Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns in a basket with one fish lantern hanging overhead by a string. Numbered 97/120, titled, signed in pencil. With red chop.

Dated 1980.

Dimensions: 10" x 13" H (artwork 5" x 6 1/4" H)

Made by a women of the Miao minority often referred to as the "tiny Miao" ...not because of their stature but because they were recongnize for their "tiny" embroidery stitches... This jacket was worn for festivals ...and shows some use...wonderful display piece and also could be worn by a small person....

Magnificent hand shaped Shino Chawan, made by Kentaro Sesshu 80-90 years ago. Kentaro Sesshu is a descendant of legendary artist Shessu Toyo (1420-1506). The seal of the artist is stamped on the bottom. The chawan with its great wabi sabi aura comes with its originally signed and sealed wooden box.

No chips or cracks.

Size: 8,8 cm height x 10 cm in diameter.

Free shipping.

A very handsome Art Deco champagne and cocktail stirrer set of imposing size. Each stirrer has a torpedo-shaped finial complete with fins. The stirrers would be inserted with finial down for aerating a glass of champagne or with the thin end down for stirring a cocktail. The underside of the base is stamped the hallmark of B. Borhmann, a silverplate manufacturer in Frankfurt Germany until the mid-1920s...

Ohara Koson
Eagle watching small bird (Eagle with outspread wings)
This example has a Matsumoto Print Works tag on the back (#105). The ca. 1910 Matsumoto catalog lists the print as "Eagle on a Tree."
Size: Ko-tanzaku. Approximately 7.75 x 3.75 inches.
Date: ca. 1900s-1923.
Koson seal at lower right.
References: Matsumoto #105...

Very beautiful Kinsai Iroe Shino ware tea bowl, signed and inclosed in its original wooden box. It was made about 60 years ago and it is decorated with a shiny gold leaf design and images of grass and plum trees.

The bowl is in excellent condition with no chips, cracks or restoration. Signature on base.

Size: 8 cm height x 11 cm in diameter.

Shipping included

Andrew Kay Womrath (1869-1939)
Canal scene, Venice.
Paper size: Approximately 9.75 x 7.5 inches.
Artist's proof
Date:ca 1920s.
Medium: Japanese woodblock print.
Condition: Excellent.
Womrath collaborated with Yoshijiro Urushibara (1888-1953) on our Venice by Night (Item Womrath 005).

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware, which was made about 50-60 years ago. The seal of 'Ohi' is stamped on the bottom. This tea cup has an amazing amber glaze.

The original wooden box is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...

Beautiful 4-string lute ("saranghi"), the top in the shape of a head holds the four keys, the body itself is made of two parts of heart shape. Wood, with nice dark-brown glossy patina. The lower part is covered with animal skin affixed with tiny wood pegs. Himalaya, 19th century. Height: 22 1/4" (55,6 cm). The lute is nicely mounted on a custom metal stand. Obvious signs of use and age, otherwise very good condition...

Japanese sosaku hanga woodblock print depicting a pavilion on Peony Point (Botan-dai), Pyongyang, Korea and is No. 28 from the series "One Hundred Views of New Japan" by Hiratsuka Un'ichi (1895-1997). The artist's red ink Hiratsuka Un'ichi seal is at the lower right. The black ink title and artist's red "Un" seal is at the upper left. Known to date to 1940. Paper size: 9 7/8" x 12 5/8" (image: 8 7/8" x 11 7/8"). This print was never framed and is in very good overall condition...

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware with an amazing amber glaze which was made about 50-60 years ago by Rakusai Ohi. The seal of 'Ohi' is stamped on the bottom. The original wooden box with the signature and the seal of the artist is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...

This elegant and amazing sculptural bowl form, attr Fratelli Toso in the 1970s, has a strong presence to accent its environment. Done in the Sommerso technique, with clear, pale blue and red, the free-form flow reminds the viewer that glass is a liquid. Tip to tip is 12", height 6", width 5". Bottom is polished. It is in excellent condition.

Boro futonji whose ground cloth and most of the mending patches are hand-spun and natural indigo dyed cotton. It used to be a futon cover so that it still has cotton dust. Late 19th to mid 20th century. 63cm x 144cm

HAND TAMED JIZO

Lovely Japanese stone carving figurine of Jizo Bosatsu (Jizo Bodhisattva) that is so handy in size, H 16 x 8 x 7cm (6.29 x 3.14 x 2.75in), early-mid 20th century, in generally weathered condition as is due to aging...

Kawase Hasui
Farmhouse in Snow
Date: 1930s.
Print size: Approximately 6 x 4 inches.
A woodblock print tipped along its top edge to an original blank holiday card.
Publisher: Watanabe Shozaburo.
Hasui seal lower right.
Medium: Japanese woodblock print.
Condition: Excellent.

Sakiori sodenashi (vest) whose weft is cotton strips recycled from old indigo dye kimono. warp is asa (hemp) yarn. It has beautiful mixed vegetable indigo color. In good condition but has some wear. The first half of the 20th century. 43cm x 75cm

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns, stacked and strung together. Numbered 132/300, titled, signed in pencil.

Dated 1981.

Dimensions: 7 3/4" X 10 1/2" H (artwork 2 3/4" x 5 1/2" H)

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against an oatmeal coloured ground. The back is plain and glazed with a clear transparent ash glaze.

The original wood storage box (tomobako) lid is inscribed in ink "Mashiko decorative dish with plum in iron oxide", the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father...