A pencil drawing of a young girl at the coast (sailing craft visible in the left background), 14 1/2" by 11 3/4" in thin strip frame), signed at lower right by the noted California impressionist painter JOE DUNCAN GLEASON (1881-1959). The sketch may be a study for a painting. Gleason is known for his landscapes, marine scenes, especially those with sailing ships large and small, and portraits...

Oil on masonite, 18" by 24", (23" by 29" as framed), the subject a copper kettle on a small wooden stand on a table, with a cup and saucer, small blue milk pitcher and poinsettia in a decorative blue vase filling out the scene. The painting is signed at lower right "L. Johnson". I do not seem to be able to connect this to any listed artist so am offering it as a decorative work. It was found in San Diego, and the poinsettia suggests a California origin...

HUMAN-FACED STONES 2pc.

Stones with such unique carving faces buried in the ground as the talisman for the ground-breaking ceremony before building house as the traditional Timor customs. Age unidentified. approx...

Oil on canvas, 20" by 24", 23 1/2" by 29" as framed, the subject a vase of orange flowers in a complex still life setting, an old timer wood dresser against the wall, other elements including books, smoker's pipe, ashtray, picture frame, tobacco can completing the scene. The painting is signed at lower left apparently "DAILEY" and is dated there "42". Also on the stretcher, faintly in white chalk, are the words " Still Dailey" (partly unreadable)...

A masterful Original Acrylic and Pen Painting with stunning irredescent Gold/Copper accents/sheen, depicting Lotus Blossoms and Leaves. Artist R. Seed Sa-ardwaree. Size: 18.5" x 14" (47 cm x 35.5 cm.). Very nicely framed under glass and ready to hang!

A watercolor painting in shades of brown, the subject a pensive Native American male in traditional Plains garb, holding a stick with feathers, the work signed at lower right with initials "JM" for James Michaels of Palm Harbor, Florida. The unframed piece, photographed inside the protective shrink wrap in which it was purchased, measures 12" by 8 1/2" and there is a 3" wide mat. The style and subject matter reminds of noted early 20th century artist Edgar Paxson.

American c1940s Colored Woodcut of a sailor unsigned well done on a very thin paper no damage other than toning. Paper is 11.5" by 8.5"

Pastel on thin paper board seascape of waves and distant shipping on a gray, overcast day, 10" by 18" (15" by 23" as framed) signed at lower left "Mangold". This is an early work by an obviously talented artist who does not appear to be "listed". This pastel comes with its original old early 20th century frame. There is a circa 1920's or 1930's red circular Seattle framing sticker on the reverse...

A very interesting portrait miniature of a gentleman. Done in watercolor on organic material, it shows a half length naive depiction of a man posed with his hand in his waistcoat. The overall "feel" of this work is that it was done in the en grisaille style, in spite of the color in the man's lips, his vest, and cummerbund.

Condition of the painting and simple metal frame is excellent (light areas at the edges are due to reflections off the chamfered glass), with a size of 2 1/4" by 1 3/4".

A pair of identically framed, very clean steel engravings, one titled "The Waterfall", after an 18th century painting by the Florentine Old Master FRANCESCO ZUCCHERELLI (sometimes spelled Zuccarelli) 1702-1788, measuring 10 1/2" by 6 3/4" (17 1/2" by 15" framed) and the other, by the famous English 19the century artist JOSEPH MALLORD WILLIAM TURNER (1775-1851), titled "Crossing the Brook" (11" by 8 3/4"), and the same 17 1/2" by 15" framed as the Zuccherelli...

Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall...

A clean example of "Whosoever Believeth", circa 1992, a limited edition print after a painting by the well known contemporary artist, who signs "G. Harvey" (GERALD HARVEY JONES, born 1933). The work features a Russian Orthodox church in the late afternoon of a gray winter day, painted in the artist's typically realistic style...

Oil on board painting of watermelon, grapes, and banana arranged on a tabletop, 20" by 24" (25" by 28 1/2" framed), signed at lower left by American artist Helen Lubetkin. The work is by a skilled hand, though I can find very little information online relating to this name; the painting was found in Los Angeles, and a woman by that name died in San Marcos (North San Diego County) in the late 1980's, but there is no way of telling if this might have been the artist...

Watercolor on paper painting, possibly depicting the distinctive geological formation known as Morro Rock, in Morro Bay, California, north of Los Angeles on the scenic central coast of the state. The work is unsigned and likely dates to the late 20th century. Condition is fresh, the colors true and not faded. Framing is a beige metal (slight wear), the pink-tinged mat complementing the sunset colors in the painting. The overhanging branch is sensitively painted by a skilled hand...

