By the hand of early Plein Air master artist GEORGE KENNEDY BRANDRIFF (1890-1936), a small but pretty and highly impressionistic painting, "San-Bernardino--Mt. Baldy", circa late 1920's. The oil on canvas laid on board measures 10 1/4" by 12" (15" by 16 1/2" in contemporary gold frame). The artist's estate stamp signature appears at lower left; on the reverse is written in old hand "Brandriff/San Bernardino"; and the rectangular David & Sons estate stamp for Brandriff is at left...

Oil on canvas landscape with a home and small out building, possibly but not at all necessarily a California scene, measuring 10" by 14" (12 1/4" by 16 1/4" as framed), signed at lower right (I think in ink) "....... E. Miller" and dated there '32. The actual first part of the signature is difficult to read, but on the stretcher in pencil is written "E. E. Miller"...

Oil on canvas, 22" by 18" and 2 1/2" wide frame, unsigned, showing the famous Mountain of the Holy Cross in central Colorado, 100 miles west of Denver and 15 miles from Vail. This is a late 19th century painting, evidently one of many copies, by many artists, of the iconic 7' by 5' work by famous American artist Thomas Moran, which was completed in the year 1875. The painting is in compromised condition, with soiling, paint loss, punctures, and scrapes, but, I believe it worth restoring...

Oil on canvas painting completely in the distinctive sepia tones manner often employed by the artist, 14" by 18" (19 1/2" by 23 1/2" as framed), the subject the famous aspen and mountains of northern New Mexico, signed at lower left and notated there "Taos" by well listed artist THOMAS L. LEWIS (1907-1978). Lewis was born near Houston and was already a professional artist by age 19...

An oil on canvasboard of a Victorian era house in all its splendor, the work titled on reverse "The Lennox House" (along with its' $50 original price), and signed at lower right, by well listed California artist WILFRID TAYLOR MILLS (1912-1988). The work, on canvasboard, measures 20" by 16" (29 1/2" by 25 1/2" as framed). Mills was born in California...

A colorful original work, NOT A PRINT, the subject four palms at the beach, signed at lower left margin in pencil by noted California contemporary artist SALLY HUSS (1940-). The work, art itself 15" by 24" and 23" by 32 1/2" as framed, is typical of the artist's output----always colorful in the extreme, and whimsical, the subjects landscape, florals, or fantasy. Her designs are often available as prints or on merchandise, but original works are more scarce. Condition is excellent.

Oil on canvas laid on Masonite, 20" by 16" (27" by 23" nicely framed in gold California style frame by Summit Frames of San Diego), unsigned, attributed to the famed American sculptor and artist, JOHN GUTZON BORGLUM (1867-1941). The painting features a large tree such as would be found in a California redwood or sequoia forest. The attribution comes in the form of some cryptic notes on paperwork affixed to the reverse side, and a placard placed on the front side...

Painting on canvas by the acclaimed 19th century American artist HENRY STULL, featuring a portrait of the head of a pampered thoroughbred racehorse, signed at lower right and dated there 1896. The work measures 12 1/2" by 10 1/4", (16 1/2" by 15" framed). Stull is considered one of two major American painters of thoroughbred racehorses, the other being Edward Troye. Born in Hamilton, Ontario, Canada, he was exposed at an early age to horses...

Oil on canvas painting of pink roses in a glass vase with metal kettle on a table top, 20" by 24" (25 1/2" by 29 1/2" framed), signed at lower right by artist Nell Smith. I do not see a listing for this name. The age of the painting judging by style, frame and stretcher would be circa 1940. Condition is good save for overall soiling and a roughly 1 3/4" narrow paint loss area at top right. Overall a very "Shabby Chic" work.

Oil on canvas painting titled on reverse "Iris and Poppies", 9" by 12" (16" by 19" in gold leaf frame) signed at lower right corner by noted contemporary northern New Mexico artist DON BRACKETT (1932-). The artist, born in Oklahoma and raised and educated in Albuquerque, (where he received a fine art degree from the University of New Mexico) is known today for his plein air landscapes of northern New Mexico around Taos and Santa Fe, as well as paintings of flowers and wildflowers...

Oil on canvas laid on board, 14" by 18" (18" by 22" framed), the subject a California low desert landscape with distant snowy peaks, signed at lower left and bearing old pencil notation on reverse "Eug. Frandzen". This is a classic desert plein air painting, in need of a professional cleaning. There is overall soiling that dulls the colors and subtleties of this work. Frandzen was born in San Diego in the early year 1893. By the teens he was in Chicago at the Art Institute for training...

