This is a **PAIR** of unframed paintings in acrylic on Masonite (one appears to be on a thin, gauzy type of canvas laid on masonite), one 18" by 24", one 24" by 12" by noted Northern California artist TED CHRISTENSEN (1911-1998). Neither is signed on the front but they are typical of the subject matter and technique of the artist. Both are inscribed on the back; one says "#89-1 TED CHRISTENSEN/ACRYLIC - 12" x 24"; the other says "9002 -GOLDEN GATE/TED CHRISTENSEN/ACRYLIC 18" by 24"...

Oil on canvasboard painting of an autumnal scene, 8" by 10" (14" by 17 1/4" in gold style framing), titled on the reverse "Eaton Canyon/Altadena, CA" and dated there 1999, signed on the front at lower left corner by the listed California contemporary plein air artist RAY CUEVAS 1932-2020. Cuevas since the mid 1980's has been known for his works featuring local scenes in the San Gabriels and vicinity, as well as other parts of Southern California...

Painting on board of quail and black Native American pot, probably Santo Domingo Pueblo or Santa Clara Pueblo (??), 8" by 10" (13" by 15" framed), signed at lower right by listed western American artist HAROLD WATT (1925-). Watt was trained at the Jepson Art Institute and also at the Art Center School of Design in Los Angeles. Instructors included Rico LeBrun, Lorser Feitelson, and Francis DeErdely. Watt worked for the Hollywood studios and also commercially as an illustrator...

This oil on canvas painting of a waterfall in a forest, the light refracting the spray into a rainbow, was acquired by me more than 15 years ago here in Los Angeles. Measuring 14 1/2" by 11 3/4" (19" by 16" in circa 1930 frame), it retains some evidence of a signature, in red, at lower right, that signature ending in "s"; and on the stretcher confidently written in an old hand is "F. De Bergh Richards". (His name has been variously spelled as "De Berg", "DeBourg", etc.)...

Oil on canvas, 18" by 24" and 1 1/2" wide white and gold painted frame, signed at lower left "EH Deffner '51" and inscribed on reverse "Sweetheart Lake/E.H. Deffner 10-'51/$150.00". This is a beautifully executed work by a talented artist, on whom I have not located a listing. From the subject matter I would suspect this work to be from the Pacific Northwest, like Oregon, Washington, or Northern California. There is a decidedly modernistic handling to the leaves on the tree at right...

Painting of a city skyline, perhaps New York or San Francisco, 20" by 16", (25" by 21" framed), signed at upper right by the noted Brazil-California 20th century artist OZZ FRANCA (1928-1991). Franca is perhaps best known for his paintings of Native American women, and "Big Eye" children, but he also painted a wide range of other subject matter...

**One of two works by the artist in my shop** Oil on canvas, measuring 16" by 20" (22 1/2" by 26 1/2" as nicely framed), titled "Pond Farm" (and original $400 price) on the original Dalzell Hatfield label affixed to the backing. I do not see an actual signature on the painting itself but have not removed the backing board to search the reverse side. The painting is in excellent original condition...

Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area...

Oil on canvasboard, 12" by 16" (17" by 21" as framed), signed at lower right by artist CURT PAULSON. I do not see a listing but the artist had a skilled hand. The style reminds a bit of California desert painters William Darling or Fred Chisnall. There is impasto, vigorous brush stroke, and a grayish blue light over the scene. Apparently original whitish antiqued frame completes this ready for the wall package. Condition is excellent.

Monochromatic landscape on masonite, 20" by 16" and 4" wide frame/liner, with wagon and sod or adobe structures, signed at lower right "G. NIBLETT". This is a work by noted western American artist GARY NIBLETT (1943-), listed in Samuels' book "Contemporary Western Artists". Niblett has been a member of the prestigious Cowboy Artists of America since 1976. His works have sold into the tens of thousands at major auctions of western art...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

Oil on canvas painting of a child, 15" by 12" plus present framing several inches wide on a side, signed at lower left and dated there 1927 or possibly 1929. This is a work by the noted American woman impressionist, MARY FAIRCHILD LOW (1858-1946). Her skill in Impressionism was refined by her time at the Giverny art colony in France and on Cape Ann, Massachusetts. Note the impressionistically rendered clothing contrasted with the finished face...

