A PAIR of early portraits in pastel on paper, of a middle-aged man and woman (about 45 or 50 years of age), the male portrait signed along the lower right edge "E. Yohn 1841". The works measure 20 3/4" by 17 3/4" as framed. Considering the advanced age, condition of these fragile works is excellent. There is a small edge tear at extreme upper edge of the female portrait...

An unframed oil on canvas painting of a dreamy waterfall, the deep and mysterious gorge featuring palm trees and at left a small flower-bedecked modest home, the 24" by 18" work signed at lower right "Carolyn". Condition is excellent, the work needing only a frame. The rendering of the palms reminds a bit of the way Filipino artist Romeo Tabuena painted such scenes.

An impressionist oil on canvasboard painting of coastal cliffs, rocks and waves, likely California, signed at lower left in red by listed American painter DAVID SPURLIN JR. (1923-2009). The 11" by 14" work (18 1/2" by 21 1/2" in distressed style wood frame) features strong wave and action, and the five shorebirds at lower right, and their reflections in the wet sand are all beautifully handled...

An example of the wildly popular art of artist EDNA HIBEL (1917-2014), internationally known for her art in many media, the themes usually promoting peace, or exploring universal themes such as motherhood. This lithograph print is signed in pencil by the artist at lower right and is numbered at lower left. I believe the title is "Francesca", dating from 1979...

Oil on canvas laid on masonite, 14" by 11" and 3 1/2" wide frame, signed at lower right "C. DE VRIES". This is a pleasing work showing a young woman of central or alpine regions of Europe, holding in her hand a typical felt hat of the area, a window at rear letting in natural light that beautifully illuminates the subject. I have researched this name and find one listing that appears to correspond to the signature, one Belgian artist CAMILLE DE VRIES (1854-after 1924)...

Watercolor and gouache on paper of a backwater creek or lake surrounded by feathery trees, 12 1/2" by 19 1/2" plus 3 1/2" of mat and frame, unsigned, most likely American. The work is in very good shape save for some age browning of the paper most visible by comparing to the top inch or so which evidently at one time was hidden under a mat. The artist was obviously skilled in watercolor. A very peaceful scene for your wall.

Large unframed oil on canvas painting of three central figures chatting, other figures in the distance, 24" by 36", painted in a highly impressionist manner, and signed at lower left with the familiar "Buenaventura" signature. The artist is either ALFREDO BUENAVENTURA (1942-1982) or his uncle CESAR BUENAVENTURA (1922-1983). I cannot be certain because their works often look very similar, as do their signatures, and in this case the beginning of the signature is difficult to discern...

Very subtle and elegant oil on canvas, 24 1/2" by 30" (27 1/2" by 33 1/2" as framed) signed at lower right by listed Midwest artist MARY C. PETERSON and dated "31", showing an Asian inspired still life scene in monochromatic minimalist tones of beige, gray and tan. The artist added just a spot of color at lower left where two iris are in full flower. This is a particularly easy to live with painting---I enjoyed it on my wall for quite some time...

Oil on canvas large painting of an interior, 40" by 30", approximately 46" by 34" in white frame, signed at lower right by the artist ERWIN WENDING (1914-1993), and dated there "58". The image and colors used are rather expressionist, in the manner typical of the few Wending works that have appeared on the market. According to an online biography, Wending was born in Freiberg, Germany in 1914, the year in which World War One began...

Lithograph on paper, the image 8 1/2" by 7 3/4", the sheet 12 1/2" by 9 3/4", and 15 1/2" by 12 1/2" as framed, titled at lower left "Old Curiosity Shops, New York", and signed at lower right by the listed artist, generally associated with California impressionist works, EUGENE FRANDZEN (1893-1972)...

Pencil on watermarked paper drawing of a tall female nude, 16" by 11 1/4" inside the mat, 23 1/4" by 18 3/4" framed, signed at lower right by the artist and dated there 1933. DAME ETHEL WALKER (1861-1951) is a modern British artist of significance, known for an impressionistic and poetic style with subject matter ranging from portraits and studies of the female figure to seascapes, landscapes, still life florals, and decorative compositions featuring mythological and allegorical material...

Oil on canvas, 17" by 9" and thin original wood frame, signed lower left "M Stuart", depicting a young woman in greenish gray paint. This is more a work of figural art, really, than mere portrait. The sitter is unknown, as is the artist; there is a listing for a Mimi Stuart (1959-) but I am not convinced this is by that artist. Signature looks as if it could be by a British hand, judging from the style of writing. It is a professional signature, though, and this is not a work by an amateur...

Oil on canvas, 14" by 21" (20" by 27" as framed), the subject a landscape near the sunset of a winter day in the Netherlands. Classic elements of the scene include bare trees, billowing gray clouds, a distant windmill, modest waterside homes, small boats, and a figure with her back turned towards the viewer...

