Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

Johannes Marinus Ten Kate (Dutch, 1859-1896)

Working the Field

Oil on canvas. signed lower right

Painting17" x 24 3/4"
Frame: 28" x 35 1/4"

Ten Kate was known for his landscapes, beach scenes and genre paintings. Born in Amsterdam, he was the son of Johannes Mari ten Kate, under whom he most likely studied...

"Sail Boat and Windmill" Oil on canvas 20' x 26 5/8" w/o frame. Jacob started painting at age 12 and eventually enrolled in the Hague Academy of Art. An art dealer recognized his talent and saw to it that Jacob was able to work in the studio of Hubertus van Hove. There he painted interiors as well as figurative and genre works. Van Hove moved to Antwerp and the nineteen-year-old Maris went with him...

Attributed to Jozef Israels, Dutch fisherman"s wife at the beach waiting for his return. A beautiful impressionist painting oil on canvas signed lower left measuring approx. 14 x 18 inches in excellent condition. Biography

Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet)...

A fine autumn landscape painting on old Winsor & Newton art board, 10" by 13 3/4" (19 1/2" by 23 1/2" in the old frame), signed at lower right by the well known American impressionist painter DUBOIS FENELON HASBROUCK (1860-1934), titled on the reverse in pencil "November Woodland by D. F. Hasbrouck". This is an atmospheric little painting by a highly talented artist, the works of whom have brought to nearly $10,000 at auctions...

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name...

A circa 1900 oil on canvas painting of roses against a simple dark background, 12 1/2" by 18", and 20" by 24 1/2" in likely original bright gold frame. There does not appear to be a signature. Roses were a popular subject of painters during that period, with many young ladies especially encouraged to take up painting. The American painter George Cochran Lambdin often used dark or black backgrounds for his floral still life works...

Follower of Barend Cornelius Koekkoek (Dutch, 1803-1862)

Landscape with Farmhouse and Sheep

Oil on canvas, signed lower left.

Painting Size: 11” x 14”
Frame Size: 16.5 ” x 19.5”

Koekkoek was a student of his father the artist Johannes Hermanus Koekkoek and of Schelfhout Van Os at the Academy of Amsterdam. He married the daughter of the painter J.A. Daiwaille. In 1845 the Dutch king commissioned numerous paintings from Koekkoek...

Florine Hyer was an Iowa-born artist who became known for her exquisite paintings of roses. She was in Los Angeles by 1898, and remained there her entire life with the exception of the year 1908, when she assisted the botanist Luther Burbank at his home and gardens in Santa Rosa, in Sonoma County north of San Francisco. Burbank is reputed to have said, "Florine can paint roses better than gardens can grow them"...

Jacob van Dieghem, Dutch, 1843-1885, Oil on Mahogany panel, "Sheep and Mallards", image size 7 1/8 x 9 1/2 inches

Dutch School, 19th Century

Floral Still life with Tulips, Iris and Roses in a Glass Jar with Butterflies, Insects and a Shell

Oil on panel (slight warp)

Painting Size: 19.75” x 14.75”
Frame Size: 27 ” x 23”

** PAIR** American 19th century oil on board landscape paintings in Hudson River style, each signed at lower right by listed artist FRANKLIN JAY LEWIS (1838-1910). The feathery trees, color scheme and general handling are in the tradition of the Hudson River School of the eastern states, but these scenes may in fact have been painted in California. The artist was born in Wells, Vermont, and crossed the continent at great effort in 1868, arriving in San Jose, California to begin a new life...

Found recently in Maine, this is an antique oil on board painting, 12" by 14 3/4" as framed, unsigned, the subject purple grapes and a ripe peach, the autumnal grape leaf suggesting the season of harvest, all on a marble ledge or table, with a distant view beyond. The gray academy board, style and framing suggest a date of execution of about 1880. The painting is very American in feeling, bordering on folk art as there's a naivete. The frame has wear and an obvious loss at lower left corner...

A striking, traditional, antique, oil on old oak panel painting, with even an Old Master feel, the painting itself 13 1/4" by 15 3/4" (34.3 cm...

Eavesdropping

Oil on panel, signed and dated: “1865.”

Painting size: 9” x 6.75”
Frame size: 14.5” x 12.5”

Petrus Theodorus Van Wyngaerdt (also spelled Wyngaerdt or Wijngaerdt) was born in Rotterdam. A student of J.H. Van de Laar, he painted genre scenes and portraits, as did his older brother, painter Anthonie Jacobus Van Wyngaerdt.

In "Eavesdropping", Van Wyngaerdt depicts a well-known theme from popular 19th-century French and Dutch prints-- ...

This is a pre-1900, fine original oil by J.F. Herring. Overall with frame it measures 42” by 30”. The painting itself is 36” by 24”. It is fully signed J.F. Herring.

A 19th century English oil on canvas painting, 23" by 36", (offered unframed, even if the inappropriate style frame shows in the images), apparently unsigned, the subject the Edinburgh to London Royal Mail coach pulled by four horses, as it passes through a town. The work is in the style made famous by English artist Charles Cooper Henderson (1803-1877). The handsome coach, staffed by two coachmen, is shown in considerable detail. The painting's classical style will be attractive to those see...

Alethea Hill Platt (American, 1861-1932)

Devonshire Cottage by Moonlight

Oil-on-canvas, signed lower left

Painting: 25” x 30”
Frame: 29” x 33 ¾”

Platt was active in New York State and Connecticut. She is known for her landscapes, portraits and interiors. She studied at the Art Students’ League (NYC) and Delecluse Academy, Paris. Platt also studied with Ben Foster and Henry B. Snell. She exhibited at the Pennsylvania Academy of Fine Art (1900-19...