A pencil sketch of Glendalough county Wicklow Ireland with a strong attribution to the British artist Edward Lear (1812-1888). Drawn with pencil on bluish heavy laid paper with ink, ink washes, touches of white gouche and faded washes of green. In 1835 Lear visited Ireland, one of his early trips as he turned from bird illustration to landscape. The party he traveled with visited Glendalough. During his life Lear saved his sketches and it was not until the 1920’s that they were available...

A very fine miniature of a young lady, done in watercolor on organic wafer. Signed lower right "Becker Px". The sitter is a wearing a gown with elaborate bows along the neckline and sleeves, and a pink sash. The glassless gilded wood frame is original to the painting.

There is a good amount of information on the back, some of which is missing or hard to make out...

A finely painted miniature portrait, watercolor on natural wafer, of an attractive young woman. She is wearing a black dress, a white and pink fichu with a brooch, and a lace collar.Original case with a glazed aperture on the reverse. This fine example was part of the well-known sale of the Paul and Barbara Carpenter collection.

The sight size is 2 3/8" by 2".Aside from a small chip to the edge of the cover glass, the condition of the painting and case is excellent, with no issues...

A portrait miniature beautifully painted on organic material. The sitter, M. Roland, is an attractive woman with flowing black hair, a white fichu over a white dress decorated with blue flowers, A wide pink sash completes her attire. This piece was based on the full length portrait of M. Roland done by Jules-Adolphe Goupil, titled "Le dernier Jour de Madame Roland" and shown in the third photo.

The painting is in excellent condition with no flaws or restoration...

A well painted miniature portrait on natural organic material of a sea captain, identified on the reverse as "Phillip…MHK Captain". The miniature is in very good condition, with no cracks, chips, bowing, or restoration. The period lacquered frame is missing its cover glass, easy enough to replace. Sight size is 2 7/8" by 2 3/8", and the frame size is 5 1/8" by 4 3/8".

An interesting painting of a rather ruddy-faced gent, in a dark jacket with a striped yellow waistcoat, holding a book at the bottom center. The reverse of the case has blue and yellow striped fabric and a lock of hair, all under beveled glass which has worn reverse painted gilding. The gilded metal case is 2" by 1 7/8".

This is a small watercolor on thin card of a young woman with peaches and cream complexion and ringlets in her hair in the style of the 1820's through about 1860, unsigned, 5 3/4" by 3 3/4" plus narrow late 20th century frame, At first glance I thought this English or American, or Canadian, considering the Toronto gallery stamp on the framing paper, but upon opening it I discovered a stamp in old German script on the reverse, as shown...

A powerful watercolor on wafer miniature, where the artist decided to show the sitter staring head-on and almost directly at the viewer. The unusual crisscross tie is used to further enhance the strength and immediacy of the handsome subject.

The simple gilt metal case is 2 3/8" by 2", and is in excellent condition, with a missing cover glass to the aperture on the reverse, which is of no import.

James Gillroy ('Bristol-cheese, made, and sold, by Percival & Co') Sitter William Lort Mansel (1753-1820), Bishop of Bristol and college head. by James Gillray (1756-1815) hand-coloured etching, 1809? 9 7/8 in. x 7 1/2 in. A hand colored copy of this image is in the English National portrait gallery we have included an image of the colored version mat size 14" by 18"

"William Hogarth" "Distant View of Mr. Ranby's House at Chiswick," "Hymen and Cupid" and "A Country Inn Yard" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A nice c1814 example of a Frederick Buck miniature of a woman in a blue dress. The backing of the mini has "Caroline ??? 1814". Presented in what might be the original frame, which measures 4 3/4" by 4 1/8". The sight size is 2 3/4" by 2 1/8". Excellent condition.

BIOGRAPHICAL NOTE: Frederick Buck, the younger brother of Adam Buck, was born in Cork in 1771, where he had a thriving practice as a miniaturist for an extended period...

A truly lovely and engaging portrait miniature, on natural wafer, of a beautiful young woman. The subject, attired in a green velvet dress with a black cape and a white fichu, is seated in front of an orange drapery with a view of a landscape. The framing of this gem is of fine construction, with an inner gold plated frame that is easily removable (and replaced) if a smaller overall size is desired...