Oil on board painting in a fully impressionist hand, 26 1/2" by 21 1/2" (35" by 29 1/2" in old, vintage probably original frame), signed lower left and incised on the old soft board on reverse "Pines at Carmel".  This lovely impressive work is by listed California artist IDA MAYNARD CURTIS (1860-1959). Curtis was born in Pennsylvania before the outbreak of the Civil War...

A highly decorative, elegant painting of Siamese cats, 22" by 24" (32" by 34" in gold contemporary framing), signed at top edge by the noted American artist KENNETH STEVEN MACINTIRE (1891-1979). Judging from the materials used, the painting was likely painted at some time from the late 1940's through about 1960, I believe. The colors used----white, gold yellows, and black----make for a highly decorative composition that reminds of the Art Deco period. Condition is excellent, with an old patch...

Fine old painting of a young woman in a most distinctive red-striped dress, signed at lower right by American artist REVINGTON ARTHUR (1908-1986). This painting has composition, a great palette and blond light, and a modernist feel. It stands in contrast to much of his work, which was executed in rather dark colors. The artist was a student of George Luks, Arshile Gorky, and Kimon Nicolaides. He was a member of the Silvermine Guild in Connecticut, a state with which he is most closely associ...

Vintage circa 1880's oil on canvas, 20" by 14" and 1" wide old dark oak simple frame, likely the original, signed at lower right side with the typical conjoined "MStraus" signature of well listed Northern California artist MEYER STRAUS (1831-1905). Straus was born in southern Germany, and was in the US by 1848. He traveled the southern states, including New Orleans and Mobile areas, as well as Ohio and Illinois. Due to deteriorating health, he moved to California by the 1870's, where he paint...

Oil on canvas of a clapboard cottage by a lake in spring, 18" by 24" with 3" frame, signed at lower left "J.C. FRANCES". I do not see a listing for the artist but he or she was obviously at the very least familiar with the paintings of Henry Pember Smith (1854-1907) and George W. Drew (1875-1968), who painted eerily similar scenes. This painting shows a gambrel roofed cottage with blooming pink blossomed trees and ducks----an idyllic spring idyll in New England or New York state perhaps. Over...

Oil on canvas, 12" by 16" (17" by 21" as framed---and likely original frame), signed at lower right by popular listed California artist HERBERT SARTELLE (1885-1955). This is a classic autumn scene of large trees and a lake with distant mountains, executed in Sartelle's unique impressionistic style. The painting probably dates to the 1940s or 1950s. It is in generally good condition, with the typical large cracking seen in a number of his paintings, (visible especially in the sky---see photo)....

Oil or acrylic on board, large and impressive wall-filling size at 33 1/2" by 45" (41 1/2" by 53" as framed), in a very contemporary style incorporating the complex geometric small squares repeating patterns of artist Robert Natkin, with the addition of various swirls and carefully placed parallel lines. The artist was surely familiar with Natkin's work. The work is signed in one corner GOLYAR----I do not see a listing by this name or any other information online corresponding to an artist of th...

Oil on canvasboard, 16" by 20" (19" by 23" in its simple wood frame), the subject Motif #1 in iconic Rockport, Massachusetts harbor at the tip of artists' paradise Cape Ann, circa 1950's or 1960's, signed at lower right by the artist. This is rather typical subject matter for Garabedian, who worked on the north shore, in Maine, and even away from the coastal areas, always painting in an impressionistic hand. This painting has lots going on: the famous red shack itself, a number of boats, seve...

Large oil on canvas, 30" by 36", 40" by 46" as framed , signed at lower right and dated "11" by listed American artist R.A. KISSACK (Robert A. Kissack, 1878-?). This painting seems to draw some of its inspiration from the famous work of Whistler's Mother....with the profile view, and the simple background, which consists here of a Japanese style framed print at upper left and a slag glass type early century lamp. The lamp and dim interior also lends an Arts and Crafts feeling. The St. Louis-born...

Here's an unusual item, a painting on white milk glass, in oil, measuring 5 1/2" by 7 1/2" and 8" by 10" as framed. The somewhat folk art feeling work is not signed. I would judge the age as anywhere from about 1880 to about 1920----a nautical type could probably date this more accurately by noting in which decade such a ship would have existed. Condition is good with minor paint losses from scratches and aging. However the small losses are not really noticeable at normal viewing distance. ...

