A modernistic oil thin canvas, laid on plywood, signed at lower left in Hebrew script. The subject is a still life including cup and saucer, what appears to be a pitcher, and other table top items arranged in an intentionally shallow space. The work measures 18 1/2" by 22" and is unframed. The wood panel has warped with time, causing the work to be concave. A restorer could likely remove from the wood and place it on another canvas but of course that would come at a cost...

Antique, circa 1850 watercolor of a coastal scene in the British Isles, signed somewhat illegibly at lower right with what might be "Johnson", "Imson", or similar. The watercolor measures 10 3/4" by 16 1/2" inside the mat and 18 1/2" by 23 1/2" in nondescript modern frame (not pictured)...

Contemporary watercolor on paper painting of iris or similar flowers, 18" by 12" (23 1/4" by 17 1/4" in metal frame), signed J. London under artist's red stamp. The work shows the skill of the artist. I see no information on an artist by this name. Condition is excellent.

Oil on canvas painting of a mill adjacent to a pond, 28" by 22", (33 1/2" by 27 1/4" framed) possibly signed at lower right, but affixed on reverse is an old handwritten slip of paper, with name of artist, subject identification ("Red House, Milltown"), her addresses, and 1924 Pennsylvania Academy of Fine Arts 119th annual exhibition info, apparently item #95 in that exhibition. The artist is identified thereon as IRENA FRANKEBERGER...

A contemporary oil on canvas painting of a handsome rooster, in the style of a traditional Chinese watercolor scroll painting, approximately 23" by 23" in black strip frame, with Chinese calligraphy at top left and right and one red artist seal. The work is by a competent hand. I am told by a Chinese reader that the family name of the artist is "Zhang" but cannot provide any more information other than the perhaps circa 1970's or 1980's New York framer's sticker...

A PAIR of old engravings from the Passion of Christ series of 14, engraved originally in 1521 by Dutch old master engraver LUCAS VAN LEYDEN (1494-1533). My research leads me to believe these two are apparently later impressions printed on wove rather than laid paper, by noted Flemish engraver Jan Harmansz Muller (1571-1628). (Wove, as opposed to "laid" paper, was not invented until the mid 18th century). The talented Muller made skilled and faithful copies after earlier artists' works...

A beautifully painted gem of a small work, acrylic or oil on paper on board (tempera?), or directly on board, 11" by 14" (17" by 20 1/4" in silvery frame), signed at lower right ARTHUR A. HENDERSON 1989 (with copyright symbol). The work would be easy to mistake for a print; but it is not. GUARANTEED TO BE AN ORIGINAL PAINTING. The subject is a pond at midwinter dusk, probably in the northeast. Skaters take a last go at it as daylight fades...

Acquired as one of a number of works by late Bozeman, Montana artist MARION "MAL" LEWIS (1925-2010), this is a fine collage work of an orange-yellow painted cardboard sphere with overlaid and background cut blue printed paper, undated, not framed (just matted), likely from late in the artist's life. While traveling through Montana I came upon a group of mostly collage, abstract works by this artist, though there is at least one non-abstract work, a New Mexico drawing, that I will be listing...

A 20th century painting of a luminous, dramatic coastal sunset, the final light of the day reflecting on the rolling, beautifully depicted waves and aqua water, an interesting tree at right on the promontory adding balance and interest. The painting, unframed, 24" by 36", is not signed on the front but on the reverse is "Casati"...

A PAIR of pencil signed prints, one titled "Hearts and Flowers", the other "Summer Symphony", both pencil signed at lower right by noted highly collected American 20th century folk art artist JANE WOOSTER SCOTT (1920-). "Hearts and Flowers" is numbered 815/1375, and "Summer Symphony" is numbered in Roman Numerals "CCCLXXXVII/CD" (387/400). "Hearts and Flowers" has a certificate on the reverse side from Scott Arts Graphics, stating the edition size and the 1994 date of printing...

An impressionistic watercolor painting of trees on the bank of a small lake or pond, signed at lower right by artist "M. MASAHIRO". The vintage work is very faintly painted, almost in the manner of artist Yamada Baske. The tree trunks are the most distinct features, while much of the rest of the scene is filmy, gauzy, ephemeral, foggy. An impressive little work (6 1/2" by 13", 11 3/4" by 18" in metal frame). Allow for reflections in some images...

Original, very scarce (edition of 30?) unframed 1909 etching known as "Pittsburgh, no. II", signed at lower right center in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). Evidently, Pennell himself printed this particular example as "imp" is written after his name. The sheet, heavily trimmed at three sides as seen, measures 9" by 12"...

For your Mid Century interior, a really well-crafted oil on canvas painting, 22" by 28" (30" by 36" in wood frame, possibly the original), signed at lower center "Robert Anderson" and dated nearby "52". On the reverse the artist wrote "Robert P. Anderson/158 Old Road/Sewaren, N.J.". Sewaren is an unincorporated area in Middlesex County, just off the New Jersey turnpike in an industrial area between New Brunswick and Elizabeth, and just west of Staten Island. A search for information on the ar...

