Fantastic pair of all original French Leather Club Chairs. We call this style slopeback due to the gentle roll then pinch that characterizes their style. This pair features a sweet light havane colored leather which means that they have never been darkened to cover flaws or repairs. The have a medium depth and a med/firm seat, quite comfortable...

Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day...

Japanese contemporary Kaidon tansu known as a step tansu. Comprised of three sections. Made with solid Keyaki (elm) wood, this tansu will hold many precious things within its various size drawers and compartments. Each compartment opens from both sides, so this Kaidon can be facing either direction. Its doors feature vertical slats to create an interesting contrast of texture and design...

Contemporary Japanese side table. Made with unusual, mixed hardwoods, creating a bold contrast of color and grains. Its tabletop is accented by lighter wood inlay "butterflies" to hold together the natural fissures of the wood. The second tier below is secured into each leg by mortise and tenon joinery.

Size: 59" L x 18.25" W x 31" H

We present a stunning Japanese tea bowl made 80 years ago by the legendary 9th Choraku Ohi (1901-1986), enclosed in its originally signed and sealed wooden box. Aesthetic highlight is the perfect kintsugi gold repair, which makes this tea bowl to a unique treasure. Highly recommended for sophisticated collections.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...

Pair of Chinese over-glaze iron red bowls outlining a design of peonies and lotus heads among leafy vines on the white ground on the outside and similarly decorated on the inside. The base glazed white with an under-glaze blue six character Daoguang mark surrounded in double blue circles.

Size: Approximately 6" diameter by 2-1/4" high

Condition: Good condition, no breaks or cracks...

Kawase Hasui
Zaimoku Island, Matsushima
Date: 1930s.
Size: Approximately 5.75 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-26.
Medium: Japanese woodblock print
Condition: Excellent.
A rarely seen design.

Kawase Hasui
Uchiyamashita, Okayama
Selection of Scenes of Japan (Nihon Fukei Senshu)
Date: 1923.
Size: Aiban. Approximately 12 x 9 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #112.
Medium: Japanese woodblock print.
Condition: Slight toning.

Antique Chinese porcelain waterpot handpainted in famille rose enamels on a white ground with peonies and prunus flowers with butterflies flying above. Glazed in white on the inside as well as the base. On the base is a four character Qianlong mark in overglaze blue surrounded by double borders.

Condition: Very good condition, no breaks or cracks

Size: 4" diameter

Vintage Japanese Tea Bowl of Kyo ware with laquered wooden box. This tea bowl was made around 50 years ago. The inside of the bowl is covered with gold glaze. Very rare.

Size: 7,7 cm height x 10,8 cm in diameter.

Shipping included.

The fine crackled feldspar glazing of this Hagi composition contrasts nicely with the red ferrous clay of the base and the wrought silver globe resting atop. Along the lower half can be seen a geometric windowed pattern giving this incense burner a sense of dimensionality.

Legendary potter Miwa Kyuwa (1885-1981) has been credited with reviving the Hagi tradition of pottery after the war...

Hiroshi Yoshida
No. 3 Cave Temple in Ellora
By Courtesy of Archaeological Department, Hyderabad
Indian and Southeast Asia Series
Date: 1932.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image...

Hiroshi Yoshida
Great Temple in Madura (Madurai)
Indian and Southeast Asia Series
Date: 1931.
Size: Oban. Approximately 15.5 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent...

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware, which was made about 50-60 years ago. The seal of 'Ohi' is stamped on the bottom. This tea cup has an amazing amber glaze.

The original wooden box is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...

Ohara Koson (Shoson)
Three Red Carp, water plant above
Size: Yoko o-tanzaku. Approximately 15.25 x 6.75 inches.
Date: ca. 1920s-1930s. "Paris, August 1939" noted in pencil on the verso in French.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Reference: S39.3 and Watanabe W36-571 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

Original Japanese print by well known artist Mayumi Oda (1941-present), titled "Let Wisdom Arise Within Us" (Blue) , number 23/100, and signed in pencil along the bottom. Wonderful depiction of a goddess wielding a sword while riding on the back of a growling fu lion, surrounded by large bouquets of peonies, the flower petals blown around her by mystic winds.

Size: 19" W x 26" H

Kawase Hasui
Ishizue, Niigata
Size: Chuban. Approximately 10.25 x 7.25 inches.
Publisher: Watanabe Shozaburo.
Date: 1934.
This edition 1930s.
"Made in Japan" stamped on verso.
Bears the oval Hasui seal.
Reference: Hotei #352.
Medium: Japanese woodblock print.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

Kawase Hasui
Evening Shower at Imai Bridge, 1932
This is a lifetime edition printed between 1946 and 1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Bears the 6 mm seal.
Medium: Japanese woodblock print.
Condition: Excellent with a couple of scuffs at upper left corner. Uncirculated.
Provenance: The Robert O. Muller estate.

This striking chawan is a fine example of “Oni Shino” (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Ohara Koson
Monkey in a Tree
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1910-1923.
Publisher: Daikokuya
Medium: Japanese woodblock print.
Reference: K41.21 and plate 30 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
"Made in Japan" stamped on verso.
Condition: Excellent with very slight bend at lower left corner. Uncirculated.
Provenance: The Robert O. Muller estate.