Ideal addition to kitchen or pantry area, a well-painted little still life of green and yellow zucchini squash, and an onion, 7 1/2" by 11 1/4" inside the linen mat, 11" by 15" framed, signed on the back of the canvas "Duffy '95". The framer's label is from Chicago so our artist may have been from Illinois. This is a decorative work and the skill of the artist is obvious. There is light wear to the frame. I had to open up the backing to find the signature and date.

Oil on canvas, 36" by 40" and a narrow black wood frame, circa 1970's, signed at lower right "JMac". There is a website for this artist's work, set up by the artist. I believe the type of painting might well be called "hard edge", there being sharp delineations between strips of color. This is a large and decorative work that will enhance any modern or mid century interior. The painting needs a simple cleaning, as over the years it has acquired some superficial brownish drips and soiling. Th...

Desert scene with distant mountains, possibly a scene in Texas or New Mexico, in oil on artist's board, 8 1/2" by 12 1/2", unframed, signed at lower right "M. Edwards", not dated but likely circa 1920 to about 1940, judging from the technique, soiling and the black board. I don't see a listing for the name but he or she was obviously talented. The painting is very, very dirty and would be a wonderful candidate for a cleaning, which would really transform it. Obviously it needs a frame too, bu...

An exceptional example of the work of Florida's well-listed impressionist artist, EMMETT FRITZ (1917-1995), the 16" by 20" work (20 3/4" by 24 3/4" framed) a view down St. George St. in the historic downtown area of St. Augustine on Florida's northeast coast. This example seems to be a particularly above average effort by the artist, and it is in exceptionally fresh condition, having just come from a Southern California estate. Fritz was born in Kansas City, Missouri, and served in the US Army...

Oil on canvas painting of a young ballerina, 50" by 30" (60" by 40" as framed), signed at lower left by noted American painter SAUL SCHARY (1904-1978). This is a large and impressive work that reminds one perhaps of the painting styles of Raphael Soyer, Robert Brackman, or Robert Phillipp. The young dancer is shown in her tights against a plain background that does not distract the viewer from her lovely figure and stance. Schary was born in 1904 in Newark, New Jersey, and was a very visible ...

Oil on canvas modernistic still life, 12" by 20" (13" by 21" in a narrow wood frame), signed at lower right "R. FORTIER" and dated there 1948. The work reminds me a little bit of Braque, Picasso or some of the other 20th century giants who painted modern still life. This painting was evidently owned by a heavy smoker or was in a bar or restaurant where smoke was very much a part of the scene, as it is very heavily yellowed and smells of smoke. I believe that once cleaned, yellows, blues and p...

Oil on canvas still life of white flowers in a vase on a table top, a decorative curtain at left, 30" by 25", unframed, signed at lower left and inscribed there "For Mother & Dad", by the listed California artist EUGENE DUNLAP (1916-1999). Dunlap studied with the likes of Jack Wilkinson Smith, J. Mason Reeves and Nell Walker Warner. An exhibitor at the Golden Gate International Exhibition in 1939, he for a good part of his life was a part of the Laguna Beach art scene. Today Dunlap's landscap...

For the fans of the "Big Eye" paintings, here is a pair of mid century retro style works in oil on board, each 23 1/2" by 11 1/4", and each signed at lower right. The signatures are hard to decipher; I'm guessing "Balmiani" or "Dalmiani". If I am reading them at all correctly, I am not able to tie these names to any of the listed, recognized big eye painters. Regardless of authorship, these are sure to please the devoted big eye collector. One of them has some light to moderate surface scuff...

Oil on canvas painting of a small house in the trees, 22" by 26" (28" by 32" framed), signed at lower right "Stahl" and dated there "42", titled on reverse "In Laurel Canyon" and signed and dated again there. This is an early work by the important, well-listed American illustrator artist and art educator BENJAMIN A. STAHL (1910-1987). Stahl was Chicago-born, and traveled to Mexico and apparently California as well, before settling into Weston, Connecticut and eventually, Sarasota, Florida. St...

Large example of the work of the much-storied American artist "T. Bailey", circa 1910, measuring 24" by 36" (32 1/2" by 44 1/2" framed). This is the largest example I have been able to find, after a search of the auction records. Signed at lower right in white (partly indecipherable), this is also one of the more appealing examples in my opinion because it tends more towards the folk art and "China Trade" direction, and less towards the more commonly seen, and easily achieved, faithful photogr...

