by 36" (28 1/2" by 42" as framed), unsigned, showing a Victorian/Gothic type castle ruin by a river, by moonlight. ***UNFORTUNATELY THE PAINTING HAS BEEN SEVERELY DAMAGED IN SHIPPING (vertical rip clear through---started with a pre-existing three inch tear which weakened the canvas and made it vulnerable to further damage), so, will need major restoration...

Oil on canvas still life of a small statuette of a horse and a copper vessel on a small table, 13" by 15" (14" by 16 1/2" as framed), signed at lower right "Virginia Weaver". I do not see a listing for the artist but evidently she was quite talented, as the perspective and flattening of the picture plane shows familiarity with modernist trends of the early 20th century. The painting has some condition issues, such as a depression at top that shows as a shadowed area in the photos taken in angl...

A vintage still life oil painting of flowers in a white vase against a dark background space, 24" by 18", 32" by 25" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some lan...

Oil on masonite painting of a small adobe structure in a landscape, 11" by 14" and narrow frame, signed in green at lower left corner "Clapp". The work is impressionistic, and the subject suggestive of New Mexico. I checked with an authority on the works of Canadian/California artist William Henry Clapp (1879-1954) to see if he thought this might be by that artist, which would enhance its value significantly. He did not believe the work to be by that artist, citing style and signature, and sa...

Original lithograph print, sheet 14 7/8" by 11", simply framed (removed from frame for photography), unsigned, titled "Diego" (the brother of Alberto), circa 1961. The backing board bears an early 1960's label from the east coast store "Korvette art gallery", on which is written the artist name, title, medium, and the notation "from Behind The Mirror" Maeght Paris. On the reverse of the paper is printing in French. See photos. The work is clean and undamaged from the front though it was tap...

Nicely executed little watercolor of a woman in her nineteenth century finery, 11" by 7 3/4" as newly framed behind quality Tru Vue glass, unsigned. Her dress looks like circa 1860 but I do not know for sure that this would have been painted then. It would make for a pleasing addition to a woman's bedroom or sitting area.

Watercolor en grisaille drawing of the ornate entry area of a 19th century American home, complete with trellis, shutters, clapboard and fine woodwork, unsigned, measuring 18" by 14" (20 1/2" by 16 7/8" framed in brown wood frame. There is also a pencil study of the doorway on the reverse (see last photo). Any number of artists could have created this. It reminds me of a home you'd see in a watercolor by Edward Lamson Henry. I'd date this to about 1910 through 1930. Condition is very good a...

Nineteenth century print of a scene including palace and figures strolling, titled in white gouache (by hand) "Florence" at lower center, the color throughout hand applied by a talented artist. This very nearly resembles a drawing rather than a print. Measurements 6 1/4" by 9 1/2" (14" by 18 3/4" in wood frame). The print was trimmed tight to the margin, then laid on a neutral gray/green background, and a white border was then hand applied. All in all a very nice print of traditional subject...

An impressionistic watercolor painting of trees on the bank of a small lake or pond, signed at lower right by artist "M. MASAHIRO". The vintage work is very faintly painted, almost in the manner of artist Yamada Baske. The tree trunks are the most distinct features, while much of the rest of the scene is filmy, gauzy, ephemeral, foggy. An impressive little work (6 1/2" by 13", 11 3/4" by 18" in metal frame). Allow for reflections in some images. Due to the fuzziness of the imagery itself, t...

Old ink and watercolor drawing of early 19th century men and a boy pictured in an English interior, executed probably early years of the 20th century, signed "O. Krause" and also bearing the word "Copy", 6 1/2" by 6" inside the opening in black glass eglomise style "mat", 10 1/4" by 9" as it was originally framed. The drawing seems to me to be after perhaps an original illustration in a Charles Dickens (or other English author of the period) book. Dickens works were illustrated by a number of ...

An attractive plein air oil on canvas painting of the desert in spring with blooming pink verbena on the dunes, 13" by 15", unframed, signed at lower left by listed California artist GRACE T. HOWELL (1876-1966). Howell was born in Denver and showed early art talent. Married in 1897, she moved to Southern California in 1927, living in La Mesa, near San Diego. She painted the California deserts and coast. This oil could use a light cleaning to bring it to optimum condition. See another painti...

A vintage (mid century) illustration of a pink orchid blossom, the background airbrush and the flower hand painted, 14 1/2" by 14 1/2" inside the attractive double mat, the piece 22 1/2" by 22 1/2" as framed in silvery complementary framing, signed at lower right by artist "Childs". The name being a common one, I searched but did not immediately tie this to a listed, known artist. Nevertheless he/she was talented. The work is in excellent fresh condition, and the framing has only a small bit ...

