Robert Fulton Logan, Canadian, 1889-1959, drypoint etching, Factory Scene, image size 13 x 8 3/4 inches, pencil signed and numbered 61/100.

Arthur Heintzelman, American, 1891-1965, etching, "Cafe Montmartrois", BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzelman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete regarded by Heintzelman as the last of the great Montartre singers, Young man with the guitar is Fredie's son.

William Lee Hankey, 1869-1952 British, Mother and Child, etching/drypoint, image size 7 3/4X6 inches, pencil signed and artists blindstamp

John Austin Sands Monks, American, 1850-1917, "Herd Returning Home". This is an atmospheric original etching of a herd of sheep by American artist John Austin Sands Monks. Image size 11 x 16 1/2 inches, c. 1880s, shepherd's crook remarque in the lower right corner, pencil signed. A rich impression with beautiful plate tone and ample margins on Japan paper.

John Edward Costigan, American, 1888-1972, Etching, "Rosella and Danny", image size: 7 7/8 x 9 7/8 inches, pencil signed

Executed actually by a listed California painter who apparently traveled extensively, JOHN W. NICOLL (1865-1943), this work, 9" by 13" as framed, is a painting of marine scenery of the isolated island archipelago of Bermuda in the sub-tropical Atlantic Ocean. It is signed at lower right by the artist and titled "Bermuda", and on the frame in old handwriting is written "Coral Rocks Bermuda"...

Joseph Pennell, 1857-1926, American, "The Thames at Richmond," etching, image size 8 5/8 x 11 inches, pencil signed.

Peter Moran, American, 1842-1914, "Noonday". A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Kruseman Van Elten, American, 1829-1904, Etching, "Summer Morning", Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY, plate signed 1886

**PAIR** color offset prints after two Southwest landscape paintings by the noted artist ED MELL (1942-), each laid on artboard and measuring 24" by 36". They were found in brown metal frames with no mat; frames available with the prints at no extra charge should the buyer want them. The prints show slight evidence of the edges perhaps being slightly trimmed, and there are some light scratches and small losses at extreme edges on one print as shown...

Nicolas Mignard, French, 1606-1668, "Odysseus and the Sirens". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Luigi Kasimir, Austrian/American, 1881-1962, color etching, "Corvara (Dolomites)," image size 13 1/2 x 13 1/4 inches, 1916, inscribed in the plate "Corvara 11 Feb. 1916," pencil signed.

Oil on canvas, somewhat spontaneous and sketchy image of a formally dressed couple at a social event, circa "fin de siecle", 14" by 10 3/4" (20" by 17" as framed), signed at lower right with the distinctive signature of French early to mid century artist YVES DIEY (1892-1984). Diey is well known in France particularly, where his pastels and oil paintings of nude, or semi-clothed attractive women, sometimes in exotic settings, make frequent appearances at public auction...

For the natural history aficionado or decorator, a PAIR of original finely detailed drawings in watercolor and ink, one titled faintly in pencil "Scorpions", the other featuring other unidentified but quite exotic-looking creatures with many legs. Each drawing is 8 1/4" by 6 1/2" inside the mat, and the works are identically framed (13" by 11")...

Albert W. Barker, American, 1874-1947, "Beyond Paul Point," Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.

Joseph Hirsch, American, 1910-1981, Lithograph, "The Confidence", 1944,image size: 9 3/4X11 1/8", published by Associated American Artists, edition of 250, printed by George Miller, Awarded a purchase prize,Library of Congress 1945, Pencil signed

Louis Orr 1879-1961 American This is a rare early Louis Orr etching done while he was living in France. The title is: Hillside, Avignon France. It was created and printed in 1911 in an edition of 40 impressions. The image measures 8 7/8X 11 3/4 inches. Pencil signed lower right border. A fine study in shadows and highlights. This etching appears to be in the original frame, but in fine condition...

Otto Bacher, American, 1856-1909, Etching, "Sailing Toy Yachts in Central Park", image size: 7 3/16 x 9 3/4 inches, 1888, plate signed lower right

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

Nicolas Mignard, French, 1606-1668, "Odysseus Escaping Polyphemus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Wonderful old oil painting on board of two hunting dog puppies quizzically studying a frog. Signed "Ida Graham" in lower left corner, in frame it measures 12" x 14", sight size 9" x 11".

