According to the potter who crafted this fine piece, “The clay from our area in the north is alive. We listen to it in order to divine the most suitable objects to create.” Here we see the clay wished to become a well-formed ceremonial tea bowl with an impressionistic rendition of a Japanese Iris. Simple, well formed, and with a soft rusticity; a cup of tea becomes a meditation on the charms of quiet country living.

Originally from Iwate (b...

A nice sterling rollover jigger by Towle. The jigger is intended to rest over the opening of a cocktail shaker or glass and then be tipped over neatly to pour the contents directly into the vessel. Marked by Towle.

Origin: America, ca. 1960. Condition: excellent, no dings. Dimensions: 2" high; 6" wide. Weight: 33.1 grams.

Japanese early 20th century pair of bronze horses. Beautifully and realistically portrayed by Japanese bronze artist, Yamamoto Kozan. The horses measure 20" wide by 10 3/4" tall and 7 1/2" deep.

Ohara Koson
Torii with Lantern and Deer
Size: Yoko chu-tanzaku. Approximately 14.5 x 5.50 inches.
Date: 1900-1910.
Bears Koson signature and seal.
Publisher: Kokkeido. Bears Kokkeido seal.
Reference: K44.12 and plate 28 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Some foxing (stabilized). Four small wear holes visible when held to light.

Ohara Koson
Sparrow on Hortensia (Blue Hydrangea)
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1920s.
Bears Koson signature and seal.
"Made in Japan" stamped on verso.
Publisher: Daikokuya (20)
Reference: K33.13 and plate 52 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Very good. Some faint foxing (stabilized).

A Chinese porcelain vase with four roundels depicting two phoenix chasing the flaming pearl in different poses, above a wave design base all in the famille verte palette on a white ground. The inside is painted white, as well as the base. The base holds a six character overglaze Xianfeng mark in iron red.

Size: 39 cm high by 20 cm diameter

Age: Qing Dynasty

Condition: Good condition, no breaks or chips. Refer to pictures.

Rough stones can be seen protruding from the unrefined ferrous clay—darkening near the base and graduating to a lighter shade as it approaches the feldspar laden lip. The inside—also covered in a smooth and viscous feldspar glaze—creates a magnificent contrast with the rough exterior...

Japanese early Showa Period comb. The comb has the design of traditional Japanese bells with red cord attached. The bells are done in high relief, one in silver lacquer one in gold lacquer and the third in bluish-green shell inlays. The comb is signed by artist. The comb measures 4 1/4" wide, 2 3/16" tall and 7/16" thick.

Japanese early 20th century earthenware teapot by SASAKI NIROKU. The wonderful teapot has a Chinese landscape design carved into the side. The teapot measures 5 1/4" wide, 4 3/4" tall and 5" deep.

Ohara Koson
Snow-capped Mount Fuji
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (6)
Reference: K44.8 and plate 103 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Lower right corner reinforced. Tone line at bottom edge. Some fading.
- A well-known and rarely seen Koson design.

The natural ash Hagi glaze gives this piece a mellow yet robust feel. The foot of the bowl is unglazed in places showing traces of ferrous-rich clay in the form of an orangish hue. The sides of the bowl show pale ash, ivory, and faint hints of lavender. Overall a classic and attractive example of an expertly crafted Hagi tea bowl.

The creator of this work, Korai-zaemon Saka XI was born in Yamaguchi prefecture in 1912...

A superbly well balanced Kuro Raku Chawan made by one of the few masters of this genre, Ogawa Choraku (1912-1991), second heir to the Choraku lineage of Raku potters.

The founder of the Choraku lineage studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku Kichizaemon family, and in 1904 with the support of Konyu, founded his own kiln in Kyoto. He received the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

Paul Jacoulet
Le Tresor, Coree (The Treasure, Korea)
Date: May 21, 1940.
Size: Approximately 18.25 x 14 inches.
Jacoulet signature and watermark with butterfly seal.
Edition: 155/250.
Carver: Maeda. Printer: Honda.
Reference: Print #66 in The Prints of Paul Jacoulet by Richard Miles
Condition: Excellent.
"This classic scene of mother and child is one of Jacoulet's best received prints." - Miles

Paul Jacoulet
Hokkan-zan, Seoul, Coree (Hokkan Mountains, Seoul, Korea)
Date: December 6, 1937.
Size: Approximately 18.25 x 14 inches.
Jacoulet signature and watermark with tea jar seal.
Edition: 144/350.
Carver: Maeda. Printer: Honda.
Reference: Print #45 in The Prints of Paul Jacoulet by Richard Miles
Condition: Excellent color and condition. The back margin edges are toned. The back top margin has three pieces of archival tape.

