Dynamic and complex, this is a colorful oil on canvas abstract, 40" by 18" (vertical format), 45" by 23" in the wood frame, titled on the stretcher "Figure in Movement" and signed nearby on the reverse canvas (a little hard to see in the photos). but, it has a significant, jagged unrepaired rip in it. I imagine the painting dates from the late 40's or the 1950's...

Oil on canvas painting of a dirt track in an autumn forest, 16" by 24" (25 1/2" by 33 1/4" as framed), signed at lower right by the noted Indiana impressionist, EDWARD SITZMAN (1874-1949). This is a peaceful scene of late autumn. The artist is known for his watercolor and oil paintings of such landscapes, usually lacking figures. Watercolors are more commonly seen, the oils relatively scarce...

Oil on board painting (24" by 18", frame 1 1/4" on a side), the subject a dirt road in a flaming autumn forest landscape, birch trees on either side, the sun dappled shadows violet, signed at lower right by the talented artist GEORGE FOREST PAYNE. Payne does not seem to have a biography but his paintings of autumn landscapes and coastal dunes, in the Northeast, have appeared at auction. This piece was found in Maine. Most certainly he was very familiar with Impressionist technique...

Oil on masonite panel, 13 " by 22 " (16" by 25" in black frame with gold inner), the subject a female mallard duck among brown grasses suggestive of autumn. The artist signed his name at lower left. S. SCOTT ZUCKERMAN (1951-) was born in Connecticut and lives there still, living a life close to nature and therefore an excellent observer of it. He is widely known for his paintings of wildlife, including fish, birds, and large mammals like moose. Zuckerman attended Pratt Institute in Brooklyn...

Found in Maine, is this oil on canvas painting, 24" by 20 1/2" in its silver metal frame, signed at extreme lower right "Judith Nelson Harper" and titled on the reverse "Red, White and Blue". It is a striking work, though I see minimal information on the artist---I believe just one minor bit of information shows up on a net search. Regardless, this will please anyone looking to brighten up a modern interior with original art from the 1970's...

Oil on canvas painting, 24" by 36" (30" by 42" framed), late 20th century, the subject a family of elephants at an African waterhole, signed at lower right by listed artist DON ERDMAN (sometimes spelled as ERDMANN). The work is similar to works by better known artists such as David Shepherd or Bob Kuhn which bring thousands of dollars. Erdman is listed in Davenport's, but I am hard pressed to find more information on him...

Oil on canvas colorful and skillfully painted abstract landscape of the glorious Southwest, 27 1/2" by 36" as framed, signed at lower right "Helen Peeke", and bearing the title "Indian Country" and the original price "150.00" on the stretcher. I have not been able to locate information on the artist but obviously she was a skilled painter who was able to capture the feeling of the Southwest in abstracted form. Condition is excellent and this is wall-ready.

Oil on canvas titled on stretcher "Golden Silence", 28" by 21" (33" by 25" in original vintage frame), signed at lower right and again on the stretcher by California plein air artist EUGENE PIERRE FRANQUINET (1875-1940). This is a fine example of the work of this Belgian-born painter who immigrated to the United States in 1907, and who was in Southern California as early as 1911...

A beautiful circa 1920 impressionist painting of tall pines or cedars in a sun-dappled forest landscape which includes two groups of small figures at center left. The unframed work measures 30" by 24" and is apparently unsigned. Judging from the canvas and stretcher, this is likely the work of a listed American artist. It has been suggested that it was cut down at some point, as the painting extends over the tacking edge...

This is an original painting in gouache on paper, 23 3/4" by 23 3/4" square, in a narrow metal frame, apparently by an unlisted artist named Gertmenian. This is an Armenian name, and the painting was found in Los Angeles, where there is a large Armenian population. If you're seeking an eye-dazzler of a painting that contains strong primary colors, consider this decorative art...

Oil on canvas, 13 1/2" by 9 5/8" in its thin old frame, signed at lower center "Ellen B. Farr", the subject her typical signature pepper tree leaves and the distinctive red "berry" seed pods. Farr (1840-1907) is quite appreciated today for her California paintings of pepper trees, still life works of poppies, citrus, native indian baskets, and landscapes...

Oil on canvasboard, 14" by 10" (19 1/4" by 15 1/4" as framed), signed at lower right in red "K...

Oil on board, (ONE OF TWO BY THE ARTIST IN MY SHOP), 4" by 7 1/2" inside the mat (7 1/2" by 11 1/4" as framed) signed at lower left in green "Six" and dated there "32", the subject the iconic saguaro cactus of the southwestern American desert at sunset. Because that species of cactus grows naturally only in Arizona, we can assume that this is indeed an Arizona scene. The painting's style is typical of that of an obscure painter by the name Robert Six, whose works I have seen from time to time in...