A pleasant impressionist watercolor painting of a marsh or slough, possibly Cape Ann, Massachusetts area, signed at lower right by Oregon-associated artist ALFRED HERMANN SCHROFF (1863-1939). The watercolor is on paper which was long ago laid to a board. The work measures 10 1/4" by 15 1/2" inside the mat and 14 1/4" by 19 1/2" as framed. Schroff was born in Springfield, MA during the Civil War years. He was active in the Boston art scene, then by 1915 moved to Eugene, Oregon to take a job a...

An old (circa 1900, perhaps earlier) oil on canvas laid on a Masonite panel, 19 1/2" by 15 1/2" (24 1/2" by 20 1/2" framed), signed at center left with conjoined initials "AF" (or, possibly, AT). The work features an older man wearing gold-rimmed spectacles, his white moustache and beard adding considerable character to this individual, who looks like a professor or other man of wisdom, accomplishment, and achievement. To date, an effort to tie the work to a listed artist has been unsuccessful...

A rare original drawing, dated January 1849, titled in margin at lower center "Jackall Hunting in India", by listed England-born Australian 19th century artist HENRY GILBERT-JONES (1804-1888). The watercolor measures 13 1/2" by 19 1/2" (18 1/4" by 26" in lemon-gold frame). This appears at first like a classic traditional sporting art print of fox hunting, but closer examination reveals it is in fact a highly detailed early watercolor and ink drawing. Henry Gilbert-Jones was born in either Eng...

French School, Late 19th/early 20th Century

Young Girl with Paper Dolls

Oil-on-canvas, Unsigned

Oval: 19” x 14 ¼”
Frame: 25 ½” x 20 ¾”

This charming study of a young girl intent on cutting out paper dolls is reminiscent of works by Berthe Morisot, Mary Cassatt and Pierre-Auguste Renoir (his earlier works). She is beautifully captured with her rosebud lips, her hair tied up in a bow, a lacy pinafore over her navy dress and stockinged legs ...

The Pensive Shepherdess

(British School, 19th Century)

Oil on canvas, Unsigned

Painting size: 30” x 20”
Frame size: 36.25” x 26.5”

This sweet genre painting of a shepherdess with her flock reflects the theme of the child-of-nature, a sensibility embraced by Victorians during the 19th century. The figure’s youth and comely face convey innocence, while her steadfast pose next to the goldenrod suggests that she is at ease in her environment.

Oil on canvas painting of pink roses in a vase, circa 1890's, signed at lower left in red by listed American artist OSCAR MILLER (1867-1921). The 17" by 14" (27" by 24" framed) painting is beautifully executed by a talented hand. Oscar Miller was born in Manhattan and died in Providence, Rhode Island in 1921. He is known for a variety of subject matter including portraits, marine scenes, genre and still life. This painting has an 8" horizontal tear in the upper portion. It will need to be c...

A rather elegant pastel/mixed media drawing, anthracite gray dominating, though with other delicate color in some of the abstract forms, executed on heavy paper, (there is an interesting, pronounced texture to the surface, and some kind of a slight gloss in parts when viewed at an angle), signed at upper right "Grau 59", and "Enrique Grau" is written on the reverse, on which there are a lot of scribbles. The work measures 19 1/2" by 12 1/2". The interesting modern drawing was found in New Engl...

Found in far northern Vermont in the course of an art buying trip some years ago, is this unframed 20" by 16" oil on canvas portrait of a man, apparently signed "Shoelman" at lower right and signed again and dated on the reverse (possibly, 1806, though, more likely, 1846, considering the style---the digit likely a "4"). I acquired the painting near Cambridge/Jeffersonville not far from the Canadian border. At the time the seller said there had been speculation by a previous owner that this wa...

An interesting Mid-Century abstract on paper, 12" by 16" inside the mat, 18 3/4" by 23" framed, unsigned. The work could well date to the 1960's, the paper thin and slightly browned. I am not clear on the type of paint used; it is not simple watercolor. Could be a mix of some sort; the gold is metallic and the darkest portions have a gloss when viewed at an angle. Final photo is from the reverse side through the paper seepage. Drawing is loose, will be protected for shipping, needs to be re...

An interesting, folky, oil on canvas painting of a house with stone chimney set in a lush open valley, apparently set in Salinas Valley in California, signed by artist Sharon Moree Giambrocco Ebina, who wrote a long story on the back of the canvas. In that story she explains how the painting is inspired by the movie made from the John Steinbeck book "East of Eden". She also touches on the Japanese inspiration she feels, her signature incorporating the Japanese character for "valley". The work...

A vintage still life oil painting, unframed, 30" by 24", signed twice at lower right (one, very faint) by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some landscapes in the mix. Coler was a member of W...

