A Japanese woodblock three-part print showing a festival by a river or lake with boats, people in the water, a review stand (?) and numerous people, some with banners. The signature is for Hiroshige III and the censor’s seals for 1855. The paper is laid. Each sheet is approx. 14 5/8 x 9 7/8 inches (35.5 x 25 cm).

Condition: good with one crease to the lower left corner of the middle sheet and bends from being corner mounted with photo corners. Otherwise clean and crisp...

Rare woodcut of Imperator Julius Caesar seated in front of the city of Rome.
Caesar is represented by a contemporary ruler wearing a crown and heavy armour...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family...

HANJI PAPER BAGS

Three contemporary Korean art pieces as shoppers made of cotton (handle part) and 'Hanji' (Traditional Korean handmade papers), made by the one of leading Hanji artisans, Park Sung-man. Black one is dyed by charcoal. White: approx. 50 x 26.5cm (19.68 x 10.43in), 35 x 22cm (13.77 x 8.66in). Black: approx...

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly...

Superb quality antique late 19th century finely hand painted, Indian miniature painting depicting the Taj Mahal, Mausoleum of Mughal emperor, Shah Jahan and his wife, Mumtaz Mahal. Set under the glass in an oval silver frame mounted in a beautifully carved solid ebony wood frame carved with floral decoration standing on two ornate feet with an easel at the back to stand. The painting itself features the classic symmetrical view of the marble structure set behind its reflecting pool...

IKAYAKI AND TAIYAKI

Contemporary pottery pieces of 'Ikayaki' (Grilled squid) and 'Taiyaki' (Sea bream-shaped cake) made from old 'Kashigata' (Auspicious wooden molds for making traditional Japanese confectionery). Squid: 14 x 9cm (5.51 x 3.54in), Sea bream: 8.5 x 8cm (3.34 x 3.14in)...

Early plaster of Paris group of Saint Anne and her daughter Mary. Saint Anne is seen teaching Mary how to read the Holy Scripture. When dating the little sculpture, the hairstyle of Saint Anne and the narrow waist of Mary’s dress points at a time around 1830 or the reign of Charles X in France. Pedestal and sculpture are separable, the pedestal with traces of an address, Middleton Street in London – probably the address of the original retailer...

LITTLE GODDESS

Lovely little old pottery Benzaiten ('Saraswati', Goddess of music, eloquence, also wealth and water) with a contemporary pottery zushi (miniature shrine)...

Height: 5.5 cm (2.2 in)
Width: 4.3 cm (1.7 in)
Depth: 0.7 cm (0.3 in)
Weight: 38 g (1.36 oz)

Chinese green jade pendant; well carved dragon to the front face; accompanied by six white jade beads; bordered reverse face; good condition

Japanese woodblock print by Kunitero Utagawa (1808-1876) in three sheets, depicting the war council of the forty seven ronin. These ronin, the loyal retainers, had been Samurai in the service of Lord Asano when he was obligated to commit seppuku for drawing his sword at the Palace of the Shogun. He was provoked to drawing by many insults from Kira Yoshinaka...

Double-page with woodcuts from Hartmann Schedel's Nuremberg Chronicle.
The principal woodcut refers to the 5th Council of Constantinople, held 879/880 AD...

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand...

Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182. Thread stitching marks.
Nuremberg, Latin edition, 1493 AD
Woodcut on la...

Gouache painting of a gingerbread, Victorian house in Georgetown, Colorado, 12 1/2" by 10", 20 3/4" by 16 1/4" framed. The painting is signed at lower left "M H Brown" and dated there 57 or 59, and the word "Georgetown" identifies the setting. A modern framer's sticker on the backing from Georgetown, Colorado confirms the locale. Georgetown is an historic town filled with examples of Victorian architecture from the boom days of the 19th century in that part of the country. This painting is ...

This is an eighteenth century English drawing, 10 1/2" by 15" including the mat details drawn by the artist, plus 1 1/2" wide old gold frame, the subject two men fishing on a pond, a house in the distance and trees framing this idyllic scene of Olde England, signed near the figures "I Burford" (or, Barford possibly) and dated there 1742 or possibly 1792. I do not see an artist listing that would correspond with this. The painting bears the marks of its great age----browning overall, some foxin...

Watercolor and ink drawing of a river landscape with ship, bridge and surrounding terrain, 7 1/2" by 9 1/2" (14 1/2" by 16 3/4" in interesting old gold frame), signed at lower left by noted Russian-born American artist JOHN WENGER (1887-1976). The artist was born in Russia, his father a local artist. The young man showed early talent and he was accepted into the Imperial Art Academy on scholarship. By 1903 he was in the United States, where he worked in costume design and jewelry at his uncle...