Oil on masonite still life painting, 24" by 18" (33" by 26" framed), signed at lower left by California artist CLARETTA ELLIS WHITE (c. 1915-2002). This is a briskly painted work by an artist who was quite active in the Southern California art scene at mid century. An unusually detailed and complete website, evidently created by relatives, gives a complete history of her active life. The artist was born in Tulsa, Oklahoma into a cultured family. She grew up in Tulsa and went on to work as a s...

This is a very attractive impressionist work, 18" by 23 3/4" (24" by 29" as framed), unsigned, the subject a line of trees, fading sunlight filtering through them, all in a green and brown palette that seems very Arts and Crafts in feeling. I think the work was likely executed in the 1940's or thereabouts. The stretcher is new, and I am trying to decide if the painting has been lined on a newer canvas. The seller told me this work came from the recently broken up estate of Swiss-American arti...

Oil on canvas, 24" by 30" (30" by 36" as framed), the subject a peaceful northeastern cove, which we learn from a penned notation on the reverse is, in fact, Canada, in the province of Nova Scotia. Viewers online have confirmed to me that this is definitely Peggy's Cove on the Atlantic coast. The oil bears a professional-looking signature at lower right: R. Miller. I don't see a listing that would likely correspond to this, so offer it on its own strong decorative qualities and excellent co...

Small oil on canvas laid on board, 9" by 7" framed, unsigned, the view being an extensive hazy landscape with high snowy peaks in the distance, a spindly tree in the middle ground. I have searched without success for a signature. Likely dates before 1940 and more than likely by a listed artist. Light areas in immediate foreground are probably old losses, which have been in turn varnished over.

An opportunity to acquire an original oil on canvas painting by a very highly esteemed twentieth century California artist, the works of whom have exceeded $50,000 at auction. This work is signed at lower right by California twentieth century artist ROGER KUNTZ (1926-1975). The subject is apparently a coastline with abstracted trees and houses next to a dark blue sea. The work itself measures 12" by 16" (17 1/2" by 21 1/2" in a quality frame by Munn, a respected old La Cienega Boulevard framer)...

Oil on canvas impressionist seascape painting of green waves breaking on a beach, 12" by 24" (17 3/4" by 29 1/2" framed), signed on overlap "D. W. Parshall '95". This is a work by a Buffalo-born artist, DeWitt Parshall (1864-1956) who is today best known as a California painter from the Santa Barbara area. Parshall studied in Dresden and Paris and painted in the east before heading west to California in 1917, where he became noted for his beautiful landscape paintings (and his son Douglass als...

Oil on board painting of colorful flowers in a blue ceramic vessel on a tabletop, 20" by 26" (26 1/2" by 32 1/2" as framed), apparently unsigned, the work dating to probably the years around 1930. There is an old crack at upper right as shown, not especially visible to the casual viewer, and I note some flaking and unstable paint in the lower 1/4 of the painting (see bright yellow underpaint showing through----ask for more detailed photos of this).

Oil on canvas painting of famous Morro Rock, the 500 foot high landmark and sentinel that for time immemorial has guarded the harbor at Morro Bay on the coast of central California. The work is titled on the stretcher "August Sunset by Marjorie Sharpe". Beautifully painted, the artist has captured the wispy clouds that cling to the top of the rock and the reflections of the fishing boats. Sharpe is listed in the Dictionary of California Artists by Hughes, who mentions that she was active in Sa...

A turn of the century oil of red roses, signed at lower right "Myrtle Crittenden". There is a "Miss M. Crittenden" listed in Hughes' dictionary of California artists, and she was noted there to have exhibited at the California state fair in 1881. This painting came out of the Sacramento area, so, that makes sense. Not dated but likely dates to early 20th century when such works were still especially popular, as they had since Victorian times. This oil measures 18 3/4" by 15 1/4" plus 3 1/2" o...

Oil on canvas, 8" by 10" and 1" wide frame, the subject a classic plein air landscape of the low desert. It is signed "Geraldine" at lower right, and on reverse is the inscription "To Dad Happy Anniversary from Mom". The painter was talented but no doubt still an amateur. This is a pleasant decorative painting that is ready to hang on the wall.

Beautifully executed by an unknown but obviously talented artist is this 10" by 8" oil on canvas of a seated woman draped in fabric, against a darker drape background. The work is contemporary. It was found unframed and for illustration purposes I have "married" it to a frame that somewhat fits it, however, the frame is marginally unsuitable because it is a bit shallow for an oil painting's stretcher. If desired this frame can be included and you can work a bit on securing this inside the fra...

Circa 1940's or 1950's oil on canvas, 25" by 30", (33" by 38" as framed), the subject a vase with pink and white flowers, some blue cornflowers at lower left in front of an open oriental fan, the entire scene suffused with a pinkish, mid-century light. The painting is signed at lower right by the Who Was Who in American Art-listed JOSEPH LANE (1900-), an artist and muralist who trained at the Art Institute of Chicago. Today Lane is most associated with Illinois and his trademark still life wor...