Oil on board painting of a harbor with small boats, 11 3/4" by 14", (15 1/2" by 17 1/2" in stained oak frame), said by a handwritten note on the reverse to be Morro Bay in central California...

An interesting painting of a brick church dramatically positioned in a rural landscape with distant mountains, the year 1898 appearing on the lintel over the door, signed at lower right corner "K. Shuck". Online research shows there was a Kenneth M. Shuck associated with the Springfield Museum of Art, having served as its second director, between 1951 and 1976. A 1954 photo online shows him standing in front of a Thomas Hart Benton painting. This may be by that individual. The painting, on can...

A pretty circa 1950 still life on Masonite board, 18" by 24" (26 1/2" by 32 1/2" framed), the subject given on the reverse as "Red Camellia Bouquet", signed at lower right and again on the reverse by German-born artist JOHN WILLIAM ORTH (1889-1976). Orth was born in Bavaria and studied art in Europe before fleeing for the United States in 1923 for political reasons. For a time he was in Texas and later painted in California, and he is today most associated with those states. Orth painted a wi...

This is a powerful study of a man, in pencil, chalk, and gouache, signed at lower right by artist ROBERT SPRINGFELS (1911-1984). The drawing is on paper laid on Masonite. Measurements are 28 5/8" by 22 3/4" and a 1 1/4" wood frame with considerable character and patina. There is a printed out note on the reverse which states that the artist exhibited at the Butler Art Institute of American Art in Youngstown, Ohio in 1965. Springfels was the original set designer for Cecil B. DeMille Motion ...

TWO unframed paintings for the serious collector of Native Americana by listed and auctioned California and Southwest cowboy artist M.A. GOMEZ (1910-1972), each measuring 24" by 18". The artist's works have been estimated as high as $7,000 each at live auctions in New Mexico, Wyoming and Colorado. Gomez was a talented painter with impressive listings in Samuels, Ed Ainsworth's "The Cowboy in Art" and elsewhere. He painted cowboys, Indians, stage coaches and other traditional scenes of the ol...

Oil on canvas, 24" by 30" (31" by 37" as framed) signed lower right by California listed plein air artist MARIUS SMITH (sometimes spelled "Schmidt"). Smith painted landscapes and missions but most often executed superbly painted still lifes of flowers. The artist was born in Denmark and was in Laguna Beach in the budding art colony by 1924. His works sell regularly at auction. Condition: The painting has an old repaired 3 1/2" tear, most visible from the reverse side, and more obviously, se...

Oil on canvasboard, 22" by 28", signed in white at upper left "A. Strauss" and dated "53". This is a rather interesting modern work that is rather hard to describe; it is, MODERN. The signature has a European look to it. I acquired this in the San Francisco area years ago. Condition is generally good, with a little soiling at top from a spilled substance I believe to be coffee, probably easily removed; a few minor scrapes and dents in the pink at top center and the mustard and red colored ar...

This is an eye-catching work in an electric-orange color palette, signed at lower right by important California painter EDWARD REEP (1918-2013). Painted in what appears to be a mixture of perhaps thinned oil and gouache, the work itself measures 22 1/2" by 13 1/2". It was found in a narrow modern green plastic frame that contrasts dramatically with the bright orange of the work itself. Signed boldly at lower right, this painting is on board. The family happened to have seen this online and ...

Oil on masonite, circa late 1940's or early 1950's, 16 1/2" by 23 1/2" (22" by 31 1/2" as framed), signed at lower left by Pittsburgh artist PERRY DAVIS. This is a beautifully painted work by an obviously talented artist, although I have not to date found a listing on him. There's a label on the reverse of the Associated Artists of Pittsburgh, 37th Annual Exhibition with the title, and artist's address. The painting has a strong WPA feeling to it. A little research will determine the date of...

