Georges Lucien Boichard 19th Century French Portrait Painter This is an original oil on mahogany Panel by French artist Georges Lucien Boichard. This painting is signed and dated 1883 upper right. The painting measures 13 1/4X9 1/4 inches. It is housed in a period gilt frame with added inner liner. Boichard was a well known French Portrait artist. He lived in Paris and his work was accepted to the Paris Salon in 1880. The overall frame measures 23X19 inches.

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly...

British Three Masted Ship in the Bay of Naples

Italian School, Circa 1870.

Before photography, ship captains, owners or pasangers would commission local artists to paint their ship in foriegn ports, Here we see a ship in the Bay of Naples with Mount Vesuvius in the background

Ptg. : 10.5" x 16"
Frame: 13" x 18"

An impressively detailed circa 1860's watercolor of Lausanne in western Switzerland, signed at lower right by listed French artist Achille Gratien Gallier (1814-1871). The 150 year old work is in excellent condition, appearing to have been done yesterday. The scene is the Cathedral of Notre Dame (dating to as early as 1170) and nearby buildings, with tiny figures in the foreground, and even their hound dogs playing at lower left...

William Baptiste Baird was born in Chicago, Illinois, in 1847, but as an adult, he moved to Paris to perfect his painting technique. In Paris, Baird studied under Adolphe Yvan, and exhibited extensively at the Paris Salon from 1872 until 1899. Baird was a painter of farm animals, rural subjects, and small animals. In 1872, he exhibited in a formal gallery in Paris, and was represented there through 1899, during which time the gallery became the Salon des Artistes Français in 1881...

Samuel Palmer 1805-1881 British This is an original etching by British artist Samuel Palmer. The title is "The Early Ploughman" It was created in 1861. The image measures 5 1/4X9 7/8 inches. THis is the 6th state of eight. Printed on a medium weight laid type paper. Partial watermark visible upper left. This image appears in the Palmer catalog as image number VII.

A rare and wonderful carved Russian Jade Ming Dynasty Horse in the form of a Tang Dynasty Horse measuring 5.5 x 8.5“ dark green jade

This is a wonderful large watercolor (18 1/2" by 27"----28" by 36" as framed) executed in the nineteenth century by English artist WALTER TOMLINSON (ca. 1833-1909). The scene is Ann Hathaway's famous cottage in Stratford-on-Avon, which Shakespeare lovers will recognize as the town associated closely with the Bard himself. When I first saw this I assumed it was a print and was amazed to find that it was indeed an original work of art...

Watercolor on heavy, pebbled paper, 8 7/8" by 6 1/2" (13 1/4" by 11" in simple framing), signed at lower right and dated there 1830 by the listed French artist JOSEPH FRICERO (1807-1870). The subject is a young, bearded man who appears almost as a religious figure. The drawing is heavily foxed in the field, adding to its antiquity. Some words are written in French on the reverse but the only one I can decipher is "bois" (wood)...

THREE original watercolors of women in elaborate costuming of the Art Nouveau period, circa 1890's, each signed with the pen name "Japhet", identical sizes and framing, (10 1/4" by 6 1/2", and 13 1/2" by 9 1/2" framed), by the noted French illustrator artist ALEXANDRE JEAN LOUIS JAZET (1814-1897). Jazet was the son of an artist who became a skilled engraver and lithographer, working often in stage design as an illustrator. He often signed with the pen name "Japhet" and "Minon"...

A really well painted antique small watercolor of yellow roses, 6 1/4" by 8 1/4" in strip frame, signed at right with what looked to be LCTiff----When I purchased this in San Francisco area in the 1980's or early 1990's I thought it possibly a turn of the century work by Louis Comfort Tiffany. Further research appears to establish that this is not the case. The signature does not resemble known Tiffany signatures and there is little to no record of still life works that resemble this...

Found in New Hampshire, this is an antique unsigned watercolor of a rocky coastline, sailing boats on the horizon. Measuring 13 1/2" by 19 1/2", the work on paper is glued down to an 1893 Salem, Massachusetts legal directory, the edges of which are crumbling. Those edges should probably be trimmed, and the watercolor then framed to preserve it for another century. Though simple and monochromatic, this is a work well worth preserving. One corner is brittle.