Oil on masonite, 18" by 14" (22" by 18" in its wood frame), the subject the familiar streets of the French Quarter, this being a view of Pirate's Alley, from Jackson Square, facing Royal Street, signed at lower right "Weller". I take from the website of the New Orleans Academy of Fine Arts: "Dell Weller studied four years at the Art Students League in New York. After two years of study in Mexico, he returned to New Orleans. He developed a widespread reputation for his wildlife etchings. At pr...

Nan Greacen was the daughter of the well-known American artist Edmund Greacen. She was born in Giverny, France, where her father was an active disciple of Claude Monet in the art colony there. Nan attended the Grand Central Art School co-founded by her father, and received instruction from the likes of Arshile Gorky, Wayman Adams and Jerry Farnsworth, as well as from her father. By 1936 she had already exhibited at the National Academy, and in 1940 she became the youngest woman to be elected ...

Oil on canvas painting of waves breaking on the beach at sunset, (titled on reverse "Fading Sun"), measuring 16" by 20" unframed, signed at lower right by artist CARYL WOOD, the wife of famed landscape painter Robert Wood. Caryl was an amateur painter when she met the already famous Robert Wood in 1953 after he sustained serious injuries when hit by a car on Pacific Coast Highway. The couple married and Robert instructed her in painting, taking her along on painting trips. In 1964 the Woods m...

Oil on masonite panel painting of the desert, 12" by 9", signed in capital letters at lower left by listed southwestern artist BILL SHADDIX (1931-). The presence of the iconic saguaro cactus places the scene as east of the Colorado River, therefore in Arizona. Shaddix was born in Oklahoma during the Dust Bowl, and emigrated to California by the early 1940's with his family. A deputy sheriff in Orange County by 1956, he began to paint, and eventually turned full time to his fine art. He sett...

Oil on canvas painting of a tawny autumn landscape,15 3/4 " by 20 3/4" (20 3/4" by 25" framed), not signed on the front, but bearing a tattered label with an apparent name beginning with "Eve..", and dedicated on the reverse of the canvas in 1933. The reverse inscription says "Merry Christmas 1933/to Lulu (XXX--unreadable)/old friend (XXX---unreadable). This might be a California landscape, but it would be difficult to state that with any certainty. The work could benefit from a cleaning and ...

Oil on canvasboard, 16" by 12" (19 1/2" by 15 1/2" as framed), the subject trees in flaming autumn colors along a quiet dirt forest road, signed at lower right "P.L. King", no date but likely circa late 1940's or 1950's. For a time I had thought it possible that this was a work of the noted American impressionist PAUL KING (1867-1947) but I no longer believe that to be the case, so I am offering it as simply an interesting impressionistic landscape. The painting is in a gold frame and could h...

A PAIR of paintings on canvas, each featuring hanging game birds after the hunt, each 20" by 16", unframed, each signed by the well-known American western artist HENRY H. CROSS (1837-1918). The use of green painted wood panel background suggests the artist was familiar with the artist William Harnett and his style. Cross was born in New York state and became well known in the 19th century as a painter of portraits of Native American luminaries of the time. He also knew how to paint animals, h...

Oil on canvas, 27" by 30" (33" by 36" as framed), the subject the roiling waves, a headland visible in the distance, signed at lower right and, I think, dated there "40", by well listed American artist and illustrator FREDERIC TELLANDER (1878-1977). This is a good-sized work, offered most definitely in as-is condition. It has suffered from the ravages of time and neglect, there being quite a few losses of paint, showing in photos are white areas, and there is craquelure, unstable areas, and ju...

Oil on canvas, 24" by 36" (28 1/2" by 42" as framed), unsigned, showing a Victorian/Gothic type castle ruin by a river, by moonlight. ***UNFORTUNATELY THE PAINTING HAS BEEN SEVERELY DAMAGED IN SHIPPING (vertical rip clear through---started with a pre-existing three inch tear which weakened the canvas and made it vulnerable to further damage), so, will need major restoration. Call or email me for more details. **THE ANTIQUE GOLD FRAME HAS VALUE IN AND OF ITSELF***, should you choose to focus on...

Oil on rectangular canvas overlain by an oval frame, 6 1/2" by 9 1/4", (10 3/4" by 12 3/4" as framed), apparently signed by amateur artist "Jennifer" at bottom center below the frame line, circa 1970's or 1980's, the subject ducks flying above a marsh. On the stretcher is written "Canvas Backs". The artist certainly had some talent. If you are a duck hunter or charter member of Ducks Unlimited, you must own this work...........or some of the other duck-related original art currently in my sho...

Oil on canvas street scene, most likely of Mexico, 18" by 24", unframed, signed at lower right by California painter JOSIE (JO ANITA) STARKEY (1895-1962). This is a colorful work by a noted California woman artist known for her genre paintings. She is listed in many reference works including Dawdy, Hughes, and Falk's Who Was Who in American Art, and the Dictionary of Women Artists. The present painting has suffered some abuse, there being two small punctures at left center, well hidden in the...