Oil on canvas, 18 1/4" by 27 1/2" plus 3 1/2" wood frame, signed at lower right by the artist in Cyrillic and dated "51". This is a work of Russian impressionist LEONID BORISOVICH IANOUSH (1897-1978). His name has been spelled also as "Yanush". This is a finely executed work. Quite underrated currently, the artist was definitely professionally trained and very talented, his paintings spanning landscape, nudes and interiors...

A watercolor and gouache painting of a creek lined by mature white birch trees, 14 1/2" by 21 1/2" in its thin strip frame, the work signed at lower left "A. ABRAMS". The eastern artist Raphael Senseman of New Jersey painted in much this same style, so much so that one is tempted to think that "A. Abrams" could be a pen name. The watercolor is fresh and in excellent condition.

This is a large drawing in what I believe to be charcoal and color pencil or chalk, 24" by 18" inside the mat, (no glass), 30 1/2" by 24 1/2" as framed, titled at bottom right "Study of Ripple", and signed there by the artist, well-known New Mexico painter WALT GONSKE (1942-)...

Oil on canvasboard painting of an autumnal scene, 8" by 10" (14" by 17 1/4" in gold style framing), titled on the reverse "Eaton Canyon/Altadena, CA" and dated there 1999, signed on the front at lower left corner by the listed California contemporary plein air artist RAY CUEVAS 1932-2020. Cuevas since the mid 1980's has been known for his works featuring local scenes in the San Gabriels and vicinity, as well as other parts of Southern California...

A large watercolor on heavy watercolor paper, 22 1/2" by 32 1/2", unframed, the subject a classic landscape of northern New Mexico, with adobes and distant mountains prominent. The work is discretely signed at lower right edge area, and dated there 1938. The artist, FRODE DANN (1892-1984), was born in Denmark and educated in art at the Royal Academy. After a time in art restoration, he moved to the United States in 1926, there to begin a long career as painter, writer, art critic, and teacher...

Watercolor on paper painting of the California landmark, famous "Lone Cypress" tree on the Carmel/Monterey coast's Seventeen Mile Drive, 18 1/4" by 24 1/4" (26 1/2" by 33 1/2" framed), **UPDATE: Note, frame possibly missing in action, inquire***, signed at lower right in red gouache "R. Doty", not dated but probably circa 1960's give or take about ten years...

For the collector of Ashcan School/The Eight, or early 20th century American art, here is a special work: a pencil signed print by JOHN SLOAN (1871-1951), titled "Man Monkey", and inscribed "100 proofs". This special piece, which dates to the year 1905, came from the personal collection of Peter Morse, who wrote the catalog raisonne of Sloan's graphic work. There is a charming typed letter in a sleeve on the reverse side, on the letterhead of Morse in Washington, D.C., dated Christmas 1966...

Oil and maybe sand mixed in, on paper backed by masonite, 19 3/4" by 24 1/4" (22 3/4" by 27 1/2" as framed), signed "CALZADA" at upper right. The subject is a Picasso-esque harlequin with a haunting, intense, soul-stirring stare, his hands clasped at bottom center, a mysterious drape separating face and hands, all by the noted listed Spanish artist and humanist, LUIZ SAENZ DE LA CALZADA (1912-1994)...

Painting on board of quail and black Native American pot, probably Santo Domingo Pueblo or Santa Clara Pueblo (??), 8" by 10" (13" by 15" framed), signed at lower right by listed western American artist HAROLD WATT (1925-). Watt was trained at the Jepson Art Institute and also at the Art Center School of Design in Los Angeles. Instructors included Rico LeBrun, Lorser Feitelson, and Francis DeErdely. Watt worked for the Hollywood studios and also commercially as an illustrator...

A charming small painting of a cold winter day in the country, a lone woman braving the elements with her cane, in front of a modest cottage doing its best against the harsh elements. Some smoke comes from the chimney as a hint of warmth in an otherwise bleak scene. Measurements as framed are 9" by 13 1/2". There is no signature. The reverse shows this is painted on a circa 1870's gray English art board from a London supply house...

Watercolor on paper painting of a street scene in a French city, probably Paris, 18" by 10 1/2" inside the mat (29" by 21" as framed), signed at lower left "Jack Hines" followed by "NWR" (for "Northwest Rendezvous, and art group) and the date 1984 preceded by the copyright symbol. This is somewhat atypical subject matter for this well known artist of the American West. Hines is listed in the authoritative 1982 landmark book "Contemporary Western Artists" by Peggy and Harold Samuels...

Sold together as a **PAIR**, two watercolor paintings, each signed "BUZZI", one measuring 13 1/2" by 9", the other slightly larger at 14 1/2" by 9" (both 23" by 16 1/2" as framed), the subject two ladies going about their daily activities, dressed in 19th century garb. Condition of both is excellent, with fresh color, and no foxing/staining. The artist is most likely by listed artist Achille Buzzi or possibly Arturo Buzzi.

