Oil on canvas on board, 18" by 27", unframed, signed at lower left by artist OSWALD SCHLOMBS (1876-1926), and titled in pencil on reverse "Herbst" ("autumn", in German). The artist though listed is not well known, though obviously talented...

A nicely worked oil on canvas, 21" by 29" plus almost 1" wide old frame, the subject an extensive continental European landscape with figures on shore and in a small boat, a dog, wading and resting cows, trees and classic buildings, signed at lower right by artist "O. Kirkman" and dated there 1858. The more one studies this the more detail one sees. This antique painting will need restoration and it is well worth the effort to bring it back to displayable condition...

Offered in as-is condition, a true restorer special----a framed (18" by 15" oil on canvas, 22 3/4" by 19" as framed) lovely impressionist painting of Notre Dame and trees in Paris, a figure providing a spot of color, signed at lower right and dated there 1912 by listed English artist ROBERT ARTHUR WILSON (1884-1979). On the stretcher is written "Painted by R A Wilson" and "Notre Dame Church in Paris"...

An antique painting of a classical landscape, the scene including feathery trees, a number of tiny figures, and a distant church, likely French or Italian, less likely English (the red tile roof, clothing styles), unsigned, painted on a board and set within an oval frame. The piece measures 13 5/8" by 16 3/8" including the antique frame...

A large unframed oil, 34" by 46", unsigned, a vintage mid-century work ***AFTER*** a DEAN CORNWELL (1892-1960) painting which was executed in 1953 for a New York Life Insurance Co. calendar, in commemoration of the 300th anniversary of the incorporation of New York City. The painting is meticulously painted and I contacted auctions dealing with illustration art to see if it might be a study for the finished work...

An impressionist painting of the famous obelisk and fountain in the center of Paris at the iconic Place de la Concorde, 24" by 29" (and the very nice period frame 31" by 36"). Curiously, the work is unsigned but the artist was obviously talented. Paint is thickly applied in places, thinly in others (artist used bare canvas in places to show clouds)...

A rare and powerful painting directly on a rather crude wood panel, unframed, 16 3/4" by 23 3/4", by the important twentieth century Peruvian artist ALICIA BUSTAMANTE VERNAL (1907-1968), featuring a group of native people climbing in the bleak mountain landscape, the forward group carrying a shrouded body for burial. The work is titled on the reverse "El Entierro" (The Interment/Burial"), and is dated there 1954, with additional notation "Ayacucho" (the Peruvian city)...

A vintage portrait painting of a red-haired, middle-aged lady in circa late 1930's to 1940 style hat, 13" by 10", (22 1/2" by 19" framed), signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). The painting, oil on canvas laid on Masonite, exudes a very spontaneous, free, sketchy feeling that is quite appealing, demonstrating the skill of the artist...

A classic old landscape with figures, old structures and feathery trees, somewhat in the Old Master tradition, but created in the mid 19th century, likely in New York, by an unknown yet obviously accomplished artist. The oil on canvas, unframed, measures 24" by 32 1/4". On the reverse are two canvas stencil stamps, one from London, (G. Rowney & Co.), one from New York (Goupil & Co., 289 Broadway)...

A poetic impressionist work circa late 1950's or early 1960's, featuring the famous, storied Moulin Rouge nightclub in the Montmartre district of Paris, signed at lower right "Fantin". The 20" by 15" painting (23" by 21" in frame) is quite atmospheric, the colors of the buildings, figures and cars standing out on this leaden, overcast winter day. The scene has been painted countless times by artists famous and not-so-famous; this example is quite respectable...

A rather elegant landscape painting with a modern feeling, the predominating colors subdued yet elegant grays and earth tones, signed rather illegibly with a European hand at lower right corner and dated there 53. The unframed work on canvas measures 23 1/2" by 31 1/2". Signature looks something like "Oltarini" or "Ott....." or "Ult....." but despite years of trying to figure this out I have not succeeded...

Oil on canvas painting of a pinkish jug and blue-green vase on a neutral background, 15 1/2" by 11 1/2" (17 1/2" by 13 3/4" framed in light wood) signed at upper left "K Petersen". The impressionist work is skillfully painted though I do not see any information on the artist. Condition is excellent---ready for display.

Oil on canvas painting of flowers, possibly asters, signed at lower right by 20th century listed English artist Leslie S. G. Harries. There is no date on the painting but a guess of 1950 would likely be close. The work measures 18 1/2" by 15 1/4" (21 1/2" by 18" framed). Condition is excellent with just a very small uneven/pressure mark area in the canvas to the right of the petal at right, and there are a few pinpoint losses in that area...

An oil on board painting of flowers in a green vase against a tan/brown background, signed at lower left with monogram of a capital "B" in a circle. The oil, 12" by 9" and 16 1/2" by 13 1/2" framed, was beautifully painted by an unknown hand. For a number of years I have attempted to learn the identity of the artist, so far without success. The board size and handwriting on reverse suggest the artist was American. Painting is in excellent condition, old gold frame has a big loss at lower rig...

Oil on canvas Asian painting of a rural landscape in tropical Indonesia, 19 1/2" by 27 1/2" (24 1/2" by 32 1/2" framed), two female figures at center washing in the small lake or pond, a towering mountain range piercing the clouds in the distance, bamboo thicket at right, and a flaming flamboyan or poinciana tree at left, signed at lower left "M. DULLAH". This is a circa 1960's or 1970's work, most likely. The last name is common in Indonesia. There is an important artist with that name but I...

Oil on canvas painting titled at lower left "Morn. nr. Frinsbury Kent", signed at lower right "Alf. Bennett 87" (and titled again and signed again by the artist on the reverse canvas), 20" by 30" (27" by 36" as framed). The scene feature a filled hay barge at left with two figures aboard, two houses in the middle distance, and tall ships in the far distance. Frinsbury is in southeastern England, east south east of London, not far from the mouth of the River Thames. The artist appears to be on...

Oil on pine wood panel, 6 1/2" by 8 1/2" (11" by 13" in old frame), unsigned, the subject figures in a clearing surrounded by feathery trees, a tiny brush stroke also indicating the presence of a scampering dog accompanying the small party. A charming old antique work in the Hudson River tradition; disappointing not to have found a signature, but I would think the artist listed. The painting has normal old light soiling, and the frame has some edge chips missing in a few places. The work like...

In the style of masters like William Harnett, John F. Peto, Otto Kaye and others, this is a painting of an ink bottle, old style fountain pen, pipe and matches, stamped envelope and calendar, signed at lower right "Roy Fay". The letter, in the trompe l'oeil" (French for "fool the eye") tradition, is addressed to himself, in "Pasadena, Cal", and is interestingly postmarked in Kansas. The calendar is from the "Ohio Grocery", of Pasadena, and the calendar sheet reads November 1912. The painting...