Monochromatic landscape on masonite, 20" by 16" and 4" wide frame/liner, with wagon and sod or adobe structures, signed at lower right "G. NIBLETT". This is a work by noted western American artist GARY NIBLETT (1943-), listed in Samuels' book "Contemporary Western Artists". Niblett has been a member of the prestigious Cowboy Artists of America since 1976. His works have sold into the tens of thousands at major auctions of western art...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

Oil on canvas painting of a child, 15" by 12" plus present framing several inches wide on a side, signed at lower left and dated there 1927 or possibly 1929. This is a work by the noted American woman impressionist, MARY FAIRCHILD LOW (1858-1946). Her skill in Impressionism was refined by her time at the Giverny art colony in France and on Cape Ann, Massachusetts. Note the impressionistically rendered clothing contrasted with the finished face...

Oil on board painting of a harbor with small boats, 11 3/4" by 14", (15 1/2" by 17 1/2" in stained oak frame), said by a handwritten note on the reverse to be Morro Bay in central California. The note reads "View of Morro Bay/by Mary Harrington on trip of California coast with friends Mr. & Mrs. Dan Castro 1961". The painting might be signed by the artist at lower right; difficult to see among the browned varnish...

An interesting painting of a brick church dramatically positioned in a rural landscape with distant mountains, the year 1898 appearing on the lintel over the door, signed at lower right corner "K. Shuck". Online research shows there was a Kenneth M. Shuck associated with the Springfield Museum of Art, having served as its second director, between 1951 and 1976. A 1954 photo online shows him standing in front of a Thomas Hart Benton painting. This may be by that individual...

A pretty circa 1950 still life on Masonite board, 18" by 24" (26 1/2" by 32 1/2" framed), the subject given on the reverse as "Red Camellia Bouquet", signed at lower right and again on the reverse by German-born artist JOHN WILLIAM ORTH (1889-1976). Orth was born in Bavaria and studied art in Europe before fleeing for the United States in 1923 for political reasons. For a time he was in Texas and later painted in California, and he is today most associated with those states...

This is a powerful study of a man, in pencil, chalk, and gouache, signed at lower right by artist ROBERT SPRINGFELS (1911-1984). The drawing is on paper laid on Masonite. Measurements are 28 5/8" by 22 3/4" and a 1 1/4" wood frame with considerable character and patina. There is a printed out note on the reverse which states that the artist exhibited at the Butler Art Institute of American Art in Youngstown, Ohio in 1965. Springfels was the original set designer for Cecil B...

TWO unframed paintings for the serious collector of Native Americana by listed and auctioned California and Southwest cowboy artist M.A. GOMEZ (1910-1972), each measuring 24" by 18". The artist's works have been estimated as high as $7,000 each at live auctions in New Mexico, Wyoming and Colorado. Gomez was a talented painter with impressive listings in Samuels, Ed Ainsworth's "The Cowboy in Art" and elsewhere...

Oil on canvas, 24" by 30" (31" by 37" as framed) signed lower right by California listed plein air artist MARIUS SMITH (sometimes spelled "Schmidt"). Smith painted landscapes and missions but most often executed superbly painted still lifes of flowers. The artist was born in Denmark and was in Laguna Beach in the budding art colony by 1924. His works sell regularly at auction...

Oil on canvasboard, 22" by 28", signed in white at upper left "A...

This is an eye-catching work in an electric-orange color palette, signed at lower right by important California painter EDWARD REEP (1918-2013). Painted in what appears to be a mixture of perhaps thinned oil and gouache, the work itself measures 22 1/2" by 13 1/2". It was found in a narrow modern green plastic frame that contrasts dramatically with the bright orange of the work itself. Signed boldly at lower right, this painting is on board. The family happened to have seen this online and ...

Oil on masonite, circa late 1940's or early 1950's, 16 1/2" by 23 1/2" (22" by 31 1/2" as framed), signed at lower left by Pittsburgh artist PERRY DAVIS. This is a beautifully painted work by an obviously talented artist, although I have not to date found a listing on him. There's a label on the reverse of the Associated Artists of Pittsburgh, 37th Annual Exhibition with the title, and artist's address. The painting has a strong WPA feeling to it. A little research will determine the date of...

Oil on canvasboard painting of a young girl, in the style of Margaret Keane and the "Big Eyed School" of the period, 24" by 18", unframed. The work is signed, charmingly, at lower right "Grandpa Friedman" and is dated there "64". The board is curved---a bit concave, or convex, as you might put it---but otherwise the painting is in good condition. A nice addition to your mid century Retro collection.

Oil on canvas still life of peaches and compote in the East Coast style of the latter part of the 19th century, 21" by 27", presently unframed, signed at lower left "C H Harmon" and dated what appears to be 1880 (or, 1880 something, difficult to read last digit). This is a skillfully painted still life in the tradition of eastern masters like the Ream's, or members of the so-called Fall River School. The table appears to be Eastlake Victorian, with its marble top. This is a very impressionist...

Oil on fine weave canvas, 9" by 12" plus narrow wood frame, the subject various pitchers and other objects, painted in the typical style of the artist, and signed at lower right by French-American painter ANDRE GISSON (GITTELSON). The cool stillness of the scene takes from the still life works of the great modern master Giorgio Morandi. Gisson was a highly prolific but very talented artist in the impressionist tradition, and his paintings of street scenes, landscapes, people and still life app...

An oil painting directly on a chunk of sandstone, by the noted western American artist, writer and philosopher A KELLY PRUITT (1924-2009), featuring a young Native American girl astride a horse. The work is inscribed "To a beautiful spirit Kristen/with love A Kelly Pruitt". The irregularly shaped work measures approximately 12" by 12" and weighs a full 4 1/2 pounds. The artist was born in Arkansas and headed west with his family during the Depression, settling in Presidio in isolated far west...

Oil on Masonite panel painting of a thicket of trees in the snow, 16" by 12", 19 1/4" by 15 1/2" framed, signed at lower left by artist S C Swiderski and dated there '86 with copyright symbol. The bare trees are accompanied by a lone pine or spruce which gives a bit of green color to an otherwise silvery white/blue palette. The impressionist work is very attractive and it is in excellent condition. Note how the artist used the wooden end of the brush to create a groove in the wet paint. The ...

A circa late 1800's or circa 1900 antique painting on gray art board of a lake at sunset, a steep outcropping with ruins at left and a small boat completing the composition, unsigned, by an amateur hand, 13 1/2" by 8 3/4" as framed. The work is in an ornate turn of the century frame with a few missing chips that could be easily painted over in gold. What more is there to say---it is a classic little painting of its era, perfect for a small or narrow wall.