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Ingatz Marcel Gaugengigl, American, 1855-1932, Etching, "Bellisima", image size: 7x7, pencil signed

Koitsu Tsuchiya, oban tate-e, ¡°Sunset at Mt. Futara¡±, slightly toned and creased, fine impression and color.

At first glance this appears to be a 17th century Dutch landscape oil on panel by someone like Ruisdael, Hobbema, Cuyp, Van Goyen, or other famous artists of that time and place. Closer examination reveals that this is actually a late 20th century work in that style, signed at lower right by artist J M GRISWOLD. I do not see information on the artist but he or she was clearly familiar with 17th century Dutch art...

Colorful poster "Nichols Canyon", after the famous 1980 Hollywood Hills painting by world-renowned British-born artist now associated with Southern California, David Hockney (born 1937). The offset lithograph measures 35 1/2" by 23" inside the white laminate frame. That framing suggests that this is a vintage print and not a later reproduction...

Albert W. Barker, American, 1874-1947, Lithograph, "Grassland", image size: 11 1/8x8 12/16", pencil signed

Samuel Chamberlain, American, 1895-1975, drypoint etching, "The Verdant Village", image size: 6 1/2 x 11 inches. 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontain, Ile-de-France, exhibits Chamberlain's ability to create subtle gradation in plate tone.

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond No. II". This is a very fine early state etching, image size 7 x 13 1/8 inches, 1860, state VI/IX, cat: Schneiderman-37, plate signed and dated. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler...

Oil on canvas, 30" by 25" and 1 1/4" wide frame, unsigned, the subject two ladies and a cradled baby, in a traditional European interior of the nineteenth century. Due to the stretcher and canvas weave, I believe this is actually a work by an American artist, who skillfully copied a master work from Europe (probably Italian, or, Tyrol area/South German?)...

A circa 1880 American painting on canvas of a white clapboard house on a farm or rural land, the structure surrounded by bare trees, white fences and outbuildings, a sitting dog strategically placed at center staring directly at the viewer. The work measures 18" by 22" and 22" by 25" framed...

A Fine Watercolor by the Listed Artist, Ignatz Sahula-Dycke (1900-82). Measures about 17 1/2" by 14 1/2" matte opening, overall about 25" by 22". Signed lower right. Sahula-Dycke has written something above his signature that I can not read, below his signature is lightly written "Phoenix 1940 Arizona".

Fred Farrell, European, 20th Century, Etching, "Village by a Lake", image size: 10 1/4x19 1/4 inches, pencil signed

An old watercolor painting of the Piazza San Marco in Venice, Italy, signed at lower left by the noted artist VITTORE ZANETTI-ZILLA (1869-1946). Measurements are 9 1/2" by 13 1/4" (14 3/4" by 18 1/2" as framed). The artist studied in Venice and in his mid twenties traveled through Europe, which had an effect on his style. He exhibited at Munich in 1893 and in Buenos Aires in 1910. After World War I, the artist remained in Milano. Solo exhibitions of his work took place in 1918 and 1920...

Scarce and interesting pencil drawing with some white highlights, on heavy paper, 15" by 20", of one of Quebec's most famous sights, "The Falls of Montmorency/Near Quebec". The work is signed at lower left "Blandford 1871" and at lower right it reads "Miss Alice Tiffany". This is a folky, somewhat primitive work, from an early date, of a kind that is rarely seen. The frozen falls were an impressive 19th century spectacle in early Canada and were the subject of paintings by the likes of Cornel...

Stephen Gooden Open Stephen Gooden configuration options 1892-1955 British This is an original engraving by British artist Stephen F. Gooden. The title is "Diana", this engraving was created and printed in 1940. The image measures 5 1/2X5 1/2 inches. This engraving is pencil signed and dated lower right, It is editioned as 96/110. This print was the presentation plate for the Print Club of Rochester, N.Y. Printed on a medium weight wove type paper.

Oil on canvas painting of high snowy mountains framed by aspen in late autumn, 12" by 16" (17 1/4" by 20 1/2" nicely framed) signed in the wet paint by well listed American artist EDWARD NORTON WARD (1928-). This might well be a scene in northern New Mexico or southern Colorado, but the artist was known to have painted in many locales in the American west, including Montana, Oregon and Alaska. Ward, a native Californian, moved to the Monterey area in the mid 1950's. A Joshua Meador student, h...

This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.

