Super luxurious Modern sterling silver colander. Retailed by Cartier in New York. Round bowl with two bracket side handles and 3 scrolled supports. Four pierced stars. A practical kitchen accessory wrought in precious metal. Fully marked including retailer’s stamp and phrase “Hand-Made”. Excellent condition.

Dimensions: H 6 1/2 x W 14 x D 10 1/2 in. Weight: 45 troy ounces. #BY860

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. in 1950. Each: Central socket on bell-form base to which are mounted 2 split-mounted and leaf-wrapped arms, each terminating in single socket. Shaft baluster on domed foot. Applied, chased, and engraved ornament with flowers and leaves. Scrolled rims and bobeches. Converts to candlestick. Fully marked including maker’s stamp, date symbol, pattern name, and no. X571...

"Diary June 3rd '78" is a photographic silk screen print of a child holding a blanket on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scenes from daily life. Title, signature and date in pencil. Sealed with thumb print. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist. He is a professor emeritus at Tokyo University of the Arts...

English Thatcher-era sterling silver champagne set, 1981-3. Retailed by Asprey in London. This set comprises 4 flutes and 1 tray.

Each flute: Ovoid bowl on gilt cast stem in form of fruiting grapevine with leaves and bunches set in open foot. Tray round with deep well; shoulder inset with same. A stylish way to remember the no-apologies, let-it-rip capitalism of the Eighties.

Fully marked including maker’s stamp (Hector Miller) and London assay stamp. Flutes have retailer’s stamp...

A four character calligraphy piece attributed to Liu Bingsen (1937-2005). Liu Bingsen was noted for his contemporary interpretations and styles in Chinese calligraphy. Though the subject is fitting for a literati scholar, the work appeared to be used for a communist party publication. Age: Late 20th century Size: Width 25.5" height 19.5"

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. in 1952. Each: Central socket on bell-form base to which are mounted 2 split-mounted and leaf-wrapped arms, each terminating in single socket. Shaft baluster on domed foot. Applied, chased, and engraved ornament with flowers and leaves. Scrolled rims and bobeches. Converts to candlestick. Fully marked including maker’s stamp, date symbol, pattern name, and no. X571...

Hindu Chola Period Bronze figure of a Priest or Holy man 10-12thc . Very rare and well sculpted with great attention paid to the face and wrap as well as incised decoration to mimic paint decoration on his face and arms. Size of figure is 8" by 3.5" wide Provenance. Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad Collection of Paul F Walter NY

15th - 18th c Hindu Temple sculpture of the God Shiva in sandstone plaster and pigment colors, the sculpture once decorated the walls of a Gujarat Temple. I had access to 5 similar pieces and I used a few in design projects and this being the best in form and condition was kept for my personal collection . The figure has very little restoration and is supported by a custom iron stand ...

A large Chinese tapering two-handled 'palace' vase, Hu in 18th century imperial style, decorated principally around the body on the yellow ground with groups of pomegranate and clusters of bats supporting fylfots, below a wide band of lotus and scrolling foliage, underglaze blue waves in a band at the rim, lappets at the foot, the handles as blue elephant heads, the base with an apocryphal seal mark of the Qianlong emperor (1736-1795) on a turquoise ground...

Being offered is a fine circa 1965 sterling silver vase by William Spratling, of Taxco, Mexico; modeled directly from a pre-Columbian model, hand-wrought fish form silver vase with repousse and incised detail throughout. One-of-a-kind? The Pre-Columbian vessel originally owned by Spratling? Please see page 61 of ‘William Spratling and the Mexican Silver Renaissance’ — the catalog for the 2002 San Antonio Museum of Art’ exhibition curated by the renowned scholar, Penny Morrill...

2nd-3rd C Gandharan Schist Buddhist Temple panel carving. The panel depicts the Buddha sitting on a platform with attendants bringing offerings , behind the Buddha are a pair of tree branches with wide foliage . The Buddha and platform is almost 8" alone. The piece has been repaired as seen from the back but the damage runs under the necks of the attendants and does not affect the faces ...

A JAPANESE Gilt bronze model of a COCKEREL or ONAGADORI (LONG-TAILED COCKEREL)standing on a red lacquered wood stand probably late Meiji / Taishō period, the body is beautifully chiseled on every feather ,the tail is in two parts and they attach with a screw. The figure is unsigned. Dimensions h. 20", w. 6-3/4", d. 3-1/4"; overall h. 26", w. 9-1/2", d. 9-1/2"

Charles Knight American New York artist 1898-1979, was known for abstraction of the figure which many artist and critics agree is the ultimate expression in art. Signed lower right in its original frame from the 1940s

French Art Deco 18K/Platinum very well crafted diamond and black onyx ring. The center Old European cut diamond is .55 carat. The clarity is SI2 and the color is H-I. The diamond looks larger and is quite striking against the black onyx. There are six rose cut diamonds on each side (12 total)with a total weight of .24 carat. The back side of the setting is finely pierced and crafted making it almost as beautiful as the front. Size 7 1/4. The craftsmanship is fine. The condition is excellent. Cir...

Daum Nancy signature acid etched on flared rim base,French Art Deco 1923 art glass vase in amber color, amphora shape measuring 15.5“ x 6“ in beautiful condition very rare.

A beautiful French Renaissance Style Silver Plate Chandelier in with Putti decoration with Acorn finial measuring 28x32”

Of quatrelobed form with a central vertical panel on each side. One side is marked "zhai jie", the other in Manchu script. Bordered with a dense design of stylised lotus on a light green ground within raised gilt borders. The sides painted with scrolling foliage on a white ground with a bottom hole for a string of beads.

Condition: Very good, some slight wear to the enamels

Size: 6.5 cm in length

Hiroshige Ando
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Series: No. 48 from Meisho Edo Hyakkei (One Hundred Famous Views of Edo)
Date: Intercalary 5th month, 1857.
Size: Oban 14 x 9.75 inches.
Publisher: Uoya Eikichi.
Medium: Japanese woodblock print.
Condition: Margin blanks and tears repaired by conservator. Soiling.