Oil on canvas, 18" by 12 1/2", unframed, signed at lower right "F M Shane", and inscribed on reverse of the canvas, "Loveland Canon/Road to Estes Park/Colorado/1925". This work is somewhat primitive but the artist has created an interesting painting. There is a listed artist Frederick Emmanuel Shane (1906-1992), a Missouri regionalist who also painted in Colorado; conceivably this could be an early work of that artist, for some reason signed "F M Shane". The painting appears to have been fra...

This is a late 19th century American painting by an anonymous artist, from the heart of the Victorian age. It measures 16" by 24" on the original stretchers (21 1/4" by 30" including the frame and probably original red velvet liner). The peaceful scene includes a lake with eight ducks in the foreground, a shore in the foreground, two rowboats at right, a quaintly undersized man and woman in Victorian garb at left, overhanging dark trees, a small waterfall emanating from a mill, and distant low...

Oil on canvas, 9 1/2" by 13 14" (18" by 22 1/2" as framed), signed in red at lower left "J. A. McClurg" and dated there with what looks like "1900" or "1908". There's a vintage Denver artists materials sticker on the stretcher, Considering the scene and the sticker, I am tempted to call this one a Colorado plains/edge of the Rockies picture, in the nineteenth century tradition of Bierstadt, Worthington Whittredge, Samuel Colman, and so many others in that school......I do not see a listing for...

Oil on Masonite painting, 18" by 7 3/4" (24" by 13 3/4" as framed, with liner), the subject two young girls and their classic olla-type water or grain pots. of the Southwest. This is likely a New Mexico or Arizona scene, executed in tan and brown earth tone colors. The painting is signed in black at lower left "Ch. Bragg"; I believe this to be the work of the well-known California-based American illustrator artist Charles Bragg (1931-2017), though, this is perhaps best offered as "attributed" ...

Oil on canvas painting of a matador in his suit of lights, 31" by 23", unframed, not signed but inscribed on the stretcher with the name of the artist and title "portrait of a matador".. This is a circa late 1940's or perhaps 1950's work I would guess, by noted listed artist JOSEPH WEISMAN (1907-1994). Weisman was born in the east but was already in California as a young man. He studied with well known California artists Millard Sheets, Barse Miller, and Clarence Hinkle, and exhibited at such...

PAIR of unframed, unstretched oil on canvas paintings, the larger 20" by 24", the smaller one 17 1/4" by 22", both signed at lower right "Allen H. Newton" and bearing inscriptions on the reverse showing the locations in Andover, Connecticut (east of Hartford, between there and Willimantic in the northeastern part of the state). Both paintings are in need of restoration, since they've been carelessly handled by past owners, including, probably, rolling. There is paint loss, creases, craquelure,...

This unframed 20" by 24" oil on canvas landscape painting is something of a mystery. It is signed "J.V.C." and dated 1851 at lower left (see very close up photos), and on the wood stretcher on the reverse is incised "John V. Cornell New York". I believe there is an excellent possibility that this is a work by the historical New York painter John V. Cornell but I cannot prove it. He seems to have been an obscure fellow, though he is listed in the book of historical painters born before 1860, a...

An American 19th century oil on canvas still life, circa 1870-1890, measuring 10" by 16" (12 1/2" by 18 1/2" as framed), unsigned, featuring a metal pot with green and red apples, a pitcher, and a glass, in the classic style of nineteenth century American still life art. I wish the artist had signed his or her work, as he or she was quite skilled. The painting has a patch on the reverse, approximately 3 1/2" by 2", corresponding to a repair in the red apple. It is acceptable as is to the casu...

This is a stunning, classic plein air style seascape painting (24" by 30", 29 1/2" by 33 1/2" as framed) signed at lower left by California master artist HENRY LEOPOLD RICHTER (1870-1960). A probable original title, "SURF", is written on the stretcher. The handling of color, motion, and especially the balance of sunlight and shadow is quite impressive. Having viewed a number of other works by the artist online, this one really seems to stand out. It needs a cleaning, inpainting of small loss...

Oil on canvasboard painting titled on backing paper "LAVISH FALL PALETTE/LONGS PEAK", signed at lower right by artist RUTH ERWIN (1904-1994). The work, featuring flaming aspen in the Colorado high country in high autumn, a view to monumental Longs Peak in the distance, measures 10" by 8" (18 1/2" by 16" framed). I've gathered a few nuggets of information on the artist through the net. One person wrote what she found on a label attached to the back of an Erwin painting she owned: "....the "pa...

