This is a finely drawn portrait of a young woman with distinctive ringlet hair of the period, her name given at bottom as "Elizabeth Hartshorne", the work signed at lower right margin "Sketch by A T Agate 1837". The work, measuring 7 3/4" by 6 1/4" plus strip frame, is a very rare example of the work of the American artist ALFRED THOMAS AGATE (1812-1846). Agate studied with his brother Frederick Styles Agate. From 1831 to 1838, as a very young man, he was in New York City...

An antique, classical, academic red chalk drawing of the head and neck of a young male, 19 3/4" by 15 1/4" (25" by 20 1/2" framed), unsigned. The circa 18th century drawing is quite beautiful and Neo-Classical, after the sculpture of ancient Greece and Italy. The gold frame does have some losses.

An unframed early 19th century ink and watercolor drawing featuring an extensive landscape with mountains, trees, buildings and figures, titled in the gold paint hand-drawn strip on the ornate mat "ANSICHT DES KAPUZINERBERGES BEY SALZBURG". The work does not appear to be signed, though there is some old Germanic pencil writing on the backing sheet that could possibly supply some clues to authorship. The work measures 7 1/4" by 10", and 11" by 13 3/4" including the backing sheet...

From one collection, EIGHT framed watercolor drawings (****NOT PRINTS****) of flowering botanical specimens, with their respective Latin classification names written in brown ink, generally at lower left. The works are on an exceedingly delicate tissue-like paper, which is then affixed at edges to a card, causing a puckering effect of the paper. There is another original drawing on the reverse side of one of the works (not pictured)...

A nicely executed Italian antique pencil and watercolor drawing of classical temple ruins (Doric capitals) with figures, 11 1/2" by 9", in an interesting 19th century frame measuring 15 1/2" by 13". The work appears unsigned, though there is a "G.F." in a rectangle at lower right......likely a collector stamp. On the reverse is written in Italian "rosso matlorio/pass e conire" or similar; also in ink below that, a dedication in Italian: "Alla cara Fra...

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition...

Fine old master style sepia ink drawing on paper, with some pencil underneath, 10" by 15 1/2" inside the mat, 15 1/2" by 20 1/2" in modern day frame, signed at lower right "Furstenburg", the locale identified at bottom center apparently by the artist as "View of the Rhine from Bacharach Aug 17". This could well refer to the year 1817 as the work has sufficient age. On the reverse is written in pencil "Germany $3.75"...

A fine Old Master drawing in pencil and red chalk on laid paper, measuring 6" by 3 3/4" inside the mat (16 1/4" by 14 1/2" in modern day framing), unsigned, but with accompanying information, a circa 1970 typed label, proclaiming this to be "Lady with Jug", and by listed English late 18th century/early 19th century artist PRINCE HOARE II (1755-1834). There is also nearby an "18 Gns" price (18 Guineas). A self portrait by Hoare hammered at Sotheby's New York in 2015 for $16,000...

An antique soft pencil drawing of a young woman, unsigned and unattributed, 9 3/4" by 7 1/2", likely dating to the very early 19th century at latest, and more likely, well into the 18th century. The drawing would probably be of French origin. The paper has been affixed long ago to a thin card. Condition is excellent. The number "17" in old hand appears at lower right corner. Simple strip frame is of inlaid wood and is attractive.

Very old small pencil drawing of a town scene, 3 1/2" by 3 5/8" (11 1/2" by 10" framed), unsigned, and the artist and origin unknown. It is simply an antique drawing. Someone thought enough of it to have a hand-drawn ornate mat on gray-blue paper. A church tower appears at center and a tree at left, and two tiny figures at lower right. There is a mysterious red circle stamped on the reverse; difficult to say if it may be a collector's stamp.

Unsigned Miniature Lithograph, English. View of country Harbor framed measuring 7x8” Image measures 3 x 4 1/2“

A delicate and beautiful original BAROQUE DRAWING OF A PUTTO ANGEL WITH A HARP leaning against a tree and detailed stucco architectural décor on the left. By V. Schwind Moritz (1804-1874). Size framed under glass: 26 x 20.5 cm. Drawing in very good condition, frame shows signs of age. Available for sale, Price: US$ 750.-

A watercolor on paper of a castle on the water with a boat and three women walking on the shingle in the foreground, a row boat on the water and the castle in the distance against the sky. John Varley (1778-1842) was an English watercolorist who painted a large quantity of small watercolors including other versions of Conway castle. There are numerous other watercolors that are attributed to him, but probably not by him...

A pencil sketch of Glendalough county Wicklow Ireland with a strong attribution to the British artist Edward Lear (1812-1888). Drawn with pencil on bluish heavy laid paper with ink, ink washes, touches of white gouche and faded washes of green. In 1835 Lear visited Ireland, one of his early trips as he turned from bird illustration to landscape. The party he traveled with visited Glendalough. During his life Lear saved his sketches and it was not until the 1920’s that they were available...

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind...

A pencil drawing on paper, 5 1/4" by 7 3/4", (12 1/2" by 15" in modern frame), featuring studies of humped cattle lying down near an early wagon, unsigned, by the noted London-born artist GEORGE CHINNERY (1774-1852)...

A charming pencil on paper study of a human hand, the sheet 9 3/4" by 9", annotated at lower left "For Papa Apl. 28. 1832" and is signed at lower right "T T P dd." (Latin abbreviation commonly used in 19th century by artists---means "del delineavit" (he/she drew it) Florence". This drawing possibly by a youngster is a true survivor, coming up on two centuries of age. It is in good condition with corners glued to a backing sheet, and lower right corner is missing. The seller from whom I acqui...

Pencil on paper drawing of two men who appear to be having a serious disagreement, the top hatted figure at left about to swing his cane into the other, all while a woman in bonnet watches from rear left in horror. It's a whimsical, humorous piece, measuring 8 3/4" by 7 1/4" inside the mat, 16" by 15" framed. The paper is very thin and delicate, and has acquired a few noticeable folds and creases in its more than 150 years, as shown. The paper is NOT laid down. There is no signature, though ...