Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style...

Attractive nicely framed American watercolor that dates likely to about the 1940's, signed at lower left with what appears as "A W Edwards". The landscape measures 13" by 18" (21" by 25 1/4" framed). Obviously the artist was skilled at and trained in the use of watercolor. More research might turn up information on the identity of this painter. Condition is excellent. Hand drawn mat lines add to the appeal.

This is a decorative, peaceful scene of late autumn by a pond or small lake, signed at lower left "Sydney Cooper". Even though the spelling differs ("Sidney"), this could be by or after the well-known English 19th century artist THOMAS SIDNEY COOPER (1803-1902), who was known for his landscapes with farm animals. The painting is unframed and measures 22" by 15 1/2"...

Something of a mystery piece......a black and white photo, 12 5/8" by 11" including thin margins on three sides, (in a temporary protective-only frame), unsigned and unattributed, in a frame which bears old Christie's Los Angeles photo department sale and lot information that does not correspond with the image (I checked with Christie's photographs dept). The image of the moving train is in black and white though there is a hint of a pink/violet tint in a portion of the train sides...

Oil on canvasboard, 16" by 12" (19 1/2" by 15 1/2" as framed), the subject trees in flaming autumn colors along a quiet dirt forest road, signed at lower right "P.L. King", no date but likely circa late 1940's or 1950's. For a time I had thought it possible that this was a work of the noted American impressionist PAUL KING (1867-1947) but I no longer believe that to be the case, so I am offering it as simply an interesting impressionistic landscape...

Haitian art is rightly popular for its color and exotic subject matter. This little painting, 9 1/4" by 7 1/4', set into a larger quality frame/mat, 22" by 19 3/4", depicts a thatched roof hut, figures carrying items on their heads, and lush tropical mountains and vegetation. The artist signed his name "Serge Louis" and the date 1995. The painting is exceptionally clean and ready to hang on the wall.

This is an example of Haku Maki’s production of small prints that were known as San Mon Ban. These prints were usually 2in x 2in but there were instances of larger ones. This one measures 6in x 6in. Dan Tretiak writes that Haku Maki began creating San Mon Ban in early 1975, a set of seven volumes of small prints. For some he used themes from the past, others were new themes that he used again and again in succeeding years. A small rendering for collectors to add to their holdings.

Watercolor on paper painting, 18" by 12 3/8" (24" by 18" as framed), unsigned, the subject classic red roses, buds and leaves, all in a pleasing vintage gold frame which is in very good condition, with just a little bit of loss at bottom margin. The painting likely dates to the late 19th or early 20th century. It has survived in fine shape, with no foxing nor water stains. If you fancy the Shabby Chic style, this is a natural.

A PAIR of detailed ink drawings, one titled "The Cottage", featuring a tidy home in the English countryside, the other a dated 1911 detailed look at a Gothic church's walls and entrance portal. Affixed to the crumbling old backing is a label for "The Cottage", showing it apparently won the "John J. Burnet Prize" for Alex Nicolson, who was evidently a student in "Club No. 129". So Nicolson was evidently a talented young artist...

An oversized framed Presidential Christmas card/print from Jimmy Carter. Facsimile signatures of both the President and his wife, Rosalyn."Thanks for your friendship and support. With our best wishes..." The gunmetal frame measures 12" x 14-1/4" with the picture fitting snugly into it. Mounted under glass.

PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background...

Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting...

Carroll Thayer Berry is a familiar name in artistic circles in the state of Maine, as he was an artist, illustrator and photographer there for many decades. Born in New Gloucester, he grew up in Portland and there became enamored of the sea and seagoing. After study at the University of Michigan (naval architecture) he worked for engineering firms in New York and Portland, then still as a young man worked on murals in administrative buildings in the Panama Canal Zone...

An original watercolor drawing of a familiar California theme: surfers at the beach, with lifeguard tower, palms, and two parked classic late 1940's Woodies vehicles. The work is signed at lower left "Dry......" ("Drysbock", or similar?) and measures 4 1/2" by 6 1/2". It comes matted but with no frame and glass. Likely is a contemporary work. Looks like a print but guaranteed to be original work.