Oil on canvas, 18" by 25" (19 1/2" by 26 1/2" as framed) signed lower left "F. Glyndon". This is a nicely painted landscape of the edge of the forest, with pink blossoms on one of the trees, by FRANK GLYNDON (1847-1937). Glyndon was born in Prague, Bohemia and arrived in New York by ship from Liverpool in 1892. Shortly after 1900, Glyndon lived in Alameda, California. He was known for genre, landscapes, and portrait paintings. Some paintings have recently sold at auction, one, of a night sce...

Oil on canvas nocturne style painting of a wave, 24" by 30" (28" by 34" as framed) by listed California artist ERNEST BROWNING SMITH (1866-1951). Smith is a familiar artist on the plein air scene and I believe his works are presently underrated in the marketplace. The artist had a trademark style; often the scenes in my experience are simplified, devoid of figures, and in a limited color palette. This nocturne is executed in shades of blue. It does not appear to be signed on the front but i...

Oil on panel, 9 1/4" by 12 1/2" (14 1/4" by 17 1/4" as framed), signed at lower left in red "Karla Mirabal", and inscribed on label on reverse, "Judge M. R. Mirabal Homestead in New Mexico" "Artist Karla King--So Calif and New Mexico--Artists of West--WHAA". This is probably of historical interest, depicting as it does an early home. The work is very impasto and impressionistic. The painting is a bit soiled but could be placed on the wall as is. Note the two young girls on the porch.

Oil on canvas, 24" by 36" (28" by 39" as framed), UNSIGNED, but certainly by the popular listed California artist HERBERT SARTELLE (1885-1955) (I will stand by this). This is a classic mountain scene favored by the artist (he seems to have painted that particular mountain over and over again), with large eucalyptus trees and a lake with distant mountains, all executed in Sartelle's unique impressionistic style and characteristic color palette. The painting probably dates to the 1940s or 1950s. I...

A well-painted oil on canvas (laid on board), 19 1/4" by 25 1/4" in later silvery-gold frame, signed at lower left "Lillian Reynolds" and dated there 1953. The scene is the timeless, shifting sands of the California desert, likely in the Palm Springs region. There does not appear to be information on an artist by this name, but that does not mean that she was not talented. There are a few light surface scratches and light soiling naturally accumulated over sixty plus years. The scene and cro...

Finely painted oil on canvas still life of beautiful red apples spilling from a basket, 10" by 12", 15 3/4" by 17 3/4" framed, signed lower right by the noted American painter, ELBRIDGE AYER BURBANK (1858-1949). The work is in the tradition of many others who painted fruit, from the Fall River School of Massachusetts, through such artists as William McCloskey, Edward Chalmers Leavitt, and Levi Wells Prentice. Burbank, encouraged and supported by his uncle, a philanthropic antiquarian and colle...

Oil on canvas painting of a forest interior in browns and greens, 14" by 20", unframed, signed at lower left by the noted American late 19th century painter ARTHUR PARTON (1842-1914). Parton was born on the Hudson River and went on to become a well known painter of that river and the Adirondack and Catskill Mountains. He is described as a second generation Hudson River painter, who also moved into impressionism and Tonalism. After training with William Trost Richards at the Pennsylvania Acade...

A late 19th century small oil on artist board, unsigned, the subject a quiet glen with small waterfall and pond or creek in a forest. The work measures 14 1/2" by 9 1/2" in likely the original gold frame (now with a missing area at top right corner). A cleaning would work wonders. Old Kansas City framer's label and art board shows a Chicago origin.

(ONE OF SEVERAL BY MERRIAM IN MY SHOP) An oil on canvas, 30" by 40", unframed), the subject a Southern California desert mountain wash and canyon, a cluster of desert palms grouped towards the center of the composition, the painting unsigned by undoubtedly by the talented California painter JAMES MERRIAM (1880-1951). This brushstrokes, size and subject matter of this particular example is very typical of the artist's work; I will stand by its being "a Merriam". Merriam was born in Canada and was...

Oil on masonite double sided unframed painting, 23 7/8" by 19 1/2", signed in orange at lower right "H.H. SHAW", the subject on one side six figures, a man, bare breasted women and children, in an obviously tropical village, the other side three figures, the woman bare breasted. This is a painting by listed American artist HARRY HUTCHINSON SHAW (1897-1989). Shaw is today most closely associated with Florida and Pennsylvania. In the course of a long life, worked generally in an impressionistic...