Oil on canvasboard painting of a young girl, in the style of Margaret Keane and the "Big Eyed School" of the period, 24" by 18", unframed. The work is signed, charmingly, at lower right "Grandpa Friedman" and is dated there "64". The board is curved---a bit concave, or convex, as you might put it---but otherwise the painting is in good condition. A nice addition to your mid century Retro collection.

Oil on canvas still life of peaches and compote in the East Coast style of the latter part of the 19th century, 21" by 27", presently unframed, signed at lower left "C H Harmon" and dated what appears to be 1880 (or, 1880 something, difficult to read last digit). This is a skillfully painted still life in the tradition of eastern masters like the Ream's, or members of the so-called Fall River School. The table appears to be Eastlake Victorian, with its marble top. This is a very impressionist...

Oil on fine weave canvas, 9" by 12" plus narrow wood frame, the subject various pitchers and other objects, painted in the typical style of the artist, and signed at lower right by French-American painter ANDRE GISSON (GITTELSON). The cool stillness of the scene takes from the still life works of the great modern master Giorgio Morandi. Gisson was a highly prolific but very talented artist in the impressionist tradition, and his paintings of street scenes, landscapes, people and still life app...

An oil painting directly on a chunk of sandstone, by the noted western American artist, writer and philosopher A KELLY PRUITT (1924-2009), featuring a young Native American girl astride a horse. The work is inscribed "To a beautiful spirit Kristen/with love A Kelly Pruitt". The irregularly shaped work measures approximately 12" by 12" and weighs a full 4 1/2 pounds. The artist was born in Arkansas and headed west with his family during the Depression, settling in Presidio in isolated far west...

Oil on Masonite panel painting of a thicket of trees in the snow, 16" by 12", 19 1/4" by 15 1/2" framed, signed at lower left by artist S C Swiderski and dated there '86 with copyright symbol. The bare trees are accompanied by a lone pine or spruce which gives a bit of green color to an otherwise silvery white/blue palette. The impressionist work is very attractive and it is in excellent condition. Note how the artist used the wooden end of the brush to create a groove in the wet paint. The ...

A circa late 1800's or circa 1900 antique painting on gray art board of a lake at sunset, a steep outcropping with ruins at left and a small boat completing the composition, unsigned, by an amateur hand, 13 1/2" by 8 3/4" as framed. The work is in an ornate turn of the century frame with a few missing chips that could be easily painted over in gold. What more is there to say---it is a classic little painting of its era, perfect for a small or narrow wall.

An unusually attractive example of the work of artist Anders Gittelson (1921-2003), better known by his brush name "GISSON" or "ANDRE GISSON". This oil on canvas, measuring 24" by 20" (33" by 28 1/2" as ornately framed) features a lovely nude seen from the back, fixing her hair as she prepares to enter the water, the dominating hues various shades of blue, all bathed in the white suffused light commonly seen in the artist's works. The painting reminds in some ways of the work of Renoir. Gisson...

Oil on board painting of a European village scene: an intimate cobblestoned lane winds between Old World houses, as a threatening sky looms above. The work is unframed and measures 26" by 20 1/2". It is signed at lower right and dated there "12" (the year 1912). The artist is ALBERT ABRAMOVITZ (1879-1963). Abramovitz was born in Riga, Latvia. He received art training at the Imperial Art School of Odessa, Russia, then went on to further study at the Academie de la Grande Chaumiere in Paris. By...

An oil on panel laid on Masonite, the subject apples on a surface, one peeled, the work signed at lower left by listed Midwest artist JULIUS G. SEGALL (1860-1925). The 9" by 12" work (14" by 17" in later gold frame) draws from a long tradition of still life painting of fruit in Europe, and later 19th century America (from the Peales through Martin Johnson Heade and on to the Fall River School of Massachusetts). Segall was born in Prussia and spent his early years in Milwaukee. While young he ...

A charming, somewhat naïve antique oil on canvas painting, 16" by 23" (18 3/4" by 27" in late 20th century frame), unsigned, featuring a winter's day in the country, mountains in the distance, and two figures in the foreground braving the cold to chat, a glow in the central home at right center indicating that a fire is warming it. At far left in the distance is the rest of the village. The painting was painted by an American hand after 1885 (the metal stretchers with that date in the corners...

