Late 19th century painting of the Roman Colosseum, an historical arch and surrounding gardens and park, signed at lower left "Conti". The piece, which measures 6 1/2" by 4 1/4" inside the mat, and 13 3/4" by 11 3/4" as framed in polished, shiny reddish-brown wood, displays exceptionally fine detail despite its small size. The colors are sharp and fresh and the paper not oxidized...

This is an unusually fresh vintage watercolor, 10 3/4" by 20 1/2" (18" by 28" as framed), dating to the late 19th or early 20th century, by the noted American artist DAVID JOHN GUE (1836-1917). The colors are bright and there is no foxing nor moisture damage. ALL PHOTOS ARE TAKEN THROUGH NON GLARE GLASS so actual painting is sharper and more attractive than it appears through the blurry glass. The subject matter is likely an east coast beach...

Maria Ada Gianni 1873-1956 Italian This is a fine original gouache painting by Italian artist Maria Gianni. The scene is the Bay of Naples with Mt Vesuvius in the background. The painting is signed lower left. The image measures 5X12 1/2 inches and came to us in what appears to be the original early frame which measures 8X16 inches.

Watercolor painting of the Grand Canal in Venice, Italy, circa turn of the century plus or minus a few years (bears date, apparently 1902, extreme right corner), 11 1/4" by 20", (20" by 28 1/2" as framed), signed at lower right indecipherably. The signature appears as "Bonary" or something similar. The painting was executed on paper, which has oxidized over the years, there being a definite browning now...

A 19thC V. Loria Italy signed fishing boat watercolour. This Vincenzo Loria (Salerno, Italy 1849-1939) 23" x 12" unframed watercolour on (cardstock) board depicts a Neapolitan fishing boat on the water. An excellent painting for its play of light and detail, it is signed V. LORIA NAPOLI in the lower left corner...

A PAIR of watercolor paintings framed as one, in black and white, each signed lower corner "CC" or "LL", likely late 19th century or early 20th. Each measures 2 1/4" by 3 1/4" (12 1/2" by 9" as framed). There is no information inside on the identity of the talented artist. Silvery frame and hand drawn mat makes for a very elegant little piece.

This is a very fine watercolor painting featuring the distinctive profile of the dominant mountain in Marin County, California, just north of San Francisco, Mount Tamalpais. The artist was the very well listed watercolorist ALFRED VILLIERS FARNSWORTH (1858-1908). Farnsworth signed the painting at lower right and dated it there 1901. This view is from the north side, approximately near San Anselmo, looking south...

Watercolor on paper, 10 1/4" by 5 1/4" (15 1/2" by 10 1/2" framed), the subject apparently an ornate inner courtyard of a famous Portuguese palace and present day tourist magnet, the Sintra National Palace near Lisbon. I am guessing on this, having googled various possibilities, but comparing the window style, wonderful tile details and the castellated ledge at top, I think the odds are excellent that this be the Portuguese subject...

PAIR of watercolor paintings of colorful flowers, including iris, Jack-in-the-Pulpit, and asters, one of the drawings dated "7.07.07" at lower left, unsigned, each measuring 20" by 13" inside the mat, 28 3/4" by 23 1/2" in the modern day gold frames. The quality of the drawings is excellent. Most certainly these floral studies are by an accomplished hand. They have survived a century in excellent condition...

An original ink and watercolor painting of buildings and street activities in old Vienna, signed at lower right, not dated but circa 1910, by listed Austrian artist MAX NEUBAUER (1876-1920). The scene features a street car, a horse-drawn carriage, market stalls, elegant figures in period dress, children, dogs and antique buildings. At bottom is the word "Freihaus". The work measures 7 1/2" by 15 1/2" (13 1/2" by 22" in old framing, shipped without glass)...

Sold together as a matched PAIR, are these two watercolor paintings, paper laid on board, en grisaille (black/white/gray,no color), each 13 1/2" by 10" inside the mat, 20" by 16 1/4" as identically framed, both signed "S. LOEWE" or "J. LOEWE" and dated '94 (1894). At first glance, most people would think these are prints of some kind, but upon closer examination, incredibly, they turn out to be original watercolors, with amazing detail...

Nicely executed little watercolor of a woman in her nineteenth century finery, 11" by 7 3/4" as newly framed behind quality Tru Vue glass, unsigned. Her dress looks like circa 1860 but I do not know for sure that this would have been painted then. It would make for a pleasing addition to a woman's bedroom or sitting area.

Watercolor on paper painting, 9 1/2" by 17 1/2" inside the mat, 16" by 28" as framed, titled at lower right "AT DITTISHAM R. DART", signed at left by the nineteenth century English painter who is known apparently only by the signature "F. Walters". The artist painted in many parts of England. This scene is near Dartmouth in southwestern England not far from Plymouth...

Watercolor on paper painting of a tree on a bluff by a sandy shore of an estuary or lake, 5 1/2" by 3 1/2" (8 1/2" by 7" in attractive gilt frame), signed at lower left by the noted French 19th century painter, GEORGES BECKER (c. 1845-1909). Becker apparently did not leave behind too many works, but those that have survived leave little doubt as to the talents he possessed. One especially fine history painting, depicting in glorious detail the Coronation of Alexander III and Maria Fyodorovna, ...

One of two works by this artist in my shop is this watercolor on paper, measuring 8 1/4" by 13 5/8" inside the mat, 14" by 19" as framed, signed at lower right by the noted American nineteenth century artist GEORGE HERBERT MCCORD (1848-1909). This is a nicely painted work by an artist considered to be among the "second generation" of Hudson River School painters. McCord was from the New York and New Jersey area, but he painted in Europe, and for a time in the western United States. A prolific p...

An old watercolor on paper laid on board painting of old buildings, with a view to open water beyond the narrow lane. The work is signed with initials "MC" or "ME" at lower left but there is no other information. The watercolor measures 11 1/2" by 9" inside the mat and 18 1/2" by 16" as framed. There is old wood slat backing remaining. This might well be a scene of old England, perhaps Cornwall, but it is really hard to say more as to the locale portrayed. It is a picturesque and timeless s...

A peaceful scene of a quiet creek winding next to a forest, signed at lower right Emily M. Cornwall. An early century blue Philadelphia framer's label has been retained and affixed to the present backing. The 10" by 15 1/4" watercolor (18" by 23" framed) is offered in AS-IS condition. Somehow, over the years, the sky area in the left portion was severely damaged, with complete paper loss in areas especially at far left portion. The right half of the work is in good condition. A prospective ...

Francis Hopkinson Smith, 1838-1915, was born in Baltimore Maryland the descendent of a signer of the Declaration of Independence and the first president of the Pennsylvania Academy of fine arts. He had a successful career as a naval engineer, working on such projects as the Statue of Liberty and the race rock lighthouse off Block Island. By the 1880s Smith gave up engineering to pursue art in writing among other pursuits. Smith was self taught and quickly achieve great skill and pastel charcoal...