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character...

An early example of American portraiture done circa 1840 depicting a woman dressed in fine clothes holding a letter with a red wax seal

This is an original oil on canvas painting laid to a board, by French Marine artist Barthelemy Lauvergne. The title is Vue de Toulon, dated 1849, this painting measures 17 11/2X25 1/2 inches, signed and dated bottom right. Some light crackiing to the painting but everything is stable, the canvas has been backed upon a board no evidence of inpainting. Toulon is a city on the French Riviera and a large port on the Mediterranean coast...

From our European Collection, a very fine historical oil painting on canvas by Robert Alexander Hillingford (1828-1904) entitled "Charles X of Sweden after the Battle of Pultova." Signed lower right "R. Hillingford"...

Original antique English watercolor titled "Fox Gloves by Stream" signed by Joseph Poole Addey (1852-1922), dated 1889. Addey was an especially gifted watercolorist. Born in Dublin, he studied at the Royal Dublin Society School of Design and the Cork School of Art. He began exhibiting at the RHA in 1877, and over the next forty years showed over 130 paintings. Image size: 19x29”, overall dimensions: 29.5 x 38.5”. less

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863...

GREEK ICON, christ the Savior, oil on panel 13”x9.5” 1700

Watercolor and white gouache highlighting on heavy paper landscape, 7 3/4" by 10 1/4", unframed (an early ruled mat with handwritten title and "19th CENTy." surrounds it), unsigned, the subject a hilly location in India (possibly a "hill station" in the foothills of the Himalayas). Note the fine detail including structures, tall skinny palms, a flag pole, etc. This probably dates to the 1860's or 1870's, and was likely executed by an English artist traveling through the region at the time...

Large watercolor on paper European street scene with half timbered style houses and many figures going about their daily lives, 21 1/2" by 16 3/4" (an impressive 36 3/4" by 29 1/2" in its original Victorian Eastlake style framing complete with original sawn wood back boards), signed at lower left and dated there 1875 by the well listed English watercolor artist THOMAS COLMAN DIBDIN (1810-1893), and titled "Caudebec". The scene is of an old town in Normandy, France, where the artist captured in ...

An antique drawing in ink and watercolor, 4 1/4" by 6 3/4" inside the mat, 11" by 13 1/4" framed, unsigned, featuring a rolling landscape with stand of trees and tiny figures. At left a full hay wagon is pulled by an animal; at center a couple walks together; at right, three others take a break and chat. This could possibly be an American drawing after an English etching. The materials and framing look American, the scene less so. What is certain is that this is an original work and not a pr...

19TH century Italian watercolor showing Christ taken down from the cross, by an anonymous master painter. Wonderful vivid colors. Offered in a contemporary frame. Roughly 16" by 11" (painting alone), 22" by 17" framed. One of a number of similar works by the same artist currently available.

For the Orientalist art collector, this is a fine little drawing in pencil and watercolor, 5 1/2" by 8 1/4", (10 1/2" by 14" in its vintage frame), the subject an apparently Middle Eastern scene of classical temples set into a hillside. It has been suggested that this could be the famous Petra, Jordan site of classical antiquity. The work, glued to a sheet with "Ackermann & Co." blindstamped into the right corner, is unsigned. (Ackermann was a supplier of artist supplies during the 19th centu...

19th century Ship in Harbor w/c unsigned 12x18”

Watercolor with gouache highlights on paper painting 13 3/4" by 9 1/2" inside the mat, of a large and impressive castle on a hill, (possibly Windsor Castle near London), a pastoral landscape with figures in the foreground, signed in pencil at lower right "A WATT". There is a listing for an Arthur George Watt (1883-1935) but I doubt this be the same artist, as the techniques and style do not mesh and the dates are wrong; this drawing is earlier. The drawing is beautifully executed by a talented...

