Oil on canvas painting, 30" by 20", unframed, of two deer in a silent forest of towering redwoods, shafts of light penetrating to the forest floor, signed twice at lower left by the noted Northern California artist CHARLES DORMON ROBINSON (1847-1933). This is a classic old painting of the northern part of the Golden State, by one of its most appreciated historical painters. Robinson was born in Maine but was in San Francisco during the Gold Rush days...

By the hand of early Plein Air master artist GEORGE KENNEDY BRANDRIFF (1890-1936), a small but pretty and highly impressionistic painting, "San-Bernardino--Mt. Baldy", circa late 1920's. The oil on canvas laid on board measures 10 1/4" by 12" (15" by 16 1/2" in contemporary gold frame). The artist's estate stamp signature appears at lower left; on the reverse is written in old hand "Brandriff/San Bernardino"; and the rectangular David & Sons estate stamp for Brandriff is at left...

Oil on canvas landscape with a home and small out building, possibly but not at all necessarily a California scene, measuring 10" by 14" (12 1/4" by 16 1/4" as framed), signed at lower right (I think in ink) "....... E. Miller" and dated there '32. The actual first part of the signature is difficult to read, but on the stretcher in pencil is written "E. E. Miller"...

Oil on canvas, 22" by 18" and 2 1/2" wide frame, unsigned, showing the famous Mountain of the Holy Cross in central Colorado, 100 miles west of Denver and 15 miles from Vail. This is a late 19th century painting, evidently one of many copies, by many artists, of the iconic 7' by 5' work by famous American artist Thomas Moran, which was completed in the year 1875. The painting is in compromised condition, with soiling, paint loss, punctures, and scrapes, but, I believe it worth restoring...

Oil on canvas painting completely in the distinctive sepia tones manner often employed by the artist, 14" by 18" (19 1/2" by 23 1/2" as framed), the subject the famous aspen and mountains of northern New Mexico, signed at lower left and notated there "Taos" by well listed artist THOMAS L. LEWIS (1907-1978). Lewis was born near Houston and was already a professional artist by age 19...

An oil on canvasboard of a Victorian era house in all its splendor, the work titled on reverse "The Lennox House" (along with its' $50 original price), and signed at lower right, by well listed California artist WILFRID TAYLOR MILLS (1912-1988). The work, on canvasboard, measures 20" by 16" (29 1/2" by 25 1/2" as framed). Mills was born in California...

A colorful original work, NOT A PRINT, the subject four palms at the beach, signed at lower left margin in pencil by noted California contemporary artist SALLY HUSS (1940-). The work, art itself 15" by 24" and 23" by 32 1/2" as framed, is typical of the artist's output----always colorful in the extreme, and whimsical, the subjects landscape, florals, or fantasy. Her designs are often available as prints or on merchandise, but original works are more scarce. Condition is excellent.

Oil on canvas laid on Masonite, 20" by 16" (27" by 23" nicely framed in gold California style frame by Summit Frames of San Diego), unsigned, attributed to the famed American sculptor and artist, JOHN GUTZON BORGLUM (1867-1941). The painting features a large tree such as would be found in a California redwood or sequoia forest. The attribution comes in the form of some cryptic notes on paperwork affixed to the reverse side, and a placard placed on the front side...

Painting on canvas by the acclaimed 19th century American artist HENRY STULL, featuring a portrait of the head of a pampered thoroughbred racehorse, signed at lower right and dated there 1896. The work measures 12 1/2" by 10 1/4", (16 1/2" by 15" framed). Stull is considered one of two major American painters of thoroughbred racehorses, the other being Edward Troye. Born in Hamilton, Ontario, Canada, he was exposed at an early age to horses...

Oil on canvas painting of pink roses in a glass vase with metal kettle on a table top, 20" by 24" (25 1/2" by 29 1/2" framed), signed at lower right by artist Nell Smith. I do not see a listing for this name. The age of the painting judging by style, frame and stretcher would be circa 1940. Condition is good save for overall soiling and a roughly 1 3/4" narrow paint loss area at top right. Overall a very "Shabby Chic" work.

Oil on canvas painting titled on reverse "Iris and Poppies", 9" by 12" (16" by 19" in gold leaf frame) signed at lower right corner by noted contemporary northern New Mexico artist DON BRACKETT (1932-). The artist, born in Oklahoma and raised and educated in Albuquerque, (where he received a fine art degree from the University of New Mexico) is known today for his plein air landscapes of northern New Mexico around Taos and Santa Fe, as well as paintings of flowers and wildflowers...

Oil on canvas laid on board, 14" by 18" (18" by 22" framed), the subject a California low desert landscape with distant snowy peaks, signed at lower left and bearing old pencil notation on reverse "Eug. Frandzen". This is a classic desert plein air painting, in need of a professional cleaning. There is overall soiling that dulls the colors and subtleties of this work. Frandzen was born in San Diego in the early year 1893. By the teens he was in Chicago at the Art Institute for training...

Oil on board painting in a fully impressionist hand, 26 1/2" by 21 1/2" (35" by 29 1/2" in old, vintage probably original frame), signed lower left and incised on the old soft board on reverse "Pines at Carmel".  This lovely impressive work is by listed California artist IDA MAYNARD CURTIS (1860-1959). Curtis was born in Pennsylvania before the outbreak of the Civil War. She studied with Charles Webster Hawthorne, and with Ross, Menard and Simon in Paris. Upon return to the United States she...

A highly decorative, elegant painting of Siamese cats, 22" by 24" (32" by 34" in gold contemporary framing), signed at top edge by the noted American artist KENNETH STEVEN MACINTIRE (1891-1979). Judging from the materials used, the painting was likely painted at some time from the late 1940's through about 1960, I believe. The colors used----white, gold yellows, and black----make for a highly decorative composition that reminds of the Art Deco period. Condition is excellent, with an old patch...

Fine old painting of a young woman in a most distinctive red-striped dress, signed at lower right by American artist REVINGTON ARTHUR (1908-1986). This painting has composition, a great palette and blond light, and a modernist feel. It stands in contrast to much of his work, which was executed in rather dark colors. The artist was a student of George Luks, Arshile Gorky, and Kimon Nicolaides. He was a member of the Silvermine Guild in Connecticut, a state with which he is most closely associ...

Vintage circa 1880's oil on canvas, 20" by 14" and 1" wide old dark oak simple frame, likely the original, signed at lower right side with the typical conjoined "MStraus" signature of well listed Northern California artist MEYER STRAUS (1831-1905). Straus was born in southern Germany, and was in the US by 1848. He traveled the southern states, including New Orleans and Mobile areas, as well as Ohio and Illinois. Due to deteriorating health, he moved to California by the 1870's, where he paint...

Oil on canvas of a clapboard cottage by a lake in spring, 18" by 24" with 3" frame, signed at lower left "J.C. FRANCES". I do not see a listing for the artist but he or she was obviously at the very least familiar with the paintings of Henry Pember Smith (1854-1907) and George W. Drew (1875-1968), who painted eerily similar scenes. This painting shows a gambrel roofed cottage with blooming pink blossomed trees and ducks----an idyllic spring idyll in New England or New York state perhaps. Over...

Oil on canvas, 12" by 16" (17" by 21" as framed---and likely original frame), signed at lower right by popular listed California artist HERBERT SARTELLE (1885-1955). This is a classic autumn scene of large trees and a lake with distant mountains, executed in Sartelle's unique impressionistic style. The painting probably dates to the 1940s or 1950s. It is in generally good condition, with the typical large cracking seen in a number of his paintings, (visible especially in the sky---see photo)....