‏Oil on canvas painting of snowy high mountain framed by a lake and trees, unusually large size for the artist's works at 20" by 36" (24 1/2" by 40 1/2" framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette almost certainly suggest the hand of the noted California painter. I have owned and sold other unsigned paintings as being by Detreville, and I will stand by this one being by him as well...

Watercolor on painting of Pirates Alley in the famous French Quarter of New Orleans, 14 1/4" by 5 1/4", 23" by 9 1/2" framed behind non-glare glass, signed at lower left by the well-known New Orleans artist ROBERT M. RUCKER (1932-2001). Rucker is recognized for his contributions to art of New Orleans, the lower Mississippi River valley, Louisiana, and the Old South. Works are included in the Louisiana State Museum and the Historic New Orleans Collection, and hundreds of private collections aro...

Watercolor on paper painting of an old wooden church of northern New Mexico, signed at lower right by artist ROSS PAXTON (1931-2003). The painting is very impressionistic. Paxton was born in rural northeast Oregon and went to college in Albuquerque, and later lived in New Jersey, furthering his art career in New York City. After serving in the Army, in the Korean War, Paxton remained in New York for much of his life, an illustrator for AC&R ad agency, and handled major accounts. Measurements ...

Watercolor on paper drawing, unframed, 15" by 21 1/2" inside the gold mat, the subject two proper late Victorian women with parasols, on a small boat in a lake landscape, towering trees in the background, signed at lower left with what appears as "D. G. Streeton", and dated there 1898. This is a nicely executed work, probably American. I cannot seem to match it to a known artist. It is not the work of Australian Arthur Ernest Streeton. I also thought the signature could be "Streeter", but I...

Watercolor on heavy paper laid on board, 30" by 22", unframed, signed at upper left corner in ball point pen "Ernest W. Scanes, 3/25/66, Otsego Remnant". Scanes (1909-1994) is best known as a Michigan artist, certainly a Midwest artist, but also, due to his illustration of books and ads, he is known as an illustrator as well. I have previously owned a 1947 gouache, also of skiers, and am currently offering a charcoal drawing by him in my shop. Evidently, a relative of the artist resides or re...

Oil on canvas painting of fruits in a shallow dish, 6" by 12" (10" by 16" nicely framed), signed at lower right by the well-known American artist ALEXANDER BROOK (1898-1980). The subdued colors and careful arrangement suggest familiarity with the great Italian still life master Giorgio Morandi. There is a coldness, a stillness, that is quite monumental. Brook was born in Brooklyn, and studied at the Art Students League from 1914-1918. He married painter Peggy Bacon, and was divorced from her...

Watercolor on paper, 13 1/2" by 9 1/2" (and simple frame 1 3/8" wide), unsigned, the subject a hushed redwood forest obviously in Northern California, the sunlight dappling the forest floor, and a slight hint of man's intrusion in the form of a split wood fence or gate. The colors, handling, and subject matter suggest the hand of important early California watercolorist LORENZO P. LATIMER (1857-1941), but Latimer had many students who painted in his style, (including his son), so we cannot be a...

This is a work squarely in the Hudson River style by a talented landscape artist of the second half of the century, DANIEL CHARLES GROSE (1838-1900). The scene is a significant river winding among steep green bluffs, a feathery tree at left, the only sign of the hand of man a split rail fence. Signed at lower left and dated there 1874, the work measures 8" by 12" (12 3/4" by 17" in its original attractive old gilded frame). The work is smoky and could benefit greatly from professional cleanin...

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period. As such, it is not in perfect condition; but is certainly in good enough condition ...

Large (21 1/4" by 30 1/4" plus 3 1/2" mat and gold frame) highly detailed drawing of a royal Indian elephant festooned with festive "hat", bells and rug, seen in profile, and surrounded by a decorative floral border. This is classic Indian art executed in a traditional style, though I believe it is of fairly contemporary age. The silk is backed by rather cushy, soft material. Frame is in good condition with minor wear. The art itself has a few very small abrasion marks and losses due to dryi...

Charcoal drawing on paper laid on thin board, 28" by 38", unframed, signed at lower right "McBride". I am not familiar with the apparently unlisted artist might be but he or she was talented and possibly familiar with the San Francisco School/California School, Northern California School of art---artists like David Park, Nathan Oliveira, Elmer Bischoff and Manuel Neri. The haunting face especially reminds me of some of these esteemed artists' works. Condition is generally good with a few mino...

“Venice” oil on canvas 20 x 24 Claudio Simonetti was born in Rome, January 29, 1929, into a family of artists. From his father he inherited his love for art and interest in colors. He began his studies at the Rome School of Art, and after these studies, he traveled extensively throughout Italy and France, where he painted from nature and learned from his associations with other artists. He still paints and exhibits regularly in Rome, Venice, Naples, Milan and Paris. His landscapes of...