A large portrait of a woman of obvious wealth and status, 36" by 35", signed "Wells" at lower right on a prop envelope, and dated there 1930, set into a beautiful, unique, valuable 3 3/4" wide frame by the famous framemaker M. (Maurice) Grieve Co. of New York and London (see photo, reverse of frame). An online search did not turn up a "Wells" artist that would obviously fit with this work's subject matter, handling, and period. However we can see that this artist was quite obviously a skilled ...

A competently painted, luminous little work on canvas, 12" by 16" (17 1/4" by 21" framed), the subject high mountains in full fall color, likely the Rockies in Colorado, Wyoming, Montana or Idaho (or, possibly, even Canada). The artist signed the painting "C H Wells" at lower right. The painting likely dates to the 1970's or 1980's. While I do not see a listing for an artist by this name, he or she was clearly talented. The eye is drawn deep into this spacious and pleasant scene. Condition ...

A really well executed oil on canvas painting of a hammock of dry land in the Everglades of southern Florida, a summer cumulus cloud at right about to become a thunderhead, 18" by 24" (22" by 28" framed), circa late 1960's or early 1970's, signed at lower right by listed artist EDWARD ARTHUR EVANS (1895-). Evans, it appears (after a focused internet search), was born in 1895 in Muskogee, Oklahoma. He was evidently a man of many talents; an engineer, Army officer in both World Wars (advancing t...

A work of Surrealism, 22" by 26", unframed, the imagery a strange landscape in blues, two bare trees at right center, and an odd shaped biomorphically-inspired form (part looks like an index finger complete with nail) at left foreground, completing the strange composition. The painting is signed at lower right by the artist; the first name is Bruce and the last name is difficult to make out, perhaps Hailey, Harley, Hurley or similar. On the reverse he has titled the piece on the stretcher AND...

Acrylic or oil on canvas painting, 25" by 30 1/2" in simple frame, painted somewhat in the Op Art style, the imagery difficult to summarize: shapes of diamonds, clubs, heart, (think playing cards), superimposed on each other, and in turn superimposed on what appears to be a background of open water and endless mountain ranges. The work is signed at lower left "Marilyn Griffith" and titled on stretcher "21 String Mandala". There does not appear to be a listed artist by this name, which is surp...

A striking modernist work titled "Fantasia" and dated 1952, by Tucson Fine Arts Association member BESS WEST. The work , oil on canvasboard (18" by 14", and 18 1/2" by 22 1/2" in apparently original frame) is signed at lower right "B. WEST" and on reverse appears the title, artist name and date, and an original card from the Seventh Annual Independent Open Show in Tucson in 1953. The imagery features such icons of the Southwest as a saguaro cactus, cow skull, five-pointed stars, a western styl...

A vintage California oil on canvas painting of high mountains and the desert at sunset, probably painted circa 1935 through the early 1940's, 20" by 24" (23" by 27" in likely the original frame), signed at lower right by Los Angeles area artist ESSIE KAILEY (1897-1986). Kailey is not apparently a known artist, and was likely a talented amateur. Only due to the wonders of the internet have I been able to determine her birth and death dates and place of burial in Glendale, California at Forest L...

Oil on canvas still life of a small statuette of a horse and a copper vessel on a small table, 13" by 15" (14" by 16 1/2" as framed), signed at lower right "Virginia Weaver". I do not see a listing for the artist but evidently she was quite talented, as the perspective and flattening of the picture plane shows familiarity with modernist trends of the early 20th century. The painting has some condition issues, such as a depression at top that shows as a shadowed area in the photos taken in angl...

Oil on canvasboard, 16" by 20" and 1 1/4" dark stained oak frame, signed at lower left with initial "D", and executed en grisaille (grays, whites, black). This is a work by an accomplished artist, showing what appears to be a solemn funeral gathering, with a minister reading from the bible as a black gravedigger looks on at right. The style of dress of the mourners suggests the 19th century as the period depicted. I thought this might be a work by the major illustrator Harvey Dunn, and ran th...