French Artist Pierre Labrouche, born 1876 traveled extensively through the Middle East searching for exotic places to paint in the late 19th and early 20th century. This work, done near the Nile River in Egypt

Mounted Painting of Waterfowls / Li Kuchan (1899-1983) 53 1/8 X 13 inches 134.9 X 33 cm Ink & Color on Paper Dated 1981 Inscribed & signed with an artist seal. Condition Report: Hand-Painted, Good Condition Provenance: Property of a Washington collection Terms & Conditions of Sale NYDJ Chinese Art Gallery advises its prospective buyers to evaluate each lot of its auction with discretion and self-provided professional assistance. Any literature regarding its Lots for auction, including des...

Pencil with white highlight drawing on brown paper, 9 1/2" by 15 3/4" (17" by 23" framed), the subject a number of different types of boats along a dramatic coast, possibly Whitby, England, circa 1860, signed at extreme lower left corner in pencil "Fowler". The drawing, which is laid on a thin board, features various types of sailing craft, and, in the foreground, a rowboat. A castle like structure crowns the prominent hill. Eastern England's coastal Whitby, often depicted in artworks, has a ...

A beautiful and romantic 19th Century original painting depicting an abandoned monastery amongst hills. Monogram JB and date 91 (1891) bottom right. Size: 30 x 45.5 cm unframed. This painting has now been framed without glass. Please see photo with frame. Thank you.

George C. Bell, American, active 1875-1889, Watercolor on paper, "Castle Path", image size: 14 1/4 x 10 11/16 inches, dated 1885 and signed in lr Geo. C. Bell

Watercolor on paper, unsigned, undated but likely dating from the period 1865 to 1885, 15 3/4" by 11 3/8" inside the mat, (27 1/2" by 22 1/2" as framed, but **frame is currently unaccounted for since photos were taken**), showing two young schoolgirls in the yard of a brick and wood shutters style mid nineteenth century home, such as would be found in Boston's Beacon Hill, or parts of New York City. There is a lot of skill in this drawing, and the artist was likely trained and probably could be...

A beautiful French landscape oil on very heavy canvas, attributed to Jean-Claude Cazin,1849-1901. CAZIN is featured in the art gallery of New South Wales, the Metropolitan Museum of art, The art Institute of Chicago and more

Francois van Severdonck, Belgian, 1809-1889, "Sheep and Lamb in a Spring Landscape", Oil on panel, painting measures 7 x 9 3/8 inches in a 12 x 15 1/2 inch gold period frame. Signed and dated "F. Van Severdonck f. 1863" in the lower left, inscribed and signed by the artist on the reverse. A luminous painting with striking color and detail.

Watercolor on paper country road scene with figure and possibly a horse, 4" by 8 3/4" inside the mat, signed at lower right "Lauro" and inscribed "A mi querido cunado (brother-in-law) Daniel" and dated 1881. I have searched for a listed artist that could correspond to this name but have not come up with a compatible listing. Purchased this at a flea market in Buenos Aires, Argentina. The work is in reasonable condition considering that it is 140 years old...there is foxing, some browned areas...

PORTRAIT OF GEORGE WASHINGTON ATTRIBUTED TO THE CHAS. WILSON PEALE FAMILY, EARLY NINETEENTH CENTURY OIL ON CANVAS, measuring 72” x 50” in a fine period frame. Possibly the frame from the Stewart workshops. Charles Willson Peale (April 15, 1741 – February 22, 1827) was an American painter, American patriot, scientist, inventor, politician, and naturalist. In 1775, inspired by the American Revolution, Peale moved from his native Maryland to Philadelphia, where he set up a painting stu...

A rare and unique carved Elephant in Russian Jade from the Ming Dynasty measuring 5 x 8 3/4“. Spinach color Jade was the only Jade used until the Qing Dynasty’s. Please view lot number 1227 and 1228 for similar objects

A Spanish Colonial oil on canvas painting depicting Christ and The Holy Spirit near The Cross, with Saint Peter as Pope. Measuring about 24” x 20”, the work mounted on its original oak Done likely for Mexico about 1690

Alphonse Legros 1837-1911 French This is a fine large etching by French artist Alphonse Legros. The title is; Le Retour du Bois (Return from the Woods), Created circa 1880's. This was part of his series known as Death and the Wood cutter. This pencil signed impression measures 9 1/4X14 inches. Legros was a well known founder of the etching revival in France. This is one of his largest compositions. This image is in the collections of many museums through out the world. The catalog list...