Oil on unusual crimped/bent metal tin panels, each extensive landscape painting measuring 5 1/2" by 9 1/2" and about 1 1/2" margin all around, each signed at bottom in red "H. ROUX". These are beautifully painted works of the nineteenth century by an apparently listed Swiss artist. The pair has some scratches and small abrasions in a few spots, and one has a scratched area at top extending into the gold margin; but, these flaws are not so significant as to affect the overall impression...

This oil on canvas painting of a waterfall in a forest, the light refracting the spray into a rainbow, was acquired by me more than 15 years ago here in Los Angeles. Measuring 14 1/2" by 11 3/4" (19" by 16" in circa 1930 frame), it retains some evidence of a signature, in red, at lower right, that signature ending in "s"; and on the stretcher confidently written in an old hand is "F. De Bergh Richards"...

Lithograph, subtly colored in black, tan/gray and white, numbered at lower left margin 8/100, pencil signed at lower right, by one of England's earliest Abstract Expressionist painters, FRANK AVRAY WILSON (1914-2009). The print measures 25 1/4" by 19 1/2", and is presently housed in a simple metal frame which has wear. Wilson was an active figure in the art scene in London from about the late 1940's, peaking artistically in the 1960's, before ceasing exhibition and promotion in the mid 1970's....

This is an original etching and aquatint print with embossing on a heavy, quality handmade paper, the sheet 19 1/2" by 26", (currently unframed), the work titled "The White Nile", signed in pencil at lower right and numbered 44/125 at lower left. The total edition (including proofs?) may have been 250. The print is extremely clean and fresh and in excellent condition, with the exception of some tape residue on the reverse and very small light stain at left margin, barely visible. JULIAN TREVE...

If one conducts an internet search for the English twentieth century artist Bettina Shaw-Lawrence, one finds her name mingled with some of England's modern art greats, (and literature notables, as well), she knew Lucian Freud, Cedric Morris, David Kentish, the Surrealist poet David Gascoyne.......and studied with the likes of Fernand Leger and Ossip Zadkine. The artist passed away in Italy in 2018 at the age of 97, and her art is seemingly ignored by the auction world, but, as part of the East ...

Pencil drawing on heavy paper of a happy chef draped over a chair and holding a lobster and corn or celery, 14 1/2" by 11 1/4", signed at lower right by listed California artist DUVAL ELIOT (1909-1990). Her biography appears in askart and in Hughes' dictionary of California artists. Eliot was Arkansas-born, and was in California as a child. She worked in a number of media, including printmaking, sculpture, and painting. This example has a really WPA type look to it, appearing somewhat like a...

Oil on canvas, 18" by 24" and 1 1/2" wide white and gold painted frame, signed at lower left "EH Deffner '51" and inscribed on reverse "Sweetheart Lake/E.H. Deffner 10-'51/$150.00". This is a beautifully executed work by a talented artist, on whom I have not located a listing. From the subject matter I would suspect this work to be from the Pacific Northwest, like Oregon, Washington, or Northern California. There is a decidedly modernistic handling to the leaves on the tree at right. The ref...

Watercolor on paper laid on board still life of flowers and a vase in an interior, 15 1/2" by 11 1/2" (25" by 20" in a tired and worn old frame, not pictured but possibly available at no extra cost), signed at lower left and dated 1870 by the well listed New York artist MORSTON CONSTANTINE REAM (1840-1898). This is a rather early work by an accomplished and well listed artist, the younger brother of CARDUCIUS PLANTAGENET REAM (1837-1917), who encouraged Morston to develop his art skills. Morston...

Neapolitan School "Grand Tour" era gouache painting on paper laid on a thin card, RATHER LARGE SIZE FOR THESE, at 19 1/2" by 36", the scene quite extensive with smoking Vesuvius at far left, and a number of figures in picturesque nineteenth century garb, the title "Napoli dal Campo" at lower left. Finely detailed distant buildings and trees complete the charming Italian scene. The work was framed behind glass so is in unusually excellent fresh condition, the exception being an apparently old c...

Oil on masonite painting of industrial dockside scene, 15" by 19" and 1 3/4" of liner and frame, signed at lower left and dated "58". The artist, MARIO LORIETO (1919-2003) was a significant figure in the Uruguayan art scene, having studied in the Taller Torres Garcia (Jose Torres Garcia, the major Uruguayan artist), and with Jose Gurvich, Julio Alpuy, and Augusto Torres. He traveled in Europe and has been exhibited in museums in Latin America, Spain, and Italy. Note the use of baby blue and ...

By a National Academician and painting companion of Emil Kosa, here is a large watercolor (21" by 26 1/2"-----28" by 34" as framed) painting of an old style Southern California large wood dwelling structure, signed at lower right by noted artist GEORGE GIBSON (1904-2001). The old house with straggling palm outside certainly resembles some of the picturesque old structures near downtown Los Angeles that were so often the subject of Kosa's works. This is a very fresh looking work (not examined o...

Mixed media (charcoal and white gouache highlights) drawing of an American military man, in formal U.S. Army uniform, 14 1/2" by 11 1/2" (20 1/2" by 17" as framed), signed at lower right by the well known artist and illustrator associated with New Mexico and the Southwest, BETTINA STEINKE (1913-1999). Steinke's oils and drawings of native Americans, cowboys and other figures of the southwestern part of the country can bring into five figures. Born in Maine, she was educated in art in the New Y...