Takahashi Shotei (Hiroaki)
Returning Home, Evening
Date: Pre-1936 (1920s or 1930s)
Publisher: Watanabe Shozaburo. No. 508 in 1936 Watanabe catalogue.
Medium: Japanese woodblock print.
"Made in Japan" on verso.
Size: Chuban. Approximately 10 x 7 inches.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

To see more from this collection, search "Muller" in our search box at erawoodblockprints.com.

A very peculiar phurba with a important size , H 39 cm , obviously it is not a Dyangro handle recarved, the tip which usually is a triangular blade has 4 irregular sides with various animist and auspicious symbol, the middle part consists of both a dorge and a cubic part with animist symbol, the top has 4 naive ancestor faces surmounted by a rider (H8 cm) . obvious sign of good age from early 20th More pictures and information of local origin on request, presented on an iron stand , H 39 cm

Whimsical Decanter by Fratelli Toso created circa 1960.

Decanter is of simple form with applied features resembling that of a sad dog, pleading coyly with upturned eyes. The clear green glass body has opaque lines running down from the top of the neck of the bottle to just below the top of the dogs ears and eyes. The dogs eyes lattimo (milk) glass with green glass pupils looking upwards...

Ito Takashi
Late Autumn at Yachi in Towadako National Park (Charcoal-Making at Lake Towada National Park)
Medium: Japanese woodblock print.
Date: 1950.
Publisher: Watanabe Shozaburo. A first edition bearing the round, black 6 mm seal in the lower right corner.
Condition: Very slight fading evident at image edge. - A rarely seen print.

A heavy well cast 'bronze' figure, in traditional Benin ceremonial coral beaded costume and headress, probably made in Nigeria during the early to mid 20th Century. Condition: excellent. The circular copper base is probably a later addition. 30cm (12 inches) high. For additional enlargements, please view 1tem #1523 in our partially constructed Liverpool shop website at 69aliverpool.co.uk

Japanese framed print by Mayumi Oda (1941-present) of a crane, titled "New Year" and signed in pencil. Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more.

Size: (entire frame) 23" L x 28.5" H (print only) 15" L x 19.75" H

Kawase Hasui
Hachiman Shrine, Kamakura
Medium: Japanese woodblock print.
Size: Approximately 5.75 x 3.75 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Bears the oval Hasui seal.
"Made in Japan" stamped on verso.
Condition: Excellent with two small surface spots.
This design is not listed in the Hotei catalog.

Takahashi Shotei (Hiroaki)
Mt. Fuji from Kurasawa
Size: Approximately 10.25 x 7.25 inches.
Date: pre-1927.
Publisher: Watanabe Shozaburo. No. 184 in 1936 Bears the Shotei seal.
Watanabe catalog. C-12 in Shotei catalog.
Condition: Excellent. Paper at top back margin.

Tibetan snuff bottle of flat shape made of silver with a lavish embossed decor representing Tibetan Tantric Budhism deities, fistly Acala, one of the eight Dharmapalas holding a sword in his right hand on one side, and secondly one of the Dakinis on the other side. Each deity is gilt and backed by a flaming aureola surrounded by a floral design. Other parts of the bottle are partly gilt...

Japanese Female Isho Ningyo, mid-20th Century. Height: 18 inches (45.75 cm), including stand 20 inches (51 cm).

Judging by the tomobako, the shifuku, and the patina of the bowl, this piece was likely fired in early Showa (1926 - 1936) when Sosen was thought to be most active.

Perfectly formed and resting firmly on a well-grounded kodai (foot/ pedestal), this chawan is vivid, light in the hand, and has a calming presence. The artist, Asao Sosen (1897 - 1978), was known for making chagama furo (Japanese ornamental brazier used in tea ceremony) as well as “Unge” stoneware of various forms. ...

Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.

Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)

Kawase Hasui
Mt. Fuji in Rain (Ame no Fuji)
Size: Koban. Approximately 7.75 x 5.25 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Condition: Excellent.
This print features silver mica streaks of rain.

Wonderful hand-shaped Shino Chawan by great To-en Miyamura, made around 1935, enclosed in its origninally signed and sealed wooden box. Smooth and very aesthetic Shino glaze and a true wabi-sabi aura.

No chips or cracks. Impressive feeling holding this big tea bowl in your hands.

Size: 8,5 cm height x 11,5 cm in diameter.

Shipping included.

Ohara Koson
Frog on lotus leaf
Size: Shikishiban. Approximately 9.75 x 9.75 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (149).
Reference: K39.10 and plate 95 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent with small thin spot near top leaf.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father,...

A refined and elegant work of Hagi-ware done by a master potter who is not only a direct descent of the Hagi forebears, but who also credited with having revive the tradition when it fell out of practice. This piece features a well-formed kodai (foot), an exceptionally nice Hagi glaze and several “ishi-haze” or marks from small stones that partially explode in the kiln. Judging by the box and the signs of aging on the work itself, this appears to be an early work by this potter.

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