Oil on canvas landscape oil, unmounted/unstretched, contained loosely in a decorative and complementary modern white metal frame, measuring 5" by 7" (7 1/2" by 10" as framed), signed at lower left "A. Schilling". I would date this to the late 19th century or early years of the 20th. Schilling (1859-1937) exhibited in Chicago at the Art Institute, St. Louis at the world's fair, at the Pennsylvania Academy, and elsewhere. Though listed in a number of reference works, there does not seem to be a...

Oil on masonite, 18" by 24", (23" by 29" as framed), the subject a copper kettle on a small wooden stand on a table, with a cup and saucer, small blue milk pitcher and poinsettia in a decorative blue vase filling out the scene. The painting is signed at lower right "L. Johnson". I do not seem to be able to connect this to any listed artist so am offering it as a decorative work. It was found in San Diego, and the poinsettia suggests a California origin. Frame is vintage and no doubt origina...

Oil on canvas, 50" by 31", unframed, signed on the spine of the book at lower center in true trompe l'oeil style and dated there 1901. This is a beautifully painted work by an historical painter of late 19th century California, ALBERT JENKS (1830-1901). It is already quite impressive as it is, but, with a gold frame around it, I can envision this gracing the wall of a law office or museum. Jenks was born in upstate New York, and kept moving west throughout his life; to Illinois by 1836, where...

Here is a decorative Americana item, if you enjoy the work of one of America's most beloved and famous painters, EDWARD HOPPER, but you can't afford to buy the real thing (priced well into the millions), and yet you want something more than an offset print in a plastic frame. A Hopper painting similar to this is in the collection of the Metropolitan Museum of Art in New York, and it measures 29 1/2" by 43 1/2". This oil on canvas is signed at lower right "Allesee" and is quite a bit smaller, m...

Oil on canvas, 20" by 16" and simple wood frame 1 3/4" wide, signed at lower left in capital letters by the artist, ARTHUR CARL WEIGLE, and dated there "30". This is a charming scene of an earlier California, the iconic subject being the 18th century Mission Santa Barbara. Note the figure curled up on the steps, the leaning palm, and the beautifully painted eucalyptus leaves. The overall light palette reminds one of C. W. Nicholson's works or possibly Dana Bartlett. Surprisingly, I do not se...

Oil on canvas landscape painting of a New Jersey landscape signed by T. W. Vail. In very good condition, it measures in frame 17.25 inches x 13.25", site size 15.5" x 11.75". Circa 1900

Original oil on paper titled "Western Hills Series #56" and signed lower right by Katherine Chang Liu, 1988. Liu an internationally renowned painter and teacher. Born in China, Liu received a full scholarship to UC Berkeley. Her work has been featured in 26 books and over 70 magazine articles. She is listed in "Who’s Who in American Art" and "Who’s Who in American Women." Her work can be found in many private and corporate art collections. This painting was in the corporate collection of Clo...

Evelyn Hoffer Floyd (American, 1919 - 2003)

Magpie on a Branch

Oil on Porcelain, signed lower right

Frame: 13 ½” x 11 ½”

Floyd, a notable porcelain artist in Alexandria, learned to paint on porcelain in the early 1970’s and taught her craft in workshops for the Fairfax County Adult Education program.

She was a Pennsylvania native who attended a business college before moving to Washington in 1941 to work as a secretary in the Pentagon.

...

A beautiful colorful abstract oil painting by Ken Stabler signed on verso and dated 1961. Presented ready to hang with a thin wood ebony color frame. Canvas size 20 x 24 inches overall 20.5 x 24.5 inches. In excellent vintage condition.

Mid Century Sci Fi oil on canvas of a card player said to be magazine cover from a 1950s sci fi publication. We bought this and another we are listing in the late 1990 in Los Angeles , the seller didn't remember the artist name but said the artist was an early Sci Fi artist . the painting is unsigned in good condition though could use a cleaning. Very well done one of my favorites. Size overall 17" by 21" sight 15" by 12" approximately.