Oil on canvas painting of a delightful tropical landscape with verdant vegetation and towering royal palms, 24" by 36" (28 1/2" by 40 1/2" as nicely framed), signed at lower right by artist J. GARCIA and dated there 2001. The colors and composition are strongly in the style of the important artist from Cuba, Domingo Ramos, who created such landscapes in the 1920's and 1930's. I am unable to locate any information on this artist despite an intensive search. The party from whom I purchased it t...

A dramatic black and white photograph of a victory parade in 1945 New York City at the end of World War II, numbered at left 25/200 and pencil signed at lower right margin by noted American photographer and broadcast personality GARY FRANKLIN (1928-2007). The work measures 17" by 13 3/8" inside the innermost mat and 24" by 20 1/4" as framed. The dreary scene was captured by a talented photographer. Franklin was born in Leipzig, Germany of Jewish parentage. The family escaped the Nazis and m...

An American circa late 1960's to about 1970 still life painting in oil on rough side of the Masonite, 18" by 14" (24" by 19 1/2" framed), signed at lower left possibly "Pardoe". The red poppies are beautifully rendered and the richness of the red contrasts with the deep blue of the vase. Condition is excellent. A very decorative painting, in a frame of the period.

Impressionist seascape oil painting on canvasboard, 12" by 16" (16 1/2" by 20 1/2" framed) signed at lower right by Colorado artist ALFRED JAMES WANDS (1904-1998). On the reverse in pencil is written "Artist---Alfred Wands/2065 Ivanhoe St./Denver 7 Colo./Breaking Sea/$50.00". The work likely dates to the 1950's. Wands was born and raised in Cleveland, Ohio. He attended the Cleveland Art Institute, then went to Europe for studies in Brussels and Munich. Upon return to the US he relocated to ...

Nicely drawn impressionistic drawing of fresh peaches, the leaves still attached, apparently unsigned and measuring 8 1/2" by 11 1/2" (11 1/2" by 14 1/2" framed in oak). Would look attractive in a pantry or breakfast nook. Squarish light area at top is a reflection only.

An impressionist oil on canvas painting of an old late 19th century American church in a western city, as snowcapped mountains loom at right, signed at lower right corner "Crossen '75". This might be by a listed artist, Michigan-born Preston McCrossen (1894-1981), who worked in New Mexico. amd California. I have googled brick churches in western cities to try to identify the subject. There is a church of Our Lady of Mount Carmel, in Denver, Colorado, that bears a considerable resemblance, but...

A charming watercolor painting of the coastline at Antibes on the French Riviera, 11" by 14 1/2" (16 1/2" by 19 1/4" framed), signed at lower left by artist A. Pinkey and bearing inscription on backing giving the history of the artwork. The inscription reads "Shirley keep/Aunt Amy Pinkey painted this of the Cote d'Azur when she and I spent 6 weeks at Antibes Hotel de Paclette (sp.?) in 1919 (S. recovering from flu. pneumonia) in A.L.A." The artist was apparently just an amateur but she created...

Acrylic on canvas contemporary painting of palms, depicted in yellow, pinkish-red and greenish-blue against an electric blue background, 18" by 24", unframed, signed at lower right by the artist, Shannon Casey. This is a nicely decorative, breezy work that will surely add a touch of the tropics to your interior. There are a very few minor spots of soiling or abrasion that hardly detract from the overall effect.

A colorful print "Share Chanukah with the Children of Israel", pencil signed at lower right margin and numbered 46/150 at lower left, by the eastern Europe-born, Jewish-American artist CHAIM GROSS (1904-1991). The work measures 22" square (23 1/4" square in metal frame with detail-dulling non-glare style glass). Gross was well known for his "direct carving" sculpture in wood and stone, and began experimenting with printmaking as far back as 1929. Born in present-day Ukraine to a large, cultur...

This is a fascinating drawing, in that it appears to be a photograph, such as a rotogravure print........but, it is not. It is guaranteed unconditionally to be an original watercolor, ink and gouache drawing of an old portal, possibly the entry to a church. The door seems to have been a favorite motif for generations of German and traveling artists.....a favorite "motif" just like the iconic red fishing shack in Rockport, Massachusetts, or the Brulatour Courtyard in New Orleans. The piece cou...

Oil on masonite panel painting of a Texas landscape with oaks and bluebonnet in the spring, 16" by 20", unframed, signed at lower left by artist Nancy McDonald. According to the daughter of the artist, Nancy's paintings were sold in the San Antonio area. She belonged to the River Art Group for many years. McDonald passed away in 2011. The painting is attractive and squarely within the "Bluebonnet School" tradition of Texas art. Other than a stubbed upper left corner, which will be mostly or...

Oil on canvas painting of pinkish flowers in a clay pot against a blue drape, unsigned, circa 1950's/early 1960's, 20" by 16" (22" by 18" in simple wood frame). The work was found in Virginia. Obviously by a trained artist. Note the shadows cast at left---well handled. Condition is excellent. There is a very small disturbed area on frame at top.