Oil on canvas classic landscape with feathery trees, rolling clouds and distant view, 28" by 38" (34" by 44" as framed), signed at lower left by English-American artist A. SPENCER (Andrew Spencer, born 1896), and titled on stretcher "A Berkshire Landscape". The artist has frequently been misidentified (often said to be one "Augustus Spencer" on AskArt and in auction records). According to a typed card affixed to the backing of a previous and very similar work of the artist which passed through...

This is a well executed impressionistic watercolor of haystacks on a marsh, a popular theme in American art, addressed most notably during the third quarter of the nineteenth century by the great Martin Johnson Heade, in the marshes of coastal northeastern Massachusetts. This painting on heavy paper was laid down to an old board a long time ago. Unfortunately it does not appear to be signed, at least not on the front. The painting itself measures 10" by 14", 18 1/2" by 22 1/4" in its late 19t...

Circa 18th century ink on paper European drawing, 11 1/4" by 16 1/2" inside the inner framing enclosure, 24 1/2" by 29 1/2" as framed, the subject a coastal village with small boat landing, the tiny figures going about their lives on shore and in the boats, and a classic old sailing ship just making it into the image at left, signed in the lower left corner "Jac. A__". The drawing is on laid paper that was laid down on a board. Without glass, and of obvious great age, it has been subject to th...

Oil on canvas painting, 18 1/2" by 24 1/2" including the thin red wood frame, circa 1960's or 1970's, signed on the stretcher "John J. Molino". I don't see a listing for the name so offer the painting as a decorative mid century item. It is quite a colorful and dramatic work and will beautifully complement your Eames Era modern decor. I think there's a little bit of Stuart Davis color and imagery in this. Note how the paint is raised in the hard-edge striping. The painting is a little dusty...

An original 19th century antique "small folio" Currier & Ives lithograph print with hand coloring, "A Home on the Mississippi", measuring 9 3/4" by 13 1/4" inside the present mat, 16" by 20 1/2" as framed. Condition is above average with no major damage as viewed; hand coloring is rich and not light-struck. There are minor flaws as typically seen in prints of this age such as slightly uneven paper tone. The 1871-dated print is of desirable southern subject matter. This particular example is GU...

Naive, or slightly primitive, almost folk art painting of clapboard 19th century style buildings next to an inlet of the sea, signed at lower right by artist Martha Crosmer. I see a listing for an artist by that name, born 1909, deceased 1995, last known address in Monrovia in Southern California, with earlier roots to Montana, but this painting does not resemble the desert plein air works that artist apparently painted. This scene to me looks more like coastal Maine, the Canadian Maritimes, o...

An interesting marriage of Japanese kirigami or "kirie" art, (paper intricately cut to a lace-like appearance, that finished work, in this example, a crane standing in water, and surrounded by pine trees) and a circa 1885 American Eastlake style gold and black frame. The paper art measures 5 1/2" by 5", and the entire framed piece 15" by 13 1/2". The kirigami has been laid against a green-blue crushed velvet type surface, creating an interesting effect. Frame retains the old wavy bubbled glas...

This is a marriage of a circa 1880 gold American Victorian frame with distinctive and unusual diamond patterns in the gilt, the frame rabbet 14" by 18", the framed item total 19 1/2" by 23", a mid 20th century still life signed "Olenick" set into it. It makes for an interesting combination but doesn't have to necessarily stay that way. The antique frame itself is very attractive and could potentially house any number of 19th century paintings. There is some wear on the frame especially at rig...

Etching with color possibly hand-applied, 9" by 8 1/2" as framed, unsigned, by important French 20th century artist MARIE LAURENCIN (1885-1956). From having checked the 1981 catalog raisonne by Daniel Marchesseau, I have determined that the most official title of this work is "Fillette aux Yeux Vertes" ("Young Girl with Green Eyes", although a number of other titles are in common usage for this essually popular print). Laurencin is a major French 20th century artist, and her original paintings s...

Oil on canvas landscape of an autumnal forest with small foreground lake or pond, a man in a boat, signed in red at lower right, difficult to decipher the signature, though the work bears an old export stamp and an old label from a Budapest, Hungary auction house. The painting measures 21" by 10 1/4" plus two inches of framing on a side including inner gold fillet and green velvet liner. The signature looks like "J Tietz" or something similar but that is just a guess. The painting is possibly...

