Mason Wells American 1906-1984 large watercolor on paper of a figure of a woman walking on the deck of a passenger liner with the funnel and other parts of the vessel. Painted over pencil. On the back is written, “MASON WELLS/ maybe/ S.S. Berengaria/ when Student at/ Harvard.” Sight size 20 ¾ by 13 ¾ inches. Frame 28 by 20 ¾ inches.

Condition. Excellent. Frame has minor knocks. New acid free backing.

Old framing label shows it was framed in San Francisco. S.S...

Drawing on paper, 6 1/2" by 9 1/4" the scene only, 9 1/2" by 12 1/2" as framed, signed at lower right, followed by "fec. 1818" (abbreviation of the Latin word "fecit", meaning "executed", in that year). Try as I might, I cannot make out the name. I've tried Pfohl, Pfahl, Pigott, and so on. In any event, here's a drawing that has survived in excellent condition after nearly 200 years...

Drawing of a nude woman lying on her side, 10 1/4" by 15" inside the mat, 16 1/2" by 20" in frameless protective framing, signed at lower right "Sean Mayten" or similar, and dated there 1-13-86. The artist does not appear to be listed, at least under that name or variants of it. He seems to have used perhaps grayish-tan silverpoint or other unusual medium to draw this on a pebbled paper. An artistic work with sensitive shading and line...

A trio of drawings I have owned for about thirty years---all unsigned, one on tracing paper, the other on heavier paper, and double-sided, the subject apparently Indian Rock, a favorite subject of artists since the 19th century when they visited the Naragansett Bay area of Rhode Island. Perhaps the most famous of the artists who specialized in these scenes was William Stanley Haseltine (1835-1900); his oil paintings of this subject have exceeded $500,000...

Charcoal drawing of two nude women bathing, 6 1/4" by 8 7/8" inside the mat, 13 1/2" by 15 1/2" framed, signed a lower right center "Mayrshofer Max". This is a work by the German artist MAX MAYRSHOFER (1875-1950), likely created around the time of World War I. Mayrshofer, the son of a baker, was born in Munich and it is with that Bavarian city that he is closely associated...

There are lots of signed prints out there, but few original works, by the hand of famous comedian RED SKELTON (1913-1997), who is said to have said that he made more money from his art than from his entertainment career. This is one of those scarce original works: a pencil drawing of a bird's head---likely a gull, though, possibly a young eagle...

Original drawing in ink and gold paint on white paper, 6 1/2" by 6" (18 1/2" by 16" in tasteful silver leaf framing, with Plexiglas), signed at lower right and dated at lower left 10 V 93 by the noted American graphic artist and painter JAYME ODGERS (1939-). The image appears to be of an abstracted face. Odgers was instrumental in the late 1970's revamping of California design. He was involved in creating poster images for the 1984 Los Angeles Olympic Games...

A large graphite on heavy paper drawing, likely a sketch study for a subsequent painting, 18" by 24" (26 1/2" by 32" framed), signed at lower right and titled "USS Los Angeles" by the artist, the noted California-associated, British-born artist ARTHUR EDWAINE BEAUMONT (1890-1978)...

ONE OF TWO DRAWINGS BY THE ARTIST IN MY SHOP---A pencil drawing of the Hell Gate railroad bridge in New York City, (so identified after research conducted on the internet), 8 7/8" by 6 3/4" (14 1/2" by 11 1/2" framed, no glass, loose in black metal frame), signed with initials "JRM" at lower left and dated there 1943. On the reverse a previous owner wrote "JOHN RICHARD MOORE 1925-2009 University High Sch arts class Co Founder Panavision Co.". This early work would date to the artist's teens...

Ink on paper laid on board, 6 1/4" by 4 1/4" (the drawing itself), signed at lower right J.C.F.M. and signed again on reverse of the card "J.C.F. Murray '08" and titled "Volendam". I don't see a listing for this name, if I'm reading it correctly, but the drawing is obviously by a trained hand. Note the details of the wooden shoes on both figures, the traditional bonnet on the lady. Volendam is a small town north of Amsterdam and is known for its traditional dress and traditions...

“Cottage Entrance” By Artist Alfred Huntley Graphite Drawing signed 18x21” done in the mater of Whistler circa 1890

A pastel of the river Seine in Paris with the top of a building in the distance over leafy trees and a barge passing through the arch of a bridge by the American born Louis Orr who spent much of his life in Paris. This in a nice example of his work in a new mat and frame. Sight size of pastel 12 by 16 inches (30 by 40 cm) frame size 19 3/8 by 23 3/8 inches (49 by 59 cm).

Condition: Excellent with acid free mat and backing.

Fine 18th century engraving of Pope Leo XI, framed 3x5 inches

A very well done portrait study signed Gregory. Charcoal on paper

WWI Original Painting Artist J. B. Lomack American,1888-1980, A beautiful watercolor Gouache and charcoal measuring 29 x 22“, frame size 42 x 34“ James Bishop Lomack was born in 1888 in Washington D.C. and died in 1980 in Washington D.C. He studied at Howard University after World War I. In his lifetime he created many murals for Washington D.C. institutions, including scenes from black history for Howard University. He served in the military in France during World War I, and attended o...

F.C. YOHN Stage Scene c1898 Sp. American war w/c19x13” Frederick Coffay Yohn (February 8, 1875 – June 6, 1933), often recognized only by his initials, F. C. Yohn, was an artist and magazine illustrator. Yohn's work appeared in publications including Scribner's Magazine, Harper's Magazine, and Collier's Weekly. Books he illustrated included Jack London's A Daughter of the Snows, Frances Hodgson Burnett's The Dawn of a To-morrow and Henry Cabot Lodge's Story of the American Revolution. He st...

THOMAS FLUHARTY illustration on marker board of Huey Lewis signed and dated 1985 11" X 13" we contacted the artist to confirm the authenticity and he kindly did so. This was a snippet from his email. Hey! Makes me chuckle. That drawing was done when I was a young artist in NYC at Gem Studio.

Christ Before the Pharisees. Rembrandt Lithograph (1636). 19th Century Impression. 21 x 17". Frame Size 32 x 28". Rembrandt created some 300 etchings and drypoints from about 1626 to 1665. His career as a printmaker ran parallel to his career as a painter—he rarely treated the same themes in both media and only occasionally did he reproduce his paintings in prints.