A complex mixed media drawing, in the style of Russian artist Wassily Kandinsky (1866-1944), featuring geometric shapes and forms, measuring 7 1/2" by 11 3/4" inside the mat opening (17" in 21" in frame). The drawing is created with graphite, watercolor, gouache and perhaps pastel crayon. The detail is tight and finished. A very decorative work with color and form, sure to be a conversation piece.

This is an interesting example of a monotype, in which art is created on a piece of glass which is then pressed against paper to produce a unique image. The artist is well listed and his paintings sell well at Canadian auctions. At first glance, this work could easily pass for a watercolor; a monotype is something of a hybrid, with characteristics of prints and original art. It measures 17 3/8" by 13 1/2" inside the mat; with an additional 5 1/4" of mat and frame on a side. Franck was born i...

***One of two very similar works by the artist in my shop, that should truly be kept together as a pair (see item JB0437)***Oil on canvas 19th century landscape with gnarled old tree, fence and birds, 15 3/4" by 12 3/4" (19 1/2" by 16 1/2" as framed), signed at lower left by well listed artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This French artist's works appear with some regularity at European auctions, the more important examples in the past having brought to over $30,000. This is a ...

Decorative etching on paper in brownish inks showing ancient houses in a continental European village, 6 3/4" by 8 5/8" (15 1/2" by 16" as framed), signed in pencil in lower margin by the noted English modern art figure FRANK BRANGWYN (1867-1956). Brangwyn was a unique figure in British art, not easily categorized stylistically, but today his contribution to that art is unquestioned. Born in Belgium, he was in London by an early age, where he largely taught himself to draw. During the 1880's he ...

Watercolor on paper, 22 1/4" by 15", unframed, signed at lower right in black ink "N. P. Brigante", the subject a forest glade with trees, boulders and grasses. The painting is by NICHOLAS P. BRIGANTE (1895-1989), a California painter often confused with the Italian painter of Venice scenes, Nicholas Briganti with an "i". Brigante was born in Italy, and was in Los Angeles as a child. According to the Hughes biography, he was a sign painter and studied under Hanson Puthuff. After World War I ...

Watercolor on paper of herons or egrets in a marshy area, measuring 21 1/4" by 29 1/4" (54 cm. by 74 cm.), in a 1" wide modern era frame. The painting is firmly signed in ink at lower right and dated 1905. This is, judging from auction records I see, **one of the largest works by this noted Belgian impressionist artist**. Outer was born in the part of Luxembourg closest to Belgium. He studied art in Louvain and Brussels, and in the atelier of Jean-Francois Portaels. Outer was a traveler, vi...

Oil on canvas painting of a young woman knitting on a grassy slope in a glade, 25" by 18", 32" by 25" framed, signed at lower right in red by a talented, though little-known, apparently Argentine painter who worked in the early years of the twentieth century, A. MORENO DE TORRES. This is a fine work by a very skilled hand. Were it by a better-known artist, the price would be multiples higher. I have searched extensively and can only find a brief early 20th century mention of the painter, in a...

This is a beautifully executed white pigment on eucalyptus bark painting by ANDREW MUNAKALI (KUNWINJKU), an aboriginal painter from Arnhem Land in northern Australia. The piece measures 12" by 18" (31 cm. by 43 cm.) The Oenpelli label on the reverse says "Depicting: A Possum --- djebbuh. Gunbalanya Council Inc. Code No. TT232 By Andrew Munakali of Liverpool River." Judging from another sticker, the piece was sold in Sydney at some point after its creation, at an "aboriginal curios" shop,...

Signed small sketch drawing, double-sided, the color drawing of Buddha, the reverse drawings rather interesting scribbles, 8" by 6 1/4"inside the mat, 14" by 12 1/4" framed, executed in pencil and watercolor, signed by famous artist and author LUDWIG BEMELMANS (1898-1962). The reverse side scribbles are initialed "LB" in several places. A piece of paper behind the drawing bears in pencil the word "Hammer" and reference numbers, strongly suggesting that this work was from the inventory of that e...

For the Andrew Wyeth collector, a color collotype print "Arthur Cleveland", circa 1965, from a limited edition of only 100, **with INK SIGNED-by-the-artist label** affixed to the backing. The print measures 26" by 18 3/4" and frame is 1 1/2" wide on a side. This was acquired in Connecticut; the seller stated that it had been acquired from a Boston gallery in the 1960's by her parents, who had unfortunately trimmed off the margins to make it fit the frame. Happily they did retain the signature...

This is a study in pencil by FERNAND LUNGREN (1859-1932) for an oil landscape of arid desert mountains of the American west. It measures 8" by 10 1/2". There's a mat but the work is not framed. This is a subtle work that is best viewed in person; it's very, very hard to photograph. The artist has made notations like "shaddow" (spelled like that), "all golden in warm sun", and "warm rosy gray".........showing the creative process. It would be interesting to locate the final oil with which th...