Original woodcut circa 1930's, the subject a man working machinery in an urban setting with high rise buildings, stamped at lower right margin with the estate stamp of American artist IRVING GEORGE LEHMAN (1900-1983). The work is unframed and currently housed in a mat, and is taped at extreme top edge in two places, to that mat. There is a roughly rectangular pressed-in area of the paper at lower left and some wrinkling of the extremely delicate thin paper at bottom. Sheet measures 15" by 10 1/4...

Etching of a Florida river landscape, titled at lower left margin "Peace on the Anclote", (actually misspelled on the reverse side official label as "Amelote"), and pencil signed at lower right and dated '37 by listed artist WALTER RONALD LOCKE (1883-1949). The Anclote river is just north of the Tarpon Springs area on Florida's Gulf coast. Locke was born near Boston and passed away in the Tampa Bay area of Florida. He is known principally for his graphic art---etchings of Florida and the Nort...

Late 19th century American watercolor painting of sheep in a country landscape with trees, 12" by 24 1/2" (21" by 33 1/2" framed), signed at lower right with initials "S.M.G.". The artist might be hard to identify but the work resembles watercolors by such artists as Carl Weber (see example in my shop). The artist has used a combination of watercolor and white gouache. Condition is excellent. The gold frame has age and there are some missing pieces.

When I first saw this piece, it screamed to me "Picasso". The 11 1/2" by 7 1/2" work is not signed, but the style, the slight glaze on the baked clay surface, the decoration, is suggestive of the ceramic Madoura works of Picasso. The item weighs just shy of three pounds. Condition is excellent.

Oil on canvas painting, unframed, 15" by 23", the subject a traditional farmhouse in spring, surrounded by trees in pink and white blooms, the season's clouds billowing in the sky, and chickens pecking in the yard, apparently fed by a lone figure, at center. The painting is signed at lower left Louis Soonius. I am offering the painting on its decorative merits only as I do not believe it to be by the noted Dutch artist Louis Soonius (1883-1956). (Soonius was a Hague School painter known for hi...

Antique miniature portrait painting, depicting a beautiful lady in sitting position dressed in 19th century style gown. The portrait has a diameter of 2 1/4 inches mounted in a metallic frame, housed in a square brownish wooden frame with dimension of 4.75 inches. Condition Report: The portrait is in very good condition and bears artist's signature

An Joseph Wagner (1706-1780) framed Alpine goats 18thC engraving in a Victorian frame. This fine and decorative picture is in a Victorian Aesthetic 13-1/2 x 11-1/4" wood frame with the original panel back and it is mounted on a mat. The sight size is 9-5/8 x 7-1/4" and notations include No.6., 4, J.G. WAGNER DELIN. C.A. GROSMANN EXCUD:AUG:VINDE: and J.M. FREY FECIT. A German, he located in Venice where he carried on a considerable business as a print seller. This engraving is untrimmed and...

A trio of drawings I have owned for about thirty years---all unsigned, one on tracing paper, the other on heavier paper, and double-sided, the subject apparently Indian Rock, a favorite subject of artists since the 19th century when they visited the Naragansett Bay area of Rhode Island. Perhaps the most famous of the artists who specialized in these scenes was William Stanley Haseltine (1835-1900); his oil paintings of this subject have exceeded $500,000. When I acquired these decades ago in S...

Oil on canvas, 19 1/2" by 25 1/2" (25 1/2" by 31 1/2" as framed)---(possibly an inner frame, the outer one long since separated), apparently unsigned, circa early 20th century, the subject the famous and unique twin Thatcher Island lighthouses (also known as Cape Ann Light Station), about one mile off the coast of Rockport, Massachusetts. The lighthouses were erected in 1861 as a pair, thereby aiding navigation by mariners. Each is 124 feet in height. This painting seems to have been created ...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not yet added to my shop), this is a fine image in charcoal with some strategic and deftly placed green, red and blue color added with chalk or pastel, 12" by 16 3/4", unframed, signed at lower right, and dated there 8/20 '58, by the California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art ...

Qajar Miniature Watercolor of a Couple in a Palace. The watercolor is painted in oval and seems at one time had a fitted matt. The painting is in good condition . The painting has gold leaf and silver leaf paint on the horizontal terrace railing and bowl. Size of oval is 5" by 3.5" page 9.25" almost 6.75"

A work of Surrealism, 22" by 26", unframed, the imagery a strange landscape in blues, two bare trees at right center, and an odd shaped biomorphically-inspired form (part looks like an index finger complete with nail) at left foreground, completing the strange composition. The painting is signed at lower right by the artist; the first name is Bruce and the last name is difficult to make out, perhaps Hailey, Harley, Hurley or similar. On the reverse he has titled the piece on the stretcher AND...