This is an oil on canvas, 20" by 30", signed at lower right "J.B. Radway", who was a 19th century California listed artist, (JESSE B. RADWAY, 1826-c. 1905), but the subject is given on the stretcher as "on the North Cheyenne, Col.". According to the Hughes listing, Radway was born in New York in 1826, and was a resident of Silver Lake, Kansas in 1880, Topeka, Kansas in 1884-85, Alameda, California in 1887, and Vineland, New Jersey in 1900. He is believed to have died in New Jersey in about 1905...

This is a beautiful, elegant, understated winter landscape oil painting on panel, signed at lower right by noted Avon, Connecticut impressionist painter CONSTANT RAPHAEL FURRICK (1888-1966), measuring 11 1/2" by 15 1/2" (19" by 23" as framed). Strangely, considering the quality of the work, there seems to be little information available on the artist. He was I believe born in Poland. Furrick's work is scarce, with few auction records. This example of a somber snow covered field bordered by ...

This is an oil on canvas painting (measuring 7 3/4" by 9 3/4", plus very thin simple wood frame), laid down on a board, by the noted Northern California artist JOHN HENRY RAMM (1879-1948). It is titled on the reverse in the artist's own distinctive handwriting "Looking Down Bush Street" and initialed and dated 1930 (not signed on front, but, this is definitely the artist's way of signing; I have handled a number of his works in the past). I am personally very familiar with downtown San Franc...

Oil on canvas painting of yellow roses and fruit in a blue vase, 18" by 24" (27" by 33" in original frame), signed at lower left and signed again and titled "Yellow Roses & Fruit" on reverse, along with the artist's then-address at 330 South Coast Blvd. (now called South Coast Highway) in Laguna Beach, California. This is an excellent example of Kerr's work, likely dating to the 1960's when he had a gallery in Laguna before moving to Mendocino County in Northern California. Kerr was born i...

Oil on canvas painting of trees in a tawny dry landscape, 12" by 20" and 1" wide old wood frame, signed at lower left by artist S. J. TUJAGUE. At first I had difficulty reading the signature but some net research showed this to be by an artist apparently at least originally hailing from Louisiana, there being a number of pieces, some still life works, having been auctioned in New Orleans. A famous restaurant in that city goes by this name. From the looks of things the talented artist might ...

Oil on canvas laid on board, 18" by 12", (25 1/2" by 19 1/2" in its quality gilt frame), apparently faintly signed at lower right and bearing the artist's red estate stamp on the reverse. This is an impressionistic view of a mother or nanny and her two young children, one in a baby carriage, by a well listed painter. Hartley was the granddaughter of famous American painter George Inness, and she was quite connected in the art world, knowing such luminaries as John Singer Sargent, Whistler, an...

This is a **PAIR** of unframed paintings in acrylic on Masonite (one appears to be on a thin, gauzy type of canvas laid on masonite), one 18" by 24", one 24" by 12" by noted Northern California artist TED CHRISTENSEN (1911-1998). Neither is signed on the front but they are typical of the subject matter and technique of the artist. Both are inscribed on the back; one says "#89-1 TED CHRISTENSEN/ACRYLIC - 12" x 24"; the other says "9002 -GOLDEN GATE/TED CHRISTENSEN/ACRYLIC 18" by 24". The ve...

Oil on canvasboard painting of an autumnal scene, 8" by 10" (14" by 17 1/4" in gold style framing), titled on the reverse "Eaton Canyon/Altadena, CA" and dated there 1999, signed on the front at lower left corner by the listed California contemporary plein air artist RAY CUEVAS 1932-2020. Cuevas since the mid 1980's has been known for his works featuring local scenes in the San Gabriels and vicinity, as well as other parts of Southern California. Larger works have sold at Bonhams and John Mora...

Painting on board of quail and black Native American pot, probably Santo Domingo Pueblo or Santa Clara Pueblo (??), 8" by 10" (13" by 15" framed), signed at lower right by listed western American artist HAROLD WATT (1925-). Watt was trained at the Jepson Art Institute and also at the Art Center School of Design in Los Angeles. Instructors included Rico LeBrun, Lorser Feitelson, and Francis DeErdely. Watt worked for the Hollywood studios and also commercially as an illustrator. Beginning in 19...