A gouache on paper painting of a vase with white flowers, blue on white plates, green bowl with cherries, a decorative leaded window beyond, the work signed at lower right corner with what appears as "Louise Brentnall" and dated there 44 (or, I think less likely, 77). The piece measures 9 1/4" by 7" (12 3/4" by 10 3/4" in simple strip frame). I do not see an artist by this name, if I am reading the name correctly. I thought it might read "Louise Brumback", but that artist died in 1929...

Small oil on board painting of houses at left, feathery trees occupying the right hand side of the composition, unsigned, 8" by 11 1/2" (11 1/2" by 15" in mid 20th century frame). The painting reminds one of the Dutch Old Masters though it was very likely executed in the 19th century, perhaps in England. It shows evidence of its age, with soiling, a missing fleck at right center (the white spot) and some smallish scrapes in sky at upper left...

Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state...

Oil on canvasboard painting of Paris Montmartre section, the dome of famous Sacre Coeur looming white in the distance above the rooftops, signed lower left "Michel" and dated there 1960. The work measures 24" by 18" (27" by 21" in simple white wood framing). The piece has beautiful depth and a balanced satisfying palette of colors. Condition is excellent.

A contemporary painting in Old Master style, the subject a Dutch street scene with no less than eight figures, a church in the center background. The unframed 24" by 20" oil on canvas is signed at lower right corner "W. Caufield" (or "Canfield")...

An oil on panel painting of a red covered bridge in a mountain landscape, a village at left center, 13" by 19 1/2" (16" by 22" framed), signed at lower right by artist Ed Mifflin. I do not see a listing for this name. The scene likely shows Vermont or Maine; possibly there are covered bridges in hilly southern Ohio that might fit. In any event the circa 1960 work is very poetic. The black panel on which this is painted was not meant for art use, leading one to suspect that the artist was a t...

Photo print, 22 3/4" by 19 1/8" inside the mat (31" by 27" as framed), pencil signed at lower right by the noted artist of the American West JOE BEELER (1931-2006), and numbered at lower left 58/300. The subject is a monument to the American West: a cowboy on his horse, a butte in the background as he pursues stray cattle with his lasso on a spring or late winter day. This is a clean print and is ready for the wall. Not knowing the print's colors, I feel it possible there might be a touch o...

In the style of popular Thomas Kinkade or Marty Bell, this is an original oil on canvas, 11" by 14" (17" by 20" framed), the subject a cozy cottage-like house set in a flowering garden, the welcoming lights all on. The painting is signed at lower left "N LaFond". If you enjoy the Kinkade style but would like an original work instead of a print, you may well like this piece. Condition is excellent, frame has a little wear.

An unframed oil on canvas landscape, 12 3/4" by 16", the subject a large lake in high country, a distant mountain in the background and tall spruce-type trees at left along the rocky shore. I have searched diligently for a signature and cannot find one, which is frustrating, as the work is certainly good enough to have been executed by a listed artist. The canvas was laid down on a board circa 1940 or so judging from the "Brownie Board" age. Weave of the canvas and the technique all suggest th...

Poignant early handmade drawing of pink and white flowers (lilies of the valley and?) painted in gouache within an oval set off by golden mat, the words "BIRTHDAY GREETINGS FROM YOUR LOVING DAUGHTER ALICE" around the central image. The oval measures 4 3/4" by 6 3/4" and the entire work as framed 11 3/4" by 14 1/4". This is a work from another time, when people were less likely or less able to go to a store to buy a gift. Such a gift is the best of all gifts and the most heartfelt. The little...

A contemporary screenprint, the imagery forming the letters for "LOVE", pencil signed at lower right and numbered 98/100 examples at lower left, by noted British illustrator and commercial artist Helen Lang. The matted print is currently housed in a white laminated wood frame, measuring 24" by 20" in that frame. GLASS IS CRACKED AT LOWER RIGHT so print will be shipped without glass. Lang, originally from Devon in the southwest of England, has been for a number of years a resident of the Londo...

Beautifully executed by an unknown but obviously talented artist is this 10" by 8" oil on canvas of a seated woman draped in fabric, against a darker drape background. The work is contemporary. It was found unframed and for illustration purposes I have "married" it to a frame that somewhat fits it, however, the frame is marginally unsuitable because it is a bit shallow for an oil painting's stretcher. If desired this frame can be included and you can work a bit on securing this inside the fra...

