Offered is this beautiful Fratelli Toso 'Starry Night' Murano art glass vase. The vase is 8 3/4 inches (22 cm) tall and 5 1/4 inches (13 cm) wide at the top. It is in excellent condition. Polished pontil. Unsigned, but guaranteed to have been made by Fratelli Toso (a similar vase is shown on page 90 of Leslie Pina's book, 'Italian Glass century 20' - shown in last two pictures here for your convenience).

Offered is this beautiful, large, Galle-type, French cameo glass vase, depicting a scenery. The vase is 11 3/4 inches (30 cm) tall and 4 1/2 inches (11,5 cm) wide. It is in good condition and has a broken pontil. It is signed in cameo (see last picture), though it is hard to decipher the signature.

Offered is this beautiful 'Ariel' glass bottle-vase designed by Edvin Ohrstrom at Orrefors. The vase is 4 inches (10 cm) tall and 2 1/2 inches (6,3 cm) wide at the bottom. It is in excellent condition and is properly signed.

A beautiful Signed French cameo glass vase, made by Legras et Cie. The vase is cameo cut in typical art nouveau decor. The signed vase has a polished pontil and is in excellent condition. The vase is 7 3/4 inches (20 cm) tall and 3 1/8 inches (8 cm) wide at the top.

Offered are these two signed early (1965 & 1967) Dominick Labino ewers. The green/olive colored ewer is 6 inches tall and 5 1/4 inches wide at its widest; the clear one is 5 inches tall and 5 1/2 inches wide at its widest. Both ewers are in excellent condition. Polished pontils. Some bubbles in glass, typical of blown glass objects.

Offered is this beautiful, 'Osiris'-type art glass vase with applied handles, made most likely, by Stevens & Williams in England, around 1890. Probably the 'Pull-up' machine, invented by John Northwood (when he was Artistic Director at Stevens & Williams), was used for the zippered pattern on the vase. The vase is 9 inches (23 cm) tall and 5 inches wide. It is in good condition. The handles on the vase fluoresce in a gentle-green coloration, typical of 19th century soda-lime glass...

Offered is this large signed Seguso Murano glass vase. The vase is 13 3/4 inches (35 cm) tall, 7 3/4 inches (20 cm) wide and 5 inches (12,5 cm) deep. It is without any chips, cracks or repairs. The vase was used for keeping live flowers, and as such, there are some scratches and a water mark on the vase (see last picture - it should be possible to get the water mark off with a vinegar solution). The vase has the faded Seguso paper label and the etched, 'Des. L...

A beautiful, Murano glass 'Mezza Filigrana' vase, made by Dino Martens for Aureliano Toso. The very heavy glass vase is 11 1/2 inches (29 cm) tall and 7 1/2 inches (19 cm) wide. Good condition, without chips, cracks or repairs (a few bubbles in glass, and age-appropriate base wear, as expected). Unsigned, as expected (a similar vase was sold by Midwest Auction Company on December 1, 2012).

This porcelain figurine was produced in Germany by Rosenthal in the 1950s. It has the artist’s signature, Fritz Heidenreich, impressed into the base. It had a 13 1/2 inch wing span and is 8 1/4 inches high. The figurine is expertly modeled by this highly renowned artist. This drake is hand painted in natural colors. His splendid plumage is finely detailed. The mallard is lifting up out of the water with powerful, swift wings...

This porcelain demitasse cup and saucer was produced in Germany by Meissen between 1924 to 1934. It has the crossed swords mark from the Pfeiffer period that is first quality. The saucer measures 4 1/8 inches in diameter and 1 inch deep. The cup is 2 inches tall with a diameter of 2 1/2 inches. The set is decorated in the Japanese Kakiemon style. Whimsical, stylized yellow tigers wind themselves around bamboo...

Miniature Galle cameo glass bowl with orang grape vine and leaf pattern over a camphor and white background. The bowlis 2 1/8 inches tall and is 3 inches in diameter. The piece is signed Galle.

Being offered is a circa 1940 sterling silver pie, cake, lasagna etc etc server by William Spratling of Taxco, Mexico. Handwrought server with allover spot hammering; an applied flattened ball at the end of the terminal handle. Dimensions: 10 1/4 inches long by 2 3/4 inches wide. No monogram. Marked as illustrated in photo. In excellent condition. Typical of William Spratling, great design, construction and weight!

A small amethyst over camphor glass cameo vase. The decoration is a floral pattern on a camphor ground. The vase is signed “ C Vessiere” in cameo and is 3 1/4 inches tall.

Antique stoneware vase featuring a central motif of a long stem chrysanthemum with smaller stems surrounding it against a shaded blue ground. This vase is hand-painted and has an overall crackle. The vase is finished with a rope design border around the top rim. The inside glazed white. The base left unglazed...

Dark blue over camphor Galle cameo miniature vase. This 4 1/4 inch tall vase is just the right size for that little empty space in your vitrine. The blue forest scene is very nicely carved with the high points of the design having a glossy finish. The vase is signed (see view 5 in the photographs) and there is no damage.

A beautiful set of six sterling pastry or cake forks designed by Bernard Cuzner for Liberty & Co. in 1923. The handles are elegantly enhanced with blue and green champleve enamel in a sort of peacock feather design. Cuzner was Liberty’s most influential silver designer in the 1920s. This set is fully hallmarked by Liberty and has the date mark for 1928...

Gorgeous set of 12 English sterling silver cocktail forks, the handles completely worked in basse-taille enamel. The enamel, in translucent shades of cornflower blue and turquoise, is elegantly accented with areas of exposed parcel-gilt silver. The sides of the silver handles bear full hallmarks for London, 1932 (the maker's mark is TS).

Origin: London, 1932...

Two sets of English Art Deco sterling silver cocktail picks, the finials in the form of brightly enameled roosters. Each pick has unusual double tines that firmly hold olives, cherries, etc., and a hook on the back side that can rest on the edge of tall glass to keep them from sinking to the bottom. Each is hallmarked the silversmith Adolph Scott ("Amnora") and with the datemark for Birmingham, 1929...