Color lithograph print by the very well listed contemporary Indian artist Sakti Burman (1935-), signed in pencil at lower right and numbered 120/120 at lower left. The lithograph measures 29" by 21 1/2". Currently framed in old metal frame; due to large glass sheet, this will be rolled in a sturdy tube for safety and to shipping economy. Burman was born in Calcutta, but has spent most of his life in Paris, with frequent trips to his homeland for inspiration and renewal. Burman's works feature "...

A rare woodcut color print of exotic cacti in small pots on a yellow and white cloth, 9 3/8" by 9 3/8" inside the innermost mat, 18 1/4" by 17 1/2" as framed, pencil signed at lower right by the artist, EMMA (EMILIE LEONORE) MEYER (1859-1921). The paper use is an exceedingly delicate tissue-like paper. This is a finely crafted work by an artist from Denmark, who obviously deserves to be better known. Meyer was a Danish landscape painter, Arts & Crafts artist, etcher and woodblock print ma...

A simple yet satisfying little watercolor depicting central Paris along the river Seine, Notre Dame in the center distance. The work is signed at lower left by French mid century artist Fernand Guignier and dated there 1966. Guignier is listed, with some auction records, but there does not appear to be an extensive biography. Typical works are in watercolor medium and feature Montmartre and scenes around the Seine in the center of the "City of Light". The condition appears excellent (not examin...

Oil on Upson board painting of zinnias in a table top vase, curtains vaguely defining the background, 20" by 16" and 2 1/4" wide old frame, signed at lower right "C. G. Force" (I believe CLARA GUNNISON FORCE 1852-1939). Force was born in Erie, Pennsylvania of Swedish heritage. She studied with Charles Webster Hawthorne, William Merritt Chase and Frank DuMond. Force did paint in Europe, Cape Cod, Provincetown, Woodstock, New York. Earlier works were miniature portraits; she was a member of the ...

This is a puzzling piece; a print in colors, appears to be a lithograph, not an offset, measuring 13 1/4" by 9 1/8" inside the present mat (21 1/4" by 25 1/4" as framed). It is signed "Picasso" in the plate at lower right in the image and dated below that 21-6-20. I don't believe this is from the period, nor do I believe it is listed in a catalogue raisonne; rather, it appears to be some kind of later reproduction perhaps after a drawing or painting. Further research no doubt could resolve th...

Circa 1940's vintage period original lithograph print of the famous Alamo fort in San Antonio, Texas, pencil signed in the margin at lower right and dedicated "To Sally & Stan--M. Crittenden", and titled at lower left "The Alamo". The work measures 12 1/2" by 9 3/4" inside the mat, and 18 1/2" by 15 1/4" as framed. I have opened this up to take a peek inside, and have found that the mat is permanently affixed to the margins of the print. There is some browning around the mat edges but bas...

A Fumio Tamura 1969 Nokemono framed litho print 2/7. This evocative semi-erotic colour lithograph print entitled "Nokemono" (translated from Japanese - outcast) was produced in 1969 by Fumio Tamura (Japan, 1941-). Fumio Tamura was born in the Nagano prefecture, and he graduated from Tokyo Art College in 1968, so this 1969 litho dates from early in his career. It is in a metal frame, and it measures 24-1/2" x 21", with an image size of 18" x 14-1/2". It is a very small edition issue, inscribed...

Framed Size: 27 W" H x 33" L x 1 1/2” Thick
The size of Image: 25 1/2" H x 31 1/2” L
Artist: H. Huntington, American
The title: Home, Sweet Home"
The Year of Painting: 1980's
Medium: Oil on Canvas
Signed on Lower right.
This is handsome American Folk Art looking oil painting with cat
Relaxing on Rocking chair. Chair sitting on Country rug.
Frame is made by oak. The condition of painting and frame
are excellent. The painting was stored away ...

Lithograph with hand coloring and gum arabic highlighting in the leaves, from the Imperial folio quadrupeds series circa 1848, plate number 144, depicting three species of mole-like rats (Townsend's Arvicola, the sharp-nosed Arvicola, and the bank rat), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia. The creator of this print hardly needs in...

Large contemporary Haitian painting with an enormous amount of detail and pleasing color, 31 1/2" by 23 1/2" (37 1/2" by 29" in shiny black plastic framing), signed at lower right by artist Felden Lafleur. Take some time to study the images, filled with amazing intricacies that must have taken days to create. The work is in excellent, unusually fresh condition; frame has some wear.

