Oil on canvasboard painting of flowers in a Southwestern pot, another colorful vessel nearby, and an interesting checkered pattern at bottom adding depth and complexity to the imagery. The work is signed at lower right by artist A. M. WEBER, and signed again on the reverse and titled there "MEXICAN STILL LIFE". Measurements are 19 1/2" by 24" and 24 1/2" by 29" framed. The work could date from about 1940 to about the early 1950's. I do not see a listing for this obviously talented artist...

Oil on canvas painting, 16" by 20" (21" by 25" framed), the scene a California desert landscape, painted by the noted artist KATHI HILTON (1939-2021) in the year 1993. The artist has signed in the wet paint at lower right, and on the reverse, she wrote "To Lenore Hudson/Painted at Ebell Club/Feb. 1993/May the joy of the desert allure bloom in your heart {I believe that is what the last line reads, not certain}/Best always/Kathi Hilton"...

A well-painted oil on canvas (laid on board), 19 1/4" by 25 1/4" in later silvery-gold frame, signed at lower left "Lillian Reynolds" and dated there 1953. The scene is the timeless, shifting sands of the California desert, likely in the Palm Springs region. There does not appear to be information on an artist by this name, but that does not mean that she was not talented. There are a few light surface scratches and light soiling naturally accumulated over sixty plus years...

Found in far northern Vermont in the course of an art buying trip some years ago, is this unframed 20" by 16" oil on canvas portrait of a man, apparently signed "Shoelman" at lower right and signed again and dated on the reverse (possibly, 1806, though, more likely, 1846, considering the style---the digit likely a "4"). I acquired the painting near Cambridge/Jeffersonville not far from the Canadian border...

A vintage mid century oil on board or oil on canvasboard painting of a dirt track in the Arizona desert, the landscape filled with the classic saguaro cacti, and at right a yellow flowering tree, causing the painting to be titled "Lluvia de Oro Tree" ("Shower of Gold") on the backing paper, where the artist, LOUIS ELMORE SMITH, also dated it April 1961. He signed it on the lower right corner. Painting and frame are in excellent vintage condition...

A work of Surrealism, 22" by 26", unframed, the imagery a strange landscape in blues, two bare trees at right center, and an odd shaped biomorphically-inspired form (part looks like an index finger complete with nail) at left foreground, completing the strange composition. The painting is signed at lower right by the artist; the first name is Bruce and the last name is difficult to make out, perhaps Hailey, Harley, Hurley or similar...

Oil on canvas extensive mountain and trees landscape laid on board, 8" by 10" (10 1/2" by 12 1/2" framed), unsigned, circa late 1920's to mid 1930's. I am certain that this is by a listed artist but sadly there's just no hint as to who created this. The scene could be western, or eastern; hard to tell. It was found in Southern California. I would lean towards it being a western scene...

Oil on board painting of four wild horses in a corral under an immense western American sky, 17 1/2" by 21 1/2" framed, signed at lower right by American artist GRACE LORING BASSETT. There is some mention of the artist on the internet, most specifically as an illustrator in 1915 of a "Black Beauty" type book called "Don: His Recollections", a work about a horse, intended for children...

Antique circa 1890's oil on canvas painting of a thatch roof dwelling in a forest scene, 24"by 16", (30" by 22 1/2" in mid century frame), unsigned. This work was acquired at the same time and place as two others that are likely by the same American unknown artist---none signed. The brushwork is clearly by a talented and likely "listed" hand, but the lack of a signature frustrates efforts to identify that hand. Condition is excellent; frame though has crumbling of the left edge, due to age...

Oil on canvas, 18" by 25" (19 1/2" by 26 1/2" as framed) signed lower left "F. Glyndon". This is a nicely painted landscape of the edge of the forest, with pink blossoms on one of the trees, by FRANK GLYNDON (1847-1937). Glyndon was born in Prague, Bohemia and arrived in New York by ship from Liverpool in 1892...

Oil on Upson board painting of zinnias in a table top vase, curtains vaguely defining the background, 20" by 16" and 2 1/4" wide old frame, signed at lower right "C. G. Force" (I believe CLARA GUNNISON FORCE 1852-1939). Force was born in Erie, Pennsylvania of Swedish heritage. She studied with Charles Webster Hawthorne, William Merritt Chase and Frank DuMond. Force did paint in Europe, Cape Cod, Provincetown, Woodstock, New York. Earlier works were miniature portraits; she was a member of the ...

A 1978-dated, oil on board painting of a Mid-Century looking building, apparently under construction, in an urban setting, signed at lower right "JAN BAZANOWSKI". The work, 17" by 23" inside the double mat and 24" by 30" in gold metal frame (no glass) is in excellent condition. Frame has some scratches and mat is soiled and could be replaced. The painting is simply very interesting, and unusual; would work well in a Mid-Century setting. A single color cream mat would be an improvement, as th...

Often confused with artist Lawrence NELSON Wilbur (both auction records and biography almost hopelessly intermingled), this is an oil on canvas impressionist still life painting by the illustrator, Lawrence Wilbur (1897-1960). This listed artist was active in the New York City and Northern New Jersey area at mid century as an illustrator, landscapist, and portraitist. He signed typically with the oblique line below his name, as is seen here. This work seems to be outside his usual subject mat...

Oil on canvas still life painting, including a red teapot, plates, funnel, cup, and fruit, all on a striped table cloth with further drapery in the background, 20" by 24", unsigned on front and bearing the name "H. HOWARD" and date "OCT. 74" on the stretcher. There is an African-American artist by the name Humbert Howard but this work does not resemble the work I see out there on the net. The artist, whoever he or she was, obviously was trained and understood perspective, composition, color, a...

Oil on canvas painting, 20" by 28" (24" by 32" framed), the subject a great clipper ship of the 19th century silhouetted against the setting sun (or dawn) on a calm sea. The painting is signed at lower left by the artist, William P. Lawrence and is dated below that either 1938 or 1928; difficult to discern. I don't see that he is a listed artist but obviously he was talented. The scene has a fine luminosity and clearly shows the painter's understanding of light and backlighting. CONDITION: ...

Oil on paper or board painting of daffodils in a German beer glass, 23 1/4" by 17" (32" by 26" framed), signed at lower right "G Busby" or similar, and dated there 3/89. This is an airy and modern-feeling work, which reminds a bit of David Hockney and Wayne Thiebaud mixed together (Hockney the overall airiness and top portion, Thiebaud the heavily worked paper doily at bottom). I have searched for a listed artist by this name and come up empty so far, but clearly the artist was trained and tal...

Here is a decorative Americana item, if you enjoy the work of one of America's most beloved and famous painters, EDWARD HOPPER, but you can't afford to buy the real thing (priced well into the millions), and yet you want something more than an offset print in a plastic frame. A Hopper painting similar to this is in the collection of the Metropolitan Museum of Art in New York, and it measures 29 1/2" by 43 1/2". This oil on canvas is signed at lower right "Allesee" and is quite a bit smaller, m...

Impressionist oil on canvas painting of the famous beach at Laguna Beach, California, signed at lower left by the well-listed Russian-born artist who made his home in the Southwest, CONSTANTINE CHERKAS (1919-2011). The work measures 18" by 24" (25" by 31" framed). Cherkas was born in Moscow and showed unusual early talent. He studied there and later in Vienna and Munich, his life disrupted by World War II, during which he was arrested by the Nazis and sent to a camp. After the war he moved t...