This print, done in 1969, has—Dan Tretiak writes—an abstract child and a reddish moon. He also saw the blue seemingly changing from light to dark. The print is horizontal, measuring 15in W x 11.5in H.

Pastel or oil pastel on velvet landscape of the Philippines, the sun setting dramatically over a distant peak, a traditional thatched house at right, signed at lower left "Igning Sarmiento Manila 68". There is a known Sarmiento artist in the Philippines but I am not sure that this is by that artist. The size is 17 1/2" by 24" on the stretchers and 20" by 26" framed. The handling of the color in the sky as the sun disappears and night comes on is exquisite...

This is a print from the original woodblocks, of the work "Jongleur", 1938, from the series "Le Cirque de l'Etoile Filante (Circus of the Shooting Star) by the important French artist GEORGES ROUAULT (1871-1958)...

This is another of Haku Maki’s depictions of the kanji天 for day, heaven, sky. It’s a fairly easy character to make stark and lovely. The next year, 1971, he did another black-and-white dramatic rendering of the same kanji (Poem 71-51, which is below at #1452042 (stock #1077). The print is 12in square and in excellent condition.

Oil on canvasboard painting, 14" by 18" (17 1/2" by 21 1/2" in simple wood frame), signed on the reverse by artist James E. Carson of Andover, Massachusetts and titled there "Lobster Cove". This is a peaceful scene, most likely of the Lobster Cove near Annisquam and Gloucester, MA, but I see there is also a Lobster Cove in Maine. Regardless of the exact location, this is a classic scene of New England, captured by a talented artist. There is a listed illustrator by this name but I cannot dete...

Wood engraving on paper, 16" by 21 3/8", 20" by 27 1/2" framed, titled at bottom "THE WAR FOR THE UNION 1862---A CAVALRY CHARGE.", by the famed American artist WINSLOW HOMER (1836-1910). Examination of the reverse side of the sheet reveals that the image was published on July 5, 1862. This is a classic example of Homer's Civil War period wood engravings in Harper's Weekly newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when electronic media did not exis...

A color print of the year 1930, issued by Frost and Reed of Bristol and London, titled "The Pytchley Huntsman--Frank Freeman on Pilot", after a painting by the famous English equestrian artist ALFRED JAMES MUNNINGS (1878-1959), measuring 20" by 19 3/4" inside the existing linen mat and 31" by 30 1/2" in the wood framing. The print is NOT pencil signed. Munnings is perhaps the pre-eminent painter of all things horses, at least among 20th century artists. Oils have exceeded three million dollars a...

Created in the 1980s, Haku Maki did a series of rarely seen prints called Drop. They seemed to depict oil dropped onto the surface of water. Drop 7 is one of those prints. It is no. 32 of 203 and it measures 9.75in W x 11in H. As with many old prints, it has tape residue on the four edges of the back from a previous framing but there is no impact on the face of the print.

"Thomas West Fellow of Magdelen Collage Oxford" , colored engraving c 1792 sight 7" by 8" mat board some damage the print has staining and foxing as seen in pictures, mat size 14" by 18". Thomas West by Charles Knight, published by John Thane line engraving, published 1 November 1782 Knight resided in 1781 in Berwick Street, Soho, London, enrolled in London's Royal Academy Schools in 1788, and in 1792 resided in Brompton. He is best known for his engravings, but he also worked as a miniatur...

In the late 1970s, ceramics became an important concentration for Maki’s artistic creations. As ceramic objects are central to Japanese culture, he didn’t have to look far for inspiration. He did many fine examples and the texture of each item is always striking. This tan bowl was created in 1979. Collection 19 was number 12 of 205 and it measures 9.5inW x 10.5inH. It is embossed and in good condition.

Original Harper's Weekly large wood engraving "ON THE WAY TO THE DIGGINGS---HALT IN A ROUGH PASS IN THE ROCKY MOUNTAINS", May 1, 1875, signed in the print by noted artists JULES TAVERNIER (1844-1889) and PAUL FRENZENY (1840-1902). The print is generally clean and fresh considering the advanced age, with the typical center fold and just a barely noticeable 1 1/2" vertical tear extending into the image at bottom center. The artists were employed by Harper's to travel across the continent, sketch...