Alphonse Legros 1837-1911 French This is a fine large etching by French artist Alphonse Legros. The title is; Le Retour du Bois (Return from the Woods), Created circa 1880's. This was part of his series known as Death and the Wood cutter. This pencil signed impression measures 9 1/4X14 inches. Legros was a well known founder of the etching revival in France. This is one of his largest compositions. This image is in the collections of many museums through out the world. The catalog list...

Hunting with Airdales by Author Greenus, Amen. Dated 1898. Watercolor. 15 x 21". 24.5 x 30".

A beautiful antique original American tonalist landscape painting. Oil on academy panel circa 1900 unsigned presented in the original carved gilt wood frame. Measuring overall 17.5" W x 14.5" H x 1.5" the panel measures 9" x 12".

Large oil by J. Syer (1815 - 1885) British, this pleasant country scene was painted in 1870. It measures 51 1/2" wide x 38" high on the inside of the frame. On the back of the canvas there is a label that reads "Scene on the River Llugwy, North Wales." and says to keep the label attached for authenticity. This canvas has been relined, and there is a very tiny puncture on the left side near the fence.

A fine early watercolor with gum arabic highlighting, the subject a stag in a landscape, by a well-listed English 19th century artist, NEWTON SMITH FIELDING (1799-1856). The work measures 5 3/8" by 8" and is laid on another piece of paper. Including the present mat, dimensions are 16" by 20". The signature is actually on that second piece of paper, in pencil, at lower center. Fielding was born in England and died in Paris. Evidently he showed early talent as his works were exhibited at the ...

Antique, circa 1850 watercolor of a coastal scene in the British Isles, signed somewhat illegibly at lower right with what might be "Johnson", "Imson", or similar. The watercolor measures 10 3/4" by 16 1/2" inside the mat and 18 1/2" by 23 1/2" in nondescript modern frame (not pictured). The scene includes a number of figures going about their humble activities, a fisherman at right with his pots and nets, a lad carrying a load at left center, a figure mounted on horseback at left, and other t...

Watercolor on paper laid on board still life of flowers and a vase in an interior, 15 1/2" by 11 1/2" (25" by 20" in a tired and worn old frame, not pictured but possibly available at no extra cost), signed at lower left and dated 1870 by the well listed New York artist MORSTON CONSTANTINE REAM (1840-1898). This is a rather early work by an accomplished and well listed artist, the younger brother of CARDUCIUS PLANTAGENET REAM (1837-1917), who encouraged Morston to develop his art skills. Morston...

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond, No. II". A beautiful etching by Sir Francis Seymour Hayden measuring 7 x 13 inches, pencil signed on l.r., Schneiderman cat: 37, state VIII/IX, 1860, printed on japan paper, label from Harlow and McDonald included. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, acco...

Black Lion Wharf James Abbott McNeill Whistler This is one of the finest etchings by American artist James Whistler. This image titled: "Black Lion Wharf" was from his Thames series created in 1859. This image measures 5 7/8 X 8 3/4 inches. Printed on a laid type paper with watermark. This is an early printing between state iii/iv of iv. Very richly inked with extensive plate tone throughout. Very good condition, signed and dated within the plate at the right side of the image.

Jean Louis Forain, French, 1852-1931, etching, "Le Noeud de Cravate", image size 5 3/4 x 3 3/4 in, from CROQUIS PARISIENS, 1880, possibly a later printing (Faxon, 20), pencil signed

An extensive landscape with picturesque castle ruins at left on a leafy Arcadian glen overlooking a lake and distant mountains, unsigned, 16" by 24" (25" by 32 1/2" in wide gold frame), presenting at first a Hudson River School appearance, but perhaps more likely by an English or Scottish artist, or by a period American artist imitating an English style and scenery. Jasper Francis Cropsey painted similarly (but I am not suggesting that this is his work). The piece is beautifully painted but fr...

