A wild crayon and pencil on paper drawing of bizarre abstracted forms that might be described as "organic", the drawing tacked at four corners to a larger board that is itself painted decoratively. The work, 22" by 18" framed, is signed with initials at lower right that could be "BK" and the date is "02". This was found in Southern California. The artist worked a lot of hours to produce this. Both drawing and gold frame are in very good condition.

A nicely executed good-sized pastel drawing, 19" by 23" (24" by 28" framed), the subject a fast-looking high-end sailboat off a coastline, manned by a number of figures. I would estimate the age as circa 1960's or 1970's. Framed behind detail-dulling non-glare glass, which was common during those years. Frame shows wear, drawing is in excellent condition. Signature "Mather" is at lower left.

A PAIR of ink on paper drawings, one of a young woman reclining, (7 1/2" by 10") the other a young boy seated cross-legged (8 1/2" by 6 1/2"), both signed by the noted American actor, accomplished artist and writer/novelist, PETER MARK RICHMAN (1927-). One is dated 1966, the other inscribed "For Al". Richman, now 90 years old, has an extensive biography, all visible online...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) this is a fine image in soft pencil and ink on paper, the drawing itself 10" by 13 1/2", in a simple frame without mat, signed with initials at right and dated '65, by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

Pencil on paper drawing of a young man, in true 1930's American Scene style. The work measures 12 1/4" by 9 1/2" inside the present mat, the full sheet extending under the mat (some of the drawing is hidden by present mat) 14 1/2" by 11 3/8". The work is unsigned. I would imagine that the artist would be someone listed, judging from the quality and sensitivity of the portrait...

This is an unframed study in pencil by a noted figure in eastern American art, XANTHUS RUSSELL SMITH (1839-1929). The artist, at age 85, signed it with his distinctive "XS" monogram at lower left, and wrote "Painted in oil this size", and dated it Nov. 29- 1924. The sketchbook paper measures 6 5/8" by 9". It would be interesting to pair this with the oil version, in order to gain insight into the artist's artistic process...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) not many with any color, this is a fine image in soft pencil and a little color crayon on paper, the drawing itself 12" by 18 3/4", in an oak frame without mat, signed at lower left by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

A PAIR of detailed ink drawings, one titled "The Cottage", featuring a tidy home in the English countryside, the other a dated 1911 detailed look at a Gothic church's walls and entrance portal. Affixed to the crumbling old backing is a label for "The Cottage", showing it apparently won the "John J. Burnet Prize" for Alex Nicolson, who was evidently a student in "Club No. 129". So Nicolson was evidently a talented young artist...

Female nude figure executed in white chalk on black paper, 25" by 18 3/4", signed at lower right "Mondrus", unframed. The artist is associated with California, having been a familiar figure in the Los Angeles/Pasadena art scene for many years. He is still active as a teacher and juror of art competitions. Mondrus is Professor of Art Emeritus at Glendale Community College. His oeuvre includes oils, prints, drawings, and fresco...

Drawing on paper, 6 1/2" by 9 1/4" the scene only, 9 1/2" by 12 1/2" as framed, signed at lower right, followed by "fec. 1818" (abbreviation of the Latin word "fecit", meaning "executed", in that year). Try as I might, I cannot make out the name. I've tried Pfohl, Pfahl, Pigott, and so on. In any event, here's a drawing that has survived in excellent condition after nearly 200 years...

A 19th century European pencil drawing of a classical male figure seated on a drape, holding a staff and a round object, signed with initials at lower right with what appears as "MLB". There is no other hint as to the identity of the artist. The paper has no watermarks. Measurements are 9 1/2" by 7" inside the mat, 14 7/8" by 11 1/4" in inexpensive modern frame behind non glare glass.

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition...

TWO pen and ink drawings, identical size and frames, 9 7/8" by 7 5/8", one titled "Down the Gulch" and the other "Slave Quarters, Glen Haven, Colo.", each signed "A.C." and one dated 1936. I don't know who "A.C." might be/have been, but, if you collect Colorado art, you might like this pair of drawings of a mountain road and a mountain cabin. You might wish to reframe them. If anyone knows who the artist is, please do let me know.

Drawing of a nude woman lying on her side, 10 1/4" by 15" inside the mat, 16 1/2" by 20" in frameless protective framing, signed at lower right "Sean Mayten" or similar, and dated there 1-13-86. The artist does not appear to be listed, at least under that name or variants of it. He seems to have used perhaps grayish-tan silverpoint or other unusual medium to draw this on a pebbled paper...

Ink on stiff paper drawing, 11 3/4" by 9 5/8", signed at lower right "O. R. Shattuck --1917--" and in the lower right margin "LIVE OAK, FLA. FEB. 1917". The artist is OLIVER R. SHATTUCK (1887-1953). The subject is a boy or young man, possibly a black man, in a small canoe-like boat, deep in the heart of a classic southern cypress swamp, the Spanish Moss hanging form the trees and brush. Found recently in central New Hampshire, I am offering it as an interesting vintage piece of regional sou...

A vintage study in charcoal of an infant on its back, 12" by 15" (16" by 19" framed), signed at lower right with what appears as "H Collins", and dated adjacent Sept. 14, 1953. I do not see a listed name that would correspond with this name or variants of it. The study is artistic, reminiscent of timeless Italian Renaissance drawings. There is age toning of the paper and some lighter, whitish areas at lower left, above the infant's left arm, and at lower right.

Crayon drawing on paper of village rooftops in a European mountain setting, 8 3/4" by 11 3/8" inside the mat, 14 1/2" by 17" in simple strip frame (not pictured), unsigned. The artist was talented but unfortunately remains anonymous. There are a few scribbles on the reverse side of the paper (see last image). The work dates to the first half of the twentieth century. It is in good condition, consistent with its age; some paper toning and very slight ripple.

A highly detailed nineteenth century PENCIL DRAWING, NOT A PRINT, featuring a classic turreted castle, with numerous (approximately twenty) figures completing the scene, unframed, 7" by 9 1/8". The artist signed at lower left corner "F. Pohl", and "1846" is written on the reverse. Nearby are two blue stamps that could be collector stamps. Condition is excellent, needs a frame.