A pastel drawing of autumnal aspen, titled interestingly "Quakies" (after the distinctive way that aspen leaves turn in the wind) on small reverse label, 20" by 16" (22 1/2" by 18 1/2" framed), signed at lower left by noted Nevada woman artist LUVERNE LIGHTFOOT (born ca. 1943). A printed piece affixed to the backing provides a little biographical information but her website describes fully her talents as an artist, teacher, and author of instructional books in the pastel medium. Lightfoot also w...

After a watercolor drawing by the iconic, famous French modern artist PAUL CEZANNE (1839-1906) is this print best described as a pochoir, titled "La Cruche Verte", ("The Green Jug"), numbered at lower left 128/225. The print is affixed to a board on which the numeration is written in pencil. In a window in the mat below (and, not attached to that board---taped to the mat on the underside) is the title, description of the media used in the original drawing, measurements of that original, date o...

Richard Faralla american artist 1916-1996 1992 black ink Petaluma CA 1990 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" frame 15.75" by 13.25"

Oil on canvas laid on panel painting of a tropical river with adjacent structures, royal poinciana tree (sometimes known as flame tree or flamboyant), banana trees, and a wood raft in the middle of the river. The piece is signed at lower left. It measures 10" by 14" and 14" by 17 1/2" framed. The scene could be in Asia (Philippines, or Indonesian?), or Latin America, perhaps Brazilian---difficult to determine, but I lean towards Latin America, the signature not appearing Asian. The artist was...

Pastel on paper colorful abstract pastel drawing, 15 1/2" by 19 1/2" inside the mat, 25 1/2" by 29 1/2" as framed, signed illegibly at lower right. The work is very modern and there's a lot of energy in the dramatic forms. No doubt this was created in the 1980's to maybe just a few years ago. The artist's signature is difficult to make out. Photographs were taken through non-glare glass, so I have digitally enhanced them to show the color that exists below the cloudy type glass, which shoul...

Watercolor on paper, 15" by 22", signed at lower right in pencil "Denny Winters" and dated 1943, showing a shoreline with exposed rocks at low tide, perhaps on an estuary. The artist DENNY WINTERS (1905-1985) was born in Michigan and died in Maine, but spent time in the Midwest and California in her lifetime. She worked at Woodstock in a WPA style, but later works became abstract, and her full oeuvre includes printmaking. She had many exhibitions at major institutions like the Carnegie, Gugge...

Oil on linen laid on board, 16 1/4" by 23 1/4", the simple modern frame about 1 1/4" wide, signed at lower right by listed California woman artist M.E. HODGDON, not dated but likely before 1920. The painting recently came out of Maine, where it had possibly resided for decades, perhaps brought east by an early day traveler wanting a souvenir. The artist, MARY E. HODGDON, is said by Hughes in his dictionary of California artists to have been a resident of Los Angeles between 1912 and 1922. Not...

A PAIR of pencil signed prints, one titled "Hearts and Flowers", the other "Summer Symphony", both pencil signed at lower right by noted highly collected American 20th century folk art artist JANE WOOSTER SCOTT (1920-). "Hearts and Flowers" is numbered 815/1375, and "Summer Symphony" is numbered in Roman Numerals "CCCLXXXVII/CD" (387/400). "Hearts and Flowers" has a certificate on the reverse side from Scott Arts Graphics, stating the edition size and the 1994 date of printing. Jane Wooster S...

This is a **PAIR** of unframed paintings in acrylic on Masonite (one appears to be on a thin, gauzy type of canvas laid on masonite), one 18" by 24", one 24" by 12" by noted Northern California artist TED CHRISTENSEN (1911-1998). Neither is signed on the front but they are typical of the subject matter and technique of the artist. Both are inscribed on the back; one says "#89-1 TED CHRISTENSEN/ACRYLIC - 12" x 24"; the other says "9002 -GOLDEN GATE/TED CHRISTENSEN/ACRYLIC 18" by 24". The ve...

Oil on canvas painting of small figures walking a dirt track in autumn along the shore of a lake, 19 3/4" by 24" (28" by 32" framed), signed at lower right with what appears as "Fan UDKO". I believe the work is likely by a listed artist but I cannot come up with any listing from the name, at least as I am reading it. Perhaps more research might identify the artist. The painting is competently executed. A new frame would be desirable as this old one shows wear and staining of the linen, and i...

This painting is signed but cannot be deciphered. The painting portrays the beautiful scenery of the Old Town in Warsaw (Stare Miasto)
CONDITION: In good condition, no restorations.
MEASUEMENTS: 19 1/2 inches tall and 18 1/4 inches wide with the frame.

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