A beautiful antique oil painting by T. Walter of a French landscape titled "Autumn in the Ccvennes" a mountain range in the south central France. 19th century signed lower left oil on canvas. Presented in a the original magnificent antique gold leaf frame. Frame 39.5 X 34.25 canvas size 28.75 X 22 in

Samuel Coleman, American, 1832-1920, Etching, "The Olive Trees on the Riviera", 1884, image size: 10 3/4X14 1/2", pencil signed, plate monogramed

A. WOLFFEROT Flemish Village Boat Scene o/copper 12x16” Set in a beautiful village, people are boating and merrymaking on a Saturday summer day.

A early nineteenth century renaissance revival painting depicting the allegory of justice. Oil on canvas measuring 24x30 inches framed in a rococo gilded frame

A fine Dutch oil on canvas floral still life, framed in a beautiful baroque gold leaf frame, measuring 22” x 17”

Watercolor on paper painting of a lady sitting in a meadow in a rural landscape with a stream, plane trees, and grazing cows, 11 1/2" by 16 1/2" (" by " framed), with a penciled name "Marie Louise Garfield" on the (very recent) mat only. A nicely worked painting, by an obviously skilled artist, though I do not see a listing by this name, which again appears only on the mat, and not in the work itself. The name may well not have anything to do with the artist, who might have to remain anonymous...

19TH century Italian watercolor showing Christ taken down from the cross, by an anonymous master painter. Wonderful vivid colors. Offered in a contemporary frame. Roughly 16" by 11" (painting alone), 22" by 17" framed. One of a number of similar works by the same artist currently available.

Watercolor and white gouache highlighting on heavy paper landscape, 7 3/4" by 10 1/4", unframed (an early ruled mat with handwritten title and "19th CENTy." surrounds it), unsigned, the subject a hilly location in India (possibly a "hill station" in the foothills of the Himalayas). Note the fine detail including structures, tall skinny palms, a flag pole, etc. This probably dates to the 1860's or 1870's, and was likely executed by an English artist traveling through the region at the time...

Watercolor and ink drawing of a stone house adjacent to a dirt road on which a horse is pulling a buggy, a split rail fence, trees and a cow completing this bucolic scene of times gone by, the art in an oval, vignette style, the painted area 5" by 6 1/2", 13 1/2" by 15" in modern framing, possibly signed at lower left but definitely dated there either 32 or 34. This is a very, very early drawing...

19th Century American School 1800-1899 American Artists This is an original oil on canvas painting of an Ox and Cart coming down the road. The painting has 3 intials lower right, they seem to read: "W. ?. S." Weve been unable to make out who the artist was. We feel the painting is from the late 1890's and is most likely American in origin. The painting was expertly done. The canvas laid on board measures 19X13 inches and is in a 19th century gilt frame.

Indonesian, probably 19th century, the carved driftwood monkey deity figure depicted with crossed legs and wearing a crown, 29 in., black-painted pyramid-form tripod base, 35 in. overall, extensive losses to backdrop frame, right arm and various elements at legs, base with paint losses

For the Orientalist art collector, this is a fine little drawing in pencil and watercolor, 5 1/2" by 8 1/4", (10 1/2" by 14" in its vintage frame), the subject an apparently Middle Eastern scene of classical temples set into a hillside. It has been suggested that this could be the famous Petra, Jordan site of classical antiquity. The work, glued to a sheet with "Ackermann & Co." blindstamped into the right corner, is unsigned...

Excellent watercolor entitled Capri rendering sailboats sailing before the isle of Capri at sunset. William Frederick Settle ( 1821 - 1897 ). Signed WS lower right. "Early" gold frame. Dimensions: 10 7/8" x 9 1/8" framed

Watercolor with gouache highlights on paper painting 13 3/4" by 9 1/2" inside the mat, of a large and impressive castle on a hill, (possibly Windsor Castle near London), a pastoral landscape with figures in the foreground, signed in pencil at lower right "A WATT". There is a listing for an Arthur George Watt (1883-1935) but I doubt this be the same artist, as the techniques and style do not mesh and the dates are wrong; this drawing is earlier...

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863...

Watercolor on paper, unframed, 13 3/4" by 21 3/4", the subject a New England coastal scene with rocks, distant sailboats, and a lighthouse on a headland, the work signed at lower left. This is a typical watercolor painting by the noted artist OTIS S. WEBER (1847-) of New England. Although he is listed, and works sell regularly at auction, not a lot seems to be known about Weber's life and career, but paintings dated as early as 1876 are known. He seems to have worked into the 20th century...

Original French master portrait of a woman wearing braids from a portfolio of drawings dated 1847. Displayed in a giltwood frame.

Watercolor on paper, 5 1/8" by 6 1/4" (13 1/2" by 14 7/8" framed), unsigned, but with a charming old dedication on the reverse side in sepia ink, "Mount Hood/From Vancouver/Eternal Snow/For Mother". This would refer to Vancouver, Washington, across the Columbia River from the mountain. Still adhering to the reverse is printed tape from an old business going by the name Arthur Wayman, of Salem, New York. And this was found in interior Maine...