Richard Faralla american artist 1916-1996 1992 colored ink Petaluma CA 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" matt 12.25" by 14.75"

Etching titled in pencil by the artist "Stairway, San Gabriel Mission", late 1920's or 1930's, signed in the plate lower left by listed California artist WILLIAM A. ESKEY (1891-1937), 12 1/2" by 7 3/4" as framed in vintage wood. The scene is an iconic one, often captured by artists enamored of the charm and romance of California's early days. Eskey was born in West Virginia and served in the military in France. By 1928 he had settled in North Hollywood and was creating prints, pen and ink drawin...

Watercolor and gouache painting of a ship or boat on roiling, stormy seas, circa 1970's, signed at lower left by artist "Andro", whose worn business card remains affixed to the backing. The work measures 23 1/2" x 17" and 25 1/2" by 19" as framed. The apparent zip code on the business card, 91203, I believe, is Glendale, California. The work is loose in the framing, slipping around. Frame is worn and will likely need to be replaced.

Richard Faralla american artist 1916-1996 1992 colored ink Petaluma CA 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" matt 12.25" by 14.75"

Ink on paper drawing of the narrow streets of an old town likely in eastern Massachusetts, possibly Marblehead, two women chatting casually, the work signed by the artist at lower right and monogrammed and dated in Roman numerals 1896 at left, by the noted American artist and illustrator EDMUND HENRY GARRETT (1853-1929). Garrett was born in Albany, New York at mid century, and died near Boston at the end of the 1920's. His art career appears to have started slowly, with little art education pr...

Watercolor on paper painting of the famous belfry towers and facade of the St. Louis Cathedral on Jackson Square in New Orleans, Louisiana, possibly signed at lower right (illegible), 10 1/4" by 7 1/2" inside the mat, 16" by 10" framed, circa 1960's or 1970's I believe. The work is framed in an old, beveled dark oak quality frame that likely considerably pre-dates the art. When framed, someone wrote the title "St. Louis Cathedral, New Orleans" on the mat below the image. Condition is excellen...

Oil on canvas, 12" by 15 3/4", unframed and unsigned, the subject a pensive figure, likely a male, seated on a breezy patio with French doors, curtains and a Paris-style small cafe table and chairs, a tea or coffee service on the table. The anonymous artist created a very appealing, contemporary little work, with impressive impressionist technique. The painting is in excellent condition with just a bit of stretcher bar show-through at top. A silvery frame would complement the painting; it wou...

This is an interesting example of a monotype, in which art is created on a piece of glass which is then pressed against paper to produce a unique image. The artist is well listed and his paintings sell well at Canadian auctions. At first glance, this work could easily pass for a watercolor; a monotype is something of a hybrid, with characteristics of prints and original art. It measures 17 3/8" by 13 1/2" inside the mat; with an additional 5 1/4" of mat and frame on a side. Franck was born i...

A rarely seen hand signed (ball point pen, lower right margin) poster printed to publicize the 1992 Taos Arts Festival, the poster featuring a painting of the Taos Pueblo against snow capped mountains, western horses in the foreground. The piece measures 27" by 20 1/2" as framed (no glass). ILA MAE McAFEE (1897-1995) was an American painter, muralist, illustrator and author born in or near Gunnison, Colorado. She is known for her miniature paintings, for her murals in public buildings (often, ...

An original drawing on paper of couples sitting at tables in a formal garden patio setting, attended to by a waiter, signed at lower left margin by the well-listed California artist CLARK HOBART (1868-1948). The sheet, unframed and currently in a protective plastic sleeve, measures 10" by 8 1/2". Hobart was born in Rockford, Illinois. He was in California as a child, then studied at the San Francisco School of Design under Stanton and Giuseppe Cadenasso and also privately with William Keith. ...

An original, vintage 1987 poster for the National Gallery of Art's 1987-1988 exhibition of the works of famed American modernist artist GEORGIA O'KEEFFE (1887-1986). The offset poster measures 40" by 25 1/2" as framed. Condition is very good, with only a slight damp stain at lower right margin area. O'Keeffe is today one of the most popular American artists. Her modernist works of New York and the American Southwest can bring many millions of dollars at auction. This image is of New York's ...

For the Anglophile, this is a piece of classic old England, a watercolor, 10" by 14", (16 3/8" by 20" as framed), signed at lower left by artist MICHAEL VICARY, the scene a narrow riverboat barge on the Thames under the classic view of Windsor Castle outside London. A few pieces by Vicary have crossed the auction block, but the main appeal of the work lies in its fine detail and craftsmanship. Note the five swans, the two figures rowing in the foreground, the fine reflections, tiny figures on ...