A charming c1820 Austro-Hungarian portrait miniature of Crescence Gräfin von Seilern und Aspangan, an attractive young woman with blue eyes and a high style mass of dark brown curls. Wearing a white gown and fichu, pearl earrings and a thin gold chain necklace, she is posed against a multi-colored sky above green foliage and rolling gray hills in the background. Presented in a period ebonized frame.

The painting, on natural wafer, is in excellent condition, with no issues...

A fine American miniature painting on natural wafer of a hazel-eyed woman, dressed in a white bonnet and fichu. Original locket gilt metal case has a plait of hair in the aperture on the back of the case.

Superb condition with no problems. The locket is 2 3/8" by 2", and the sight size of this little gem is 2 1/4" by 1 7/8".

Painted in watercolor on organic material, with the sitter attired in a black coat, vest, and stock, and sporting a stickpin. In a wood frame with fragments on the back possibly indicating the artist and/or the sitter.

Very good condition with no chips, cracks, bowing, or restoration. Sight size is 2 1/4" by 1 13/16", and the framed size is 3 7/8" by 3 3/8".

PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting...

Nicely painted on organic wafer, this miniature portrait is of a handsome gentleman set against a bluish-gray background. Housed in a low karat gilded cast foliate pendant case with an empty glazed aperture verso...

An American Federal period portrait miniature of a lady circa 1800. This well painted antique miniature painting on ivory measures 2-5/8" x 2-1/8" is under a glass cover. The portrait features a woman with draped headdress and white dress. She is extremely well painted, and the case is leather over wood with a brass clasp. The cases were sometimes replaced over the years, so we can't that it is original to the portrait, although it may be. It is unsigned and the artist and subject are unidenti...

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind. Upon cursory examination a viewer might dismiss them as prints...

This is an interesting very old monochromatic watercolor, circa late 18th century or very early 19th, measuring 4 1/2" by 8 3/4" (11" by 14" framed). The drawing has the feel of an old master drawing. The scene includes tiny figures, buildings, a willowy tree at right, and what appears as an isolated hill or butte-like feature in the distance. The work itself is not signed, but at lower right, written very faintly in pencil in the mat, is "Waterloo" and another word that is difficult to decip...

A beautifully drawn miniature on natural organic material portrait painting, attributed to Thomas Hazlehurst. The piece has a somewhat ethereal feel to it, with the sitter, in a gauzy white gown, and wearing a double strand of pearls, gazing rather wistfully at the viewer. The portrait is dated 1805, and while not signed, stylistically it would most likely would have been done either by Hazlehurst or John Barry. However, Barry used a different color palette for shading, and his facial brush stro...

A fine miniature portrait, watercolor on organic wafer, of a blue-eyed gentleman.

Excellent condition with no issues. Sight size is 2 1/4" by 1 7/8", with the period frame being 4 1/4" by 3 3/4".

A fine portrait miniature by William Charles Ross, executed in watercolor on natural organic material. The subject, a gentleman with receding brown hair and blue eyes, is fashionably attired in a brown jacket, white collar, black vest, shirt, and ascot, which sports a turquoise and gold stickpin. Ross' superb skill is evidenced by, among other things, the way he has limned the hair tones, the lifelike quality of the skin, eyes, and lips, the texturing of the different fabrics, and the jewel-like...

A watercolor portrait, on natural wafer, of a handsome gentleman attired in a black jacket and vest with a pale pink cravat. Housed in a very heavy and well-made brass case with the reverse side being fully glazed over fabric.

The condition of the painting and the case is excellent, with no flaws. The white dots and background color variations are just due to exterior dust and light reflections. Overall size is 2 7/8" by 2 3/8".

Meet Captain William Hathaway, of Brooklyn NY, who passed away in 1834, according to the original section of his obituary, which was found inside the case of the miniature. Please note the gold anchor centered on his ruffled shirt.

The painting is finely done, with no condition issues. Any apparent flaws are due to my poor photographic skills. The in-person brightness is about midway between the first two photos. The cast foliate frame is also in excellent condition, measuring 2 3/8" by 2...