An antique floral watercolor painting of a bundle of cut snapdragons, 15 3/4" by 10 1/4" (24" by 18" framed), apparently unsigned and undated, but likely circa 1900. Condition is good, the work is clean.

Decorative old engraving of early New York, printed in Paris, circa 1850, with quality contemporary framing and hand drawn mat lines. This lovely print is ready to hang in your traditional fine interior. The print is exceptionally clean and fresh as is the mat (photo shows what appears as a scratch in glass at upper left, it was simply foreign matter I removed easily after the photo). The work bears a label of Summa Gallery, Brooklyn Heights, New York. Measurements 12 1/4" by 13 1/4".

Early twentieth century impressionist painting of one of New Orleans' famous courtyard subjects, 9 1/4" by 7" as framed, signed at lower right corner "Don Juan". While an interesting name to be sure, I have not been able to find a listed artist corresponding to it. The work though is by an obviously trained and talented hand. The vintage frame makes all in all for a very satisfying little painting sure to please the New Orleans fan. The surface is soiled evenly, consistent with age. Likely...

A nicely painted oil on panel, 10" by 9 1/2" (15 1/2" by 14 3/4" as framed), the subject a stone wall surrounding an estate, with an entry portal, the word "Robe" at lower right, and "MLM" at left as presumably the signature. On the reverse is an old label from a framer in Mulhouse (eastern France near the Swiss border and Basel), and pencil writing "M Mougot" (or, "Maugot", or "Mangot", as a possible full name of the artist). Regardless of authorship the work is satisfying in its simplicity, ...

An American contemporary theorem still life painting in the traditional 19th century familiar style, signed by artist Esther M. Attridge and dated on reverse framing paper 1973. The work measures 10 1/2" by 13 1/2" and about 12 1/2" by 15 1/2" in the gold framing. Some contemporary artists have made names for themselves by copying the old American folk art theorem style. Similar works by one latter-day artist named David Ellinger are highly sought after and are auctioned. A pleasing work fo...

Oil on canvas of a square in Paris, larger size at 31 1/2" by 31 1/2", unframed, signed at lower right corner with what appears as "R. Ode". The painting likely dates to about 1960, judging from the clothing of the people in the image. I do not see a listing by this name but am continuing to research. Condition: the painting will need restoration. The canvas has separated from the stretcher, so the stretcher will need to be replaced, or the canvas will have to be re-attached to the present ...

The size of Sheet: 11 x 10 5/8
Image size: 9 x 8 1/2
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Two More II
The condition: Excellent. It never been framed The year of Serigraph: 1990
Edition No.: 5/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed. I had this serigraph last 19 years stored away. We w...

Old oil on canvas painting of light violet colored flowers in a yellow ceramic vessel, 13 1/2" by 17" (16 1/2" by 20" framed), signed at lower right corner with what appears as "M. Lagenbrucke" or similar, and dated adjacent 1924. I have looked for an artist by this name and to date have not found any information. He/she was talented and created an attractive work. In its nearly 100 years it has acquired considerable grime, and the surface is uneven and bearing hairline cracks in certain area...

Oil on board painting of trees in a landscape, 11" by 9" in narrow original frame, signed at lower right by listed artist "A. KLUG". The painting is executed in a very impressionist hand, and is quite lovely, but is also very dirty. A professional cleaning would really be well worthwhile investment. The frame being old is showing its age, with losses as seen. The artist is listed in Davenport's dictionary of artists but there does not seem to be much information available on him or her.

Original watercolor/gouache on paper by Hans Kleiss (1901-1973), depicting a smiling Berber man from Morocco. Circa 1940-1950. Image size: 26cm by 20cm. Signed l.l. Hans Kleiss was an Orientalist/ Africanist painter, illustrator, and caricaturist. He was the husband of Orientalist painter Yvonne Kleiss/Herzig. They both lived for long periods of time in North Africa (Morocco and Algeria). They settled together in Sidi Slimane (Morocco) in the early fifties before returning to France. On...