Sir Francis Seymour Haden, British, 1818-1910, "The Towing Path". This is a rare early state etching by Sir Francis Seymour Haden, image size 5 3/8 x 8 3/8 inches, 1864, state VI/XIII, cat: Schneiderman-72, pencil signed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and t...

This is a fine ink and wash drawing, 9 3/4" by 13 3/4" (16 5/8" by 20 1/2" framed), titled at lower left "CAPRI" and signed there by the artist, GONSALVO CARELLI (1818-1910). The artist's name is sometimes spelled "Consalvo" or "Consalve" or "Gonsalve". The scene includes more than ten vessels ranging from little more than rowboats to masted sailing ships. The famous island of Capri looms as a backdrop, the foreground boats filled with carefully drawn figures. Carelli was born in Naples and...

Norichka-TORPEDO BOAT IN ACTION 1895,14x28” Senso-e - Senso-e are prints depicting wars, most often the Sino-Japanese War of 1894 - 1895 and the Russo-Japanese War in 1904 - 1905. Primarily triptychs, these images filled the journalistic need for illustrations of current activities on the battle front, but also acted as propaganda, encouraging support for the wars and fostering patriotism. These prints emphasized the bravery and success of the army and navy, using dramatic designs and bold com...

Antique watercolor painting, beautifully executed, the image featuring a wrapped ceramic vessel, old leather-bound books, and a pair of red ornate slippers, the work signed at lower right in pencil "Emily J. Hare 1892". The painting, paper laid on a thin board, measures 10 1/2" by 14 1/2" and 14" by 18" framed. Despite the obvious skill of the artist, the only online references I see to this name are to a woman born circa 1871 in Maine to English and Canadian parentage. In a 1914 Boston schoo...

Antique 18th-century large wood sculpture of the Sorrowful Virgin Mary, Blessed Virgin Mary. The sculpture is beautifully polychrome on gesso. On top of an integral octagonal pedestal base stands Holy Mary. Her finely carved black hair flows and her face is in a state of spiritual ecstasy, her hands clasped in a prayer posture. She is wearing a white tunic and an elaborately carved blue mantle decorated with silver stars and gold trimming. Santos played an important role in bringing the Cath...

Nineteenth Century Oil Painting of a Manhattan New York View From Staten Island Naïve Artist 23x35” unsigned

19th Century hand carved wooden disciple praying, origin: Burma, both ears show some damage and left shoulder has a chip, otherwise very nice specimen with good patina. Size: H. 17cm x W. 6.5 cm x D. 7cm

Gouache and watercolor on grayish tan paper, 7" by 9 1/2" inside the present mat (14 1/2" by 17" as framed), signed at lower left by listed French academy artist PIERRE FREDERIC LEHNERT (1811-?). This is a beautifully executed poetic drawing by an artist who showed at 19th century salons in Paris. From auction records it appears that studies of shepherds and sheep were a staple of the artist's production. Condition is excellent. Signature has aged in a way that caused several of the letters ...

Comic scenes of Wartime camp life were part of every major Civil War artist portfolio. Measuring 30 x 25“ circa 1864 For a time, Price studied portrait painting with William Reading, an artist in Louisville, Kentucky, and later with Oliver Frazer in Lexington, Kentucky. In 1849, Price left Kentucky for New York City where he enrolled in the School of Design and studied for five months. The following year, Price had reopened his studio in Lexington, but he was persuaded to move to Louisvill...

Sketch of a Skye Terrier

by Edward F.D. Pritchard (British 1809-1905)

Ink on paper, signed. Paper Size: 3.5" x 5.5" (Unframed)

Pritchard was a marine, landscape and architectural painter living in Bristol and London, who exhibited at the Royal Academy, the British Institution, the Society of British Artists, Suffolk Street and elsewhere. He is listed in The Dictionary of Victorian Painters by Christopher Wood, and Benezit, E., Dictonnaire des Peintres, Sculpteurs, Dessinateurs et Gr...