Watercolor on paper of a large ship at the dock, 13 1/2" by 17 1/4" (21" by 26" framed), signed in the image at lower left and also on the mat at lower right "Herbert Manasse", and titled "ENSENADA 'L.'C.I." on the mat at lower left. The artist is HERBERT MANASSE (1891-1965), who according to the AskArt listing was an artistically talented attorney. He was obviously quite familiar with the medium. Note the wet-on-wet technique in the sky. The colors of the painting are extremely rich and not...

A very well executed oil on canvas coastal landscape painting, square shape at 23 1/4" by 23 1/4" (28 3/4" by 28 3/4" in cream-color laminated framing), the scene a traditional picturesque small fishing craft of Southeast Asian waters, with several figures and distant craft loosely suggested, the work signed at lower right with what appears as "Sobinto". There being no artist by this name I have explored online the other possibilities. The Filipino artist Edgardo Sarmiento signed somewhat simi...

A fine example of art from Canada's far north, a mixed media drawing (17 1/2" by 24 1/2", 23 1/4" by 30 1/4" framed), signed at lower right and dated there 1986 by noted Inuit artist PETER RAGEE (1955-). A native man seems to be pulling on a reindeer, stylized land (ice pack?) below. The medium appears to be some kind of crayon, with some salmon rose ink outlines. Condition is excellent save for some slight rippling of the paper at top. The work will be sent without the present glass, which ...

"William Hogarth" Hudibras suite 12 plates on 7 sheets . The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Contrasty, dramatic charcoal drawing of a figure who appears to be civil rights icon Martin Luther King, 23 1/2" by 17 3/4" inside the mat, 31" by 25" simply framed in wood behind thin Plexi, signed at lower left and dated there 1987 by American artist JESSICA ROCKWELL. Rockwell, a relative of Norman Rockwell, is a talented portraitist currently working out of Clearwater, Florida. The artist lived at one time in Southern California and that is likely why this rather early work was found here. ...

**ONE OF TWO EXAMPLES OF THIS SAME PRINT IN MY SHOP, COMPARE THE OTHER, PRINTED IN DIFFERENT COLORS** From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the different bluish colors and the white highlights....

ONE OF TWO BY THE SAME ARTIST IN MY SHOP, IDENTICAL SIZE AND FRAMING, oil on board, 18" by 14" (22" by 18" framed), signed at upper right "LEE WILLKE". This work shows a Plains Indian with full roach and faintly mischievous smile. The complex surface is heavily worked. Both of these whimsical works likely date to about the 1950's, and were found at the same location in Maine. I have not been able to locate an artist of this name. I would prefer to sell them as a pair. Please contact me abo...

The Framed Size: 31"L x 27 1/2"H x 2" Thick.
Canvas Image Size: 24"L x 20" H
Artist: Edwin Gords Medium: Oil on Canvas.
The condition of Painting: Excellent.
Frame Condition: Some age wear at edge.
Signed: Lower right, Edwin Gords.
Subject: Nortre Dame with French city scape. The year of painting: 1950-1960's

This is nice Oil Painting by Edwin Gords.
I have purchased this painting in 1989. I have kept last 30 years and never offered to the public un...

Oil on Masonite painting of a shady corridor or breezeway in an old traditional colonial era building, signed at lower left in the paint by listed Mexican artist EDUARDO VILLANUEVA. On the reverse is written "combento de Huejotzingo/Eduardo Villanueva/Pueblo 30 de agosto de 1957/Barrio del artista Estado (?)/Mexico". This would appear to be the convento de Huejotzingo, a colonial building in a small town northwest of Puebla. The Franciscan convento is fully named Convento de San Miguel Arcang...

An interesting and inventive sculpture of a performing elephant balancing upon a ball whilst supporting an acrobat with his trunk. The sculpture is solid bronze and cast in the lost wax technique, cire perdue. This method is able to faithfully reproduce all of the quirky textures that the artist has chosen. The sculpture is mounted on a white marble base and is, as far as I can see, unsigned.

Approximately 33cm high. Fine original condition. The weight is 3478 gm.

Please...

A small landscape painting on canvas, (actually a very nice size for a small wall, 12" by 16", and 15" by 19" framed), signed at lower right by listed artist ANTON GUTKNECHT (1907-1988). We see a dirt road winding around the edge of a wooded area, a European village and small church seen in the far distance. Gutknecht was born in Dusseldorf and studied art in that German city, as well as Munich and Hamburg. For a time he taught at the Royal Academy in Vienna. At some point the artist moved t...