Circa 1840's watercolor on paper (not likely later than 1860), apparently unsigned, 16 1/4" by 10 1/2" (25" by 20 1/2" as framed), showing a classic European tower above an arched stone bridge in a city, several figures in period clothing going about their daily lives. This is in amazingly fresh condition, with vibrant fresh color and a minimum of foxing...

Nineteenth Century Portrait Prince Of Denmark, Oil on Canvas , more info coming soon…..

A beautiful and romantic 19th Century original painting depicting an abandoned monastery amongst hills. Monogram JB and date 91 (1891) bottom right. Size: 30 x 45.5 cm unframed. This painting has now been framed without glass. Please see photo with frame. Thank you.

A rare and unique carved Elephant in Russian Jade from the Ming Dynasty measuring 5 x 8 3/4“. Spinach color Jade was the only Jade used until the Qing Dynasty’s. Please view lot number 1227 and 1228 for similar objects

Antique drawing in charcoal on paper of four women who appear to be in surf or sand at water's edge, apparently unsigned, probably European and 19th century. The figures are somewhat heroic, as if survivors. Possibly a preparatory study for a painting, this work's authorship is unknown, but obviously the artist was talented and probably even listed and known. The sheet, 8 1/4" by 14", is seemingly glued to an illustration board backing...

A fine posthumous watercolor portrait of George Brodrick (1754 - 1836), 4th Viscount of Midleton, in youth, shown reading a book. watercolor inscription in lower right: George, 4th Viscount Midleton, N. 1754 Ob. 1836. Painting is in excellent condition, though the frame shows finish loss in several places. Painting was probably executed early 20th C...

"Sun Set" Watercolor on paper, 18.5" x 12.5" This master artist was born in Belgium and lived in The Hague. He was the student of the famous romantic painter Anreas Schelfhout and is best known for his landscapes...

Nineteenth Century Oil Landscape Lake Scene 20x32” The work done circa 1860

Circa 1870's watercolor, in Victorian or turn of the century gold frame, signed at lower left. Signed by an apparently little known artist, Carl H. Schmidt. The watercolor measures 9 1/2" by 13 1/4" (21" by 24 1/2" framed). The scenery portrayed is perhaps in the Northeast states. When I originally acquired this item, it was with a watercolor of Florida (copied from a Currier and Ives print), signed by the same artist. That piece, of the same age as this, was sold separately.

This etching by the British artist Seymour Haden measures 7 x 10 1/4 inches, pencil signed, plate dated 1874, I/V, Cat: Schneiderman-144. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was kn...

Etching on delicate Japan paper, 13 3/4" by 10 1/2" inside the mat (20" by 15 1/2" framed) signed in the plate at lower right by the important 19th century French etcher, CHARLES MERYON (1821-1868). There are modern-day notations on the framing paper: "....Casimir Le Comte after Gustave Boulanger, 2nd state, 1856, and "from Kennedy & Co." Meryon was born in Paris to an English physician father and French dancer mother. Early in life he traveled the Pacific's remote regions with the French...

Charles Adams Platt, American, 1861-1933, etching, "Two Sloops, East River", 1889 Published by Wunderlick New York, pencil signed, image size: 11 1/2X18 1/4 inches

Large oil by J. Syer (1815 - 1885) British, this pleasant country scene was painted in 1870. It measures 51 1/2" wide x 38" high on the inside of the frame. On the back of the canvas there is a label that reads "Scene on the River Llugwy, North Wales." and says to keep the label attached for authenticity. This canvas has been relined, and there is a very tiny puncture on the left side near the fence.

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character. Whoever made this would be happy to know that his or her work is admired so far in the future! The frame is gold but post-dates th...

Antique, circa 1850 watercolor of a coastal scene in the British Isles, signed somewhat illegibly at lower right with what might be "Johnson", "Imson", or similar. The watercolor measures 10 3/4" by 16 1/2" inside the mat and 18 1/2" by 23 1/2" in nondescript modern frame (not pictured). The scene includes a number of figures going about their humble activities, a fisherman at right with his pots and nets, a lad carrying a load at left center, a figure mounted on horseback at left, and other t...

Watercolor on paper laid on board still life of flowers and a vase in an interior, 15 1/2" by 11 1/2" (25" by 20" in a tired and worn old frame, not pictured but possibly available at no extra cost), signed at lower left and dated 1870 by the well listed New York artist MORSTON CONSTANTINE REAM (1840-1898). This is a rather early work by an accomplished and well listed artist, the younger brother of CARDUCIUS PLANTAGENET REAM (1837-1917), who encouraged Morston to develop his art skills. Morston...

Alphonse Legros, French, 1837-1911, "Le Voyageur a l'Abri," Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.

THREE pencil signed etchings, all of orientalist subject matter including possible temples, mosques and bazaars, all unframed, by the Dutch artist MARIUS BAUER (1867-1932). Bauer was born in The Hague and died in Amsterdam but in his lifetime strayed far from the confines of the Netherlands, visiting the Middle East, India, Russia, North Africa and the Dutch East Indies. A precocious talent, he received art training at an early age. By age 21 he had already visited Istanbul in Turkey, an exper...