WPA portrait of a woman by Charles Winegarner. A fantastic oil on canvas of a stoic woman with an almost cubist background. There is an original repair that seems to have been fixed by the artist, the spot is in her hair to the left side. This is a large painting in its original frame . The condition is good though it shows some wear. Overall 42" by 31.5" with a .75" frame

Original oil painting on canvas by Paul Warren Zimmerman (USA, 1921-2007), circa 1970. Surreal still life. 24" by 44". Signed verso. In excellent original condition. Paul Warren Zimmerman's works are in the collections of the Pennsylvania Academy of Fine Art in Philadelphia and the Springfield Museum of Fine Art etc.

Eric Tobin - Farm on the River, Worcester, VT. Oil on canvas. Size: 20 inches x 24 inches. Dated 2016. Signed in lower right and titled, dated and signed on the stretcher. Framed by the artist in a silver leaf wood frame. A yellow and red farm complex in winter, nestled in a river valley in Worcester, Vermont. Eric Tobin is a contemporary Vermont landscape artist. He resides in the northern part of the state in Johnson, VT. Tobin was greatly influenced by the Vermont painter, Thomas Curtin, ...

Original oil painting on canvas mounted on board by Sidney Laufman (USA, 1891-1985), circa 1950. Still with its original frame, and bearing verso a stamp from Rudolph Galleries. Roughly 18" by 20" in its frame and in excellent condition

This painting measures 24"x36". Helen LaFrance is a self-taught, modern, contemporary artist who is 99 years of age. Her earliest known painting is a 12’x20’ mural inside of a local church that was made circa the late 40's and early 50’s and she continued to paint into the early 2000's. LaFrance’s work is represented in many notable public and private collections in this country and in Europe. These collections include those of Oprah Winfrey, Gayle King, Bryant Gumbel, and contemporar...

This painting measures 18"x36". Helen LaFrance is a self-taught, modern, contemporary artist who is 99 years of age. Her earliest known painting is a 12’x20’ mural inside of a local church that was made circa the late 40's and early 50’s and she continued to paint into the early 2000's. LaFrance’s work is represented in many notable public and private collections in this country and in Europe. These collections include those of Oprah Winfrey, Gayle King, Bryant Gumbel, and contemporar...

This painting measures 28"x22". Helen LaFrance is a self-taught, modern, contemporary artist who is 99 years of age. Her earliest known painting is a 12’x20’ mural inside of a local church that was made circa the late 40's and early 50’s and she continued to paint into the early 2000's. LaFrance’s work is represented in many notable public and private collections in this country and in Europe. These collections include those of Oprah Winfrey, Gayle King, Bryant Gumbel, and contemporar...

This painting measures 22"x28". Helen LaFrance is a self-taught, modern, contemporary artist who is 99 years of age. Her earliest known painting is a 12’x20’ mural inside of a local church that was made circa the late 40's and early 50’s and she continued to paint into the early 2000's. LaFrance’s work is represented in many notable public and private collections in this country and in Europe. These collections include those of Oprah Winfrey, Gayle King, Bryant Gumbel, and contemporar...

This painting measures 16"x20". Helen LaFrance is a self-taught, modern, contemporary artist who is 99 years of age. Her earliest known painting is a 12’x20’ mural inside of a local church that was made circa the late 40's and early 50’s and she continued to paint into the early 2000's. LaFrance’s work is represented in many notable public and private collections in this country and in Europe. These collections include those of Oprah Winfrey, Gayle King, Bryant Gumbel, and contemporar...

This painting measures 26"x 22". Helen LaFrance is a self-taught, modern, contemporary artist who is 99 years of age. Her earliest known painting is a 12’x20’ mural inside of a local church that was made circa the late 40's and early 50’s and she continued to paint into the early 2000's. LaFrance’s work is represented in many notable public and private collections in this country and in Europe. These collections include those of Oprah Winfrey, Gayle King, Bryant Gumbel, and contempora...