Ohara Shoson (Koson)
Egret in Rain
Size: Tanzaku. Approximately 15.25 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo.
First edition bearing the Watanabe D seal (sausage seal) in the right margin as in the catalog example.
"Made in Japan" stamped on verso.
Bears Shoson signature and seal.
Reference: S14.3 (cat...

王雲為王翬（清）所製 蟠龍鈕雞血紅石套印 印文：松風、竹影、盒底刻：石谷所有。 Two Chiken-Blood Red-Stone Seals in a Dragon Box Made by Wang Yun (1652-1735) for Wang Hui (1632-1717) Qing Dynasty The seal set was made for Wang Hui (1632-1717), the leading master of "Four Wangs of Early Qing" and "Painting Sage of Early Qing". Since Wang Hui's courtesy name is Shi Gu, the seal box bears a carved mark of Shi Gu SuoYou, meaning Property of Shi Gu...

DESCRIPTION: A lovely mounted crib quilt in a tumbling blocks pattern, the colors making the optical illusion of six point stars. Quilt is mounted with light sewing onto stapled muslin, and can be hung in two directions. From the collection of a Pawling, New York collector. DIMENSIONS: 39" x 54".

元釉里紅鴛鴦蓮池螭龍耳扁方瓶 A Rare Yuan Dynasty FLask with Underglaze Red Motifs of Mandarin-Ducks in Lotus-Pond and Four Chi-Dragon Ears The flask boasts of both its ingenious design and superb workmanship. Dimensions: Height: 8 7/8 inches (22.23 cm) Medium: Porcelainware Date: Yuan Dynasty Condition Report: Good Condition Provenance: Property of a LA collection

黄山壽 玉堂富貴圖設色紙本立軸款識：寉谿外史黄山寿。鈐印二方。谢鴻軒在他编著的《近代名賢墨跡三輯》中附有黄山壽小傳云：黄山壽，江蘇武進人，字旭初，一作勖初，晚號旭迟老人。生於咸丰五年（1855），髫龄即能畫，臨摹改七芗畫本，得其神貌。善工細人物仕女，古雅妍秀，兼工双鈎花鳥，青碧山水，無不臻妙；至其水墨山水，用筆益加峭拔，氣韻清逸，又善墨龍...

林風眠(1900-1991) 靜物花果 設色紙水墨本鏡心 款識：林風眠。鈐印：林風瞑 Mounted Painting of Still Life of Sun-Flowers and Apples / Lin Fengmian (1900-1991) Inscribed & signed with an artist seal. 27 X 26 3/4 inches 68.6 X 67.9 cm Date: Pre-1966 Condition Report: Hand-Painted, Good Condition Provenance: Property of a NY collector

張大千/山居圖 設色紙本立軸 1980年作 款識：六十九年元月寫寄摩耶精舍八十二叟爰。鈐印：大千長年。張大千是二十世纪中國畫壇影响巨大、又最富傳奇色彩的國畫大師，在繪畫、書法、篆刻、詩詞方面都有相當造詣。早期專心研習古人書畫，特别在山水畫實踐和理論方面頗有建樹。後旅居海外，畫風工寫結合，重彩、水墨融为一體，尤其是開創潑墨與潑彩，发展了中國畫全...

清 王鑑 仿梅花道人吳鎮水墨山水圖 水墨紙本立軸 1657年作 款識：乙酉春仿梅道人筆似舜翁老年臺詞宗正，王鑑。鈐印：王鑑之印、湘碧。王鑑是與“初清四王”，即王翬、王原祁、王時敏畫名並重的有清一代山水大家。他明末時曾任廉州府知府，世称“王廉州”。他早年由明代畫家董其昌親傳畫技，董其昌對其畫作評價曰“學畫唯多仿古人”。 Ink-Painted Landscaped in Style of Yuan ...

清 王翬 深山索居圖 水墨紙本鏡心 款識：巘邊石室低臨水，戶外雲峰半入天。伏暑蒸人，退處湖村。小築清風洞，越蕉竹交陰。偶採唐句。戲寫巨然筆法，劍門樵客石谷子王翬。鈐印：八十老人王翬、耕煙散人、太原、臞樵雅趣。Mounted Painting of Recluse Life in Remote Mountains / Wang Hui (1632-1717) of Early Qing Dynasty 32 1/4 X 20 inches 82.6 X 50.8 cm Ink on Paper Inscribed and signed with four artist seals...