Oil on canvas scene of a central Parisian plaza by the Seine in the late 19th century, including an advertising kiosk, horse drawn wagons, and figures dressed in the manner of the times, the Seine and domed building in the background, 20" by 24" (28" by 32" framed), signed at lower right by the popular contemporary painter who signs as "G. SHERMAN". The scene is reminiscent of Caillebotte's or Pissarro's famous scenes of Paris, and a number of other impressionist artists who favored the always p...

Painting of a city skyline, perhaps New York or San Francisco, 20" by 16", (25" by 21" framed), signed at upper right by the noted Brazil-California 20th century artist OZZ FRANCA (1928-1991). Franca is perhaps best known for his paintings of Native American women, and "Big Eye" children, but he also painted a wide range of other subject matter. The Askart listing says he painted, among other subjects, fantasy, dreams/mystery, female figure, still life, cityscapes, seascapes, and pure abstractio...

This is an etching by the important American artist JOHN SLOAN (1871-1951), titled "Dupont's Ride", on wove paper, in an edition of apparently 1,000 examples, published in Boston in 1902 by the Frederick Quinby Company. It is part of a series issued to illustrate the writings of French novelist Charles Paul deKock. Artist William Glackens did the primary work and then talented artists including Sloan, George Luks, Maurice Sterne and others were brought in to turn the images to etching. The pap...

One of a number of prints by this artist in my inventory, this is a fresh and clean rather early example of one of William Russell Flint's fine color reproductions issued in limited editions for collectors over a period of decades. This one is signed by the artist in pencil at lower right and bears the characteristic embossed Fine Art Trade Guild blind stamp in lower left margin. The title of this image, which was issued in the year 1942 in an edition of 500 examples, is "Mirror at the Ballet". ...

**One of two works by the artist in my shop** Oil on canvas, measuring 16" by 20" (22 1/2" by 26 1/2" as nicely framed), titled "Pond Farm" (and original $400 price) on the original Dalzell Hatfield label affixed to the backing. I do not see an actual signature on the painting itself but have not removed the backing board to search the reverse side. The painting is in excellent original condition. The Illinois-born Lutz is known today for his urban landscapes and genre subjects, often painte...

Interesting contemporary work by artist MYRA AH CHEE (1931-), featuring not only the dot style that is most commonly seen in Australian aboriginal art, but also silhouetted or painted grubs, echidna, goanna lizards, ants, ticks---the insects and small animals of the central desert region. The artist was born in 1931 to a large family in Oodnadotta, but only within the last twenty years has she become active in producing art. She works in painting, linocut, batik, silk screen and pottery. Afte...

Oil on canvas painting of mountains and a beautiful lake, 20 1/2" by 26 1/2" (28" by 34 1/2" framed), signed at lower right by the listed Hungarian painter MARTON BARABAS (1893-1974). Barabas was born in Hungary and received his initial art training there, before moving on to Munich and Paris for further study. Eventually he established himself in Berlin for many years before moving to Los Angeles in 1958. In 1971 a book, "The Art of Marton Barabas de Markosfalva" was published in that city. ...

Fine oil on canvas painting of a quiet street and buildings on a gray day in winter, possibly Montmartre, signed at lower right by the highly regarded French School of Montmartre painter ALPHONSE-LEON QUIZET (1885-1955). Quizet though not a household name today, was a significant figure in the group of artists painting the bohemian, and in some parts, country-like Montmartre neighborhood on the outskirts of Paris in the first half of the century. Quizet was born in Paris and was headed for a c...

Watercolor measuring 14 1/4" by 20 1/2" plus 2" wide wood inexpensive frame, by listed Irish artist JOSEPH WILLIAM CAREY (1859-1937), signed J.W. CAREY and titled at lower right "Loch Lochy/Caledonian Canal" and dated 1920. There is an old 1920's or 1930's Belfast label on the reverse wood from William Rodman and Company, 41 Donegall Place BELFAST. This piece is showing its age, as it has evidently traveled through life for some time without protective glass. There is fading of color, brownin...

Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area. Born in England, Adam studied in Paris, Glasgow and even Buenos Aires, ...

Oil or acrylic painting on canvas, 30" by 20", unframed, (with name and other information on the reverse) by the well listed Australian aboriginal artist ANNA PRICE PETYARRE (birth dates given as 1960, 1962, and 1965--). This is most unusual for art of its type in that the work is in crisp blue and white only. From askart: "....home is Atneltyeye, Boundary Bore, on the Utopia Homelands, approximately 220 km from Alice Springs. She lives there with her family. She is a grandmother with five ...

This is an offset poster issued by the Long Beach Museum of Art in 1984, for an exhibition of that year of the works of the conceptual and abstract artist JENNIFER LOSCH BARTLETT (1941-). Measuring 24 1/2" by 33 1/2" (32" by 40 1/2" in its blond wood quality frame), this is a very clean and fresh work ready for the wall. The complementary signature makes for an affordable way to approach the work of a woman artist whose works have exceeded $100,000 at major auctions in New York and London. Ba...