This is an American painting from the first half of the 20th century, the subject gulls in flight. The unsigned oil on canvas measures 24" by 36", plus 2 1/2" of interesting Deco style weathered black painted wood frame on a side. I purchased this in Miami some years back, thinking the work bore considerable resemblance to the Florida-period works of JANE PETERSON (1876-1965), a major American artist who painted in South Florida for some time. Her works of that time are distinctive for this k...

Original oil painting on masonite board by George Joseph Habergritz, a well-listed 20th Century New York painter. This painting measures 13" by 9" (20" by 16" in its original frame). From around 1950, excellent provenance, and excellent condition. Please see our other listings for more paintings by this artist.

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. Both images are scenes from Exodus; one side is titled 'Moses and the Isr...

Really well executed watercolor of a classic American town's streets and buildings, as seen from a bird's eye view on a gray, snowy winter day, 14" by 11 1/2" inside the present mat, unframed, signed at lower left by artist Warren Blackwell, and dated there 1948. It is surprising that there seems to be no information available on the artist, as his handling of the medium is so skilled and advanced. The scene is very American, and reminiscent of the American Scene art of the 1930's and early 19...

This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.

Nicolas Mignard, French, 1606-1668, "Athena Advises Odysseus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 11 3/4 x 13 5/8 inches, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

David Muirhead Bone, Scottish, 1876-1953, "The Jetty, Gorleston," Etching, drypoint, image size 6 3/4 x 10 7/8 inches, 1934, pencil signed and plate signed l.r. and l.l. "Muirhead Bone".

A nice portrait miniature of a handsome young clergyman, posed in front of drapery at his true right side. The painting is in a bronze surround set into a period ebonized wood frame. Excellent condition with a sight size of 3 1/4" by 2 1/2" and a frame size of 7" by 6 1/4".

George O. Pop Hart, American, 1868-1933, "the Mule Car," Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

Utagawa Yoshitsuya, Japanese, 1822-1866, "Senjubo Aiming at Harunaga-Ko". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts. In the centuries since his death, Hideyoshi has become an almost my...

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Convalescence", image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Joseph Pennell, American, 1857-1926, "Waterloo Bridge and Somerset House". A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed with publishers label on the backing. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimenta...

Lucien Grand-Gerard, French, 20th Century, Etching, "Young Girl with Flowers", image size 11 1/2X9", pencil signed

By the hand of one of the masters of 20th century Japanese printmaking is this woodblock on paper, 14 1/4" by 19" (21 1/2 by 25 3/4" framed), signed in pencil at lower right by the artist within the image area, and bearing inscriptions in Japanese in the margin at lower left and lower right. The image is a traditional temple garden in winter, a light snow covering the lanterns and roof, and apparently wilted flowers killed by the cold unable to lift their heads. The print appears to be in exce...

Louis Auguste Mathieu Legrand, French, 1863-1951, "Le Mee". This is a very fine original etching with beautiful plate tone by French artist Louis Legrand. The image size is 5 7/8 x 8 1/4 inches, published in 1911 in an edition of 50 impressions, cat: Arwas- 426, state II/II, pencil signed.

Very rare hand carved Baroque Church Putto (Cherub), wood with traces of gilding and polychrome paint, made for corner/angle where 2 walls join. Wood shows 2 cracks, toes of right foot are missing because of age, otherwise in good overall condition. Size: H. 12" x W. 9" x D. 8" Unique collector's item!

Utagawa Yoshitsuya, Japanese, 1822-1866, "Wakazaka Shinnai at Shizugadake". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts. In the centuries since his death, Hideyoshi has become an almost ...

Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Oil on masonite, circa late 1940's or early 1950's, 16 1/2" by 23 1/2" (22" by 31 1/2" as framed), signed at lower left by Pittsburgh artist PERRY DAVIS. This is a beautifully painted work by an obviously talented artist, although I have not to date found a listing on him. There's a label on the reverse of the Associated Artists of Pittsburgh, 37th Annual Exhibition with the title, and artist's address. The painting has a strong WPA feeling to it. A little research will determine the date of...

A Watercolor by the Listed Artist, Kathryne Hail Travis (1894-1972). Travis was a student of Randall Davey, George Bellows, and Kenyon Cox. Measures about 13 1/2" by 9 1/2" matt opening, overall frame about 21 1/8" by 17 1/8". Titled "Fall Aspens on Mon Jeau", Travis has written that "Pic is watercolor sketch in the field for large oil painting in Texas..." Nice example.