"William Hogarth" The Sleeping Congregation The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 i...

An unusual family grouping of three miniature portraits on organic wafers. All pieces, clearly done by the same hand (as yet unidentified), have a wonderful "feel" to them and are cleanly executed. The reverend in his black non-liturgical clothing, his wife in her black dress with white lace and cap, and their beautiful daughter, posed beside a tree and attired in a high-waisted gown with a blue ribbon and wearing a tortoiseshell comb in her hair, are set against a blue sky background. An old in...

A well painted c1800 - 1812 miniature of a British officer. The sitter is wearing the uniform of a major general, with a red tunic, blue lapels and collar, and gold epaulettes and buttons. The miniature is signed lower left, with a somewhat indecipherable calligraphic monogram of "RM"?. Presented in a gilt metal frame with a bevelled blue glass back. Excellent condition, with an overall size of 2 1/2" by 2"

A charming and well limned naive miniature portrait painting on organic wafer. The sitter is a nice-looking young man attired in a black coat with brass buttons and the lapels with blue embellishment. Hi has a white shirt and stock, a high collar, and a yellowish gray vest. Housed in a cast foliate case with a rear glazed aperture containing cross-braided plaits of hair.

Condition is excellent, with no cracks, bowing, paint loss, etc. The case condition is also excellent. Sight size is 2 5/16...

An incredibly charming portrait miniature brooch of a young child, painted on natural material. The subject is beautiful, wearing a coral necklace and a pale lavender gown, and with brown eyes that were so finely and realistically painted with such depth that it is almost hard to believe when seeing this gem in person.

The condition is excellent, with no issues, and the overall size is 1 3/8" by 1".

A striking and colorful R. Mills miniature portrait of a blue-eyed blonde woman. The subject is wearing a white gown with lace edging and balloon sleeves, a blue necklace and sash belt. Those colors nicely complement the carefully chosen background, which is blue with pink tinges, which also complements her ruddy or over-rouged cheeks.

The painting is signed on the backing paper "Painted by Rd Mills Birmingham 1829" and is housed in a 4 1/4" by 3 5/8" bronze frame. The painting itself mea...

A beautifully executed miniature portrait painting, on natural organic wafer, signed and dated, lower left, "Legenvre 1813". The sitter is a nice looking young gentleman with curly hair and hazel eyes, wearing a dark blue coat, white shirt and ascot, and pink edged vest.

Condition is excellent, with no cracks, bowing, or restoration. A popular miniature painting format of the time was round, and it was not uncommon for the artist to do the painting on a rectangular wafer, and then do "artist...

A delicate and beautiful original BAROQUE DRAWING OF A PUTTO ANGEL WITH A HARP leaning against a tree and detailed stucco architectural décor on the left. By V. Schwind Moritz (1804-1874). Size framed under glass: 26 x 20.5 cm. Drawing in very good condition, frame shows signs of age. Available for sale, Price: US$ 750.-

A large and beautifully painted portrait miniature by Aimee Thibault. Done in watercolor on organic wafer, the work shows a distinguished older gentleman of serious mien, set against a dark background, in a black tie and jacket with a white shirt and collar. The size of the miniature is due to Thibault having worked in France for a large part of her life, where such portraits were often done on a much grander scale than miniatures in the U.S. The portrait is signed Aimee Thibault along the righ...

A striking miniature with a good attribution to George Newcombe. As opposed to the more usual bust length rendering, this is a 3/4 length pose. That, combined with the style of the dress, intentionally gives a longer, or imposing, feel to the figure.

When the organic substrate of the painting was trimmed, it was done unevenly and close to an edge, so it could be framed better than in the current half of a travel case. Sight size is 3 1/8" by 2 1/2".

A nicely painted miniature painting of a blue-eyed gentleman wearing a black tie, coat and black silk vest. The artist has chosen a nice blue background, complementing the sitter's eyes.

The condition of the painting the case are excellent. The spots on the painting are bits of dust, and the lighter color black along the inner edges of the coat are intentionally painted that way. The case size is 2 3/4" by 2 3/8".