清 光緒皇帝（傳） 五蝠靈芝圖设色纸本立軸 1892年作 款識：光緒壬辰五月中浣御筆。鈐印：天清玉潤...

徐悲鴻（1895-1953）松鶴圖 水墨設色紙本手卷 1942年作 款識：澄辳先生惠教。壬午初夏，悲鴻。鈐印：徐悲鴻。Hanging Scroll of Cranes & Pine-Trees / Xu Beihong (1895-1953) Dated 1942 Ink & Color on Paper 51 1/2 X 24 inches 130.8 X 61 cm Inscribed, signed & sealed by the artist. Condition Report: Hand-Painted, Good Condition Provenance: Property of a Vancouver collection

The elegant vintage bracelet, approximately 2 3/8 inches (60.33 mm) in inner diameter and 41 grams in weight, is skillfully hand-carved. Its strong natural jade material shows different beautiful green hues. Medium: Aged Hetian Jade Date: Qing Dynasty Condition Report: Hand-Carved, Good Condition Provenance: Property of a MA collection

A Rare Song Dynasty Dingyao Black Glazed Bowl Diameter: 8 inches (20.3 cm) Medium: Ceramics Date: Song Dynasty Condition Report: Good Condition; Provenance: Property of a NY Collection

Full 6 panel Japanese screen painting of a sweeping landscape with mountains, low hills and a lake with Mt Fuji rising in the background. Around the edges of the lake are clustered tiny houses. Painted in light mineral colors and ink on paper with gold flecks.

Taisho Period (early 20th century)

Dimensions: 68 1/2" high x 142 1/2" long

Antique Japanese Kanban soroban (abacus). Used by merchants, this large sized abacus has eyelets for hanging. It has 21 rows of wooden beads with 5 beads in each column (105 beads total). The beads are fitted onto wooden dowels. Behind each dowel is a boar's hair bristle which holds each bead in position when it's pushed upward even while the soroban is hanging sideways.

Showa Period (early-mid 20th century)

Dimensions: 43" wide x 12" high x 2 1/4 deep.

Tsuchiya Koitsu
A Long Spell of Rain
Date: 1930s.
Size: Chuban. Approximately 10 x 7.25 inches.
Publisher: Takemura Hideo.
Reference: Koitsu catalog no. TK-TM-060.
Medium: Japanese woodblock print.
Condition: Excellent color. A couple of scuffs and a very light crease near top.

Ohara Hoson (Koson)
Monkey surrounded by four young, carrying a persimmon
Size: Oban. Approximately 14.75 x 10.75 inches.
Date: 1930s.
Publisher: Kawaguchi and Sakai. Publisher's seal in right margin...

Antique Japanese Hyotan made from a gourd plant for Sake. Painted with trailing flowers outlined in silver. Original red hanging rope.

Age: Edo Period (18th Century)

Condition: Very good condition, no restoration

Size: Approximately 8-1/4" high by 4" diameter at it's widest point.

Very large sculpture of a seagull in flight skimming over a wave on the ocean.

The Seagull is done in clear glass, with a hazy, white, layered internal decoration. The wave is a smoky clear glass...

Japanese woven suiban. This low, shallow container is used for ikebana flower arranging. Rectangular in form, this suiban is raised on low feet. A grain or leaf-like design is woven into all sides and the corners have intricate knot work. An oval shaped metal container sits perfectly inside for holding water.

Taisho Period

Dimensions: 4 1/2" high x 19 1/2" long x 12" wide

Beautiful Japanese carved Noh theater mask of Zo-onna (beautiful woman). Carved out of hinoki (Japanese cypress) wood and painted with seashell and natural pigments. This mask is masterfully carved and painted with subtle detail like her very slight smile and the small dimple just above her chin. The mask is signed and has it's original tomobako (also with the same signature).

Taisho Period (early 20th century)

Size: 8 1/4" long x 5 1/4" wide

Two pair of Chinese turquoise glazed foo dog statues.

One pair on stands with the female holding it's young with it's right paw and the male holding a ball with it's left paw. Unglazed bases with the word China in faint on the base in red.

The other pair are in stance. Again with unglazed bases with incised numbers.

Size: The pair on stands are approximately 8" high by 3-1/3" wide by 2-3/4" depth...