Original engraving, deep etching, salt ground, and drypoint on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent condition. 17 1/2 by 23 5/8 image alone. Titled and marked a/p in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Also inscribed bottom right of the sheet "Berk Chappell-IMP". This is plate 18 in "The Lost Prints of Wendell H. Black" by Henry Sayre. Provenance available.

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent condition. 11 1/2 by 19 1/4 image alone. Titled and numbered 7/25 in pencil l.l. Signed "Wendell H. Black '61 by Elaine" l.r. Plate 9 in The Lost Prints of Wendell H. Black by Henry Sayre. Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent original condition. 16 by 23 1/2. Titled and marked a/p l.l. Also signed "Wendell H. Black '52 by Elaine" l.r. Also inscribed bottom right of the sheet: "Berk Chappell-imp". Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled and marked A/P l.l. Also signed "Wendell H. Black '54 by Elaine" Also inscribed bottom right of the sheet "Berk Chappell-imp" 12 by 23 1/2 image alone. Provenance available.

Original copper engraving by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled "Predella" and inscribed a/p l.l. Also signed "Wendell H. Black '54 by Elaine" l.r. Also inscribed bottom right of the sheet "Berk Chappell-imp". Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell (Since Black never issued a complete edition in his lifetime, and only printed a few prints, the edition was completed after his death.) In original unframed condition. Titled "Self-Portrait '50-'55" and marked A/P l.l. Also signed "Wendell H. Black '55 by Elaine." Also inscribed at the bottom right of the sheet "Berk Chappell-imp". 22 by 15 image alone. Provenance available...

Original etching, drypoint, and engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell (Wendell Black never issued an edition in his lifetime). In original unframed condition. Titled and inscribed a/p l.l. Also signed "Wendell Black '56 by Elaine" l.r. 16 1/2 by 23 1/2. Plate 17 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

Internationally acclaimed artist Bruce Onobrakpeya (b. 1932 ) produced this expressionistic image of a black fishes during one of his earlier periods of artistic expression in 1963. The serigraph depicts gold fish swimming in a pond or lake expressing, perhaps, the beauties of African natural life. Onobrakpeya has a wide following, including Prince Phillip of the United Kingdom from whom Nigeria, Onobrakpeya's native country, gained independence in 1960...

Original charcoal-pencil drawing on grey paper by Warren Brandt (American, 1918-2002). Signed l.r. Also inscribed verso: "#11--Warren Brandt--Sisters--Charcoal-Pencil--11 1/2 by 13--$300". Still bears a gallery label from the Louise Himelfarb Gallery in Water Mill, New York. Warren Brandt was born in Greensboro, NC. He lived and worked in New York...

Original etching, drypoint, aquatint, and engraving on copper by Wendell H. Black (American, 1919-1972), printed posthumously by Berkley Chappell (inscribed bottom right in pencil "Berk Chappell imp.") Titled and marked a/p in pencil l.l. Signed "Wendell H. Black '58 by Elaine" l.r. 18" by 24" image alone. In excellent original condition.

Rare original lithograph by Franz Bernheimer (Germany, USA, Israel, 1911-1997). Signed in pencil l.r. and dated 1958. Also numbered No35 in pencil l.l. Bernheimer was born in Germany. He studied art in Munich and Zurich before WWII. He escaped Nazi Germany and emigrated to the USA via Cuba. He taught at Brooklyn College, at Sweet Bryar College, and eventually moved to Israel where he taught at Haifa University.

Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25. Signed and dated l.r. 23 1/2 by 35. In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated '70 l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, roughly 4' by 6". Titled and numbered 7/25 l.l. Also signed and dated '61 l.r. This work is also signed and marked "imp" by Berk Chappell. cf: "The Lost Works of Wendell H. Black" by Henry Sayre, plates 7 and 8--plates are misattributed in the book, since GH III should be plate 8, and GH IV should be plate 7.

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r. 4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original engraving on copper by Wendell H. Black (American, 1919-1972), first edition of 25 printed posthumously by Berkley Chappell, and signed by Elaine Black the artist's wife. In excellent unframed condition. Titled in pencil l.l. and numbered 7/25. Signed and dated in pencil l.r. :Wendell Black '54 by Elaine. Also signed by Berkley Chappell and marked "imp". 7 3/4 by 13 1/2 image alone. For information regarding this artist and this print please see "The Lost Prints of Wendell H...

This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Commissioned portrait of a beautiful chestnut brown slim rescue shelter dog whose reversed dark spinal fur resembles that of a Rhodesian Ridgeback.
When this painter spent time with her, Sofie struck such a stance as if reviving an ancestral show pedigree pose...

A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

The latest original regional marsh painting by this painter. A peaceful serene marsh scene depicting stark trees with the appearance of multi color leaves at their base. Look to the trunks and limbs to find the sky colors there too. The rock lined path takes you to the mid ground where you will find one white heron eying its meal in the marsh waters and two other birds in flight.

What this artist relishes painting is a distant luminous sky...sometimes subtle...sometimes more pronounced.....

Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

This 1911 drypoint etching by Frank Short measures 9 3/4 x 13 3/4 inches, pencil signed, cat: Hardie-350.

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plated dated 1925, cat: Lorenz-5. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.

This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.

This c. 1877 drypoint on copper measures 6 x 9 inches, pencil signed, cat: Schneiderman-152, III/V, artist proof. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.

This etching by the British artist Seymour Haden measures 7 x 10 1/4 inches, pencil signed, plate dated 1874, I/V, Cat: Schneiderman-144. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler...

The latest original regional marsh landscape painting by this painter. A dramatic deep red and blue marsh with a distant luminous sliver of sky in buttery yellow was painted with a very limited palette of three pigments plus white, following a more "Modernist" feel to this while the other recently painted "Marsh Moment" - # 1340185 - using the same limited palette may have more of a traditional regional appeal. Canvas laid on professional archival Amersand museum hard board panel...

August Rolle (American 1875-1941)

Moonrise on the Bay

Oil-on-canvas laid to aluminum panel, signed lower right

Painting: 13 ¾” x 16 ½”
Frame: 18 ½” x 21 ¼”

August Herman Olson Rolle, painter, printmaker and graphic artist, dabbled in many activities before turning his focus to art. Born in Sibley County, MN, in 1875, his first path toward adulthood led him to Red Wing Seminary...

19th Century British School

"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane

Oil on Canvas , signed"WV"

Painting: 16" x 24"
Frame: 20.75" x 28.5"

Etching by the British artist Sir Francis Seymour Haden measuring 5 7/8 x 8 7/8 inches, pencil signed, plate dated, 1877, cat: Schneiderman-155. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers and ...